Saturday, February 4, 2023


ANTINOUS and Hadrian visited the Oracle of Delphi, which connected priests with super natural beings who passed along advanced technology and information.

NOW conspiracy theorists claim that is how a modern-day laptop ended up in a Greek sculpture from 100 BC.

But historians say the sculpture is just a deceased woman "touching the lid of a shallow chest".

"I am not saying that this is depicting an ancient laptop computer,"  StillSpeakingOut, conspiracy theorist, said in a video he released on YouTube.

"But when I look at the sculpture I can't help but think about the Oracle of Delphi, which was supposed to allow the priests to connect with the gods to retrieve advanced information and various aspects."

The sculpture, "Grave Naiskos of an Enthroned Woman with an Attendant" is on display at The J. Paul Getty Museum in Malibu, California.

"Lounging in a cushion armchair, a woman reaches out to touch the lid of a shallow chest held by a servant girl on this funerary," reads the historian's description.

The concept of this image has been a part of Greek funerary art for centuries and most likely pertains to the hope they that will still have the same earthly pleasures in the afterlife.

It depicts an object that closely resembles a modern laptop or handheld device with USB ports, explained StillSpeakingOut.

Another picture taken by a tourist, we see the object is wide but the structure is too narrow to be a jewelry box and it doesn't match the depictions of the mythical Pandora Box either, he explained.

The myth says the Oracle of Delphi would allow priests to connect with the gods, aliens or time travelers who would share 'advanced information and high-tech devices.

Those who don’t believe in aliens or time travel, say the object is a wax tablet that ancient Greeks used for writing with a stylus or pen, reported Inquisitr.

But paranormal investigators argue that the "wax tablet" shown in the funerary relief sculpture does not resemble any other wax tablets seen in Greek art.

StillSpeakingOut says the object shown etched in the sculpture is much thinner than the wax tablets and that the woman isn't holding stylus, also seen in Greek art with individuals using the wax tablet.

Believers do not see the box as a jewel box or a wax tablet, but a modern-day electronic laptop computer with USB ports on the side, which have never been seen in other examples of jewel boxes or wax tablets.

The woman's eyes are focused on the inner lid of the object, the same location of a laptop monitor, conspiracy theorists claim.

And even go so far to argue that the way her fingers are touching the lid looks like she is using a touchscreen device.

"I can't help but think that Erich von Däniken had been right all this time and that most of these myths of magical artifacts given by the gods to a very restricted group of individuals in ancient civilizations were high-tech devices similar to what we have today," said StillSpeakingOut.

Thursday, February 2, 2023


ON February 2nd we remember the travels of Hadrian and the Blessed Boy throughout the Eastern Empire where they encountered ancient rituals of greeting the newborn sun which endure to this day ... culminating in the ridiculous folk holiday known as Groundhog Day.

This is the farthest East that Antinous was ever to travel and is observed here in conjunction with Imbolc, also known as Candlemas (Dia de la Candelaria), a Festival of Newborn Light. 

In many countries today, February 2nd is the day when people take down their Christmas decorations.

This is the day when Christmas trees are removed from front rooms after having been set up on Christmas Eve.

It is an odd phenomenon that, in the English-speaking world, people put up Christmas trees about a month PRIOR to Christmas and then take them down right after the Big Day.

But in other cultures, trees go up on Christmas Eve and decorate living rooms for weeks AFTER Christmas.

Thus Imbolc/Candlemas is an arcane and largely forgotten non-event in the English-speaking world. 

Yet in fact, it is the evening when the God of Light becomes manifest in the world ... part of an ancient celebration that goes way  back before Christianity and even before Celtic tradition.

Hadrian and Antinous got a first-hand glimpse of these celebrations which, even in their time, were truly very ancient.

Hadrian, who was fascinated with ancient cultures, was intrigued by the Armenians, which explains why he made this particular side trip over the mountains in the dead of winter.

On February 2nd, we invite you to turn out the lights in your home and light a simple beeswax candle symbolizing the end of the Northern Hemisphere's Winter Festivals (Halloween through Christmas) and the beginning of the Spring Festivals of New Birth and New Light. In fact, this is the start of the Carnival season. 

