PAGAN JOURNALIST MARGOT ADLER IS A SAINT OF ANTINOUS

WE honor Margot Adler as a Saint of Antinous the Gay God.

She was a pioneering modern pagan and well-respected all-round journalist who enabled millions of listeners on NPR radio in North America to get a balanced and informed view of paganism. 

She reported on news and current affairs from New York City ... most notably the 9/11 tragedy ... and her listeners respected her religious beliefs were did not make her "weird" or "demonic."

Margot Adler authored DRAWING DOWN THE MOON, a 1979 book about Neopaganism which was revised in 2006 to include our own modern Religion of Antinous.

The book is considered a watershed in American Neopagan circles, as it provided the first comprehensive look at modern nature-based religions in the US.

For many years it was the only introductory work about the American Neopagan communities. And it mentions Antinous ... and our new religion!

JEAN GENET ALWAYS WANTED TO BE A SAINT HE IS A SAINT OF ANTINOUS

ON April 15th the Religion of Antinous remembers Jean Genet as a Saint of Antinous.

Saint Jean Genet was one of the first and most modern gay poets, whose elegance and sordid love for the street life was unprecedented, and has never been matched.

Among his most fervent desires, expressed from the very beginning was that he should one day be elevated to Sainthood.

We of the Religion of Antinous, fully and faithfully, take faith in the spirit of Saint Jean Genet, through whom the eternal voice of Antinous spoke with the most voluptuousness and vain-glory.

Saint Jean Genet died on this day in Paris in1986.

SIR JOHN GIELGUD SAINT OF ANTINOUS

ON April 14th the Religion of Antinous honors one of our most blessed thespian saints and martyrs, St. John Gielgud, who was born on this day in 1904.

The most terrible moment in John Gielgud's life -- on which he maintained a public silence for 50 years -- was the subject of a critically acclaimed play in the London West End.

The play, entitled "Plague Over England", was about the scandal which swept across Britain in 1953 when John Gielgud was arrested by an undercover policeman in a public toilet in London.

But the 2008 play was concerned with much more than Gielgud's arrest in on the charge of "importuning for immoral purposes". The play showed the plight of gay men in the 1950s Cold War atmosphere when gays were associated with Communist espionage. 

Its characters include the producer who nearly ended his career, the virulently anti-homosexual Lord Chief Justice Rayner Goddard, an American fleeing his own country's anti-Communist paranoia, and a doctor who claims to "cure" same-sex attraction with "Clockwork Orange"-style electric shock therapy.

Homosexuals had long been feared and hated in England as men who, it was believed, preyed on the innocent young, and were thus unfit to lead normal, happy lives. Until 1967, they risked prosecution for what the law called "acts of gross indecency between male persons", even in private, and could be arrested for merely showing -- in a police spy's opinion -- an intent to commit them.

Police throughout England were alert for any hints of homosexual behaviour. Just before Gielgud was arrested, two prominent high-class gay men had been uncovered as KGB spies, resulting in a further crackdown on all gay activities. The officer who arrested Gielgud was part of a Metropolitan Police squad established in 1930 that regularly lurked in central London toilets.

The year in which Gielgud came to grief in a Chelsea public convenience was a particularly dangerous one for homosexuals, as the increased frankness of the period allowed politicians, the police, and the press to profit by inflaming public hysteria, warning that a "plague" or "epidemic" of sodomy and Communism was sweeping the land.

The climate of fear was chilling to gay men who paid even the slightest attention to the news.

Gielgud, however, was, in his own words a "silly gubbins" who took no notice of anything outside of acting. On October 21, following the rehearsal for the play "A Day By the Sea", this supremely unworldly man, then 49, had a few drinks at a party and then visited a public lavatory popular with "cottagers" -- English gay slang for men who cruise toilets.

Arrested, and aware that he should give a false identity, he said he was a clerk called Arthur (his real name) Gielgud. The next day he  appeared before a magistrate who did not know who he was, fined him 10 pounds, and ordered him, with the disdain and sexual ignorance of the period, to "see your doctor the moment you leave this court".

Unfortunately, a better-informed Evening Standard reporter was there, too. When that afternoon's paper hit the streets, he was on the front page.

You can imagine the shame and the terror with which Gielgud turned up at rehearsal (he had considered suicide) for the role of a bachelor diplomat whose mother worries that he is lonely and unloved.

But the company, led by his co-star, Dame Sybil Thorndike, in fact welcomed him with open arms. "Oh, John," she said, in one of the most magnificent double entendres of all time, "you HAVE been a silly bugger!"

The producer of "A Day By the Sea", however, the immensely powerful Binkie Beaumont, saw the newspaper articles and the hate mail, and worried that the public would stay away. 

Yet his thoughts of firing the star were thwarted by Gielgud's brother, Val, who applied a little judicious blackmail about Binkie's very own private life.

Everyone was nervous that the audience might react with silence or even boos.

But as the curtain came down he was cheered to the rafters.

Gielgud was known for having a penchant for anonymous bathroom sex -- It's one of the reasons his knighthood (just a few months before the arrest) was postponed for years. He even had a "cruising cap" for such forays, an attempt to disguise himself so as to avert detection by fans who might recognize him.

The arrest had important consequences, and not only for Gielgud, who was told by the British embassy in Washington to forget about a planned American production of "The Tempest". because he might prove "an embarrassment".

Afterwards, the floodgates opened as the public was confronted by the disturbing fact that an extremely distinguished and beloved artist was one of the people they, in theory, despised. The fuss contributed to the Wolfenden Commission, set up the following year to study prostitution, taking on homosexuality as well. Its recommendations eventually led to decriminalisation in Britain.

