Saturday, April 11, 2026

NOW THERE IS AN OBELISK OF ANTINOUS
ON THE NORTH AMERICAN CONTINENT



YOU all know of the ANTINOUS OBELISK in Rome ... there is also an Antinous Obelisk in North America.

On Monday, April 11, 2017, a cenotaph obelisk inscribed with Antinous' name and dates was erected by an Antinous adherent in the Congressional Cemetery in Washington DC. 

It is thought to be the only cemetery with a LGBT section. 

Above is a picture of the grave of Leonard Matlovich under the blooming cherry tree. If you should visit Leonard's grave and turn around, directly behind you you will see the obelisk in the second picture. 

Take the short walk to the obelisk and you will see the name of Antinous and his dates inscribed on the fifth niche down from the top. 

The Antinous worshiper's name, James Crawford, is on the plate as well as that of Henry Moses III, a saint of Antinous, whose urn is within the niche. 

The names of two other gay men immortalized on this cenotaph are covered over out of respect for their wishes. 

Antinous is now inscribed on an obelisk on the North American continent. 

The landscaping has not been completed because the installation just occurred yesterday. 

If you are ever in Washington, DC, and intend to visit the very historic and interesting Congressional Cemetery, you might want to stop by and give a remembrance to our Antinous.

Friday, April 10, 2026

APOLLONIUS AND PHILEMON
SAINTS AND MARTYRS OF ANTINOUS


AS the fires of intolerance under the guise of "freedom of religion" rage all around us, we remember St. Apollonius and St. Philemon of Antinoopolis, two loving friends who died together as martyrs to religious persecution.
 

Antinoopolis was built upon the bank where Antinous had fallen into the Nile. From its birth the city was enshrouded with the specter of death.

The Religion of Antinous under the Curia of Antinoopolis was a death cult. The city's two major temples, that of the Egyptian faction and the larger Antinoeion which is the second possible site of the Lost Tomb of Antinous, were places for the perpetual lamentation of the death of Antinous, and for the passing of all beauty and youth in the world.

Antinoopolis was the flower of Greek civilization deep in the desert of the Thebaid, and it was a haven for dispossessed and exiled thinkers and theological revolutionaries of all sorts. But there came a time when even liberal-minded Antinoopolis fell under the sway of the fear and violence that had swept across the world.

The Christian faith was suffering one of the bloodiest persecutions in its history. In the 4th Century CE, as Antinoopolis was in full flower, Emperor Diocletian had sought to curb the rising tide of Christianity with brutal violence. He issued decrees that all citizens should be compelled to demonstrate their piety to the Roman Gods by offering sacrifice. It was a direct challenge.

Any person who refused was not only insulting the Gods of Rome, but also showing disloyalty to the Emperor and to Rome herself. Such treason was punishable by death. This was a legal way to persecute Christians. It was not an attack on the Christian doctrine, or its practices, but demonstrated an unavoidable line that no Christian would cross.

It is interesting to note that, although many of the Christians were executed by beheading or by being shot through with arrows, some were executed by being drowned in the Nile. This similarity between their deaths and the death of Antinous must have been very moving to the Ancient Priests of Antinous.


And it is also curious that the authorities apparently were not sensitive to the nature of this form of execution in the sacred city of a boy who had become a god simply by drowning in the Nile.

Of these Martyrs, the most profoundly moving are Apollonius and Philemon. Apollonius was a Deacon of the Church, also called a reader. The story goes that he was ordered to make a pagan sacrifice at Antinoopolis in order to prove that he was not a practicing Christian. He couldn't bring himself to do that, so he asked his "dearest friend" Philemon to make the sacrifice for him, since Philemon was a pagan.

Philemon is said to have been a flute player, an occupation notoriously held by homosexuals. While one was a young Christian priest and the other a pagan, it is indeed noteworthy that Apollonius the priest would have the confidence and trust to ask Philemon to take his place, and that Philemon would risk his life to aid the young priest. The two must have had a very close friendship, the nature of which has escaped the attention of the Christian martyrologists.



In the end, of course, the ruse was found out and they both died together by being drowned after the manner of Antinous, in the Nile.

One key element of the story is the irrefutable fact that Philemon, though not a Christian himself, refused under torture to renounce his friendship. In other words, he would rather die with his friend than renounce him and live on without him.

The details of the story of their martyrdom are shrouded in legend. In one version, they were tortured separately and were to be executed by archers.

But the story goes that the arrows bounced off their bodies. And in one version, an arrow point ricocheted back at Arian himself, blinding him in one eye.

Saint Philemon predicted that, after his martyrdom, Arian would be healed at Philemon's tomb on condition that he became a Christian. Arian did so, was cured miraculously -- and subsequently was put to death himself for being a Christian.

