THE ANTINOUS OF RENO NEVADA

WE love it when Antinomaniacs from around the world share images of Antinous they discover during their globetrotting travels.

This statue of Antinous in the guise of Dionysus is the center of an Italian restaurant in Reno Nevada. He holds the thyrsus staff of Dionysus in one hand and a goblet of wine in the other.

He is flanked by two maenads who are totally naked ... though his private parts are hidden discreetly ... lest prudish American diners be put off their pasta.

And to top it all off ... this statue rotates slowly to give diners on all sides a 360-degree view of him ... under a twinkling starry heaven.

SACRED ART OF THE NILE INUNDATION THE FIRST MIRACLE OF ANTINOUS THE GOD

ANTINOUS worked his first recorded miracle in July of the year 130 AD by ensuring a bountiful Nile Inundation which ended a famine.

Artist Andreja Izta Jurečič has created this sacred art showing the deified Antinous wading into the Nile flood waters hand-in-hand with Anubis as a bounty of food and vegetation swirls around them both.

The artist says:

ANTINOUS DEUS - The God Who Made the Nile Give Birth 

The legend says the Nile flooded and bore fruit again only after Antinous died. His sacrifice was a gift to Hapi, god of the inundation.

I created a series that tells exactly that, in Egyptian:

Anubis leads Antinous, holding the Ankh - the symbol of life, through the flooded Nile full of lotus, wheat, fish and offerings. Above them, enthroned, sits golden Osiris, who has received him. And above it all shines the golden moon, the constellation of Antinous in the sky, and a shooting star - his descent back to earth to work the miracle.

The image above is how it looked on the day of its dedication, when the painters of Emperor Hadrian had just finished it. Vivid Egyptian blue, fresh gold letters: ANTINOUS HEROES EVERGETES / FILIUS OSIRIDIS ANTINMORTALIS AETERNUS

The image below  is as if we had just discovered it yesterday in the temple of Antinoopolis, cracked, 1900 years old.

From a drowned youth, to a god who makes the Nile give birth, to a star in the sky. An eternal story of transformation.

Andreja Izta Jurečič

WE CELEBRATE THE NILE INUNDATION THE FIRST MIRACLE OF ANTINOUS THE GOD

ANTINOUS worshipers around the world convened via Zoom tonight for ceremonies originating from the Hollywood Temple of Antinous celebrating the First Miracle of Antinous ... the Bountiful Inundation of the Nile which ended a drought which had caused food shortages throughout the Empire.

The famine had overshadowed the tour of Egypt by the Imperial entourage in the year 130. The half-starved Egyptians looked to Hadrian, whom they worshipped as pharaoh, to perform a miracle which would end their misery.

But as Hadrian and Antinous traveled up the Nile during the summer and autumn of 130, the Nile once again failed to rise sufficiently to water the fields of Egypt — Rome's "Bread Basket" and chief source of grain and other staple foodstuffs.

It was a humiliating disappointment for the Emperor following the jubilant welcome by peoples during the earlier part of his tour through the Eastern Empire. In Ephesus and other cities he had been welcomed as a living god.

But the Egyptians had given him and his coterie what little they had in the way of food and wine — and he had failed to convince the Inundation Deity Hapi to bless them with bounty. Hapi is one of the most extraordinary deities in the history of religion.

Hapi is special to us especially because Hapi is hermaphroditic. With many other such deities, the gender division is down the middle of the body (like some Hindu deities) or the top half is one gender and the bottom half is the other.

But Hapi is very complex and the genders are mixed throughout his/her body. Male deities invariably have reddish-orange skin in Egyptian Art and female deities have yellowish skin. Hapi has bluish-green skin. Hapi has long hair like a female deity but has a square jaw and a           beard. Hapi has broad shoulders yet has pendulous breasts like a nursing mother. Hapi has narrow hips and masculine thighs, but has a pregnant belly. Nobody knows what sort of genitals Hapi has, since they are covered by a strange garment reminiscent of a sumo wrestler's belt.

Hapi is both father and mother to the Egyptians. Hapi provides them with everything necessary for life. As Herodotus wrote, "Egypt is the gift of the Nile". Hapi wears a fabulous headdress of towering water plants and she/he carries enormous offering trays laden with foodstuffs.

The Ancient Egyptians had no problem worshipping a mixed-gender deity. I think it is very important to draw the connection between Hapi and Antinous, especially since the First Miracle that Antinous performed as a god involved Hapi. The Egyptians accepted Antinous into their own belief system immediately and were among the most ardent followers of Antinous.

They had no problem worshipping a gay deity who had united himself with a hermaphroditic deity. It must have seemed very logical and credible to them.

It made sense to them and enriched their belief system, made it more personal since they could identify more easily with a handsome young man than with a hermaphrodite wearing a sumo belt (Hapi forgive me!).

Herodotus also said he once asked a very learned religious man in Egypt what the true source of the Nile was.

