Tuesday, July 27, 2021

WORLD'S OLDEST TEMPLE
ALIGNED WITH THE DOG STAR



THESE are the "Dog Days" when the Dog Star Sirius rises above the horizon ... and now an expert has determined that the world's oldest temple, Göbekli Tepe in southern Turkey, may have been built to worship Sirius.

The 11,000-year-old site consists of a series of at least 20 circular enclosures, although only a few have been uncovered since excavations began in the mid-1990s.

Each one is surrounded by a ring of huge, T-shaped stone pillars, some of which are decorated with carvings of fierce animals. Two more megaliths stand parallel to each other at the centre of each ring.

Giulio Magli, an archaeo-astronomer at the Polytechnic University of Milan in Italy, looked to the night sky for clues. After all, the arrangement of the pillars at Stonehenge in the UK suggests it could have been built as an astronomical observatory, maybe even to worship the moon.

Magli simulated what the sky would have looked like from Turkey when Göbekli Tepe was built. Over millennia, the positions of the stars change due to Earth wobbling as it spins on its axis. Stars that are near the horizon will rise and set at different points, and they can even disappear completely, only to reappear thousands of years later.

Today, Sirius can be seen almost worldwide as the brightest star in the sky – excluding the sun – and the fourth brightest night-sky object after the moon, Venus and Jupiter. Sirius is so noticeable that its rising and setting was used as the basis for the ancient Egyptian calendar, says Magli.

At the latitude of Göbekli Tepe, Sirius would have been below the horizon until around 9300 BC, when it would have suddenly popped into view.


"I propose that the temple was built to follow the 'birth' of this star," says Magli. "You can imagine that the appearance of a new object in the sky could even have triggered a new religion."

Magli used existing maps of Göbekli Tepe and satellite images of the region.


Magli drew an imaginary line running between and parallel to the two megaliths inside each enclosure. Three of the excavated rings seem to be aligned with the points on the horizon where Sirius would have risen in 9100 BC, 8750 BC and 8300 BC, respectively (arxiv.org/abs/1307.8397).

The results are preliminary, Magli stresses. More accurate calculations will need a full survey using instruments such as a theodolite, a device for measuring horizontal and vertical angles.


Also, the sequence in which the structures were built is unclear, so it is hard to say if rings were built to follow Sirius as it rose at different points along the horizon.

Monday, July 26, 2021

YOUR ONLINE ANTINOUS SHOP



ANTINOPHILES who have despaired of finding Antinous-related items for their homes, cars and work places can breathe a sigh of relief. 

One-stop shopping is just one click away at the online TEMPLE OF ANTINOUS SHOP

This shop features official Antinous articles selected and designed by FLAMEN ANTONIUS SUBIA personally.

If you admire the artwork of Antonyus, then order your own posters of his hand-picked favorite paintings and photographs.

A wide range of T-shirts is available, including classic "T", fitted "T", ringer "T", sleeveless, long-sleeve and baseball jersey — in up to nine colors, depending on the style and design you prefer.

The handy Antinous Tote Bag is a must-have as is a wide array of Antinous lapel buttons and refrigerator magnets in various sizes and designs.

Naturally, there are coffee mugs — and even an official Antinous beer stein appropriately adorned with the well-known Subian portrait of Antinous/Dionysus.

One of our favorites is the Antinous Keepsake Box, available in red-mahogany or black, with a tile cover portrait of the Louvre's breath-taking Ecouen Antinous. This roomy box is perfect for any home shrine or altar and is the perfect jewelry box.

And of course the ever-popular Antinous bumper sticker (at the top of this entry) provides the Beauteous Boy's blessings on any vehicle.

All items are ordered with safety and guaranteed efficiency through cafepress, which has a sound reputation for speedy delivery around the world, with secure payment in all major currencies.

Sunday, July 25, 2021

THE INUNDATION OF THE NILE
WAS SEEN AS THE FIRST MIRACLE
OF ANTINOUS THE GOD



ON JULY 25 the Religion of Antinous joyfully commemorates the First Miracle of Antinous — the Bountiful Inundation of the Nile which ended a drought which had caused food shortages throughout the Empire.

The famine had overshadowed the tour of Egypt by the Imperial entourage in the year 130. The half-starved Egyptians looked to Hadrian, whom they worshipped as pharaoh, to perform a miracle which would end their misery.

But as Hadrian and Antinous traveled up the Nile during the summer and autumn of 130, the Nile once again failed to rise sufficiently to water the fields of Egypt — Rome's "Bread Basket" and chief source of grain and other staple foodstuffs.

It was a humiliating disappointment for the Emperor following the jubilant welcome by peoples during the earlier part of his tour through the Eastern Empire. In Ephesus and other cities he had been welcomed as a living god.

But the Egyptians had given him and his coterie what little they had in the way of food and wine — and he had failed to convince the Inundation Deity Hapi to bless them with bounty. Hapi is one of the most extraordinary deities in the history of religion.

Hapi is special to us especially because Hapi is hermaphroditic. With many other such deities, the gender division is down the middle of the body (like some Hindu deities) or the top half is one gender and the bottom half is the other.