While the affair broke Gielgud emotionally, he put himself back together in a way that made him better suited to a theatre in a world of greater change and upheaval.

For his talent and for his courage, the Religion of Antinous honors Saint John Gielgud as a Prophet of Homoeros.

ANTINOUS IN APHRODISIAS CITY OF SOME OF HIS FINEST SCULPTORS

IN April the Religion of Antinous commemorates the visit of Hadrian and Antinous to the fabled city of Aphrodisias.

Named for Venus/Aphrodite, the beautiful city of Aphrodisias was an important stop in the province of Asia.

Built near a magnificent marble quarry, Aphrodisias was a stunning city of gleaming white marble.

Not surprisingly, it was famous for its school of art. Sculptors came to Aphrodisias to perfect their skill, and the foremost masters of the Roman world gathered here.

Hadrian being a devoted lover of art, spent a great deal of time in the studios, examining the progress, questioning the masters, and even offering his learned advice to the young students.

Flamen Antonyus Subia explains the importance of Aphrodisias:

It was at this time, while in Aphrodisias that the most important portraits of Antinous were produced. Our young god modeled for the masters whose hands produced the archetypal images that later, after the deification of Antinous, would be used as sacred examples for the reproduction of his image on a vast scale.

The artists of Aphrodisias were called upon to undertake the task of creating the sacred images of Antinous by the thousands, based on one or two portraits made during his life, portraits made in Aphrodisias, by Aphrodisians.

These artists had seen the living Antinous, had spoken to him and carefully observed the fine details of his face and body. They took notice of the subtle and loving gestures between the lovers Hadrian and Antinous, and they were able to capture in marble, the radiance beneath the skin that had so captivated the Emperor.

The artists of Aphrodisias were the first to see and worship the divinity of Antinous, through his image, and it is their vision that has come down to us through the ages. We commemorate the portrait carving of the living Antinous by the Masters, whose images have maintained the religion of Antinous for so many centuries.

Foremost of these, we remember St. Antoninianus of Aphrodisias, the only sculptor of Antinous to sign his work (the image of Antinous with a dog).

This day is sacred to him, to Venus and to the idolatry of Antinous.

IS THIS A TEMPLE TO ANTINOUS?

IS this a small temple to Antinous in Newcastle England? 

This small temple is dedicated to a curly-haired boy god called ANTENOCITICUS  ... a deity worshiped by soldiers and local people at the eastern end of Hadrian's Wall.

Antinous in the guise of Antenociticus is not mentioned at any other Romano-British site or on any inscriptions from Europe, which is why it has been identified as a local deity.

Antinous priest and writer MARTINUS CAMPBELL, author of THE LOVE GOD about the life of Antinous, says it is highly possible Antenociticus is a local aspect of Antinous ... perhaps in honor of a visit to this outpost by Antinous and Hadrian.

Martinus says: "Archaeologically there is a period of time in AD 126 to 127 when we have no record of where Hadrian was. We do know, however, that the wall was completed in Ad 128."

He says: "It is believed he would have come to Britannia to oversee the final stages of the wall. It is further believe he would have brought Antinous with him."

Martinus adds: "That is why the locals (mostly of mixed Roman and British blood, by then) connected Antinous to a local deity Citicus and re-named him Antenociticus."  Stone heads of Antenociticus have been found nearby.

NOW THERE IS AN OBELISK OF ANTINOUS ON THE NORTH AMERICAN CONTINENT

YOU all know of the ANTINOUS OBELISK in Rome ... there is also an Antinous Obelisk in North America.

On Monday, April 11, 2017, a cenotaph obelisk inscribed with Antinous' name and dates was erected by an Antinous adherent in the Congressional Cemetery in Washington DC. 

It is thought to be the only cemetery with a LGBT section. 

Above is a picture of the grave of Leonard Matlovich under the blooming cherry tree. If you should visit Leonard's grave and turn around, directly behind you you will see the obelisk in the second picture. 

Take the short walk to the obelisk and you will see the name of Antinous and his dates inscribed on the fifth niche down from the top. 

The Antinous worshiper's name, James Crawford, is on the plate as well as that of Henry Moses III, a saint of Antinous, whose urn is within the niche. 

The names of two other gay men immortalized on this cenotaph are covered over out of respect for their wishes. 

Antinous is now inscribed on an obelisk on the North American continent. 

The landscaping has not been completed because the installation just occurred yesterday. 

If you are ever in Washington, DC, and intend to visit the very historic and interesting Congressional Cemetery, you might want to stop by and give a remembrance to our Antinous.

APOLLONIUS AND PHILEMON SAINTS AND MARTYRS OF ANTINOUS

AS the fires of intolerance under the guise of "freedom of religion" rage all around us, we remember St. Apollonius and St. Philemon of Antinoopolis, two loving friends who died together as martyrs to religious persecution.
 
Antinoopolis was built upon the bank where Antinous had fallen into the Nile. From its birth the city was enshrouded with the specter of death.

The Religion of Antinous under the Curia of Antinoopolis was a death cult. The city's two major temples, that of the Egyptian faction and the larger Antinoeion which is the second possible site of the Lost Tomb of Antinous, were places for the perpetual lamentation of the death of Antinous, and for the passing of all beauty and youth in the world.

Antinoopolis was the flower of Greek civilization deep in the desert of the Thebaid, and it was a haven for dispossessed and exiled thinkers and theological revolutionaries of all sorts. But there came a time when even liberal-minded Antinoopolis fell under the sway of the fear and violence that had swept across the world.