The learned man (speaking through an interpreter, since most Greeks never bothered to learn Egyptian) paused and finally told him the true source of the Nile is the thigh of Osiris.

We think of it as a strange answer. We think of the Nile as an "it" and the source as a "geographical location". But the Egyptians thought of the Nile as "us" and its true source as "heka" — the magical semen of the creator.

So, a learned Egyptian would have assumed that a learned Greek would understand what was meant: That Hapi is the equivalent of Dionysus, who was "incubated" in the inner thigh of Zeus after his pregnant mortal mother Semele perished when she could not bear the searing sight of her lover Zeus in all his divine panoply.

It's a very poetic way (a very Egyptian way) of saying that the "true source" of the Nile, which is to say Egypt itself, is the magical heka/semen from the loins of the original creator.

We will never know what happened during that journey up the Nile along the drought-parched fields with anxious Egyptian farmers looking to Hadrian for a miracle. All we know is that Antinous "plunged into the Nile" and into the arms of Hapi in late October of the year           130.

And then the following summer, Hapi the Inundation Deity provided a bountiful Nile flood which replenished the food stocks of Egypt — and the Roman Empire.

Our own Flamen Antinoalis Antonius Subia explains the more esoteric aspects of this special Religious Holy Day:

"The Dog Star Sirius appears, and the sacred Star of Antinous begins to approach its zenith in the night sky of the northern hemisphere. The appearance of the Dog Star once announced the rise of the Inundation of the Nile, though it no longer does due to the precession of the Equinox, which is the slight alteration of the position of the stars.

"After the Death and Deification of Antinous, the Nile responded by rising miraculously after two successive years of severe drought. It was on this day, July 25th, in the year 131 that the ancient Egyptians recognized that Antinous was a god, nine months after his death, following their custom of deifying those who drowned in the Nile, whose sacrifice insured the life-giving flood.

"Sirius is the brightest star in the sky, it is part of the constellation Canis Major, or the big dog, which is the hunting dog of Orion. Mystically, Sirius and the constellation Canis Major is Antinous Master of Hounds and Orion is Hadrian the Hunter.

"The position of Orion, along the banks of the Milky Way, our galaxy in relation to Sirius is a mirror image of Pyramids along the bank of the Nile, which is the same relationship as Antinoopolis to the Nile, with the Via Hadriani, the road which Hadrian built across the desert to the East, linking the Nile with the Red Sea — Rome to India.

"We consecrate the beginning of the Dog Days of Summer to the advent of the Egyptian deification of Antinous and the miracle of the Inundation of the Nile."

The First Miracle of Antinous the Gay God is enshrined in the hieroglyphic inscription on the 

The East Face of the Obelisk, which is aligned to the rising sun Ra-Herakhte, speaks of the joy that fills the heart of Antinous since         having been summoned to meet his heavenly father Ra-Herakhte and to become a god himself.

Then the inscription tells how Antinous intercedes with Ra-Herakhte to shower blessings upon Hadrian and the Empress Sabina Augusta.

And Antinous immediately calls upon Hapi ...

Hapi, progenitor of the gods,
On behalf of Hadrian and Sabina,
Arrange the inundation in fortuitous time
To make fertile and bountiful, the fields
Of Both Upper and Lower Egypt!

We joyfully celebrate this, the First Miracle of Antinous!

THE INUNDATION OF THE NILE WAS SEEN AS THE FIRST MIRACLE OF ANTINOUS THE GOD

ON JULY 25 the Religion of Antinous joyfully commemorates the First Miracle of Antinous — the Bountiful Inundation of the Nile which ended a drought which had caused food shortages throughout the Empire.

The famine had overshadowed the tour of Egypt by the Imperial entourage in the year 130. The half-starved Egyptians looked to Hadrian, whom they worshipped as pharaoh, to perform a miracle which would end their misery.

But as Hadrian and Antinous traveled up the Nile during the summer and autumn of 130, the Nile once again failed to rise sufficiently to water the fields of Egypt — Rome's "Bread Basket" and chief source of grain and other staple foodstuffs.

It was a humiliating disappointment for the Emperor following the jubilant welcome by peoples during the earlier part of his tour through the Eastern Empire. In Ephesus and other cities he had been welcomed as a living god.

But the Egyptians had given him and his coterie what little they had in the way of food and wine — and he had failed to convince the Inundation Deity Hapi to bless them with bounty. Hapi is one of the most extraordinary deities in the history of religion.

Hapi is special to us especially because Hapi is hermaphroditic. With many other such deities, the gender division is down the middle of the body (like some Hindu deities) or the top half is one gender and the bottom half is the other.

