Saturday, May 16, 2026

THE RISE AND FALL OF ELAGABALUS
ROME'S TRANSGENDER TEEN EMPEROR



ON May 16th in the year 218 AD, Elagabalus became emperor of Rome, a transgender teen emperor who reigned only four years before being assassinated on March 11 of 222 AD.

Imperator Caesar Marcus Aurelius Antoninus Augustus was born on an unknown date in the winter of 204 AD in the city of Emesa in Syria.

His birth name was Varius Avitus Bassianus, and he is believed to have been the son of Caracalla, for which reason he was declared Emperor by the Legions of Syria during an uprising against the short-lived Emperor Macrinus who had assassinated Caracalla and taken the throne.

Varius Bassianus was only 14 years old when he became sole ruler of the Roman Empire and took the name of Antoninus. He was the last Emperor to bear the sacred name of the most glorious rulers of the world, the Antonines. He is known to history as Elagabalus, because he was from birth the high priest(ess) of the androgynous sun deity Elagabal.

He brought his strange, phallic religion to Rome, and very shortly began to impose Elagabal, going so far as to nullify all other cults and force the Romans to accept his one god. It is even claimed that he closed and demolished the temple of Antinous at Tibur and perhaps others, but this is rumor.

What Elagabalus is famous for is that he was an extreme homosexual phallus worshipper with an insatiable fondness for chariot racers who he often elevated to the highest positions of authority simply based on the size and grace of their penises. He is criticized by ancient historians for portraying himself as Venus on Mount Ida, and allowing himself to be sodomized on stage by his chariot racers in the roles of various gods in full view of an audience.


History is slanted by anti-tranny prejudice. Elagabalus is recorded as having been one of the most infamous and degenerate figures in Roman history. 

This despite the fact that he was not particularly cruel or demonstrably mad. He simply offended the sensibilities of later historians ... particularly Victorian historians who were appalled by the fact that a trans teen had been acclaimed emperor of Rome.

Elagabalus, devoted to the androgynous god Elagabal, made it his priority as emperor to demote all others gods and goddesses to the position of servants to the principal deity. A black stone phallic representation of the god was processed through the streets of Rome to the temple annually.

Many of the sacred symbols of other religions were moved to the temple of Elagabal, including those of Jews and Christians. To persuade followers of other deities to worship Elagabal, the emperor participated in the rituals of several other religions. On a daily basis animal sacrifices were performed, consistent with the practices of many of the religions.

Victorian historians record Elagabalus' life as scandalous, yet an examination of their remarks reveal a troubled trans youth struggling with his identity.

"Not only was he bi-sexual, but also a transvestite. He would go to the taverns at night wearing a wig, woman's clothes and makeup and ply the trade of a prostitute. This activity only ended when he met Hierocles, a Carian slave, and became his wife. Hierocles was even permitted to beat the emperor when displeased, as any man might beat his wife. Even more scandalous Elagabalus not only acted and dressed like a woman, but he wanted to be physically transformed into one. He asked his physicians to contrive a vagina for him, promising huge rewards for success."


In other words, he was a transgender teenager who had the power and money at his disposal to create the gender-bending reality he desired to live in.

At the age of 14, in 218, Elagabaltus, a zealous believer, declared a religious initiative giving Elagabal precedence over all other gods, even Jupiter himself.


The god was also to have a consort. Pallas Athena was the first choice, a goddess tended by the Vestal Virgins. As part of his strategy Avitus married one of the vestals. When Romans balked at the violation of a vestal virgin, however, he opted for the symbolic marriage with Urania, a moon goddess.

His attempt to unify Rome under one religion met with strong resistance and did nothing to moderate his unpopularity. In the very year that Elagabalus became emperor the Third Legion, which had placed him in office, attempted to replace him with Verus, their commander. The attempt failed. Over time, subsequent attempts by the Fourth Legion, by the fleet, and by a pretender named Seleucus also failed.

But as unpopular as he was with the nobility and commanders of the Legions, he was not at all unpopular with the plebs, upon whom he lavished gifts and games. As emperor he had a Temple built to Elagabal, restored the Flavian Amphitheatre (the Colosseum) that had been damaged by fire and completed the construction of the public baths of Caracalla in the Vicus Sulplicius. He also had built a palace complex, the Horti Variani, with an amphitheatre, a circus, a bath, and audience hall.

