HERE'S YOUR CHANCE TO BE A CHAMPION IN THE SACRED GAMES OF ANTINOUS

IT is with great joy that we, the Priesthood of the Temple of Antinous

Solemnly announce the coming of the 6th Antinous Games!

To be Celebrated on the Day of the Sacred Lion Hunt

13 Days before the Calends of September

On the 23rd of August 2026 (Year of Antinous 1895)

We invite Artists, Poets, Musicians, Performers and Athletes

To prepare submissions for the sacred competition

In honor of Antinous the Gay God

The theme is open to interpretation

With suggested emphasis on Antinous

Or Gay Pagan Spirituality.

Three winners will be selected by a panel of judges.

Fabulous prizes will be awarded!

May the gods of Olympus be with us as we formally announce

The 6th Sacred Games of Antinous

AVE ANTINOUS!

Send Submissions to: antinouspriest@gmail.com

Rules of Submission:

The Deadline to Enter is August 20th, 2026

All submissions must be about Antinous, or include Antinous as their theme or subject matter, or in some discernible way reference Antinous. Performance submissions can be about Homotheosis, Gay Spirituality, Paganism, LGBTQ experiences, or even Abstract but must either demonstrate a connection to Antinous or must begin or end with the submitter stating that their performance is dedicated to Antinous. Athletic submissions must begin, or end with a stated dedication to Antinous.

The following are acceptable categories:

ART

MUSIC

DANCE

THEATER

PERFORMANCE ART

POETRY

LITERATURE

ATHLETICS

REQUIREMENTS:

-ART must be submitted as photographs and emailed to antinouspriest@gmail.com

-MUSIC can be submitted as an audio-only file, or as a recorded video performance (preferred)

-DANCE, THEATER and PERFORMANCE ART pieces must be submitted as video and must not exceed standard YouTube time-length requirements.

-ATHLETICS can include any form of athletic demonstration such as weight-lifting, exercise, running, track and field, wrestling, yoga, gymnastics, or any form imaginable that can be captured in short video form.

-LITERATURE can be fiction, nonfiction, essays, academic research papers, or autobiographical works. It is recommended that Literary submissions be reasonably short in form, although there is no official limitation to the length of form of a submission. If submitting a novel or book, a short treatment or synopsis is recommended and a link to where the full work can be purchased or downloaded. Blog entry submissions or articles will also be accepted, a link to the blog page or article must be provided

Additional submissions that do not fall into the above categories will be considered at the discretion of the Convener of the Games.

RULES:

1) All Submission must be about Antinous. Performance pieces and Athletics must be verbally dedicated to Antinous. No non-Antinous related Submissions will be accepted. The decision as to whether a submission conforms to this requirement will be made by the Convener of the Games

2) Only One Entry can be submitted per Competitor. Multiple pieces can be submitted but they will all be considered One entry and will be presented together as a single Submission.

3) All submissions must be the original work of the Competitor. Additional participants in the entry are allowed, but only the submitter will be considered to be the Competitor and only the submitter will be eligible to receive an award.

4) No submissions made during a previous Sacred Games of Antinous will be allowed

5) All Competitors must be over the age of 18 to participate

6) Submissions must conform to the rules of usage of Facebook and YouTube

7) Submissions must not violate copyright laws or any other federal, state or local laws.

Three awards will be given:

ART - paintings, drawings, sculpture, photography

LITERATURE - fiction, nonfiction, poetry, novels, articles, memes

PERFORMANCE - theater, performance art, dance, ceremonies, athletics, music (including audio only)

One of the three winners will be proclaimed the overall champion and will receive the grand-prize, which will include the traditional bronze tripod and the largest monetary prize.

Everyone has heard of the Ancient Olympics, but there were other Games held in antiquity, and among the most famous were the Games of Antinous, which were called the Megala Antinoeia ... the Great Games of Antinous. These were Sacred Games which were held in Antinoopolis, Bithynia and in Mantinea."

The most famous Games were held at Antinoopolis, the city founded by Emperor Hadrian in Egypt at the spot along the Nile where Antinous had drowned in the year 130 AD.

The competitors were primarily young men called Ephebes. 

In Antinoopolis these included swimming and boat races in the Nile.

But the Antinous Games were unique in that they also included competition in the arts and music. 

The over-all winner was consecrated as the living embodiment of Antinous and given citizenship in Antinoopolis, with an all-expense-paid life of luxury and adoration. 