But Hapi is very complex and the genders are mixed throughout his/her body. Male deities invariably have reddish-orange skin in Egyptian Art and female deities have yellowish skin. Hapi has bluish-green skin. Hapi has long hair like a female deity but has a square jaw and a beard. Hapi has broad shoulders yet has pendulous breasts like a nursing mother. Hapi has narrow hips and masculine thighs, but has a pregnant belly. Nobody knows what sort of genitals Hapi has, since they are covered by a strange garment reminiscent of a sumo wrestler's belt.

Hapi is both father and mother to the Egyptians. Hapi provides them with everything necessary for life. As Herodotus wrote, "Egypt is the gift of the Nile". Hapi wears a fabulous headdress of towering water plants and she/he carries enormous offering trays laden with foodstuffs.

The Ancient Egyptians had no problem worshipping a mixed-gender deity. I think it is very important to draw the connection between Hapi and Antinous, especially since the First Miracle that Antinous performed as a god involved Hapi. The Egyptians accepted Antinous into their own belief system immediately and were among the most ardent followers of Antinous.

They had no problem worshipping a gay deity who had united himself with a hermaphroditic deity. It must have seemed very logical and credible to them.

It made sense to them and enriched their belief system, made it more personal since they could identify more easily with a handsome young man than with a hermaphrodite wearing a sumo belt (Hapi forgive me!).

Herodotus also said he once asked a very learned religious man in Egypt what the true source of the Nile was.

The learned man (speaking through an interpreter, since most Greeks never bothered to learn Egyptian) paused and finally told him the true source of the Nile is the thigh of Osiris.

We think of it as a strange answer. We think of the Nile as an "it" and the source as a "geographical location". But the Egyptians thought of the Nile as "us" and its true source as "heka" — the magical semen of the creator.

So, a learned Egyptian would have assumed that a learned Greek would understand what was meant: That Hapi is the equivalent of Dionysus, who was "incubated" in the inner thigh of Zeus after his pregnant mortal mother Semele perished when she could not bear the searing sight of her lover Zeus in all his divine panoply.

It's a very poetic way (a very Egyptian way) of saying that the "true  source" of the Nile, which is to say Egypt itself, is the magical heka/semen from the loins of the original creator.

We will never know what happened during that journey up the Nile along the drought-parched fields with anxious Egyptian farmers looking to Hadrian for a miracle. All we know is that Antinous "plunged into the Nile" and into the arms of Hapi in late October of the year 130.

And then the following summer, Hapi the Inundation Deity provided a bountiful Nile flood which replenished the food stocks of Egypt — and the Roman Empire.

Our own Flamen Antinoalis Antonius Subia explains the more esoteric aspects of this special Religious Holy Day:

"The Dog Star Sirius appears, and the sacred Star of Antinous begins to approach its zenith in the night sky of the northern hemisphere. The appearance of the Dog Star once announced the rise of the Inundation of the Nile, though it no longer does due to the precession of the Equinox, which is the slight alteration of the position of the stars.

"After the Death and Deification of Antinous, the Nile responded by rising miraculously after two successive years of severe drought. It was on this day, July 25th, in the year 131 that the ancient Egyptians recognized that Antinous was a god, nine months after his death, following their custom of deifying those who drowned in the Nile, whose sacrifice insured the life-giving flood.

"Sirius is the brightest star in the sky, it is part of the constellation Canis Major, or the big dog, which is the hunting dog of Orion. Mystically, Sirius and the constellation Canis Major is Antinous Master of Hounds and Orion is Hadrian the Hunter.

"The position of Orion, along the banks of the Milky Way, our galaxy in relation to Sirius is a mirror image of Pyramids along the bank of the Nile, which is the same relationship as Antinoopolis to the Nile, with the Via Hadriani, the road which Hadrian built across the desert to the East, linking the Nile with the Red Sea — Rome to India.

"We consecrate the beginning of the Dog Days of Summer to the advent of the Egyptian deification of Antinous and the miracle of the Inundation of the Nile."

The First Miracle of Antinous the Gay God is enshrined in the hieroglyphic inscription on the OBELISK OF ANTINOUS which stands in Rome.

The East Face of the Obelisk, which is aligned to the rising sun Ra-Herakhte, speaks of the joy that fills the heart of Antinous since having been summoned to meet his heavenly father Ra-Herakhte and to become a god himself.

Then the inscription tells how Antinous intercedes with Ra-Herakhte to shower blessings upon Hadrian and the Empress Sabina Augusta.

And Antinous immediately calls upon Hapi ...

Hapi, progenitor of the gods,
On behalf of Hadrian and Sabina,
Arrange the inundation in fortuitous time
To make fertile and bountiful, the fields
Of Both Upper and Lower Egypt!

We joyfully celebrate this, the First Miracle of Antinous!

SEEK THE LOST TOMB OF ANTINOUS WITH BEN PASTOR'S 'THE WATER THIEF'

IT's summer vacation time in the Northern Hemisphere and anyone who is interested in historical fiction in general and Antinous in particular should read this book by Ben Pastor, the award-winning Italian-American historian and author. 