His most famous projects, however, were the temple of Elagabal (the Elagaballium) on the Palatine hill and another such temple on the southeastern edge of the city. From these temples the emperor delivered largesse to crowds that gathered below.

None of his works, or gifts to the people, were sufficient to offset his reputation among the elite, tarnished by his promiscuous behavior with men and women. Regardless, provided with almost absolute power one wonders, wouldn't most teenage boys be self- indulgent? Many of the adult emperors did no less.

Many legends have arisen about the decadent lifestyle of Elagabalus, including the tall tale that one of his palace orgies was the scene of an inadvertent massacre when so many flower petals were showered upon the banquet guests that dozens of people suffocated to death as they reclined on their couches. 


A colossal, wall-sized painting of this scene by Lawrence Alma-Tadema shocked and titillated Victorian  viewers.

As the young emperor's popularity dwindled his mother, Julia Soaemias, and other supporters recognized that the royal family was in danger of their lives. Rome had a tradition of murdering unpopular emperors, and sometimes their adherents as well.

In hopes of rescuing the regime his close family and supporters induced Elagabalus to adopt his cousin Bassianus Alexianus, a young man popular with the praetorian guard, and name him Caesar, heir to the throne.

The scheme backfired in that Julia Mamaea, Alexianus's mother, was as ambitious as Julia Soaemias and desired to see her son emperor as quickly as possible. Mamaea, playing on the praetorian guard's contempt for Elagabalus entreated for the assassination of Elagabalus. Soaemias, discovering the adoption had created greater danger not less, urged Elagabalus to have his cousin killed lest he himself be murdered. However, no one would obey the order.

Here is where we catch up with Julia Soaemias and Elagabalus:

"Mother," spoke the young emperor, 17 years old, the glow of childhood still reflected in his eyes, "they don't understand what I want to accomplish. If they did, they wouldn't hate me."

"Child," replied Julia Soaemias, "they have more than one reason to hate you. You're obsessed with being a woman and you flaunt Roman tradition. You seek to bring down their gods and make them slaves to Elagabal. Elagabal knows I worship him as much as you, but he wants not that we place him above other gods."

"I will go to the praetorian camp and entreat with them, explain what I intend. Surely they will listen. A single god for all Rome would unify us as naught else might. Our former glory would be restored and Rome would endure forever. I will go. I will go now! The armies must be made to understand," declared the emperor, rising from his throne even as he spoke.

"If you go to the guard they are as likely to kill you as listen to you," admonished his mother.

"That is a chance I must take," he retorted, "Rome is more important than my life."

At the praetorian camp:

"All hail Nellie Ellie," sarcastically called a guardsman upon the approach of the emperor.

"Run, fear for your manhood, she comes to drain us dry," screamed another voice.

Other guardsmen laughed and joined in, a little nervously at first, after all this was the emperor of Rome, but with growing enthusiasm. 


Stepping down from his chariot Elagabalus, dressed as a woman, his wig meticulously styled and his makeup artfully done, spoke in a loud voice, "I have come to discuss with you the fate of Rome." 

His mother, having accompanied him stepped down beside him, on her countenance fear was plainly written. She had a bad feeling about what could happen that night and the crowd of soldiers mocking and jeering did nothing to lessen that fear.

"Alexianus would have me murdered and restore the old gods, the many religions which kept Romans apart. I have dedicated my rule to bringing our great nation together under one god, you must see the wisdom in such a venture," he called out in a loud voice, ignoring the insults and belittling remarks.

"Wisdom from a boy whore," yelled out a disgruntled soldier, "Drunk one night, boy, I had you. Was that your wisdom, Nellie Ellie?" The crowd laughed uproariously.


"I am the priestess of Elagabal. It is my place to be among my people, to suffer the worst and the best at your hands. I am also your emperor and I command you to kill my rival, Alexianus," he ordered.

His mother leaned forward and whispered in his ear, "Tread softly my son, their temper is not to be trifled with. I like not their mood."