He was worshiped in the temple as the representative of Antinous, the emblem of youth and masculinity. He was the Divine Ephebe.

The Great Antinoeia, as the Games of Antinous were called, were held for hundreds of years. 

But little was known of the actual competitions until a fragile papyrus was deciphered recently which revealed some intriguing and somewhat shocking details about the Games of Antinous of the year 267 AD and two wrestlers named NICANTINOUS AND DEMETRIUS.

The Games of Antinous faded into obscurity ... but have been revived in the past decade by us. They are held every four years during the cycle of the blooming of the ROSY LOTUS OF ANTINOUS AFTER THE LION HUNT in August.

The modern-day Religion of Antinous revived the Sacred Games 20 years ago. This is the VI ANTINOEIAD of the modern era, and entry is open to everyone wishing to honor Antinous with their own artistic, academic or athletic talents.

"These Games are open to all ... regardless whether you are gay and regardless of gender," Antonius Subia says.

"You can submit any form of artistic endeavor ... poems, paintings, videos or literary works. But you can also submit dancing, running or other physical effort ... as long as you provide documentation of your performance art," he explained.

Prizes will be awarded to winners, details of which are to be unveiled on this blog in coming days and weeks as the deadline approaches.

For enquiries and submissions, contact us here: antinouspriest@gmail.com 

LAWRENCE ALMA-TADEMA REDISCOVERED BY A NEW GENERATION

ON June 25th we remember Sir Lawrence Alma-Tadema, who died on this day in 1912, one of the most famous painters of the late 19th Century who was forgotten in the 20th Century and is only now beginning to be rediscovered in the 21st Century.

No Victorian artist painted marble as well as Alma-Tadema ... or painted faces so that you could read the emotions from facial expressions ... as in "Bacchanale" 1871 above.

Alma-Tadema, the now sadly forgotten painter who was one of the biggest celebrities of the Victorian art scene. 

Born in Holland on 8 January 1836, and trained in Antwerp, he settled in England in 1870 and became the toast of London with his enormous, wall-sized paintings of scenes of luxury and decadence in Ancient Egypt, Greece and Rome. 

Viewing his paintings in a London gallery was the equivalent of going to an Imax 3-D Sense-Surround cinema today. 

His attention to color and to near-photographic detail was superb. Every petal of every flower was always perfect. Each face had a personal story to tell. 

The painting "Hadrian Visiting a Romano-British Pottery" (above) displays Alma-Tadema's mastery of textures, colors, facial expressions and architectural details ... just look at the exquisite mosaics.

Alas, fame and celebrity are fleeting things. Styles changed and his work went out of fashion. He died a bitter and disappointed man in June 1912. 

That was only a couple of weeks after Nijinsky had shocked ballet-goers in Paris by masturbating on stage, and it was barely a month after the Titanic had sunk. 

Very soon war would break out and the world would never be the same. 

It was the end of the Gilded Age of complacency, comfort and ease. 

Alma-Tadema' s paintings were derided as "kitschy" and were stored away in attics and warehouses. 

Once the most famous artist in Britain, he was soon forgotten and serious art historians ignored him for decades. 

In recent years, however, his genius has been rediscovered and a new generation of admirers delight in his magnificent paintings, a few of which have been brought out of storage for display for the first time in more than a century.

THE SCENT OF ANTINOUS

FOR Pride Month, an aromatherapist and parfumier in Brazil shares this image of Antinous/Antenociticus adorning a small temple in Newcastle England.

He adds this poem:

THE SCENT OF ANTINOUS

When contemplating the beauty

of your divine body

adorning the altar

in this ancient temple

my heart calms down

When smelling the perfume

of your bare skin

Saturating this sacred space.

Poetry by Edhie Laureano Pires Yata'wá

@antinousemporium1 (Instagram)

 

This small temple is dedicated to a curly-haired boy god called ANTENOCITICUS ... a deity worshiped by soldiers and local people at the eastern end of Hadrian's Wall.

Antinous in the guise of Antenociticus is not mentioned at any other Romano-British site or on any inscriptions from Europe, which is why it has been identified as a local deity.

Antinous priest and writer MARTINUS CAMPBELL, author of THE LOVE GOD about the life of Antinous, says it is highly possible Antenociticus is a local aspect of Antinous ... perhaps in honor of a visit to this outpost by Antinous and Hadrian.

Martinus says: "Archaeologically there is a period of time in AD 126 to 127 when we have no record of where Hadrian was. We do know, however, that the wall was completed in Ad 128."