And, indeed, in some years Mardi Gras occurs in early February. And even in years when Carnival starts later, this night is always considered party night by those people who design and make Mardi Gras floats and costumes ... in Rio and in New Orleans and in Venice, Carnival aficionados will by partying all night tonight.

And the following morning ... bright and early on February 2nd ... people in another obscure part of the globe will be watching for a Groundhog called Punxsutawney Phil to emerge from his burrow to catch a glimpse of the God of Light.

These seemingly disparate customs are all remnants of a religious festival so very ancient that it was archaic even in the time of Hadrian and Nations. Today it is little more than a day to pack away ornaments or a day to get drunk at a pre-Carnival party. 

It is scarcely more than media hype surrounding a mammal held aloft at dawn by Pennsylvania Dutch descendants of immigrants from Central Europe. 

And it is a day when garbage men throughout Europe stagger under the weight of dried-out old Christmas trees.

But if you turn out the lights and leave just one simple candle burning brightly in the darkness … you may just catch a glimpse of the God of Light. That is what Hadrian and Antonius were hoping to catch a glimpse of on this day so many centuries ago.

Wednesday, February 1, 2023


ON February 1st the Religion of Antinous commemorates the ascension of Antinous to the summit of Mount Ida.

Landing in Asia Minor in early 129 AD from Eleusis, Hadrian and Antinous stopped at Troy, visiting the grave of Achilles, and then scaled sacred Mount Ida, home of the Great Mother of the Gods, and spot where Phrygian Prince Ganymede was taken up by Zeus to be his immortal lover.

Mount Ida is the most sacred of three mountains in Phrygia including Didymus, and Agdistis, named for Zeus's hermaphroditic offspring Agdistis whose powers so frightened the gods that they chopped off her male genitals.

The mountain was famous for its sibylline prophecies, and its mysterious springs and waterfalls are still a place of mystery.

From the summit of Mount Ida, called Kaz Daglari today, Antinous looked down over the plain of Illium, and across the land of his Phrygian ancestors.

Flamen ANTONIUS SUBIA has pointed out that Mount Ida is sacred to an aspect of the Great Mother of the Gods known as Agdistis, who was served by drag queen priests.

Antonius has equated her also with the Mexican-American folk saint La Santisima Muerte … "Most Holy Death"

Antonius has said: "La Santisima Muerte is the Dark Lady...Proserpina and Magna Mater all at once...she is all regarded as the darkside f the Virgin Mary.  Her cult is spreading all over the US right now ... wherever there are Mexicans ... in little shrines are cropping up with this skull faced lady. Her religion and the Religion of Antinous are two new (ancient) faiths that are resurfacing. .. the connection to Magna Mater and Antnous makes me feel that Our Lady Death and Our Lord Antinous are part of a similar resurgence."

Santa Muerte is increasingly popular amongst LGBTI people, including worshipers at the TEMPLO DE ANTINOO MÉXICO who created this exquisite papier-maché figure of her. 

She is garbed in a gay wedding dress on her Holy Night October 31st. She is often offered cigar smoke rather than incense...she is also fond of Tequila and Roses.

The ascent up Mount Ida must have been spooky and awe-inspiring, with transgender priests accompanying them amongst clouds of incense and much wailing and chanting.

May Our Lady Most Holy Death watch over you!

Tuesday, January 31, 2023


ON January 31st the Religion of Antinous celebrates the life of Saint Derek Jarman.

St. Derek, born on this day in 1942, created eleven extraordinary feature films ... including "Sebastiane," "Jubilee," "The Tempest," "Caravaggio," "The Last Of England," and "Edward II" ... and over three dozen shorts.

This multi-talented artist is also acclaimed for his painting (several major exhibits), stage and film design (for director Ken Russell and for a glorious Pet Shop Boys concert tour), gay and human rights activism, literature (memoirs, social criticism, poetry), and, on a serene note, his exquisite gardens full of "found" art.

Most gay men have seen Sebastiane which, when it came out more than 30 years ago, was the first British film to feature positive images of gay sexuality, not to mention the first film entirely in Latin.

Edward II raised eyebrows among critics for its upfront depiction of the brutal assassination of England's openly gay monarch by means of rectal assault.