The Christian faith was suffering one of the bloodiest persecutions in its history. In the 4th Century CE, as Antinoopolis was in full flower, Emperor Diocletian had sought to curb the rising tide of Christianity with brutal violence. He issued decrees that all citizens should be compelled to demonstrate their piety to the Roman Gods by offering sacrifice. It was a direct challenge.

Any person who refused was not only insulting the Gods of Rome, but also showing disloyalty to the Emperor and to Rome herself. Such treason was punishable by death. This was a legal way to persecute Christians. It was not an attack on the Christian doctrine, or its practices, but demonstrated an unavoidable line that no Christian would cross.

It is interesting to note that, although many of the Christians were executed by beheading or by being shot through with arrows, some were executed by being drowned in the Nile. This similarity between their deaths and the death of Antinous must have been very moving to the Ancient Priests of Antinous.

And it is also curious that the authorities apparently were not sensitive to the nature of this form of execution in the sacred city of a boy who had become a god simply by drowning in the Nile.

Of these Martyrs, the most profoundly moving are Apollonius and Philemon. Apollonius was a Deacon of the Church, also called a reader. The story goes that he was ordered to make a pagan sacrifice at Antinoopolis in order to prove that he was not a practicing Christian. He couldn't bring himself to do that, so he asked his "dearest friend" Philemon to make the sacrifice for him, since Philemon was a pagan.

Philemon is said to have been a flute player, an occupation notoriously held by homosexuals. While one was a young Christian priest and the other a pagan, it is indeed noteworthy that Apollonius the priest would have the confidence and trust to ask Philemon to take his place, and that Philemon would risk his life to aid the young priest. The two must have had a very close friendship, the nature of which has escaped the attention of the Christian martyrologists.


In the end, of course, the ruse was found out and they both died together by being drowned after the manner of Antinous, in the Nile.

One key element of the story is the irrefutable fact that Philemon, though not a Christian himself, refused under torture to renounce his friendship. In other words, he would rather die with his friend than renounce him and live on without him.

The details of the story of their martyrdom are shrouded in legend. In one version, they were tortured separately and were to be executed by archers.

But the story goes that the arrows bounced off their bodies. And in one version, an arrow point ricocheted back at Arian himself, blinding him in one eye.

Saint Philemon predicted that, after his martyrdom, Arian would be healed at Philemon's tomb on condition that he became a Christian. Arian did so, was cured miraculously -- and subsequently was put to death himself for being a Christian.

After arrows failed to kill them, Apollonius and Philemon, bloody but alive, were chained together and placed in a sack and thrown into the river. In one version, they were thrown into the sea at Alexandria.

Their deaths occurred on April 10th in the year 305.

What would cause a man to link his fate with that of another man, the two of them residents of a city founded in honor of a man who linked his fate with that of another man?

As for Apollonius, he must have been regarded as a rebellious hothead and self-destructive with his talk about this martyred Hebrew carpenter boy being an alternative to Antinous -- right there in the Sacred City of Antinoopolis!

What thoughts went through Philemon's mind as he was being bound up in chains together with his beloved friend and they were shoved into the river?

They probably weren't very nice men. Remember that actor/musicians were considered scum in ancient Rome. One was an actor and the other was a rabble-rousing religious fanatic. Not nice men.

Theirs was not a very pretty story. But then, few of the saints of any religious canon were very "sweet and nice" people to actually be around. "Nice" people obey the rules. "Nice" people obey the rules.

These people did not. They stood up against authority and convention. And their life stories generally are not very pretty.

But most of us are not very "sweet and nice" people, once you get past the smiling exteriors that most of us present to neighbors and co-workers. Most of our life stories are not particularly very pretty.

But "nice" people with pretty life stories don't become saints. Most saints are usually just ordinary people who were placed in an extraordinary situation and who did something extraordinary as a result. We read the lives of the saints because they shock us into facing the reality of our own not very nice selves and our own not very pretty little lives.

It is very fitting and appropriate that we remember Philemon and Apollonius, two friends from the Sacred City of Antinoopolis whose lives were linked by bonds of love and whose deaths were linked by bonds of chains.

ANTINOUS IN SARDIS THE GLEAMING WHITE-MARBLE CITY

THE Religion of Antinous commemorates the arrival in the springtime of 129 AD of Antinous and Hadrian in the fabulous city of Sardis, a city of gleaming marble high in the mountains of the province of Lydia

It was a powerful military bastion and it was famed for its splendid temples and the gymnasium, which has been partially reconstructed for the benefit of modern-day tourists who, like the ancient Romans, look upon the city as an example of civilization in a far-flung province.

The city of Sardis is one of the most ancient cities in Asia Minor, with a history that extends thousands of years back into pre-history.

It was the capital of the Kings of Lydia and was a tremendously wealthy city under its ancient King Croesus, who contributed large amounts of gold to the building of the Temple of Artemis at nearby Ephesus. The Persians defeated Croesus but they were never able to subjugate the Lydian people completely.

The Lydians were Greek allies, and quickly sided with Alexander when he invaded, opening their gates to him without resistance. After Alexander, Sardis was caught between the powerful Attalids of Pergamum and the Seleucids of Antioch, both kingdoms founded by generals of Alexander.

At the close of the Hellenistic period, during the war with Mithradites, the people of Sardis sided with Rome, for which they were rewarded. While Sardis was under the control of Antony, a cult worshipped him as the New Dionysus, but when Octavian overthrew him, a Temple to Augustus Caesar was constructed without hesitation.