But Hapi is very complex and the genders are mixed throughout his/her body. Male deities invariably have reddish-orange skin in Egyptian Art and female deities have yellowish skin. Hapi has bluish-green skin. Hapi has long hair like a female deity but has a square jaw and a beard. Hapi has broad shoulders yet has pendulous breasts like a nursing mother. Hapi has narrow hips and masculine thighs, but has a pregnant belly. Nobody knows what sort of genitals Hapi has, since they are covered by a strange garment reminiscent of a sumo wrestler's belt.

Hapi is both father and mother to the Egyptians. Hapi provides them with everything necessary for life. As Herodotus wrote, "Egypt is the gift of the Nile". Hapi wears a fabulous headdress of towering water plants and she/he carries enormous offering trays laden with foodstuffs.

The Ancient Egyptians had no problem worshipping a mixed-gender deity. I think it is very important to draw the connection between Hapi and Antinous, especially since the First Miracle that Antinous performed as a god involved Hapi. The Egyptians accepted Antinous into their own belief system immediately and were among the most ardent followers of Antinous.

They had no problem worshipping a gay deity who had united himself with a hermaphroditic deity. It must have seemed very logical and credible to them.

It made sense to them and enriched their belief system, made it more personal since they could identify more easily with a handsome young man than with a hermaphrodite wearing a sumo belt (Hapi forgive me!).

Herodotus also said he once asked a very learned religious man in Egypt what the true source of the Nile was.

The learned man (speaking through an interpreter, since most Greeks never bothered to learn Egyptian) paused and finally told him the true source of the Nile is the thigh of Osiris.

We think of it as a strange answer. We think of the Nile as an "it" and the source as a "geographical location". But the Egyptians thought of the Nile as "us" and its true source as "heka" — the magical semen of the creator.

So, a learned Egyptian would have assumed that a learned Greek would understand what was meant: That Hapi is the equivalent of Dionysus, who was "incubated" in the inner thigh of Zeus after his pregnant mortal mother Semele perished when she could not bear the searing sight of her lover Zeus in all his divine panoply.

It's a very poetic way (a very Egyptian way) of saying that the "true  source" of the Nile, which is to say Egypt itself, is the magical heka/semen from the loins of the original creator.

We will never know what happened during that journey up the Nile along the drought-parched fields with anxious Egyptian farmers looking to Hadrian for a miracle. All we know is that Antinous "plunged into the Nile" and into the arms of Hapi in late October of the year 130.

And then the following summer, Hapi the Inundation Deity provided a bountiful Nile flood which replenished the food stocks of Egypt — and the Roman Empire.

Our own Flamen Antinoalis Antonius Subia explains the more esoteric aspects of this special Religious Holy Day:

"The Dog Star Sirius appears, and the sacred Star of Antinous begins to approach its zenith in the night sky of the northern hemisphere. The appearance of the Dog Star once announced the rise of the Inundation of the Nile, though it no longer does due to the precession of the Equinox, which is the slight alteration of the position of the stars.
"After the Death and Deification of Antinous, the Nile responded by rising miraculously after two successive years of severe drought. It was on this day, July 25th, in the year 131 that the ancient Egyptians recognized that Antinous was a god, nine months after his death, following their custom of deifying those who drowned in the Nile, whose sacrifice insured the life-giving flood.

"Sirius is the brightest star in the sky, it is part of the constellation Canis Major, or the big dog, which is the hunting dog of Orion. Mystically, Sirius and the constellation Canis Major is Antinous Master of Hounds and Orion is Hadrian the Hunter.

"The position of Orion, along the banks of the Milky Way, our galaxy in relation to Sirius is a mirror image of Pyramids along the bank of the Nile, which is the same relationship as Antinoopolis to the Nile, with the Via Hadriani, the road which Hadrian built across the desert to the East, linking the Nile with the Red Sea — Rome to India.

"We consecrate the beginning of the Dog Days of Summer to the advent of the Egyptian deification of Antinous and the miracle of the Inundation of the Nile."


The First Miracle of Antinous the Gay God is enshrined in the hieroglyphic inscription on the OBELISK OF ANTINOUS which stands in Rome.

The East Face of the Obelisk, which is aligned to the rising sun Ra-Herakhte, speaks of the joy that fills the heart of Antinous since having been summoned to meet his heavenly father Ra-Herakhte and to become a god himself.

Then the inscription tells how Antinous intercedes with Ra-Herakhte to shower blessings upon Hadrian and the Empress Sabina Augusta.

And Antinous immediately calls upon Hapi ...

Hapi, progenitor of the gods,
On behalf of Hadrian and Sabina,
Arrange the inundation in fortuitous time
To make fertile and bountiful, the fields
Of Both Upper and Lower Egypt!

We joyfully celebrate this, the First Miracle of Antinous!

Saturday, July 24, 2021

WE CELEBRATE THE FIESTA OF XOCHIPILLI
GAYEST OF ALL THE AZTEC GODS


JULY 24th is the festival of Xochipilli, the Aztec god of pleasure. His name means "Flower Prince" or even "Flower Child". He is a deity of creativity, the arts, music, dance, celebration and pleasure. His main aim is to help us relax, chill out and step back from taking life too seriously. 