She knows more about Hadrian and Antinous than almost any other living expert. 

Her historical novel THE WATER THIEF is an example of fine scholarly research, as are indeed all of her books.

This novel traces the efforts of Aelius Spartianus to discover the fabled LOST TOMB OF ANTINOUS. 

Aelius Spartianus is a true-life figure who did in fact write a biography of Hadrian nearly 200 years after the death of Antinous.

Set in the year 304 AD, it tells of this very literate Roman army officer who is commissioned by Emperor Diocletian to do research on his predecessor the Divine Hadrian, who had died nearly two centuries earlier. 

It is while delving into the mystery of the death of Antinous and while trying to learn the whereabouts of the Boy's tomb that the officer stumbles onto evidence of a letter penned by Hadrian uncovering a covert conspiracy to bring down the Empire ... a conspiracy that is still very much at work in 4th Century Rome. 

As Spartianus comes ever closer to finding the answer to the death of Antinous, the conspirators' efforts to thwart him become ever more violent, resulting in numerous brutal murders and attempts on the officer's life.

Pastor's descriptions of Rome in the year 304 AD are superb. You get a real feel for the teeming city in mid-summer, with all the odors and noise, colors and steamy heat that that implies. 

Best of all, for those of us who love and worship Antinous, are the chapters in which Spartianus ensconces himself in Hadrian's derelict villa outside Rome. 

It is there, as he stares up into the stars at night, that he makes a startling connection between the layout of the villa and the eight visible constellations in the nighttime sky in late October when Antinous died ... indicating that Hadrian's obsession with horoscopes and astrology led him to create an earthly universe where time stood still at the death of Antinous.

Did Hadrian's belief in astrological fate compel him to have Antinous killed? Or did Antinous take his own life in a bid to fulfill his astrological fate? 

Or was it more mundane? Did he and Hadrian have a lovers' tiff that ended tragically? Was he done in by young male rivals intent on gaining Hadrian's affections for themselves? 

Or was something even more sinister at work? And why is someone desperate to preventing the officer from finding out what happened to Antinous all those years ago?

For those of us who love Antinous, this book is a joy to read. Pastor works in many small and obscure details which are well known to his modern-day followers. 

To give just one example, the Roman officer expends a great deal of effort trying to locate and decipher the OBELISK OF ANTINOUS which today stands in a park in Rome and is the focus of much current research in the 21st Century.

The obelisk's key inscription, which is the focus of modern experts seeking his tomb, says that Antinous "rests within the garden bounds of the great lord of Rome". 

Just as today's researchers have puzzled over the meaning of that phrase, Ben Pastor's protagonist must also make sense of it ... and he arrives at a startling answer that almost costs him his life and jeopardizes future of the Empire.

The novel's characters are well drawn and the reader identifies with Spartianus as he attempts to unravel this Gordian Knot while at the same time pulling together the strands of his own personal life.

There are numerous gay characters and they emerge as well-rounded and believable characters, especially the flamboyant Egyptian gays who find themselves unwittingly the target of unscrupulous killers in their very midst.

The tales of Antinous and Hadrian which unfold as the investigation progresses are a true pleasure to read, if only because they are all so contradictory and often far-fetched ... precisely as they are to today's researchers. 

Spartianus must work his way through this thicket of tall tales and outright lies and defamations in order to determine precisely what sort of persons Hadrian and Antinous were ... in order to save the Empire two centuries after their deaths.

One of the more outlandish tall tales is told to Aelius by a Roman transgender hustler named Cleopatra Minor who claims to have frequented a notorious whorehouse which specializes in boys for aristocratic customers whose villas line the Bay of Naples. 

Cleo claims it is "well-known there" that Antinous was a boy prostitute who had just arrived from Bythinia and "had barely become accustomed to his little bed" when Hadrian stopped by the whorehouse and took a fancy to him.

There are lots of other, equally intriguing characters in this book. But the most intriguing character of all, of course, is the one character who cannot take active part in the plot but whose presence is felt at every turn of the plot:

Antinous himself.

Though the 4th Century murders take center stage in the story, this book actually is more concerned with telling the story of Antinous and Hadrian and their abiding love affair which spans the gulf of the centuries.

As you read the novel, you get a growing awareness of Antinous as the living, breathing, three-dimensional human being that he must have been in life. 

The more Spartianus looks into the life of Antinous, the more he becomes obsessed with the Blessed Boy. He simply has to find that tomb, even if it means his death and the downfall of Rome.

We won't give away the thrilling ending, except to say that, when Spartianus finally "exchanges glances" with Antinous (in a manner of speaking), Spartianus is overcome with emotion ... and the reader finds it hard to hold back the tears. 

CLICK HERE to order, but don't wait too long ... or the Water Thief will catch up with you.