After arrows failed to kill them, Apollonius and Philemon, bloody but alive, were chained together and placed in a sack and thrown into the river. In one version, they were thrown into the sea at Alexandria.

Their deaths occurred on April 10th in the year 305.

What would cause a man to link his fate with that of another man, the two of them residents of a city founded in honor of a man who linked his fate with that of another man?


As for Apollonius, he must have been regarded as a rebellious hothead and self-destructive with his talk about this martyred Hebrew carpenter boy being an alternative to Antinous -- right there in the Sacred City of Antinoopolis!

What thoughts went through Philemon's mind as he was being bound up in chains together with his beloved friend and they were shoved into the river?

They probably weren't very nice men. Remember that actor/musicians were considered scum in ancient Rome. One was an actor and the other was a rabble-rousing religious fanatic. Not nice men.

Theirs was not a very pretty story. But then, few of the saints of any religious canon were very "sweet and nice" people to actually be around. "Nice" people obey the rules. "Nice" people obey the rules.

These people did not. They stood up against authority and convention. And their life stories generally are not very pretty.

But most of us are not very "sweet and nice" people, once you get past the smiling exteriors that most of us present to neighbors and co-workers. Most of our life stories are not particularly very pretty.

But "nice" people with pretty life stories don't become saints. Most saints are usually just ordinary people who were placed in an extraordinary situation and who did something extraordinary as a result. We read the lives of the saints because they shock us into facing the reality of our own not very nice selves and our own not very pretty little lives.

It is very fitting and appropriate that we remember Philemon and Apollonius, two friends from the Sacred City of Antinoopolis whose lives were linked by bonds of love and whose deaths were linked by bonds of chains.

Thursday, April 9, 2026

ANTINOUS IN SARDIS
THE GLEAMING WHITE-MARBLE CITY



THE Religion of Antinous commemorates the arrival in the springtime of 129 AD of Antinous and Hadrian in the fabulous city of Sardis, a city of gleaming marble high in the mountains of the province of Lydia

It was a powerful military bastion and it was famed for its splendid temples and the gymnasium, which has been partially reconstructed for the benefit of modern-day tourists who, like the ancient Romans, look upon the city as an example of civilization in a far-flung province.

The city of Sardis is one of the most ancient cities in Asia Minor, with a history that extends thousands of years back into pre-history.


It was the capital of the Kings of Lydia and was a tremendously wealthy city under its ancient King Croesus, who contributed large amounts of gold to the building of the Temple of Artemis at nearby Ephesus. The Persians defeated Croesus but they were never able to subjugate the Lydian people completely.

The Lydians were Greek allies, and quickly sided with Alexander when he invaded, opening their gates to him without resistance. After Alexander, Sardis was caught between the powerful Attalids of Pergamum and the Seleucids of Antioch, both kingdoms founded by generals of Alexander.

At the close of the Hellenistic period, during the war with Mithradites, the people of Sardis sided with Rome, for which they were rewarded. While Sardis was under the control of Antony, a cult worshipped him as the New Dionysus, but when Octavian overthrew him, a Temple to Augustus Caesar was constructed without hesitation.

The biblical Book of Revelation, which numbers Sardis as one of the Seven Churches, criticizes the citizens for being weak and lame worshipers of Jesus and for preferring the Cult of the Emperors.

It is against that pagan backdrop that Hadrian and Antinous arrived in the springtime of 129 AD.

Flamen Antinoalis Antonius Subia says:

"While touring the Province of Asia, Hadrian and Antinous were received with jubilation and divine honor. Hadrian was received as a visiting god, more than as a ruler, and Antinous was treated with deepest respect and loving devotion. The Lydian people were devoted to Helios, the sun god, and to Artemis in her Asia aspect as Great Mother.

"So we dedicate the visitation of the Roman court to the Divine Hadrian as the life-giving Helios, and to Antinous as the male Artemis with his bow and arrow at the ready as he soars under the protective solar wing of the imperial eagle."

Wednesday, April 8, 2026

WE HONOR VASLAV NIJINSKY
SAINT OF ANTINOUS


ON April 8th the Religion of Antinous honors St. Vaslav Nijinsky, the greatest gay ballet dancer/choreographer of all time, who died on this day in 1950 in an insane asylum.

He was a living Antinous who innately understood our religion's idea of Homotheosis ... Gay-Man-Godliness-Becoming-the-Same.

Homotheosis can only be accomplished by a self-inflicted act of faith after the example of Antinous. 