"You have had my spear once, priestess," venomously spat a soldier near the front of those gathered. "Now have another!" As the soldier uttered the words he hurled a spear. It landed to one side, but came perilously close to hitting Elagabalus.

"I want nothing but the betterment of Rome," shouted Avitus, taking his mother by the arm and retreating to his chariot. Too late he took the reins of his spirited horses, the soldiers had already surrounded his chariot and taken control.

"You will agree to abdicate in favor of Alexianus before you leave this night, or you shall not leave," spoke up the closest of his adversaries. The army heard the words and began to chant, "Alexianus, Alexianus, Alexianus."

Enraged the youthful emperor screamed, "I am emperor. It is I who know what is best for Rome. Not you traitors. Now, let go of my horses!" With his whip he struck at the face of the nearest soldier, landing a vicious blow that brought blood.

The soldier in turn pulled Elagabalus from the chariot and stabbed him. Others joined in. The last thing Elagabalus saw before he died was the soldiers pulling his mother from the chariot,"Let my mother be," he tried to yell, but only a whisper passed his lips.


So ended the reign of the trans teenage Varius Avitus Bassinus, having ruled Rome for but four years.

He had been the first emperor to attempt to unify Rome under one god.

His gender variance, his sexual escapades while frowned on but tolerated had destroyed his credibility. After the murders, his body and that of his mother's, were dragged naked through the streets of Rome.

Finally, beheaded, both bodies were thrown into the Tiber, the punishment for convicted criminals.

Elagabalus reigned only four years, and was 18 years old when he was murdered, the same age as Antinous.

Though his character is condemned as perverse, the open phallicism that he imposed upon Rome, and the dramatic exhibition of his homosexuality warrant his deification.

Friday, May 15, 2026

IN PRAISE OF MERCURY


WE lift up our hearts to the great wing-footed God Mercury on this day in mid-May when Mercury traditionally leaves stodgy Taurus and wings his way into Gemini, his astrological home.

The Ancient Romans celebrated this cosmic event on May 15th each year with the Mercuralia festival.

Father of Antinous, son of Zeus and Maia, Mercury is the god of speed, the Lord of commerce, communication, and cunning. 


He is forever young and beautiful, the patron of skilled athletes, especially runners, and yet he possesses the infinite wisdom of extreme old age.

When Mercury was one day old, he charmed Apollo by stealing the sun god's prized cattle and crafting an ingenious story to cover his tracks.

Apollo fell in love with Mercury and from that day forward became his godfather and protector, presenting him to Olympus. Zeus was so taken by his son Mercury that he made him the messenger of the gods, and placed in his hand the sacred Caduceus, the serpent-entwined rod.

Hermes (as he was called by the Greeks) was charged with escorting the souls of the dead to the underworld, and to relay messages between heaven and hell. Thus he acquired his mystic powers, which were the inspiration of the Hermits, and of their religion known as Hermeticism.

He was known to them as Hermes Tristmegistus, the "thrice-great", and was said to have taught the secret knowledge of salvation to mankind.

As Hermes of the crossroads, he was a Phallic god, whose image was a herme, or column with a bearded head and a large penis that was placed at forks in the road to protect travelers.

Mercury made love to Venus and was father of Pan, Priapus, Hermaphroditus, and of Fortuna. He was the craftiest inventor, who created the lyre, which he gave to Apollo. And he invented written language, weights and measurement.

Mercury was the god of good business, but also of dishonesty and absolute capitalism. He invented dice and was the lord of gambling and all games of chance.

Antinous was often compared to Mercury in the statues and in the artefact fragments (bust above). His powers of youth, virility and physical fitness were central parts of the Religion of Antinous. But the hermetic sages, from whom so much of the salvation of Antinous extends, deepened this fascade. He is, along with Dionysus, Apollo and Osiris, a major facet of the Spirituality of Antinous.


We acknowledge and extol Mercury, the wing-footed god, and pray to him as Antinous to run by our side and give us good fortune throughout our travels and in our communication with the divine.