Xochipili is also the protector and patron of homosexuals and male prostitutes.

His statues were carved with psychoactive flowers and plants. His offerings are flowers and his symbol is a teardrop shaped pendant crafted from Mother of Pearl.

24 de julho é a festa de Xochipilli , deus asteca do prazer. Seu nome significa " flor Príncipe " ou mesmo " Criança de flor " . Ele é uma divindade da criatividade , das artes , música, dança , celebração e prazer. O seu principal objectivo é o de nos ajudar a relaxar , relaxar e voltar de tirar a vida muito a sério. Xochipilli também é o protetor e padroeiro dos homossexuais e prostitutas do sexo masculino e suas estátuas foram esculpidas com flores e plantas psicoativas. Suas ofertas são flores e seu símbolo é um pingente em forma de lágrima trabalhada a partir de madrepérola.

24 de julio es la fiesta de Xochipilli , dios azteca de placer. Su nombre significa " Príncipe de la flor" o incluso " Niño de flor " . Él es una deidad de la creatividad , las artes , la música , la danza , la celebración y el placer. Su objetivo principal es ayudar a relajarse , descansar y un paso atrás de tomar la vida demasiado en serio . Xochipili es también el protector y patrono de los homosexuales y prostitutas masculinas y sus estatuas fueron talladas con flores y plantas psicoactivas . Sus ofertas son las flores y su símbolo es un colgante en forma de lágrima elaborado a partir de Nácar .

Friday, July 23, 2021

WE CELEBRATE THE NEPTUNALIA
AND HONOR ANTINOUS LINKS TO NEPTUNE


THE 23rd of July is the ancient Roman Neptunalia festival, when Romans honored Neptune with feasting and frivolity.

Although identified with the Greek Poseidon, god of the sea, the Roman Neptune was originally god of fresh water and prayed to at this time of year to prevent drought.

Coins minted by a priest of Antinous in Corinth show Antinous with Neptune/Poseidon. 

More clues to the link between Antinous and Neptune come from the Black Sea coast.

Experts working at a dig on the Black Sea coast in Bulgaria say they have found a well-preserved altar to Poseidon/Neptune which suggests the surrounding ruins were once a major temple to the god of the seas.

Archaeologists found the building in front of the medieval fortified wall of the seaside town of Sozopol, according to Bozhidar Dimitrov, director of Bulgaria’s National History Museum.

It is a little-known fact that Antinous was associated in a gay context with the classical god of the seas, called Poseidon by the Greeks and Neptune by the Romans.

Coins minted by a priest of Antinous at Corinth named HOSTILIUS MARCELLUS (from whom our own Julien Hostilius Marcellus takes his priestly name) show Antinous as Neptune/Poseidon.

It is a reference to the myth that Poseidon became enthralled with another marine male deity, Nerites, who was said to be the handsomest of all males on Earth, in the Heavens or in the Seas.


The sexual union of Poseidon and Nerites produced Anteros, god of requited love.

In those days, few people could read or write, but everyone knew these myths. So anyone who held one of these Antinous/Poseidon coins could "read" the gay symbolism.


So any discovery concerning Neptune/Poseidon is of great interest to us, since the dig could ultimately reveal Antinous-related artefacts.


At the Sozopol site, Dimitrov said that the numerous pieces of marble found during excavations indicate that the temple was destroyed after the declaration of Christianity as the official religion of the Roman empire in 330 AD.

The structure was partially pulled down and partially reconfigured as a Christian house of worship dedicated to a Christian saint, whose iconography was similar to that of the ancient god Neptune.

Dimitrov said that in Sozopol, there was a simiar example of how a temple to the Thracian horseman in the centre of the old town was converted into a church dedicated to Saint George, riding a horse to slay a demon dragon.

He said, according to a report by local news agency Focus, that in the case of the temple to Neptune – the god of the sea – the time of its destruction saw the building of a Christian church a very short distance away, dedicated to Saint Nicholas, the patron saint of fishermen and sailors.

Thursday, July 22, 2021

THE HELIACAL RISING OF THE DOG STAR


THE "Dog Days" are here! In Ancient Egypt, the "Heliacal Rising of Sirius" occurred in mid-July ... but over the course of many centuries it now occurs in late July or early August (in the Northern Hemisphere). 

But depending on where you live on our planet, you may see Sirius/Sothis rising just before dawn any day now ... as nighttime turns to daytime.

During the daytime, look to the sun and you see Antinous conjoined with Ra-Herakhte, Apollo, Invictus, Horus, Mithras, Belenus, Balder, Huitzilopochtli and countless other solar deities. ANTONIUS SUBIA offers this prayer: 

Arise in Me…Sothis,

Let me be cleansed

Let me be renewed

Let the Inundation flood

Across the heart

Dog Star Returns

A New Antinous coming forth

To set the soul in order

To purify with clear water

That we may be whole again


~FLAMEN ANTONIUS SUBIA

HADRIAN ALIGNED TEMPLE OF ANTINOUS
TO CATCH DAWN RAYS ON THIS DATE



HADRIAN designed the Antinous Mortuary Temple at his Villa outside Rome so that the rays of the rising sun would illuminate the inner sanctum on the Egyptian festival of the Nile Inundation, according to a US research team.