He says: "It is believed he would have come to Britannia to oversee the final stages of the wall. It is further believe he would have brought Antinous with him."

Martinus adds: "That is why the locals (mostly of mixed Roman and British blood, by then) connected Antinous to a local deity Citicus and re-named him Antenociticus."  Stone heads of Antenociticus have been found nearby.

HADRIAN'S PANTHEON PUTS ON SPECTACULAR SOLSTICE SHOW

ON June 20th and 21st Hadrian's Pantheon is the place to be during the Solstice. 

Hadrian's Pantheon brings tears to your eyes. Imagine being with ANTONIUS SUBIA as he describes the monolithic columns each carved from a single stone from Egypt ... "as if he could snap his fingers and have such columns appear here" ... and the marble in the interior coming from every corner of Hadrian's vast empire.

Then you stand under the oculus ... the eye of the cosmos ... the most spiritual architectural element anywhere.

ANTINOUS WORSHIPERS WORLDWIDE CELEBRATE JUNE SOLSTICE VIA ZOOM

WORSHIPERS of Antinous from around the world converged via Zoom tonight for ceremonies held at the Hollywood Temple of Antinous celebrating the June Solstice.

Each year we gather ... in person in Hollywood ... and via Zoom from around the world ... during the cycle of the June Solstice. It is the day when Ra Herakhte, the heavenly father of Antinous, stands still for a moment. 

In the Northern Hemisphere it is the longest day  and from now on the days become shorter and shorter. For our brothers in the Southern Hemisphere (who join the festivities via Zoom), this is the Shortest Day and from now on the days become longer and longer.

That is an important aspect to remember about the Religion of Antinous. The Blessed Boy is beyond such constraints as Summer and Winter or even Life and Death. For Antinous, the days are ALWAYS getting longer and the they are ALWAYS getting shorter.

For HE lives in our hearts — wherever we are.

The Religion of Antinous celebrates a whole cluster of Sacred Events on this magical day, which we call The Delphinea as a collective term. The Delphinea is the celebration of the beautiful, golden-haired god of light, Apollo, for starters.

And then we celebrate the day that Hadrian and Antinous met and fell in love. 

But on this date we also celebrate the beautiful boy Hyacinthus.

And we celebrate June 21st as the day in the hot summer of the year 130 AD when the Imperial entourage crossed the Sinai desert and entered into Egypt on the final, fateful leg of that final, fateful journey. A year earlier, on this date, they had entered Ephesus in triumph. 

On June 21st of the year 130 AD, however, they were entering a drought-stricken Egypt (breadbasket of the empire) where the local populace looked to their emperor for a miracle.

That miracle would occur, but at a terrible price. Antinous would plunge into the Nile and drown. The following season, the Nile would inundate the croplands, bringing bounty and abundance once more to Egypt and, as a consequence, to the hungry empire.

The Bountiful Flood of the year 131 is the first of the many miracles attributed to Antinous the Gay God.

And on June 21st of the year 131, Hadrian would commission the OBELISK OF ANTINOUS, the Egyptian hieroglyphic text of which comprises our religion's greatest single document of faith.

Antinous would be associated with many deities in the generations to come. Among his many names, the Beauteous Boy was adored as Antinous-Apollo.

The Delphinea is the celebration of the beautiful, golden-haired god of light, Apollo, and of his triumph over the great and monstrous Python which was wrapped around holy mount Parnassus. The Python was the creation of Juno, a creature of jealousy whose coils were meant only to stifle and constrict the grace of that which was to proceed from the Sacred Way of the holy city of Delphi.

Apollo shot the Python and destroyed it, when he was only three days old, which is like the brilliance of the Sun dispelling the covering of night. He set the black stone which had fallen from the sky, called the Omphalos, over the navel of the Earth, and charged a Sibyl, a priestess of the Great Mother to watch over the stone and to convey his wisdom to mankind.

Flamen Antinoalis ANTONIUS SUBIA explains the significance for us Antinoians:

"The Oracle of Delphi, called a Pythoness, was overtaken while seated atop a golden tripod, by a fire that is the breath of the God. Apollo is the Flower Prince reborn, he is the Twin brother of Dionysus, the Twin brother of Diana. He is the Son of Zeus, and the inheritor of his Kingdom, just as Aelius Caesar was the chosen son of Hadrian.