Thursday, May 14, 2026

MAGNUS HIRSCHFELD
SAINT OF ANTINOUS


ON May 14th, the Religion of Antinous honors the life of the Father of Gay Liberation, Doctor Magnus Hirschfeld, who died on this day in 1935 (which was his 67th birthday) while in exile form his native Germany in Nice, France. He died a broken and embittered man.

A life that had started out with such lofty ambitions ended in disillusionment. He was of Jewish ancestry and began his career as a medical doctor but very soon devoted his life to the study of homosexuality.

In 1897 he founded the Scientific Humanitarian Committee, which was an organization whose publication, called The Yearbook of Intermediate Sexual Types, was devoted to the repeal of "Paragraph 175", a law passed by the Reichstag in 1869.

The work of the committee included ongoing lobbying supported by the scientific studies of Dr. Hirschfeld into human sexuality. This study culminated in the formation of the Institute for Sexual Science in 1919.

Dr. Hirschfeld spent the majority of his career writing and lecturing around the world on the nature of homosexuality and other "intermediate" sexual types, including cross dressers. The word "transsexual" was coined by Dr. Hirschfeld to describe the phenomenon that he argued was a natural extension of human sexuality.


His philosophy centered on the contention that there was a third sex, called the Uranian, which was neither male nor female, but a combination of both that was manifested in homosexuality, which was not to be considered an impure deviation, or even as an illness, but as a natural and phenomenal component of human nature.

For his work, the Nazis targeted Dr. Hirschfeld as an example of decadent Bolshevistic/Jewish influence infecting the purity of the German people, luring the Aryan race into impure and destructive perversity. He was ultimately driven into exile and burned in effigy as an emblem of evil. His institute was ransacked May 6th and his books were publicly burned in a bonfire on May 10th, 1933.

The slogan with which he began his speeches, "Uranians of the World, Unite!" was not to be realized until our own time. For his courage and his career of some thirty years, all of which was spent in tireless devotion to the cause of Gay Liberation, we venerate Saint Magnus Hirschfeld.

Wednesday, May 13, 2026

WE OFFER GARLANDS OF FLOWERS
AT THE FESTIVAL OF NEPTUNE




MAY 13th is the Roman Festival of offering Garlands to Neptune, the Roman equivalent of Poseidon, god of the seas and oceans. He is known for his quick temper which turns the sea from tranquil to stormy. Today you should offer garlands of flowers to him, to keep his temper sweet and the seas calm. Antinous was associated with Neptune, who had relations with another male sea deity Nerites. Their son was Anteros, god of mutual requited love. At the temple of Antinous in Corinth, temple Priest Hostilius Marcellus minted coins of Antinous with Neptune. Coins fetch thousands at auction.

13 de maio é a festa romana de oferendas guirlandas de Netuno, o equivalente romano de Poseidon, deus dos mares e oceanos. Ele é conhecido por seu temperamento rápido que transforma o mar de tranquilo a tempestuoso. Hoje você deve oferecer guirlandas de flores para ele, para manter seu temperamento doce e os mares calmos.

El 13 de mayo es el Festival Romano de ofrendas de guirnaldas a Neptuno, el equivalente romano de Poseidón, dios de los mares y los océanos. Él es conocido por su temperamento rápido que convierte el mar de tranquilo a tormentoso. Hoy deberías ofrecerle guirnaldas de flores, mantener su temperamento dulce y calmar los mares.you to all of you who sent messages and prayers for the 1st April birthday of Venus/Aphrodite.



Tuesday, May 12, 2026

ΑΝΤΙΝΟΟΙ ΗΡΟΙ
(TO ANTINOUS THE HERO)



HERE IS an Antinous image rarely seen, but which I love.

Let me first call attention to the wonderful way that his name is written, combining the second two letters.

I love it...too bad it has been defaced...because I love the body and the stance.

And I would say that this is the only Antinous shown holding a spear. Historical record states that Antinous hurled an adamantine-tipped spear at a man-eating lion in Egypt ...

It was found in the ancient Roman stadium in the city of Plovdiv in Bulgaria, called Philippopolis in Roman times.

Games were held in Philippopolis like those in Greece. The games were organized by the General Assembly of the province of Thrace.