The new findings come on the heels of studies by other researchers showing that Emperor Hadrian, a skilled architect and astronomer/astrologer in his own right, aligned the Pantheon and the observatory at his Villa to the Solstices.

The new findings are the first indicating a celestial configuration for the Mortuary Temple of Antinous at Hadrian's Villa.

Archaeo-astronomers at Ball State University in the United States say the mystery-shrouded temple, called the ANTINOEION, was aligned so that the first rays of the rising sun would illuminate the East Face of the OBELISK OF ANTINOUS, which would then cast a shadow across a monolithic statue of Antinous-Osiris deep in the inner sanctum of the temple.

Using "solar tracking" technology and highly sophisticated 3-D computer imaging, the Ball State experts say that this sunrise configuration only occurs on July 20th each year.

July 20th was when the Egyptians, at that point in their long history, celebrated the annual Inundation of the Nile, the flood waters which brought nutrient-rich sediment down the river to Egypt to ensure bountiful crops for the coming year.

At other points in Egyptian history, that "Egyptian New Year" festival was celebrated on other dates, owing to vagaries of ancient calendars. But according to Roman writer Censorinus, the Egyptian New Year's Day fell on July 20th in the Julian Calendar in 139 AD, which was a heliacal rising of Sirius in Egypt.

The Ball State University findings are all the more interesting because the First Miracle of Antinous, the July after his death in October 130 AD, was the NILE INUNDATION MIRACLEwhich  ended a years-long drought which had threatened the entire empire with famine since Egypt was Rome's "breadbasket" for grain and produce.



The Obelisk is now located atop the Pincian Hill in Rome, but it almost certainly originally stood at the Antinoeion within the Hadrian's Villa compound. The plinth for the obelisk is still visible.

The Obelisk is covered in Egyptian hieroglyphs which constitute a prayer of praise for Antinous the God, describing his blessings.

The Egyptian hieroglyphs on the East Face of the Obelisk quote Antinous the God as asking Ra-Herakhte the sun god for blessings on Hadrian, and also asking Hapy, the Nile Inundation deity, to bring about a bountiful inundation on his behalf.

In effect, the rays (or "hands") of the sun god "activate" the Egyptian hieroglyphs, bringing this divine prayer to religio-magical life, as the shadow of the Obelisk covers the statue of Antinous-Osiris, master of death and transfiguration.

The Ball State University findings have yet to be verified independently, and the researchers said further studies are underway.


It is possible, of course, that the date July 20th had another significance of a more personal nature involving Hadrian and Antinous. 

On the final leg of a three-year tour of the Eastern Empire, Hadrian and his Imperial entourage arrived in Egypt in the summer of the year 130 AD. 

It is known that Hadrian and Antinous spent time in Alexandria, as well as in the coastal resort of Canopus. And they also slew a man-eating lion in Egypt in the summer of 130 AD.

So July 20th could refer to one of those events. It could, of course, also refer to something of a more intimate nature between the two men which transpired on that date.


Perhaps Hadrian and Antinous took part in celebrations for the Nile Inundation on July 20th of 130 AD in Egypt at which drought-weary Egyptians looked to Emperor Hadrian, as their pharaoh, to provide a miracle. 

Ancient writers speculated that Antinous may have been eager to find a religio-magical way to help his beloved Hadrian, possibly sacrificing his life in return for blessings on the Emperor.

Whatever the date may signify, we know that, barely three months later, Antinous drowned in the Nile, and that grief-stricken Hadrian proclaimed him a God, the last Classical Deity before the Fall of Rome.

He died under mysterious circumstances, with Hadrian saying only that he "fell into the Nile." The Inundation Deity Hapy ensured that the Nile overflowed its banks generously the following July 20th.

A walk-through of the Ball State University computer model of the Antinoeion and explanation of the July 20th solar alignment is provided in this YouTube video:



Wednesday, July 21, 2021

WE REMEMBER HEROSTRATUS
THE ULTIMATE NOTORIETY SEEKER



ON 21 July we remember Herostratus, whose name is synonymous with all persons who commit heinous crimes for the sole purpose of making their names notorious ... the eternally aggrieved ego ... the call for damnatio memoriae ... destroyer of beauty, youth and success perceived as insults to the entitled outsider.


Herostratus was a 4th Century BC Greek arsonist who sought notoriety by destroying one of the Seven Wonders of the Ancient World, prompting a law forbidding anyone to mention his name.

His name has become a metonym for someone who commits a criminal act in order to become famous.

On 21 July 356 BC, seeking notoriety, he burned down the Temple of Artemis at Ephesus in Asia Minor (now Turkey).

Antinous and Hadrian visited TEMPLE OF ARTEMIS in June of 129 AD.