"Apollo is the God of wisdom and art, the speaker of truth, the deliverer of radiance, reason and beauty. Apollo is the God of Socrates and Plato, and he is the God of Pythagoras who claimed to be his son, exhibiting a golden thigh as proof. Apollo is the unconquered light, the full manifested brilliance, power and wisdom of Orpheus.

"Of all the gods, Apollo is the most boy-loving, though the touch of his heart was invariably fatal. He is the genius of the dying boy-gods. We pray to Apollo, the great god of homosexuality, and seek his guidance on this day, the longest day of the year."

During the June 21st Solstice, when we celebrate the Delphinea,  the Religion of Antinous also commemorates the entry of Hadrian and Antinous into the fabled city of Ephesus in the year 129.

Ephesus had 300,000 inhabitants at its peak in the time of Hadrian, and it drew thousands of devotees to the shrine of the goddess annually. Even today, Ephesus is one of the most complete and most splendid ancient sites in the world and still draws thousands of tourists every year. The Great Library of Ephesus, which Hadrian patronized and greatly expanded, has been lovingly restored.

The Temple of Ephesus was one of the wonders of the ancient world. It was consecrated to Artemis, in her Asian element as a Phrygian-Hittite goddess of the hunt, a youthful manifestation of the Great Goddess of Mount Ida and Didymus.

The old Temple had burned down on the night that Alexander the Great was born, but after his conquest, Alexander ordered the reconstruction of the Temple, which was still standing when Hadrian and Antinous visited.

Antonius Subia explains the parallels between Artemis and Antinous and why we celebrate this Sacred Day:

"Artemis is considered the female Antinous, as his divine twin, the only goddess to exhibit lesbian qualities. She was worshipped as Diana alongside Antinous by the funeral society of Lanuvium. Ephesus was one of the first cities to proclaim Hadrian a living God, and one of the first to adhere to his veneration as a Divus.

"The presence of Antinous and Hadrian with their very pronounced Artemisian qualities must have made a deep impression on the Ephesians, in that they were aware that the city was being visited by living gods. It is to Artemis of Ephesus that this day is Sacred, as the female twin of Antinous, the Bithynian hunter god."

And on June 22nd the Delphinea concludes when we honor the beautiful boy from Sparta known as Hyacinthus. The astonishing beauty of Hyacinthus and his long, flowing blonde hair was first noticed by Zephyrus, the God of the West Wind. The moisture laden Zephyrus fell madly in love with the boy, and attempted many times to seduce Hyacinth. But every time the boy rejected the wind god, whose breeze is the most lovely and most arousing.

Antonius relates what happened next:

 "It was then that Apollo noticed Hyacinthus and fell completely in love with him also. Unlike with Zephyrus, when Apollo revealed his love to Hyacinthus, he was not rejected, but his shining love was returned many fold. The two, who were like twins, whose long, blonde curls, rustled together in the jealous wind of Zephyrus, enjoined a passionate love affair ...

"... until one day, the sight of their happiness proved too much for Zephyrus to endure, and while Apollo and Hyacinthus were throwing the discus together, the wind god sent a gust of air, when Apollo threw the golden disk, causing it to fall directly on the perfect head of Hyacinthus who died instantly from the blow.

"It was all an accident, and a tragedy, but Apollo was beside himself with grief, like Hadrian holding the body of his beloved Antinous. 

"The Sun God turned the blood that flowed through the soft curls into the flower that we call the Hyacinth. The Death of Hyacinthus is the divine metaphor for the beauty and tragedy of life taken from the young in their full vigor, falling victim to the accidents of youth. It is also a warning to those who would approach the majesty of the great god Apollo, who is rightfully called the Far-Shooter, and the falling of the golden discus is a sign that the powers of the sun at this time of the year, though at their greatest, are slowly fading. The disk strikes Hyacinth on the head and the days grow shorter."

HADRIAN'S VILLA OBSERVATORY TOWER IS ALIGNED TO THE SOLSTICES

 

HADRIAN designed his personal observatory at his sprawling villa outside Rome to be in alignment with the Solstices. 

Imagine the scene during the Solstice cycle: First, he would observe the setting sun sending a shaft of goldish-red light through a certain slit in his observatory tower to illuminate a golden statue of the Egyptian Goddess Isis.

Then there would be oracles at midnight. You can just see the cluster of priests and augurs, chanting and offering sacrifices amidst billowing clouds of incense. 