The biblical Book of Revelation, which numbers Sardis as one of the Seven Churches, criticizes the citizens for being weak and lame worshipers of Jesus and for preferring the Cult of the Emperors.

It is against that pagan backdrop that Hadrian and Antinous arrived in the springtime of 129 AD.

Flamen Antinoalis Antonius Subia says:

"While touring the Province of Asia, Hadrian and Antinous were received with jubilation and divine honor. Hadrian was received as a visiting god, more than as a ruler, and Antinous was treated with deepest respect and loving devotion. The Lydian people were devoted to Helios, the sun god, and to Artemis in her Asia aspect as Great Mother.

"So we dedicate the visitation of the Roman court to the Divine Hadrian as the life-giving Helios, and to Antinous as the male Artemis with his bow and arrow at the ready as he soars under the protective solar wing of the imperial eagle."

WE HONOR VASLAV NIJINSKY SAINT OF ANTINOUS

ON April 8th the Religion of Antinous honors St. Vaslav Nijinsky, the greatest gay ballet dancer/choreographer of all time, who died on this day in 1950 in an insane asylum.

He was a living Antinous who innately understood our religion's idea of Homotheosis ... Gay-Man-Godliness-Becoming-the-Same.

Homotheosis can only be accomplished by a self-inflicted act of faith after the example of Antinous. 

One must deny this mortal existence of death and decay, which existence is rightfully called transient, and cast the mortal self into the rushing waters of the Nile that flows within the veins and arteries of our true, perfect, interior self. A body that is the same as and as beautiful as the marble flesh of Antinous the Gay God. 

This is not turning away from life, but turning to it for the very first  time, and finding the light of the Unconquered Sun that has always shone within.

One of this religion's favorite Hadrian and Antinous stories is the tumultuous love affair between Vaslav Nijinsky and Sergei Diaghilev. Nijinsky completely changed ballet, inventing what we now consider to be modern dance. Of course he was out of his mind, and after his relationship with Diaghilev ended, he went certifiably insane and spent the rest of his life in an asylum.

Vaslav Fomich Nijinsky was born in Kiev on March 12th, 1888. Both his parents were ballet dancers, and Vaslav was introduced to the stage as a child. When he was a 18 he became the lover of Prince Paul Dmitrievitch who then introduced him to Sergei Diaghilev, the ballet impresario, whose lover he became in 1908.

Diaghilev took Vaslav to Paris where he was starting the famous Ballet Russe, an experimental production company that brought together the finest composers of the day with the most innovative scenery artists, costumers, and of course the greatest ballet dancers in the world.

The volatile relationship between the teenage Nijinsky and the 40-year-old Diaghilev led to the some of ballet's most profound and moving works. Nijinsky was the male star of the Ballet Russe, but he soon showed that his true talent lay in choreography. His debut as a choreographer came when he was 21 in the short piece entitled L'aprés-midi d'un Faune (Prelude to the Afternoon of a Fawn) with music by Claude Debussy, in which Nijinsky starred as the lustful faun trying in vain to seduce a group of nymphs.

The ballet caused a scandal when it premiered in Paris on May 29, 1912, because of the highly suggestive ending in which Nijinsky pantomimed masturbation and orgasm.

But that was nothing compared to the riots that broke out after his next choreography for the orgiastic Le Sacre du printemps (The Rite of Spring).

The style of Vaslav Nijinsky was far ahead of his day. He revolutionized the ballet and single-handedly invented what we call modern dance, rejecting the stylistic forms passed down by tradition in favor of sensuality, odd gestures and unnatural movement that was totally infused with the grace and power of the feel of music.

The relationship between Nijinsky and Diaghilev broke down over time and they separated. Nijinsky married a female fan he had only met once ... simply to spite Diaghilev. But he was slowly succumbing to mental illness, and would eventually lose his mind completely.


He wrote a bizarre diary in the few weeks before he was taken away to  spend the rest of his life in various mental institutions. The genius of Vaslav Nijinsky, who was taken as a stupid person because of his shy and quiet demeanor, was revealed in his divine power of dance and in the sublimity of his strange diary.

Here is an excerpt, you'll notice the way that he rambles just barely able to communicate his wandering mind. Nijinsky was already leaving this world and becoming an immortal. He signed the last page, Nijinsky, the God.

"One day in the streets of Paris I pushed [Diaghelev] in order to show him that I was not afraid of him. Diaghelev hit me with his stick, as I wanted to go away from him. After this we lived for a long time together. I loved the Ballets Russes. I gave my whole heart to it. I worked like an ox. I lived like a martyr. I lived sadly and sorrowed alone. I wept alone. I loved my mother and wrote her letters every day. I was afraid of life, because I was very young. I could not go on composing the ballet 'Jeux.' It was a ballet about flirting and unsuccessful, as I had not feeling for it. The story of this ballet is about three young men making love to each other. I began to understand life when I was 22 years old. I composed this ballet alone, too. Debussy, the well-known composer, wanted the subject to be written down.

"Diaghelev likes to say that he created the ballet, because he likes to be praised. I do not mind if Diaghelev says that he composed the stories of 'Faune' and 'Jeux,' because when I created them, I was under the influence of 'my life' with Diaghelev. The Faune is me and Jeux is the life which Diaghelev dreamed. Diaghelev wanted to make love to two boys at the same time and wanted these boys to make love to him. In the ballet, the two girls represent the two boys, and the young man is Diaghelev. I changed the characters, as love between three men could not be represented on the stage'"

The Parisians called him the God of Dance, and toward the end of his diary, he signed his name, Nijinsky, the God. He died in a London clinic on April 8, 1950.