The temple honoured a local goddess, called Artemis by the Greeks, their version of Diana goddess of the hunt, the wild, and childbirth. 

The temple was constructed of marble and was built by King Croesus of Lydia to replace an older site destroyed during a flood. Measuring 130 meters long (425 feet) and supported by columns 18 meters high (60 feet), it was one of the Seven Wonders of the Ancient World.

Far from attempting to evade responsibility for his act of arson, Herostratus proudly claimed credit in an attempt to immortalise his name. 

To dissuade those of a similar mind, the Ephesian authorities not only executed him, but attempted to condemn him to a legacy of obscurity by forbidding mention of his name under penalty of death. However, this did not stop Herostratus from achieving his goal because the ancient historian Theopompus recorded the event and its perpetrator in his Hellenics.

Herostratus' name lived on in classical literature and has passed into modern languages as a term for someone who commits a criminal act in order to bask in the resultant notoriety.

HART CRANE
SAINT OF ANTINOUS


ON JULY 21 the Religion of Antinous honors St. Hart Crane (July 21, 1899 — April 27, 1932) a great and openly gay American poet whose poetry was considered "beyond comprehension" by straight readers but which is easily understood by gays.

He was one of the most influential poets of his generation, but — like so many gay men — was plagued by doubts and low self-esteem and feelings of failure.

Crane was gay and he considered his sexuality to be an integral part of his life's mission as a poet. Raised in the Christian Science tradition of his mother, he was never able to shake off the feeling that he was an outcast and a sinner.

However, as poems such as "Repose of Rivers" make clear, he felt that this sense of alienation was necessary in order for him to attain the visionary insight that formed the basis for his poetic work.

Throughout the early 1920s, small but well-respected literary magazines published some of Crane's lyrics, gaining him, among the avant-garde, a respect that White Buildings (1926), his first volume, ratified and strengthened. White Buildings contains many of Crane's best lyrics, including "For the Marriage of Faustus and Helen", and a powerful sequence of erotic poems called "Voyages", written while he was falling in love with Emil Opffer, a Danish merchant marineman.

He wanted to write the great American epic poem. This ambition would finally issue in The Bridge (1930), where the Brooklyn Bridge is both the poem's central symbol and its poetic starting point.

The Bridge got mostly bad reviews, but much worse than that was Crane's sense that he had not succeeded in his goal. It was during the late '20s, while he was finishing The Bridge, that his heavy drinking got notably heavier. The partial failure of the poem perhaps had something to do with his increasing escape into booze.

While on a Guggenheim Fellowship in Mexico in 1931-32, his drinking continued while he suffered from bouts of alternating depression and elation. His only heterosexual affair, with Peggy Cowley, the wife of his friend Malcolm Cowley, was one of the few bright spots. And "The Broken Tower", his last great lyric poem (maybe his greatest lyric poem), emerges from that affair. But in his own eyes, he was still a failure.

Crane was returning to New York by steamship when, on the morning of April 26, 1932, he made advances to a male crewmember and was beaten up. Just before noon he jumped overboard into the Gulf of Mexico. His body was never found.

 Here is a poem which straight people found inscrutable and obscure, but which gay readers understood was about anonymous gay sex:


INTERIOR
It sheds a shy solemnity,
This lamp in our poor room.
O grey and gold amenity, --
Silence and gentle gloom!
Wide from the world, a stolen hour
We claim, and none may know
How love blooms like a tardy flower
Here in the day's after-glow.
And even should the world break in
With jealous threat and guile,
The world, at last, must bow and win
Our pity and a smile.

Tuesday, July 20, 2021

ALEXANDRIA ALIGNED TO SUN
ON ALEXANDER THE GREAT'S BIRTHDAY



ALEXANDRIA, home to one of the seven wonders of the ancient world, may have been built to align with the rising sun on the day of Alexander the Great's birth.

The Macedonian king, who commanded an empire that stretched from Greece to Egypt to the Indus River in what is now India, founded the city of Alexandria in 331 B.C. 

It would later become hugely prosperous, home to Cleopatra, the magnificent Royal Library of Alexandria and the 450-foot-tall (140  meters) Lighthouse of Alexandria, one of the SEVEN WONDERS OF THE ANCIENT WORLD.

Hadrian and Antinous visited Alexandria in the summer and early autumn of 130 AD.

Ancient Alexandria was planned around a main east-west thoroughfare called the Canopic Road, points out Giulio Magli, an archaeo-astronomer at the Politecnico of Milan. 

A study of the ancient route reveals it is not laid out according to topography; for example, it doesn't run quite parallel to the coastline. 

But on July 20th, the birthday of Alexander the Great, the rising sun of the 4th Century BC rose "in almost perfect alignment with the road," Magli was quoted as saying.

July 20th, 356 BC, is the date which has always been accepted as the birthday of Alexander the Great. Whether it was his actual birthday or only the official royal observance of his birth is unknown.

It is said that on the night before the mother of Alexander, Olympias, was to be married to King Phillip of Macedonia, she dreamt that a thunderbolt struck her body and filled it with power.