An Etruscan haruspex or two would be wearing yellow robes and conical hats as they inspected the entrails of animals. Patrician augurs would be wearing their finest ceremonial togas as they listened for messages from nocturnal birds. Babylonian astrologers would be clad in garish robes with multi-tiered crowns as they scanned the heavens and babbled to each other about their arcane calculations. 

And naturally the Egyptian priests would do their utmost to out-do all the others with outlandish make-up, headdresses and robes to the cacophony of sistrums, gongs and the whoosh of incendiary incense sending up pastel-colored clouds of smoke to the wailing of a priestess of Isis in the throes of a trance.

Scores of Imperial court officials and hangers-on would be stifling yawns as the oracles took most of the night. 

But yawns would turn to gasps of wonder and praise when the Emperor announced that he had just seen the RISE OF THE STAR OF ANTINOUS over the eastern horizon.

Then at dawn, the Emperor would climb stairs to the upper chamber to observe the Solstice Sunrise on June 21st.

He would announce the outcome of the oracles and whether the Antinoian Auspices for the coming year were favorable.

Modern Priests of Antinous annually celebrate rites at the HOLLYWOOD TEMPLE OF ANTINOUS to mark the Solstice.

Meanwhile, an Italian archaeologist and her team spends Solstice at  the ruins of a tower on a hillock at Hadrian's Villa which was the Emperor's own private observatory. 

These experts, led by MARIA DE FRANCESCHINI, have demonstrated that the observatory tower is in fact aligned to the Solstices. She believes the observatory was dedicated to the Egyptian goddess Isis, who raised Osiris from the dead to become a god of resurrection and transfiguration — just as Hadrian declared Antinous a god of resurrection and transfiguration.
 
For centuries, experts had been mystified by the layout of the sprawling complex of marble baths, banquet halls, luxurious residences, gardens, shrines and unidentified structures 30 kilometers outside Rome.

Hadrian's Villa was a sprawling complex of buildings, temples, gardens, a zoo and — yes — even an observatory tower on a hillock on the edge of the compound from which Hadrian could observe the heavens. 

 But, in an article published in the journal Nature last year, De Franceschini wrote that she believes the mystery-shrouded Rocca Bruna Tower, long held to be Hadrian's private observatory, is in fact aligned so as to produce sunlight effects for the seasons.

She describes her findings personally in the video at the top of this entry. 

De Franceschini says that during the summer solstice, rays of light pierce the tower and another of the villa's buildings. In the Rocca Bruna Tower, dawn sunlight during the summer solstice enters through a wedge-shaped slot above the door and illuminates a niche on the opposite side of the interior (image courtesy nature.com). And in a temple of the Accademia building, De Franceschini has found that sunlight passes through a series of doors during both the winter and summer solstices.

"The alignments gave me a new key of interpretation," says De Franceschini, who adds that the two buildings are connected by an esplanade that was a sacred avenue during the solstices. Based on ancient texts describing religious rituals and study of recovered sculptures, she thinks the sunlight effects were linked to religious ceremonies associated with the Egyptian goddess Isis, who was adopted by the Romans.

De Franceschini, who works with the University of Trento in Italy, has published a book describing the archaeo-astronomical work, VILLA ADRIANA ARCHITETTURA CELESTE. She credits two architects, Robert Mangurian and Mary-Ann Ray, for initially noticing the light effect in Rocca Bruna.

According to nature.com, Robert Hannah, a classicist from the University of Otago in New Zealand, says that De Franceschini's ideas are plausible. "They're certainly ripe for further investigation," he says.

Hannah believes that the Pantheon, designed by Hadrian in Rome with a circular opening at the top of its dome, also acts as a giant calendrical sundial, with sunlight illuminating key interior surfaces at the equinoxes and on the spring equinox on April 21st, the city's birthday.

Few classical buildings have been investigated for astronomical alignment, says Hannah, partly because it is much easier to check for alignments in prehistoric structures such as Stonehenge, which do not have potentially contradictory artefacts.

De Franceschini spends every solstice at Hadrian's villa, seeking further verification. Our thoughts and prayers go with her during this special season of the Solstice.

We can envision Hadrian, sick with grief and alone after the death of Antinous, ensconced in his observatory tower scanning the heavens for a sign from his Beloved Boy, praying to Isis for her to work her magic on Antinous. 

HAPPY FATHER'S DAY

PRIESTS of Antinous wish all gay dads a very Happy Father's Day.

We honor Hadrian on Father's Day.

He is the Father of the Empire, so to speak

And a Father figure to Antinous.

Art by FELIX D'EON.