One must deny this mortal existence of death and decay, which existence is rightfully called transient, and cast the mortal self into the rushing waters of the Nile that flows within the veins and arteries of our true, perfect, interior self. A body that is the same as and as beautiful as the marble flesh of Antinous the Gay God. 

This is not turning away from life, but turning to it for the very first  time, and finding the light of the Unconquered Sun that has always shone within.

One of this religion's favorite Hadrian and Antinous stories is the tumultuous love affair between Vaslav Nijinsky and Sergei Diaghilev. Nijinsky completely changed ballet, inventing what we now consider to be modern dance. Of course he was out of his mind, and after his relationship with Diaghilev ended, he went certifiably insane and spent the rest of his life in an asylum.

Vaslav Fomich Nijinsky was born in Kiev on March 12th, 1888. Both his parents were ballet dancers, and Vaslav was introduced to the stage as a child. When he was a 18 he became the lover of Prince Paul Dmitrievitch who then introduced him to Sergei Diaghilev, the ballet impresario, whose lover he became in 1908.

Diaghilev took Vaslav to Paris where he was starting the famous Ballet Russe, an experimental production company that brought together the finest composers of the day with the most innovative scenery artists, costumers, and of course the greatest ballet dancers in the world.

The volatile relationship between the teenage Nijinsky and the 40-year-old Diaghilev led to the some of ballet's most profound and moving works. Nijinsky was the male star of the Ballet Russe, but he soon showed that his true talent lay in choreography. His debut as a choreographer came when he was 21 in the short piece entitled L'aprés-midi d'un Faune (Prelude to the Afternoon of a Fawn) with music by Claude Debussy, in which Nijinsky starred as the lustful faun trying in vain to seduce a group of nymphs.

The ballet caused a scandal when it premiered in Paris on May 29, 1912, because of the highly suggestive ending in which Nijinsky pantomimed masturbation and orgasm.

But that was nothing compared to the riots that broke out after his next choreography for the orgiastic Le Sacre du printemps (The Rite of Spring).

The style of Vaslav Nijinsky was far ahead of his day. He revolutionized the ballet and single-handedly invented what we call modern dance, rejecting the stylistic forms passed down by tradition in favor of sensuality, odd gestures and unnatural movement that was totally infused with the grace and power of the feel of music.

The relationship between Nijinsky and Diaghilev broke down over time and they separated. Nijinsky married a female fan he had only met once ... simply to spite Diaghilev. But he was slowly succumbing to mental illness, and would eventually lose his mind completely.



He wrote a bizarre diary in the few weeks before he was taken away to  spend the rest of his life in various mental institutions. The genius of Vaslav Nijinsky, who was taken as a stupid person because of his shy and quiet demeanor, was revealed in his divine power of dance and in the sublimity of his strange diary.

Here is an excerpt, you'll notice the way that he rambles just barely able to communicate his wandering mind. Nijinsky was already leaving this world and becoming an immortal. He signed the last page, Nijinsky, the God.


"One day in the streets of Paris I pushed [Diaghelev] in order to show him that I was not afraid of him. Diaghelev hit me with his stick, as I wanted to go away from him. After this we lived for a long time together. I loved the Ballets Russes. I gave my whole heart to it. I worked like an ox. I lived like a martyr. I lived sadly and sorrowed alone. I wept alone. I loved my mother and wrote her letters every day. I was afraid of life, because I was very young. I could not go on composing the ballet 'Jeux.' It was a ballet about flirting and unsuccessful, as I had not feeling for it. The story of this ballet is about three young men making love to each other. I began to understand life when I was 22 years old. I composed this ballet alone, too. Debussy, the well-known composer, wanted the subject to be written down.

"Diaghelev likes to say that he created the ballet, because he likes to be praised. I do not mind if Diaghelev says that he composed the stories of 'Faune' and 'Jeux,' because when I created them, I was under the influence of 'my life' with Diaghelev. The Faune is me and Jeux is the life which Diaghelev dreamed. Diaghelev wanted to make love to two boys at the same time and wanted these boys to make love to him. In the ballet, the two girls represent the two boys, and the young man is Diaghelev. I changed the characters, as love between three men could not be represented on the stage'"

The Parisians called him the God of Dance, and toward the end of his diary, he signed his name, Nijinsky, the God. He died in a London clinic on April 8, 1950.

We consecrate him as a Saint and as a living incarnation of Antinous/Pan/Dionysus. St. Vaslav Nijinsky, who knew how to live  Homotheosis every single blessed day of his life ... which means living daily the Divine Spirit of Being Gay ... and who knew how to express this ineffable spirit in dance as well.

Tuesday, April 7, 2026

YOU CAN HAVE YOUR OWN ANTINOUS
SCULPTURES THROUGH 3-D PRINTING




NOW you can own your own museum-quality Antinous sculpture, thanks to 3-D printing.