After the marriage, it is said that Phillip peeked into her chamber, and found her lying with a serpent, and that he afterward dreamt that her womb was sealed and that a lion dwelled within her. 


And on the night that he was born, 20th of July, 356 BC, the great Temple at Ephesus was burned to the ground by a vandal, because the goddess Artemis was away, assisting with the birth of Alexander the Great.

He was considered to be the son of Zeus, and this divine origin was what was given as an explanation for the unprecedented conquests that he accomplished. In his youth Aristotle, a student of Plato, educated him along with his following of young princes, who were later serve as his generals, and the founders of great dynastic monarchies of the Hellenistic world.

Foremost of these was his ever loyal and devoted Hepheistion, whose reciprocated love for Alexander was homosexual in nature.

In one of their first battles, while Phillip was still king, the young Alexander proved himself by defeating the SACRED BAND OF THEBES, the army of homosexual lovers who were the most famous and courageous warriors of their time.

Alexander is said to have wept at their destruction, and buried them with honor, erecting a statue of a Lion over their graves.

He would later go one to conquer the entire Eastern world, Asia Minor, Syria, Judea, Egypt, and all of Persia, as far East as India.


The Empire of Alexander spread Greek culture throughout the world, and made the communication of far-distant ideas possible so that the new Hellenistic culture that he created, was a combination of classical Greece and of the exotic cultures that were imported from every corner.

After the death of Alexander, at only 33 years of age, he was deified by his generals who divided his great Empire among themselves. We praise the glorious warrior Alexander of Macedonia, and elevate him, and worship him as a God, an example of the greatness of homosexuality, and a heroic protector of the Divine Antinous.

THE BIRTH OF ALEXANDER


IT IS SAID that on the night before the mother of Alexander, Olympias, was to be married to King Phillip of Macedonia, she dreamt that a thunderbolt struck her body and filled it with power.

After the marriage, it is said that Phillip peeked into her chamber, and found her lying with a serpent, and that he afterward dreamt that her womb was sealed and that a lion dwelled within her. 

And on the night that he was born, 20th of July, 356 BC, the great Temple at Ephesus was burned to the ground by a vandal, because the goddess Artemis was away, assisting with the birth of Alexander the Great.

He was considered to be the son of Zeus, and this divine origin was  what was given as an explanation for the unprecedented conquests that he accomplished. In his youth Aristotle, a student of Plato, educated him along with his following of young princes, who were later serve as his generals, and the founders of great dynastic monarchies of the Hellenistic world.

Foremost of these was his ever loyal and devoted Hepheistion, whose reciprocated love for Alexander was homosexual in nature.

In one of their first battles, while Phillip was still king, the young Alexander proved himself by defeating the Sacred Band of Thebes, the army of homosexual lovers who were the most famous and courageous warriors of their time.

Alexander is said to have wept at their destruction, and buried them with honor, erecting a statue of a Lion over their graves.

He would later go one to conquer the entire Eastern world, Asia Minor, Syria, Judea, Egypt, and all of Persia, as far East as India. The Empire of Alexander spread Greek culture throughout the world, and made the communication of far-distant ideas possible so that the new Hellenistic culture that he created, was a combination of classical Greece and of the exotic cultures that were imported from every corner.


After the death of Alexander, at only 33 years of age, he was deified by his generals who divided his great Empire among themselves. We praise the glorious warrior Alexander of Macedonia, and elevate him, and worship him as a God, an example of the greatness of homosexuality, and a heroic protector of the Divine Antinous.

Monday, July 19, 2021

THE SACRED GAY MARTYRS OF IRAN



IRAN publicly executed two teenage boys on July 19th, 2005, in the city of Mashad.

Their names were Mahmoud Asgari and Ayaz Marhoni, one 18 and the other 17 or 16 years old.

They were accused of raping a 13-year-old boy, but it has been established that the authorities invented the charge of rape in order to prevent public sympathy for the true reason for their execution, that they were Homosexuals.

After their arrest the two boys endured a year of imprisonment and  torture before the high court of Iran upheld their sentence and their  execution by hanging was carried out in a public square in the city of Mashad.

International outrage was met with arrogance and impunity by the religious and conservative Iranian government, and a systematic persecution soon began against homosexuals, which has led to an unabated spate of sporadic executions over the years, and untold numbers of arrests and torture.

These events indicate that the worldwide struggle for Gay Freedom has not decreased but has become more violent and inhumane.

The photo at left is a shocking depiction of anti-homosexual violence.

For their suffering, we proclaim Mahmoud Asgari and Ayaz Marhoni and all of the unnamed gay victims of Iranian persecution, Saints and Innocent Martyrs of the Religion of Antinous.

May all those who see this image of violence rise up for the cause of Gay Freedom, and remember those who suffer in Iran.

Sunday, July 18, 2021

CARAVAGGIO, SAINT OF ANTINOUS


ON JULY 18th the Religion of Antinous honors Saint Caravaggio.


Michelangelo Merisi da Caravaggio, who died under suspicious circumstances on this day in 1610, was an extraordinary painter whose homoerotic images of young men have caused art historians to call him the first modern painter.