NICK DRAKE SAINT OF ANTINOUS

ON JUNE 19th the Religion of Antinous commemorates the birth of SAINT NICK DRAKE, the sexually ambivalent English singer who died under very mysterious, Antinous-like circumstances at a young age and who became an artistic icon for future generations of dreamers and artists.

Nicholas Rodney Drake was born on June 19th, 1948, to an upper middle class English family living in Burma. His father was an industrialist and there was never much question about Nick's financial future. Indeed, he would have been a wealthy middle-aged man today had he done nothing at all.

But Nick never ceased to wonder and worry about his spiritual future. Despite or perhaps precisely because of his admission to Cambridge University, Nick Drake was convinced that he should shun a financially certain future and pursue a future as a musician.

Nick Drake learned to play piano at an early age, and began to compose his own songs, which he would record on a reel-to-reel tape recorder he kept in the family drawing room in rural England.

In 1966 he spent some time in the South of France where he purportedly became acquainted with "the best sort of pot" and perhaps experimented with LSD — and possibly sex with both females and males.

Returning to England, he realized he was not suited to receive a degree from Cambridge University. Nick abruptly and shockingly (as far as his family was concerned) ended his studies at Cambridge nine months before graduation, and in autumn 1969 moved to London to concentrate on a career in music.

Nick signed to Island Records when he was 20 years old and released his debut album, Five Leaves Left, in 1969. By 1972, he had recorded his second album — Bryter Layter and part of his third, Pink Moon. Neither of the first two albums sold more than 5,000 copies on their initial release in Britain, much less abroad. He never made an American breakthrough, unlike other major British artists of the era.

Nick was devastated and depressed. His excruciating shyness to perform live or be interviewed further contributed to his lack of commercial success. Despite this, he was able to gather a loyal following.

He managed to complete his third album, Pink Moon, recorded in midnight sessions in the winter of 1971, immediately after which he withdrew from both live performance and recording, retreating to his parents' home in rural England. Once again, it did not sell well. He felt he was a failure. On November 25th, 1974, Nick Drake retired to his upstairs bedroom where he took a cocktail anti-depressants which killed him. He was found stretched over his bed next morning by his mother.

The Religion of Antinous honors Nick Drake as a prophet of Homoeros. He was a man who saw through the transparent barriers between sexuality to see the spiritual truth of reality. He was one of those many men who are never sure of their sexuality. But it is unimportant whether he was "gay" or not.

Nick Drake is a symbol of these sorts of dreamy and shy men who live existences of quiet despair. Nick Drake could play better riffs on the guitar than almost anybody of his generation. He had a beautiful voice. He was a gifted song-writer. He knew he had more   talent in his little finger than most well-paid artists would ever possess. But his career never took off. The big break never happened. Nobody appreciated him. He was broke and disillusioned.

His sister says she believes he took an overdose of anti-depressants   thinking he wanted it to either cure him or kill him, because he couldn't go on living in such despair of being an artistic failure. How many people in the economic meltdown of the early 21st Century don't feel the same despair? And yet ....

Nick Drake could scarcely have dreamt as he swallowed a handful of pills on a dreary November evening in his parents' house in the English Midlands that he would become a major recording star with fans around the world — 30 years after his death. His three albums now are cult chart-busters around the world.

When we remember Saint Nick Drake, we must remember too that Antinous is the patron of these sensitive souls who die untimely and tragic deaths at an early age. Antinous is the River Man who drowned in the Nile .... 

THE TWO LOVERS OF ANTINOOPOLIS

ON MAY 10th the Religion of Antinous honors two men we call the Two Lovers of Antinoopolis who lived in the Sacred City of Antinoopolis and who worshiped the Beauteous Boy and whose joint portrait is one of the great mysteries of Egyptology.

This round portrait, called a "tondo" because of its circular format, was used as a face plate on a mummy. The vicinity of Antinoopolis and the Fayoum Oasis region is famous for hundreds of such mummy portraits which give us a priceless look at how the residents of the Sacred City actually looked. It is believed these were portraits which had hung in people's homes and which were interred with the deceased, as a reminder to their Ka about who they were in mortal life.

The tondo is unique, though, because it shows two faces. Archaeologists have no explanation as to why anyone would want the face plate on a mummy to show two men's faces. The conventional explanation is that they were perhaps brothers and when one of them died, his surviving brother insisted on burying him with their joint portrait to show his fraternal love.

But one glance at the portrait shows that the two men bear little resemblance to each other.

Even more striking is the difference in skin coloring. Throughout Egyptian art, males were portrayed as having typically ruddy-brown skin and girls and women as having creamy colored skin ... that was the iconic rule in Ancient Egyptian art. The skin colors do not represent the ACTUAL skin tones of the people, just as the idealized features of pharaohs don't reflect how they actually looked.

In Ancient Egyptian art, even if two individuals appear to be identically dressed with wigs and flowing robes, you can distinguish gender roles by skin color.