The exquisitely beautiful Caravaggio is Saint Derek's best-known film.

We Antinoians remember Saint Derek for his art and we honor him as well for his boundless courage. His death from AIDS was cruelly slow and agonizing. And yet, as AIDS robbed him of his mobility and even of his eyesight, he turned the tables on Death and Dying by turning Death and Dying into an art form. 

His last feature-length film, Blue, consists of a single shot of saturated blue color filling the screen as Derek talks about his "vision" of life and art. How very typical of Derek Jarman.

Thumbing his nose at fate right up to the end. A dying man who is blind and yet who talks about his vision.

The light of his eyes faded until all he saw was the darkness where the Night Terrors feed on fear and doubt. And what did Derek do? He turned the darkness into vibrant color. He turned his fear and his worries into artistic energy. The dramatic lighting and brilliant colors of his films were so very dramatic and brilliant because they were always, always set against the inky darkness.

That is why we consecrate Derek Jarman a Saint of Antinous. Just like Saint Caravaggio, also one of our Blessed Saints, Martyrs and Exemplars, his "vision" lay in turning the Darkness into Light and Color. He died February 19, 1994.

Monday, January 30, 2023


MENTION the name Livia, who was born on 30 January in 58 or 59 BC, and the image pops to mind of a treacherous and vindictive woman, as beautiful as she was wicked and cruel. 

Second wife of the Emperor Augustus and the mother of his successor Tiberius, Livia has been vilified by posterity (most notably by Tacitus and Robert Graves) as the quintessence of the scheming Roman matriarch, poisoning her relatives one by one to smooth her son's path to the imperial throne.

Played by Siân Phillips with viperish glee in the classic BBC TV drama series "I, Claudius", she hissed and writhed through the marble halls of the emperor's palace, leaving corpses in her wake as she ruthlessly intrigued to get her one surviving son, Tiberius, to the Imperial throne ... finally even poisoning Augustus himself and forging his will.

Now a new book says Livia was not evil, she was merely a powerful and ambitious woman ... and as such, she was damned by male historians. 

Like Egypt's Hatshepsut, Livia MUST have been a wicked and cruel step-mother who would stop at nothing in her own quest for power. Or so it was claimed by male historians from Tacitus to Robert Graves in the 20th Century. 

In recent years, Hatshepsut has been vindicated, most notably by historian Joyce Tyldesley. Dr. Tyldesley says Hatshepsut's name was erased from historical records by male successors who feared a "female pharaoh" was a dangerous precedent — dangerous to male domination.

Now it is Livia's turn to be vindicated in the new historiographical book "Empress of Rome: The Life of Livia" by Matthew Dennison. In this elegant and rigorously researched biography, Dennison rescues the historical Livia from the crudely drawn sexist caricature of the popular imagination.

He depicts a complex, courageous and richly gifted woman whose only true crime was not murder but the exercise of power, and who, in a male-dominated society, had the temerity and chutzpah to create for herself both a prominent public profile and a significant sphere of political influence.

As with the life of Hatshepsut, the challenge facing any biographer of Livia is the lack of recorded facts. To handle this problem, "Empress of Rome" tells her story in a series of thematic chapters in roughly chronological order.

It makes for riveting reading.

All that we can be certain of is that Livia enjoyed a reputation for probity and traditional values. She seems to have taken care not to interfere in politics, although always on hand to give confidential advice to her husband Augustus. And he has gone on record as having valued her advice.

Dennison convincingly demonstrates in his biography of this much put-upon woman that she hardly needed to resort to poisoning anyone in an age when poor hygiene and lack of antibiotics meant that anyone might die at any time. 

Reports of poisoning in the Roman empire tended to coincide with epidemics, unrecognised or misunderstood by the unreliable medical science of the day. 

In some cases Livia was many hundreds of miles away from her putative victims and would have had to hire agents to do the dirty deed for her — an extraordinarily foolhardy risk.

A line of hopeful young noblemen, one after another, was struck down mysteriously. The first was Marcellus, Augustus's nephew, who (probably) died of typhoid fever at the age of 20.