We consecrate him as a Saint and as a living incarnation of Antinous/Pan/Dionysus. St. Vaslav Nijinsky, who knew how to live  Homotheosis every single blessed day of his life ... which means living daily the Divine Spirit of Being Gay ... and who knew how to express this ineffable spirit in dance as well.

YOU CAN HAVE YOUR OWN ANTINOUS SCULPTURES THROUGH 3-D PRINTING

NOW you can own your own museum-quality Antinous sculpture, thanks to 3-D printing.

Our friend Keith MezaenAset Hoberg shares these photos of the replica of the Farnese Antinous/Adonis statue which adorns the sacred altar of Antinous in his home in Los Angeles.

The full-size original Farnese Antinous is in the National Archaeological Museum in Naples Italy. Keith ordered his 30-centimeter (12-inch) 3-D printed, bonded stone replica online.

Keith says:

"As a Companion of Antinous, having a beautiful depiction of Him to focus on during prayer, devotion, or meditation can be very helpful. 

"We are very lucky to be able to find such images of Antinous today, such as this beautiful 3-D printed statue, found in a shop on the Etsy app. 

"This reproduction of the Antinous Farnese statue has always been my favorite image of Him. Gazing upon it always calms my mind and fills my heart with love and happiness. He inspires me in so many ways."

PERGAMUM FETED ANTINOUS & HADRIAN AS THE NEW GANYMEDE AND JUPITER

ANTINOUS and Hadrian were welcomed as the new Ganymede and Zeus/Jupiter when they arrived in the fabulous city of Pergamum in Asia Minor in the spring of 129 AD.

The people of Pergamum having once been firmly under the control of the Persian Empire, and then living under the domination of the Hellenistic kings of the Attalid Dynasty, were accustomed to worshipping their rulers as gods, and it is believed that the province of Asia is the birthplace of the Cult of the Emperors.

Hadrian was declared and openly worshipped as a living god by the residents, an honor that he did not refuse. Antinous being his chosen favorite was also viewed with interest, and began to take his place here as the Divine consort, as the Ganymede, who was a local deity.

When Alexander the Great died, one of his generals, named Lysimachus, made Pergamum his capital. The Kingdom of Pergamum, under the Attalid Kings was to become the strongest power in Asia Minor for the centuries preceding conquest by Rome.

It remained a grand and wealthy city throughout Roman times, and was mentioned in the Christian Book of Revelation as one of the Seven Churches of the world.

The main temple of Pergamum was dedicated to Zeus, and was richly ornamented by a frieze depicting the war between the Olympic gods and the Titans. Portions of that frieze are now on permanent exhibit at the Pergamon Museum in Berlin.

Hadrian built a magnificent Temple to the Divine Trajan, his Father, and so it is in this vein that we consecrate the visitation of Hadrian and Antinous to Zeus, as the spirit of the Divine Emperors, and as the conqueror of Titanic chaos.

We in the Religion of Antinous remember the gentle love of Hadrian for his beautiful Antinous in an age when the virtues of Hellenism and divine order prevailed over the chaos of fear and rage and the desire to destroy.

REMEMBER WHAT THE ROMANS SAID: FORTUNE FAVORS THE AUDACIOUS!

ON April 5th we remember the anniversary of the Temple of Fortuna Publica for the city of Rome.

It was one of three temples of Fortuna on the Quirinale Hill, where Fortuna Primigenia, Fortuna Brevis and Fortuna Euelpis were worshiped.

The symbol of Fortuna is the ever turning wheel, found in the Tarot pack as the Wheel of Fortune, this indicates that things change and that you should not rest on your laurels but be prepared to grasp opportunities. It also tells us that things will not stay bad forever, the wheel will turn and things will get better.

Remember what the Romans said: "audica favet fortuna" ... fortune favors the audacious.

Fortuna Publica Romani symbolised the luck of the Roman population and state. Sje is an aspect of the Roman Goddess of luck, fate, and chance, Fortuna. As Fortuna Publica, she ensures the luck of the populice or state, and is a complimentary idea to Fortuna Privata, the Luck of the Individual.

Fortuna was honored with three temples on the Quirinal Hill in Rome in the neighborhood called tres Fortunae, "the Three Fortunas". 

At least two of those three temples were to Fortuna Publica. One was to Fortuna Primigenia, whose full title in Rome was Fortuna Publicae Populi Romani, "the Luck of the Roman People".

Another was to Fortuna Publica Citerior (citerior meaning "nearer", probably because it was closer to the center of the city).

There is not much known of the third temple to Fortuna. Some identify it as again belonging to Fortuna Primigenia.

But it is possible that it was more specifically dedicated to Fortuna Publica. The first temple had as its festival date the 25th of May, and the one to Fortuna Publica Citerior the 5th of April.

Fortuna Publica was sometimes known as Fortuna Populi Romani, the "Luck of the Roman People". Under this name She had an altar way up on Hadrian's Wall, at the fort of Vindolana, at modern Chesterholm in Northumberland, England.

WE CELEBRATE THE MEGALENSIA GREAT MOTHER OF THE GODS

AT the Megalensia we celebrate the introduction of the Cult of Magna Mater, the Great Mother of the Gods, into Rome.

During the War with Hannibal, the Senate consulted the Sibilline Book and received an oracle instructing them to bring the Great Mother of Phrygia to Rome. 