Ruddy skin means male. Creamy skin means female.

That makes it all the more interesting to look at the Tondo of the Two Lovers, because one man has dark "male type" skin coloring and the other man has very light "female type" skin coloring. Such contrasting skin coloring traditionally was used only for married male-female couples in Ancient Egyptian art.


Even when the hairstyles and clothing are barely indistinguishable in Egyptian art, the difference in skin tones is a gender-role clue. Any Egyptian would instantly register the visual "pun" and would think it no accident.The artist who painted the Tondo of the Two Lovers appears to have been giving us a clue as to the relationship between the two men.

The Tondo has been dated between 130-150 AD which would place them as nearly contemporaries of Antinous, living in His Sacred City in the first bloom of the Religion of Antinous. French architectural historian Jean-Claude Golvin painted this stunning rendering of Antinoopolis at its height.

But of even more significance are the small images of Greco-Egyptian gods placed above their shoulders. The darker man is guarded by a figure which some experts identify as Hermanubis, a god of the underworld adored in the nearby city of Hermopolis. His name is variously interpreted as "Hermes/Anubis" or "Horus-as-Anubis", depending on whether you read the Latin or the Egyptian spellings.

The cult of Hermanubis was on the rise in Rome at this time and he was interpreted as a solar deity who (like Hermes/Mercury and Horus) led the dead through the darkness to everlasting sunlight. A crack runs through the figure, however, making its identity somewhat unsure. At one point Hermanubis had a large cult following in Rome itself and his face graced Imperial coins. But his cult was suppressed almost as quickly as it rose, for moralistic reasons which are hard to reconstruct.

The lighter skinned and more beautifully dressed boy is watched over by Antinous, the patron god of Antinoopolis, who grasps a Dionysiac scepter and who wears the SWTY (Two Feathers) crown of divinity symbolic of his many-faceted Sacred Powers. It is ironic that the Christians later suppressed the cult of Antinous for moralistic reasons, just as the cult of Hermanubis had been suppressed by the Romans. Was there a sexual/moral connection between the two cults?

At any rate, this makes the Tondo of the Two Lovers the only portrait painting of Antinous to have survived, and the only image of two probable followers of HIS religion.

The faint inscription beneath the image of Antinous reads 15 Pachon, which is a date in the Greek calendar that corresponds to the 10th of May. No one knows what the significance of this date might be. An anniversary, perhaps.

The younger figure is wearing a splendid red wrap held in place by an impressive amethyst brooch in a gold setting ... a family heirloom perhaps. The artist has gone to pains to render it perfectly. The embroidery on his white tunic is very fine. An oriental swastika good-luck charm is stitched into his right sleeve.

Perhaps the portrait was commissioned for the day (May 10th) when he donned his manly robes for the first time on his 16th birthday, as was the Roman custom. The peach-fuzz on his face gives him the appearance of an adolescent.

The older man (who could 30-something) stands behind him, as if symbolically showing his love and support of his young companion. He could be an older brother or uncle. He could even be the youth's father ... life expectancy was shorter then, and people married early in those days and were grandparents by their mid-30s.

But just perhaps the composition and skin-tone nuances are subtle clues by the artist that these two men shared an older-man, younger-man relationship ... a Classical Greek-style erastes/eromenos relationship ... similar to that of Hadrian and Antinous. After all, this city was founded on Hadrian's love for Antinous.

The Temple of Antinous honors these two men on May 10th ... the day which was so special to them, for reasons known only to them and to the gods they worshiped ... Hermanubis and Antinous! 

ON MOTHER'S DAY LIGHT A CANDLE FOR THE MOTHER OF ANTINOUS

Happy Mother's Day! We honour the mother of Antinous, who gave birth to him in Bithynia Asia Minor (art by Priest Julien). 

Little is known of the origins of Antinous except that he was from the Bithynian city of Claudiopolis modern-day Bolu, Turkey.
It has been speculated that he was a slave ... or even a provincial prince. 

The OBELISK OF ANTINOUS, which now stands atop the Pincian Hill in Rome, is covered in Egyptian hieroglyphs which tell us much about Antinous the Gay God. But sadly, there are huge gaps where the text has been worn away.

There is, for example, an intriguing reference to the mother of Antinous which is incomplete. Did a missing portion of the text talk about his biological family back in Bithynia? We'll never know.

We wonder how many brothers and sisters Antinous had? He must have had cousins and other "ephebe" male relatives. How on earth could the mother of Antinous ever have parted from him?

For that matter, no one knows what happened to the earthly remains of Antinous after his tragic death in the Nile in October 130 AD. Were they returned to his family in Bithynia? Did his mother weep over them? Were they interred in a family crypt ... and were the ashes of his mother interred beside his after she died?