This marble slab was found during excavations at the stadium proving that there were games celebrating Antinous. Games in honor of Antinous were held 
in ANTINOOPOLIS and in numerous other cities in the Eastern Empire. 

This votive tablet dedicated to Antinous is exibited in the PLOVDIV ARCHAEOLOGICAL MUSEUM.

The inscription on the slab reads:

ΑΝΤΙΝΟΟΙ ΗΡΟΙ (to Antinous the hero)


On a number of coins of Antinous, he is honored as a hero. Syncretism of Antinous with locally relevant heroes of various types is certainly a likely thing to have occurred.

Even Hadrian himself honored Antinous as a hero in at least one location: the temple founded in Socanica, Dalmatia (modern Croatia), which was co-founded with his adopted heir, Aelius Caesar, in 136 AD.


Of the various classes of divine being that existed for the Greeks, heroes are an interesting option. Gods are gods, and demigods are often born of a god and one mortal parent. 

Many heroes seem to have started out as strictly mortal. Whatever the cultic or theological reality may be in each individual case, perhaps the main distinction is that most gods have a timeless and almost eternal quality about them, whereas heroes have a beginning and an end in death, but a very glorious afterlife.

Some heroes such as Hercules were eventually deified. The same happened in the case of "Antinous the Hero," who underwent apotheosis and became
 "Antinous the Good God."
 

There always seems to be something new to learn about Antinous.

There always seems to be another image, another bust, even another statue, such as the "Dresden Antinous" shown here, which Priest Julien and I were honored to see at the GETTY VILLA MUSEUM, where it was painstakingly restored before being returned to Germany...

There could well be others hidden away in private collections ....


FLAMEN ANTINOALIS ANTONIUS SUBIA

Sunday, May 10, 2026

THE TWO LOVERS OF ANTINOOPOLIS



ON MAY 10th the Religion of Antinous honors two men we call the Two Lovers of Antinoopolis who lived in the Sacred City of Antinoopolis and who worshiped the Beauteous Boy and whose joint portrait is one of the great mysteries of Egyptology.

This round portrait, called a "tondo" because of its circular format, was used as a face plate on a mummy. The vicinity of Antinoopolis and the Fayoum Oasis region is famous for hundreds of such mummy portraits which give us a priceless look at how the residents of the Sacred City actually looked. It is believed these were portraits which had hung in people's homes and which were interred with the deceased, as a reminder to their Ka about who they were in mortal life.

The tondo is unique, though, because it shows two faces. Archaeologists have no explanation as to why anyone would want the face plate on a mummy to show two men's faces. The conventional explanation is that they were perhaps brothers and when one of them died, his surviving brother insisted on burying him with their joint portrait to show his fraternal love.

But one glance at the portrait shows that the two men bear little resemblance to each other.


Even more striking is the difference in skin coloring. Throughout Egyptian art, males were portrayed as having typically ruddy-brown skin and girls and women as having creamy colored skin ... that was the iconic rule in Ancient Egyptian art. The skin colors do not represent the ACTUAL skin tones of the people, just as the idealized features of pharaohs don't reflect how they actually looked.

In Ancient Egyptian art, even if two individuals appear to be identically dressed with wigs and flowing robes, you can distinguish gender roles by skin color.

Ruddy skin means male. Creamy skin means female.

That makes it all the more interesting to look at the Tondo of the Two Lovers, because one man has dark "male type" skin coloring and the other man has very light "female type" skin coloring. Such contrasting skin coloring traditionally was used only for married male-female couples in Ancient Egyptian art.


Even when the hairstyles and clothing are barely indistinguishable in Egyptian art, the difference in skin tones is a gender-role clue. Any Egyptian would instantly register the visual "pun" and would think it no accident.
The artist who painted the Tondo of the Two Lovers appears to have been giving us a clue as to the relationship between the two men.


The Tondo has been dated between 130-150 AD which would place them as nearly contemporaries of Antinous, living in His Sacred City in the first bloom of the Religion of Antinous. French architectural historian Jean-Claude Golvin painted this stunning rendering of Antinoopolis at its height.