They sent an embassy to the city of Pessinus and amazingly, the Phrygian priests freely handed over the black heavenly Stone that was the most sacred emblem of their goddess. 

The Black Stone was brought to Rome, and met at the port of Ostia by a large congregation of the matrons of the city. They carried her in their arms, from one lady to another, into the city.

Within a year, Hannibal left Italy and was soon defeated. So it was that Magna Mater became one of the guardians of Rome.

The religion of Magna Mater is one of the oldest faiths of mankind, extending far back into prehistory. Evidence has been found of her veneration in one of the oldest human settlements known as Catal Huyuk in modern Turkey. 

The image above shows a mother figure on a chariot drasn by two lions, an image always central to the Great Mother. 

She was known under several names, Idea, Dydima, Sipyla, Agdistis, Rhea, Kubaba, Khaba, Khabala, and Cebele, daughter of Uranus and Gaia, wife of Saturn, mother of all the gods. 

It is believed that her religion was spread throughout the Middle East during the conquests of the Hittite Empire, led by eunuch priests headed by the Archigallus, who was the earthly representative of the divine consort Attis. 

The sacred shrines of the goddess were established where a black stone had fallen from heaven, and there a prophetess, known as a Sybil took up residence, speaking oracles from Apollo. The religions of Dionysus, Apollo, Diana and Persephone are deeply and intimately related, through their connection to Magna Mater. 

They are the vestiges of a faith and culture that long preceded Greece, yet whose traces remain even now, in the concept of Holy Mother Church, in the black stone embedded in the Khaba at Mecca, and as the spirit of the Holy Tree known as the Kabalah in Jewish mysticism. 

Antinous was very probably brought up as a devotee of her religion, since Bithynion had a mountaintop shrine to Attis, and was very near to the center of her worship at Pessinus. 

We adore and venerate the Great Mother on this day, as the savior of Rome, and as the Goddess whose religion was central to the formation of the young Antinous, who is the New Attis.

The bisexuality of her incarnation as Agdistis, and the transvestitism of her priesthood makes her religion of extreme importance to the concept of Homo Deus and of the New Religion of Antinous.

We praise the Great Mother of the Gods on this night.

Ancient goddess of Phrygia, who has watched over us since the down of time, seated upon her throne of Lions

Mother of the Holy Mountain, Queen of Beasts, 

Lover of Grandfather Saturn with whom she gave birth

To the Gods of Olympus.

It was on this day that the sacred black stone arrived

In Rome from Pessinus, carried by the Matrons

Together with the transgender priestesses of Magna Mater

It was prophesized by the Sibyl of Cumae that

So long as the black stone was venerated that no enemy

Would ever penetrate the walls of Rome, a prophecy

That remained true until the black stone was desecrated by The Christians, a few years later the city was destroyed

Magna Mater Deum Ideum, Cybele, Rhea

Queen of the Titans, Mother of the Gods

Watch over us, bless our black stones, make us invincible

Let our hearts be an impenetrable fortress of black stone

Ave Magna Mater

ANTINOUS IS THE GOD OF THE GAYS BUT WAS HE GAY IN THE MODERN SENSE?

WE are often asked whether Antinous was gay during his mortal lifetime ... truly gay, at least as we understand the complex sociological and orientation that exist today.

This stunning portrait by famed collage artist DOUG STAPLETON shows modern faces superimposed on the face of Antinous.

But was Antinous "gay" in the modern sense?

Scholars have quibbled ... especially in Victorian times ... that Hadrian and Antinous were not homosexuals in the modern sense.

Instead, they were engaged in a socially acknowledged erotic relationship between an adult male (the erastes) and a younger male (the eromenos) usually in his teens ... or so the uptight scholars argued.

These semantic nuances allowed academics to sidestep the socially loaded issue of calling some of the greatest figures in history "practicing homosexuals" ... because that might imply that homosexuality was in fact not a degenerate mental illness, but instead was perfectly normal.

Even up until the turn of the 21st Century, many academicians (mostly male) persisted in avoiding the "G" word when referring to Hadrian and Antinous.

All of that changed at a news conference in London a few years ago.

"Hadrian was gay, and we can say that now. The Victorians had a problem with it. But we can say it." Thorsten Opper, a British Museum curator of Greek and Roman sculpture shocked the stuffy world of academia when he made that statement ... at a news conference announcing the Museum's Hadrian: Empire and Conflict" exhibition in 2008.

The British Museum, that bastion of staid and conservative scholarship, signaled a paradigm shift in historical awareness of homosexuality. 

The collage portrait of Antinous by artist Doug Stapleton on this page symbolizes the many layers of perception of gayness through the ages.

Our own high priest, Flamen Antonius Subia, explains the change in attitude that has taken place ... it is not so much gayness which has changed ... but rather the cultural perception of gays has changed ... not only society's perception of gays ... but more especially the perception of gayness amongst gays.

"Gay has always been and always will be, or so I feel," Antonius says. "Antinous was gay in the way that gays were in Roman times, which is different from how gays were in the 1950's, which is different from how gays are now," he says.

"Antinous represents the divine essence that we all hold in common, so yes, I believe that in his own way and for his time, Antinous was gay just like we are now."

HANS CHRISTIAN ANDERSEN SAINT OF ANTINOUS

WE remember Danish fairy tale writer Hans Christian Andersen as a Saint of Antinous because he was gay although he may never have acted on his gayness.

Biographer Jens Andersen says the author could not overcome societal strictures against homosexuality ... but also could not bring himself to marry a woman.

In modern parlance, "he was just not that into girls", according to the author.