This Mother's Day prayer was written by our beloved WARREN WILLIAMSON before his untimely death a couple of years ago. We join Warren in praising the Mother of Antinous the Gay God:

O most glorious Mother of Antinous our God, accept our prayers and present them to thy son our God, that He may, for thy sake, enlighten and bring our souls unto the most holy city of Antinoopolis where we shall dwell with thee and the Imperator God Hadrian forever and ever.  Be it so now and forever. 

NAPOLEON BONAPARTE SAINT OF ANTINOUS

ON May 5th the Religion of Antinous celebrates the life of Napoleon Bonaparte, who died on this day in 1821.

Napoleon is a saint primarily because he was the first European ruler to "decriminalize" homosexual acts. It had once been a crime punishable by burning at the stake...but Napoleon, under the advice of his top legal adviser, who was a homosexual...chose to legalize homosexuality.

He may seem a very unlikely person to be a champion of gay rights...but that's what he is...he didn't care...he saw no reason to persecute men for being homosexual...one of the greatest military commanders the world has ever known...and he accepted gay people...he would laugh at "Don't Ask, Don't Tell....he would laugh as his gay army invaded America and set things right.

Napoleon was trying to restore the Roman Empire...that's what all his imagery and symbolism were about...the fashions of the day were inspired by Rome...the Empire waist dress...women were styling their hair to look like Sabina...men combed their hair forward like Hadrian.

For gay people, one of the most disastrous turning points in world history was the defeat of Napoleon at Waterloo. We've been led to believe that the British are heroes and Napoleon was a tyrant. But he was the best "tyrant" the world has known since Hadrian.

Napoleon would have set the world forward decades or even centuries. But that didn't happen...instead of tremendous social progress...the opposite occurred.

Another reason why we Consecrate Emperor Napoleon as a Saint of Antinous is because, in 1799-1801, when Napoleon tried and nearly succeeded in conquering the entire Middle East, it was French scientists who were the last to see and the first to record and depict the remains of our Sacred City of Antinoopolis. Those ruins have vanished beneath the sands of Egypt since then.

Had Napoleon not invaded, had he not defeated the Mamluk army at the Battle of the Pyramids, then the expedition to Antinoopolis would not have occurred and the fragments of Antinoopolis would never have been recorded.

STRIPEY SOCK SHOWS ANTINOOPOLITANS WERE FOOTWEAR FASHION TREND-SETTERS

MAY 8th is No Socks Day and May 9th is Lost Sock Day: We know that Antinoopolis, the city established by Hadrian at the site on the Nile where Antinous died in October of 130 AD, is famous for its colorful woven tapestries, garments and burial shrouds.

Now it turns out that residents of ANTINOOPOLIS were style-setters in stripey socks ... using innovative weaving and dying techniques to create spectacular socks that were exported throughout the Roman Empire ... even as far away as Legion outposts at Hadrian's Wall in Britannia.

Scientists at the British Museum used a new imagining technique to analyze a child’s sock, recovered from a rubbish dump in ancient Antinoupolis in Roman Egypt, and dating from 300AD.

They discovered red, blue and yellow dyes were used, along with a range of advanced dying and weaving techniques.

The sock, made for the left foot of a child with separation between the big toe and four other toes used six to seven colours of wool yarn, they found, and was radiocarbon-dated to 3rd to 4th Century AD ... the heyday of the religion of Antinous.

Many Egyptian socks found have a similar style, made them of wool, generally bright colour, with a section between the first two fingers to wear with sandals.

Such Antinoopolis-style striped socks have been found as far away as northern Britain.

The new technique, looks at the luminescence of different dyes and uses digital microscopy to examine fibres, and discovered the Egyptians used just three colors to blend the seven used in the sock.

Researchers say it could allow many more textiles to be examined and giving us an unprecedented glimpse into ancient life ... and how colourful it may have been.

The city named for Antinous became renowned around the world in 1895 when French Egyptologist Albert Gayet (Saint of Antinous) discovered thousands of mummies ... To his utter astonishment, many were gilded, many were swathed in priceless woollen wraps and others wore Byzantine jewelry and headdresses ... Antinoopolis embroidery and linens inspired Matisse, Renoir and the leading Paris fashion designers, who incorporated the rich colors and designs into their work.

Over the years, spectacular finds at Antinoopolis have shown that mummies were given a SKIN OF GOLD for burial.

The socks find was made for the Egyptian Exploration Society in 1913-1914 by English papyrologist John de Monins Johnson.

His team found two excellent examples of Egyptian socks, the child's one that has been newly analyzed and a larger adult version, with the impression of the sandal thong still visible. 

While socks have been around since the stone age, when cavemen used pelts or animal skins, the ancient Egyptians are thought to be responsible for the first knitted socks.

APOLLONIUS AND PHILEMON SAINTS AND MARTYRS OF ANTINOUS

AS the fires of intolerance under the guise of "freedom of religion" rage all around us, we remember St. Apollonius and St. Philemon of Antinoopolis, two loving friends who died together as martyrs to religious persecution.
 