But of even more significance are the small images of Greco-Egyptian gods placed above their shoulders. The darker man is guarded by a figure which some experts identify as Hermanubis, a god of the underworld adored in the nearby city of Hermopolis. His name is variously interpreted as "Hermes/Anubis" or "Horus-as-Anubis", depending on whether you read the Latin or the Egyptian spellings.

The cult of Hermanubis was on the rise in Rome at this time and he was interpreted as a solar deity who (like Hermes/Mercury and Horus) led the dead through the darkness to everlasting sunlight. A crack runs through the figure, however, making its identity somewhat unsure. At one point Hermanubis had a large cult following in Rome itself and his face graced Imperial coins. But his cult was suppressed almost as quickly as it rose, for moralistic reasons which are hard to reconstruct.

The lighter skinned and more beautifully dressed boy is watched over by Antinous, the patron god of Antinoopolis, who grasps a Dionysiac scepter and who wears the SWTY (Two Feathers) crown of divinity symbolic of his many-faceted Sacred Powers. It is ironic that the Christians later suppressed the cult of Antinous for moralistic reasons, just as the cult of Hermanubis had been suppressed by the Romans. Was there a sexual/moral connection between the two cults?

At any rate, this makes the Tondo of the Two Lovers the only portrait painting of Antinous to have survived, and the only image of two probable followers of HIS religion.

The faint inscription beneath the image of Antinous reads 15 Pachon, which is a date in the Greek calendar that corresponds to the 10th of May. No one knows what the significance of this date might be. An anniversary, perhaps.

The younger figure is wearing a splendid red wrap held in place by an impressive amethyst brooch in a gold setting ... a family heirloom perhaps. The artist has gone to pains to render it perfectly. The embroidery on his white tunic is very fine. An oriental swastika good-luck charm is stitched into his right sleeve.


Perhaps the portrait was commissioned for the day (May 10th) when he donned his manly robes for the first time on his 16th birthday, as was the Roman custom. The peach-fuzz on his face gives him the appearance of an adolescent.

The older man (who could 30-something) stands behind him, as if symbolically showing his love and support of his young companion. He could be an older brother or uncle. He could even be the youth's father ... life expectancy was shorter then, and people married early in those days and were grandparents by their mid-30s.

But just perhaps the composition and skin-tone nuances are subtle clues by the artist that these two men shared an older-man, younger-man relationship ... a Classical Greek-style erastes/eromenos relationship ... similar to that of Hadrian and Antinous. After all, this city was founded on Hadrian's love for Antinous.


The Temple of Antinous honors these two men on May 10th ... the day which was so special to them, for reasons known only to them and to the gods they worshiped ... Hermanubis and Antinous! 

Saturday, May 9, 2026

GHOST OF AN ANCIENT ROMAN SOLDIER
'STILL PATROLS HADRIAN'S WALL'



MAY 9th is the start of the ancient Roman Lemuria (also Lemuralia) feast when Romans appeased Lemures/Larvae (angry ghosts).

Even today, a Roman soldier's ghost still dutifully patrolling Hadrian's Wall, local people say.

Amateur photographer Stuart Murray was out with friends at night trying to get pictures of the Northern Lights by the Unesco World Heritage Site when this spooky apparition appeared on camera.

The 26-year-old security engineer said: "We had set out because the live data was looking good for a display of the Northern Lights, the stats were good but when we got there it was cloudy.

"On a good night that area near the wall is very good getting shots of the lights," he told reporters.

"Me and friends were just chatting taking some test shots and then this figure just appeared on camera."

Stuart said he and his pals initially thought it was a sheep or something which had wondered into the frame but when they ran over there was nothing there.

He added: "It was not in any of the other shots, just this one, when we realised there was nothing there which could have popped up like that we got really excited and people started to say it was the ghost of an old Roman soldier.

"I have heard stories about a Roman soldier who has been spotted patrolling the wall, maybe the stories are true ... who knows."

Hadrian's Wall was a defensive fortification in the Roman province of Britannia, begun in 122 AD in the reign of the Emperor Hadrian.

It ran from the banks of the River Tyne near the North Sea to the Solway Firth on the Irish Sea, and was the northern limit of the Roman Empire.