In an almost Freudian manner, Andersen channeled his sexual energies into his writing, creating some of the finest fairy-tale fiction ever written.

He fictionalized his biography as a wonderful fairy tale, even naming his autobiography "The Fairy Tale of My Life".

His own life read like a fairy tale. He was born April 2, 1805, in Odense, the son of a poor shoemaker and an illiterate laundry woman. 

Like "The Ugly Duckling", he was an eccentric boy who was teased merciless by other children for being odd-looking and awkward and for wearing hand-me-downs.

At age 14 he moved to Copenhagen in hopes of finding other misfits like himself. He succeeded beyond his dreams, winning the hearts of leading bourgeois families, who sponsored his education. 

Andersen finished his secondary schooling in 1828 and determinedly set about establishing himself as a writer. He published his first novel within a year and was soon on his way to fame, churning out novels, travel books, dramas, autobiographies and poetry. 

Firmly established as a Danish man of letters, he turned his talents to fairy tales in 1837, he began writing the fairy tales that won him international fame and access to the royal houses and cultural elites of Europe. 

He travelled widely, touring Europe and Britain. In London, he stayed with Charles Dickens, who found the effeminate, fussy, self-centered and hypochondriacal bachelor a tiresome guest.

While Andersen's novels are traditional romantic works celebrating religion and nature and displaying a deep faith in God, his fairy tales offered room for his subconscious mind to work out "relationship issues", according to his biographer.

Many of the fairy tales may be read as gay allegories, and some are clearly autobiographical. 

For instance, "The Little Mermaid" was written after a crisis Andersen suffered in 1836 at the marriage of Edvard Collin. 

Andersen's novel "O.T.", depicting an intimate male friendship, is also influenced by this unrequited love, according to the biographer.

Although Andersen typically conducted one-sided infatuations with young men, he did experience a more reciprocal romantic friendship with the Hereditary Grand Duke of Weimar, Carl-Alexander von Saxe-Weimar-Eisenach, whom he met in 1844. 

In his later years, Andersen was infatuated with the young ballet dancer, Harald Scharff.

Andersen died on August 4, 1875. It was not until 1893 that his sexuality was publicly discussed, when a newspaper hinted that he may have been a homosexual. 

In 1901, an article in Magnus Hirschfeld's Jahrbuch fuer sexuelle Zwischenstufen also discussed him as a homosexual.

Actually, says his biographer, Andersen may never have had sexual relations with anyone. The pages of his diaries are festooned with crosses which he used to indicate masturbation.

The famous crosses suggest that he was an ardent masturbator, who meticulously recorded this act, as he recorded everything else in his life.

Throughout his life, Hans Christian Andersen thought of himself as the ugly duckling … a misfit undeserving of being loved by anybody.

 

ON THE VENERALIA By Flamen Antinoalis Antonius Subia

Mother Venus, Queen of Heaven

I lift up my heart to you.

When I was lost,

You brought me to the ruins of your temple

And all my doubts vanished among the stones.

You have forgiven my transgressions

And restored me to the path of destiny

She-Wolf, Mother of the Romans

In whose border-fields Antinous dwells forever

Gather them around me now

Let the key open the darkest doors

The splendor of your beautiful child

Radiates between us and binds us together

I will spread his power to the far corners of the world

Love, Pleasure, Beauty, Feeling

We are invincible.

Ave Venus

~ANTONIUS SUBIA

THE VENERALIA WHEN VENUS BLESSES HOMOSEXUAL LOVE

ON April 1st we honor Venus Urania, who blesses homosexual love.

When Saturn castrated his father Uranus, and separated the sky from the earth, by cutting away the testicles of heaven, Venus, the Great Goddess of Love was born, where the foam of the testicles washed ashore on the island of Cyprus.

She was attended by the Erotes, the spirits of desire, as seen in this image: "D'après Botticelli" 1984, acrylic on canvas, by the noted Italian artist, Marco Silombria. Soon afterwards she created the three Graces.

She was brought into Olympus by marrying Vulcan, the smith god, but Venus is an older, and more powerful than the Olympians, except for Zeus, because she is directly descended from Uranus, the heavens.

Venus shared her love with almost all the gods, to the humiliation of Vulcan, Juno's son, but her most ardent desire was for the war god Mars, whose virile masculinity is in direct contrast to her voluptuous feminine grace.

Together Mars and Venus fought for the Trojans against the other jealous goddesses, and though Zeus gave victory to the Greeks, he promised Venus that her chosen people would have their revenge.

Flamen Antonius Subia says:

So it was that Venus guided her son Aeneus and his followers out of the burning city and across the world to the place where Rome would one day stand. The descendants of the Trojan refugees and of Mars were Romulus and Remus who founded Rome, whose sons, through War and Love would conquer the world.

Julius Caesar claimed to be descended from Venus through Aeneus, and so she became the guardian spirit of the Emperors.

In the year 135 Hadrian dedicated the Temple of Venus and Roma. Hadrian built one of the largest Temples in Rome for the Great Goddess of Love and for the Spirit of the Deified City. 

Hadrian intended with this Temple to proclaim to the Romans that the Empire was the child of Love and War, but that Love, through the Goddess Venus, was to be the foremost power. We dedicate this day to Venus Urania, who blesses homosexual love.

WE JOYOUSLY CELEBRATE INTERNATIONAL TRANSGENDER DAY OF VISIBILITY

MARCH 31st is Transgender Day of Visibility ... the time for education, empowerment, and action! Join the celebration! Start a protest! Host a movie night! Organize a rally! Make the world a better place for transgender people.