Antinoopolis was built upon the bank where Antinous had fallen into the Nile. From its birth the city was enshrouded with the specter of death.

The Religion of Antinous under the Curia of Antinoopolis was a death cult. The city's two major temples, that of the Egyptian faction and the larger Antinoeion which is the second possible site of the Lost Tomb of Antinous, were places for the perpetual lamentation of the death of Antinous, and for the passing of all beauty and youth in the world.

Antinoopolis was the flower of Greek civilization deep in the desert of the Thebaid, and it was a haven for dispossessed and exiled thinkers and theological revolutionaries of all sorts. But there came a time when even liberal-minded Antinoopolis fell under the sway of the fear and violence that had swept across the world.

The Christian faith was suffering one of the bloodiest persecutions in its history. In the 4th Century CE, as Antinoopolis was in full flower, Emperor Diocletian had sought to curb the rising tide of Christianity with brutal violence. He issued decrees that all citizens should be compelled to demonstrate their piety to the Roman Gods by offering sacrifice. It was a direct challenge.

Any person who refused was not only insulting the Gods of Rome, but also showing disloyalty to the Emperor and to Rome herself. Such treason was punishable by death. This was a legal way to persecute Christians. It was not an attack on the Christian doctrine, or its practices, but demonstrated an unavoidable line that no Christian would cross.

It is interesting to note that, although many of the Christians were executed by beheading or by being shot through with arrows, some were executed by being drowned in the Nile. This similarity between their deaths and the death of Antinous must have been very moving to the Ancient Priests of Antinous.

And it is also curious that the authorities apparently were not sensitive to the nature of this form of execution in the sacred city of a boy who had become a god simply by drowning in the Nile.

Of these Martyrs, the most profoundly moving are Apollonius and Philemon. Apollonius was a Deacon of the Church, also called a reader. The story goes that he was ordered to make a pagan sacrifice at Antinoopolis in order to prove that he was not a practicing Christian. He couldn't bring himself to do that, so he asked his "dearest friend" Philemon to make the sacrifice for him, since Philemon was a pagan.

Philemon is said to have been a flute player, an occupation notoriously held by homosexuals. While one was a young Christian priest and the other a pagan, it is indeed noteworthy that Apollonius the priest would have the confidence and trust to ask Philemon to take his place, and that Philemon would risk his life to aid the young priest. The two must have had a very close friendship, the nature of which has escaped the attention of the Christian martyrologists.


In the end, of course, the ruse was found out and they both died together by being drowned after the manner of Antinous, in the Nile.

One key element of the story is the irrefutable fact that Philemon, though not a Christian himself, refused under torture to renounce his friendship. In other words, he would rather die with his friend than renounce him and live on without him.

The details of the story of their martyrdom are shrouded in legend. In one version, they were tortured separately and were to be executed by archers.

But the story goes that the arrows bounced off their bodies. And in one version, an arrow point ricocheted back at Arian himself, blinding him in one eye.

Saint Philemon predicted that, after his martyrdom, Arian would be healed at Philemon's tomb on condition that he became a Christian. Arian did so, was cured miraculously -- and subsequently was put to death himself for being a Christian.

After arrows failed to kill them, Apollonius and Philemon, bloody but alive, were chained together and placed in a sack and thrown into the river. In one version, they were thrown into the sea at Alexandria.

Their deaths occurred on April 10th in the year 305.

What would cause a man to link his fate with that of another man, the two of them residents of a city founded in honor of a man who linked his fate with that of another man?

As for Apollonius, he must have been regarded as a rebellious hothead and self-destructive with his talk about this martyred Hebrew carpenter boy being an alternative to Antinous -- right there in the Sacred City of Antinoopolis!

What thoughts went through Philemon's mind as he was being bound up in chains together with his beloved friend and they were shoved into the river?

They probably weren't very nice men. Remember that actor/musicians were considered scum in ancient Rome. One was an actor and the other was a rabble-rousing religious fanatic. Not nice men.

Theirs was not a very pretty story. But then, few of the saints of any religious canon were very "sweet and nice" people to actually be around. "Nice" people obey the rules. "Nice" people obey the rules.

These people did not. They stood up against authority and convention. And their life stories generally are not very pretty.

But most of us are not very "sweet and nice" people, once you get past the smiling exteriors that most of us present to neighbors and co-workers. Most of our life stories are not particularly very pretty.

But "nice" people with pretty life stories don't become saints. Most saints are usually just ordinary people who were placed in an extraordinary situation and who did something extraordinary as a result. We read the lives of the saints because they shock us into facing the reality of our own not very nice selves and our own not very pretty little lives.

It is very fitting and appropriate that we remember Philemon and Apollonius, two friends from the Sacred City of Antinoopolis whose lives were linked by bonds of love and whose deaths were linked by bonds of chains.