St. Caravaggio is the Patron of Gifted Bad Boys — Gay Boys who are blessed with incredible talents but who are too impatient and too rebellious to abide by the rules of society.

St. Caravaggio was always in trouble. In 1592, when he was not yet 20 years old, he fled Milan after a series of brawls and the wounding of a police officer. He went to Rome and was there, for the most part, until 1606, when he again had to flee. His life in Rome was of growing financial and professional success, but it was also punctuated with crime.

In the years 1600-1606 alone, he was brought to trial no less than eleven times. The charges covered a variety of offenses, most involved violence. It is significant that, despite his reputation for homosexuality, and his endless brushes with the police, he was never charged with sodomy, then a capital offense.

But he was charged with murder. On 29 May 1606 he killed one Tommasoni in a brawl after a disputed game of royal tennis, and had to flee to escape execution. He went first to Naples, then to Malta, where he was feted and made a Knight of St John.

Then, after "an ill considered quarrel" with a senior knight, he was on the run once more, all around Sicily, then on to Naples again.

But this time there was no hiding place. The knights, known for their relentlessness, pursued him, and Caravaggio, now 39 nine, in an attempt to seek forgiveness and refuge in Rome, tried to get there, but died at Porto Ercole, apparently of a fever, though the circumstances are highly suspicious.

Despite his hunted and, in the end, desperate life, he always managed to go on painting, often without a proper workshop of any kind. He was variously described, even by admirers, as a man of "stravaganze" as "uno cervello stravagantissimo" (exceptionally odd) and a "cervello stravolto".

His father died when he was six, his mother when he was 18, which may help to explain his anger at the world. His paintings show that he was a man of the most profound religious convictions, of a humble and contrite heart, and with a fanatical devotion to his art.

 His fundamental ideas were always absolutely clear, though he continually changed and improved his techniques. He believed in total realism, and he always painted from life, dragging poor people in from the street if need be.

He became a great realist by painting flowers and fruit, in a variety  of lights, sometimes pure still lifes, sometimes with street boys, such as the model for Bacchus (above).

To achieve realism, he liked to pull his subject out of surrounding darkness into strong lateral or overhead light, as close to the viewer  as possible.

This was a new kind of art, which was to have momentous consequences. It has led some modern writers to speculate that, born into the 20th or 21st Century, Caravaggio would have been a photographer or a filmmaker.

But that is nonsense. Caravaggio, it is clear, adored the feel and line of a brush on a slightly springy surface, prepared with grey (as a rule), and the sheer creative excitement of using the brush to bring the real world out of the darkness of the canvas.

For the first time in the history of art, Caravaggio eliminated the space between the event in the painting and the people looking at it. He created a kind of virtual reality to give you a feeling as though you are right there inside the painting.


Even we, whose vision and sense of reality has been blunted and distorted by television and the cinema, still get tremendous impressions of participating when we see his great canvases close up. What then must it have been like in the early seventeenth century, for people who had never come across anything approaching this blast of actuality, to be brought face-to-face with a reenactment of sacred events in two dimensions, such as St. Francis of Asisi in Ecstasy?

Artists were particularly struck, or perhaps shocked is a better word, but horribly stimulated too, and stirred to find out exactly how the man did it.

Caravaggio, despite all his difficulties, always finished each piece of work if he possibly could, then went directly on to another, with  fresh ideas and new experiments.

He was a Bad Boy. But he was a gifted genius. The Religion of Antinous honors this Patron of Gifted Bad Gay Boys as an exemplar and saint. Let us lift our glasses to St. Caravaggio.

Saturday, July 17, 2021

SKIN ART MAKES ANTINOUS
AN INDELIBLE PART OF YOUR LIFE



ANTINOUS skin art is popular among many modern-day worshipers of the Most Great and God God.

Thousands of people want a relationship with Antinous which ... literally ... goes under the skin.

The most famous celebrity with an Antinous tattoo is ADAM LAMBERT, who has called on all of his fans to learn all they can about Antinous. 

The tattoo, which reaches from nipple to hips down the left flank of his torso, features a bust similar to ones he saw on a trip to Greece.

Adam Lambert says he is "obsessed" with Antinous.

He told an interviewer recently: "I have a tattoo of Antinous, Emperor Hadrian’s lover, on my ribs. It was a very public relationship and they travelled around together until Antinous died. They were like the early gay power couple!"

The tattoo at the top of this page is on the arm of PRIEST MICHAELUS, who says he wanted to have Antinous a permanent part of him. Michaelus explains: 

"I had my first tattoo when I turned 50. It was a wolf with claw marks. I thought, since I loved werewolves, this was very fitting. That was 2006. 

"In 2007 I had been a follower of Antinous for some time and I know my next tattoo, or several, would be devoted to him. 

And what better way to show my faith ... especially living in the bible belt. 

"I went to my tattoo artist, whom I knew is Native American Inuit. She had several tattoos showing symbols of her people. I told her I wanted Antinous' name first and whatever way she thought it would look best. 

"I knew she was a spiritual person and that what she designed would be just right. She free-handed it on my arm and it looked amazing. 