Our friend Keith MezaenAset Hoberg shares these photos of the replica of the Farnese Antinous/Adonis statue which adorns the sacred altar of Antinous in his home in Los Angeles.


The full-size original Farnese Antinous is in the National Archaeological Museum in Naples Italy. Keith ordered his 30-centimeter (12-inch) 3-D printed, bonded stone replica online.


Keith says:


"As a Companion of Antinous, having a beautiful depiction of Him to focus on during prayer, devotion, or meditation can be very helpful. 


"We are very lucky to be able to find such images of Antinous today, such as this beautiful 3-D printed statue, found in a shop on the Etsy app. 


"This reproduction of the Antinous Farnese statue has always been my favorite image of Him. Gazing upon it always calms my mind and fills my heart with love and happiness. He inspires me in so many ways."


Monday, April 6, 2026

PERGAMUM FETED ANTINOUS & HADRIAN
AS THE NEW GANYMEDE AND JUPITER



ANTINOUS and Hadrian were welcomed as the new Ganymede and Zeus/Jupiter when they arrived in the fabulous city of Pergamum in Asia Minor in the spring of 129 AD.

The people of Pergamum having once been firmly under the control of the Persian Empire, and then living under the domination of the Hellenistic kings of the Attalid Dynasty, were accustomed to worshipping their rulers as gods, and it is believed that the province of Asia is the birthplace of the Cult of the Emperors.

Hadrian was declared and openly worshipped as a living god by the residents, an honor that he did not refuse. Antinous being his chosen favorite was also viewed with interest, and began to take his place here as the Divine consort, as the Ganymede, who was a local deity.

When Alexander the Great died, one of his generals, named Lysimachus, made Pergamum his capital. The Kingdom of Pergamum, under the Attalid Kings was to become the strongest power in Asia Minor for the centuries preceding conquest by Rome.

It remained a grand and wealthy city throughout Roman times, and was mentioned in the Christian Book of Revelation as one of the Seven Churches of the world.

The main temple of Pergamum was dedicated to Zeus, and was richly ornamented by a frieze depicting the war between the Olympic gods and the Titans. Portions of that frieze are now on permanent exhibit at the Pergamon Museum in Berlin.


Hadrian built a magnificent Temple to the Divine Trajan, his Father, and so it is in this vein that we consecrate the visitation of Hadrian and Antinous to Zeus, as the spirit of the Divine Emperors, and as the conqueror of Titanic chaos.

We in the Religion of Antinous remember the gentle love of Hadrian for his beautiful Antinous in an age when the virtues of Hellenism and divine order prevailed over the chaos of fear and rage and the desire to destroy.

Sunday, April 5, 2026

REMEMBER WHAT THE ROMANS SAID:
FORTUNE FAVORS THE AUDACIOUS!



ON April 5th we remember the anniversary of the Temple of Fortuna Publica for the city of Rome.

It was one of three temples of Fortuna on the Quirinale Hill, where Fortuna Primigenia, Fortuna Brevis and Fortuna Euelpis were worshiped.

The symbol of Fortuna is the ever turning wheel, found in the Tarot pack as the Wheel of Fortune, this indicates that things change and that you should not rest on your laurels but be prepared to grasp opportunities. It also tells us that things will not stay bad forever, the wheel will turn and things will get better.

Remember what the Romans said: "audica favet fortuna" ... fortune favors the audacious.

Fortuna Publica Romani symbolised the luck of the Roman population and state. Sje is an aspect of the Roman Goddess of luck, fate, and chance, Fortuna. As Fortuna Publica, she ensures the luck of the populice or state, and is a complimentary idea to Fortuna Privata, the Luck of the Individual.

Fortuna was honored with three temples on the Quirinal Hill in Rome in the neighborhood called tres Fortunae, "the Three Fortunas". 

At least two of those three temples were to Fortuna Publica. One was to Fortuna Primigenia, whose full title in Rome was Fortuna Publicae Populi Romani, "the Luck of the Roman People".

Another was to Fortuna Publica Citerior (citerior meaning "nearer", probably because it was closer to the center of the city).

There is not much known of the third temple to Fortuna. Some identify it as again belonging to Fortuna Primigenia.

But it is possible that it was more specifically dedicated to Fortuna Publica. The first temple had as its festival date the 25th of May, and the one to Fortuna Publica Citerior the 5th of April.

Fortuna Publica was sometimes known as Fortuna Populi Romani, the "Luck of the Roman People". Under this name She had an altar way up on Hadrian's Wall, at the fort of Vindolana, at modern Chesterholm in Northumberland, England.