The whisper spread that Livia had administered poison. Similar rumours blamed her for the deaths of her younger son Drusus, the emperor's grandsons Gaius and Lucius Caesar, and even Augustus himself (supposedly she smeared figs on his favourite tree with venom).

Her alleged motive was love for her eldest boy Tiberius, in whose interest she meant to eliminate all competitors for the imperial succession. She was a Claudian and wanted to ensure a Claudian dynasty, or so the story goes.

The idea of Livia as serial killer was given new life by Robert Graves in his historical novel "I, Claudius", and she reached a mass audience in the television series of the book, memorably interpreted by Siân Phillips.

Where did Graves get his Livia? The key figure is Tacitus, a Roman historian whose "The Annals Of Ancient Rome" is one of the great masterpieces of historical literature.

Tacitus disliked Livia. In fact he loathed her. Writing slightly more than a century after Livia's heyday, he never directly accused the empress of mass murder but slyly insinuated it with a nudge and a wink. Graves simply fleshed out those insinuations in his historical novel — historical fiction which readers accepted as historical fact.

But Dennison points out that at least two historians of the Roman Empire, who were actually writing at the time, made very few criticisms of Livia.

Born in about 58 BC, she came from an upper-class Roman family living under a strict moral code, which was even stricter for women.

They wove a lot. They looked after the household and the education of their children. A contemporary wrote that an ideal wife "can relax with her husband and he can confide all his secrets to her since it is like confiding in himself".

That explains the genuinely close relationship between Liva and Augustus.

This doesn't change the fact that she was a Claudian and family dynasties were what really mattered. Octavian Caesar (who became Augustus) married into Livia's Claudian family because it gave him more power. She conveniently left her husband to marry Augustus because he was rich and powerful.

The problem for Livia was that Augustus wanted to create, in essence, a hereditary monarchy. That would exclude her sons by Claudius Nero, and she could have none by Octavian (now dubbed Augustus). 

That meant the end of the line for the Claudians. 

The rivals who stood in her way went down like ninepins, although not necessarily by Livia's hand. 

Marcellus, Augustus's nephew and the first to go, could well have died of typhoid, says Dennison.

Augustus's daughter Julia was exiled to a rocky islet off the Italian coast after Livia fed the puritanical Augustus stories of her wanton immorality. No proof, says the author.

Lucius and Gaius Caesar, grandsons of Augustus, dying abroad mysteriously? Tacitus suggests Livia's "secret hand" but no other historians mention the rumor.

Postumus, another grandchild of Augustus, murdered, while unarmed, by an unknown hand on the islet to which his mother Julia had been exiled? The identity of the killer is still open to debate, we are told.

However, there is little question about the death of Augustus himself. It is a near contemporary historian who records Livia smearing poison on some figs and offering them to him with her own hand.

And there is no question that Livia, skilled in "medicinal potions", lived to be nearly 90 years old — more than twice the average life span. And she did indeed ensure that the Claudians remained in power through Tiberius, Caligula, Claudius and Nero.

And, of course, it was her grandson Claudius who proclaimed her an immortal goddess, thus absolving her of all earthly misdeeds ... whether factual or only fictional.

Sunday, January 29, 2023


ON January 29th in the year 131 AD a new star appeared in the constellation Aquila, the Eagle.

The court astrologers declared that it was Antinous taking his place in the heavens. Hadrian ordered them to draw a new constellation embraced by the Eagle, and called it ANTINOUS.

Our Flamen Antinoalis Antonius Subia explains:

"The Roman historian Dio Cassius was skeptical that a new star had appeared in the sky, but simultaneously, the leader of the Jewish revolt named Bar Kochba, which means 'Son of the Star,' was declared the Messiah because a celestial event had proclaimed him the savior of Israel. The mystery of the star is real, a celestial even of great magnitude occurred shortly after the death of Antinous within the constellation of the Eagle for the New God.

"The three sacred stars of the constellation Aquila, named Tarzad, Altair and Alshain, rise above the horizon just after dark on this night and are an allegory of the assumption of Ganymede into heaven. This date is suggested by Chinese Novae observations which have been dated as occurring on the 29th of January 131 AD, and are compared to the Star or Comet of Antinous."