Transgender Day of Visibility (TDOV) is a day to show your support for the trans community!

Every March 31st, it aims to bring attention to the accomplishments of trans people everywhere while fighting cissexism and transphobia by spreading understanding of trans people. 

Unlike Transgender Day of Remembrance on November 20th, this is not a day for mourning: this is a day to be empowered and give the recognition trans people deserve

Visibility is not about being seen as an individual: it’s working together to transform society. Learn more about TDOV here.

ANTINOUS KNEW THE GHOST DOGS OF THE BATTLEFIELDS OF ASIA MINOR

MARCH 30th is sacred to the Goddess Bau or Baba (Akadian) known in Babylonia as Nintinuggu, "The Lady who Restores to Life", goddess of healing. 

She was originally a goddess of dogs and depicted with a dog's head. Possibly because dogs were believed to be able to cure sores and wounds if they licked them, she became the goddess of healing.

Antinous probably loved dogs. 

The only portrait which shows Antinous alongside an animal is by the artist Antonianus of Aphrodisias found at Lanuvium showing Antinous harvesting grapes ... with a small dog looking up at him adoringingly.

Antinous no doubt was familiar with the Haralez, the beneficent canine spirits of the remote mountains of his native Bithynia and Armenia. 

While the mountain mythology of that region possesses many heroes, monsters and spirits, the Haralez have always been the most beloved. 

The Haralez assume canine form and guide and protect humans in peril. 

Few people in modern-day Turkey know of the Harelez, and indeed, these Celtic myths were fading by the time Antinous was born in the 2nd Century AD. 

But he might have heard old-timers speak of how, when a valiant man falls in battle, the Haralez comes to his rescue and, by licking his wounds, restores him to life. 

The popularity of the Haralez never died out completely. Even today, Armenian folk tales mention the "perpetual lickers" who restore life to the dead.

ANCIENT CROCODILE SKELETON FOUND UNDER A TEMPLE AT ANTINOOPOLIS

TODAY is the ancient Egyptian Festival of Sobek, the ancient Egyptian crocodile god. 

Sobek is fierce, frightening, nurturing, and virile ... and as such was much loved by the Egyptian pharaohs. 

Archaeologists have found a crocodile skeleton under a temple of Antinous at Antinoopolis (see photo below). 

The crocodile protects the temple in all eternity! 

Sobek is celebrated for his protective and nurturing nature. In ancient Egypt, crocodiles were often mummified with a baby crocodile in their mouth, or on their back. 

This aspect of crocodile behavior was unknown to Western science until late in the 20th century, but the ancient Egyptians knew it. That is why a crocodile was buried at a temple of Antinous ... to protect Antinous for all eternity! 

The crocodile skeleton is one of the mysteries surrounding an INTENTIONALLY BURIED STONE STRUCTURE at Antinoopolis where ot just one ... but three ... human skeletons interred in sand directly on top of the structure.

With the discovery of the first body in 2017, archaeologists reluctantly speculated about "human sacrifice" ... but now they believe humans were buried separately but along with sacrificial animals.

The team of archaeologists working at ANTINOOPOLIS in Egypt say the subterranean "stone structure," which they believe may be an underground mortuary temple, is covered by two meters of soil strewn with sacrificial pottery sherds, bones of livestock and a crocodile ... and the skeleton of at least three human beings.

None of the animals was mummified ... nor were the humans,
says James B. Heidel, president of the Antinoupolis Foundation.

Some of the animals ... livestock ... were ritually butchered as normal for a Roman-era sacrifice. But a crocodile was buried intact, without being mummified.

But the human bodies were interred intact, also without being mummified. One of the bodies was accompanied by pottery vessels and ushabti figurines ... small clay dolls representing spirits who tend the deceased in the afterlife. 

The experts are certain that the pottery vessels and the bodies date to the earliest days of the city which Hadrian founded at the site where Antinous died in the Nile.

None of the pottery is later than the 2nd or 3rd Century AD, the experts said ... meaning the sacrificial offerings were made at the time when the city was founded and under construction.

The archaeologists are also certain that the site is intact and has not been disturbed by looters over succeeding centuries.

They found bones of large livestock, which appear to have been butchered prior to burial. An intact crocodile skeleton is seen as proof that the site was used as a religious sacrificial offering venue ... since crocodiles were sacred to Ancient Egyptians and not a source of food.

But the human skeleton is a total mystery. In Roman times, human sacrifice was taboo, but the archaeologists say the human bones mixed in amongst the bones of sacrificial animals and pottery suggest a gruesome possibility.

"The human burial is sealed in the same clean sand layer as all the other offerings, and the not unreasonable, but somewhat uncomfortable, hypothesis must now be that at least one human was sacrificed and offered with the animals," says James B. Heidel, president of the Antinoupolis Foundation.

The pottery and bones are in soil which covers the mystery-shrouded "intentionally buried stone structure" which Heidel's team found in January 2017 in the heart of the city founded by Hadrian at the spot where Antinous died in the Nile.

Using ground-penetrating radar, the experts discovered the rectangular stone structure ... 12 by 22 meters in size ... which consists of three successive chambers. 

The archaeologists suggest it could be an OSIREION ... symbolic Tomb of Osiris ... raising hopes that this could be the Lost Tomb of Antinous.

The structure was detected with ground-penetrating radar.

It is located near the waterfront peristyle discovered last season.

It is within what possibly was the Great Temple of Antinous and is a rectangular chamber which is subdivided into three sub-chambers ... apparently an antechamber, a middle chamber and an inner sanctum.