"My next tattoos was an Antinous design by ANTONIUS SUBIA which showed Antinous riding a lion. It is on my right shoulder (above right).

"I then wanted to have Antinous name in hieroglyphics which says 'Antinous the Beautiful God.' This is on my right forearm and right beside that on my wrist is a red lotus again free-handed by my artist. 

"Lastly on the top of my right hand is my symbol or sigil for my Antinous Priestly name which is Michaelus (Latinize of Michael) Lucian (meaning light), Marius (Mars), Aquila (after the first Priest of Antinous).

"I have had many people ask about the name tattooed on my right arm which is Antinous. This has given me a wonderful opportunity to tell others about my God Antinous."

Below are several more skin art designs proudly worn by adherents of Antinous:






Friday, July 16, 2021

ANNOUNCING THE LARGEST GALLERY
OF ANTINOUS IMAGES IN THE WORLD



WE are proud to announce the most extensive collection of Antinous images in the world!

Flamen Antonius Subia spent nearly two years assembling the GALLERY OF ANTINOUS ICONS


What initially was supposed to be one page of images became a massive library.

He says it turned out to entail "months of painful, agonizing, finger-crippling, endless catalogueing, and intricate photoshop enhancing and resizing of countless... countless. ..Antinous images!"

The endeavour proved to be not only a technical challenge but also something of a spiritual initiation.

Antonyus says, "I now feel that I am an expert in Antinous Iconography...as over the process, I have become deeply familiar with each and everyone of Antinous's wonderful, beautiful statues and busts and other images.

"I have to tell you that in the end...it has been the most meaningful, and intimate experience of getting to know Antinous on a level that I have never before felt.

"He is so astonishingly beautiful... I found myself treating each and every one of his images with particular, loving care and devotion.

"It's amazing...when you handle his beautiful image again and again...when you gaze upon him, and study him, and see example after example, they all seem to blur together until you are left with this cumulative impression of what he really must have looked like...like the sum total...as though I had layered translucent leaves of his face and body one over the other, each showing through to the next, cancelling out errors, cracks, chips, peculiarities, the hand of the artist, modern enhancements, slight differences...my own impression of what I always thought he looked like...all blurring together into a ghostly form of his true image...I see him now.

"But I am also deeply familiar with all the different variations...I know them all by name, location, origin, and bits of their history...I know the image of Antinous as I had never known it before."

Antonyus adds that the gallery is not complete and he has issued a call for readers to submit more images.


"My intent is to have the most complete collection of Antinous images in the world," he explains. "We are after all The Temple of Antinous, his modern religion. It is only right that we take his image into our possession and display his form for all to see....with reverance and piety...not as an object of art, or history, but as an object of worship."

Thursday, July 15, 2021

THE MYSTERY TORSO OF THE MET
COULD THIS BE ANTINOUS?



MORE statues of Antinous were made than any other mortal in Ancient Rome, even more than of Augustus Caesar ... and countless bits and pieces indicate that there were even more Antinous statues.

This torso at New York's Metropolitan Museum of Art has intrigued art historians for years ... could it be Antinous?

To the unskilled eye, it looks like any other torso of a young man in exceedingly good physical condition. But to the trained eye of an Antinoologist ... there are several salient features which practically scream out: "I am a statue of Antinous!"

First of all, experts generally agree that this is a Roman copy of a Greek-style statue ... the type of statue which the Greeks would have sculpted in the 5th Century BC ... and which Emperor Hadrian admired so greatly and brought in Greek sculptors to replicate in the 2nd Century AD.

The Greeks would have called it an "ephebe" or innocent youth. And yet, there is a certain glamorous attitude about this statue which shouts out "Roman."

The neck is inclined, indicating that the head originally was tilted forward in a reflective and melancholy pose very typical of Antinous.

And the torso itself looks almost identical to the Antinous Farnese statue in Naples (right). The Farnese has a languid, dreamy-decadent melancholy about it, owing to the sad face and inclined head.

But the decadent melancholy of a "waking  dreamer"  persists even in  the body alone, as  demonstrated by the  New York  torso ... the Mystery Torso of the Met ....

Wednesday, July 14, 2021

ANTINOUS IN JERUSALEM



IT is indeed ironic that Jerusalem is in the headlines again, amidst continuing religious and political strife and bloodshed, for it is in mid-July when the Religion of Antinous commemorates the bitter-sweet arrival of Antinous and Hadrian in Jerusalem in the year 130 AD.

In hindsight, Hadrian must have viewed Jerusalem as a bad omen enroute to what would tragically turn out be a fateful date with destiny in Egypt following a triumphal tour of Asia Minor. This day in the year 130 AD signaled a turning point in history.

The glorious tour of the Eastern Provinces turned sour when Hadrian reached religious strife-torn Jerusalem.

In a few years, he would raze the city to the ground in rage at the Jewish rebellion, earning him the enmity of Jews forever more. In a few weeks, the entourage would enter drought-stricken Egypt, where Hadrian would be confronted by despair and discontent.

And only six months hence, his beloved Antinous would be dead. The wise and cautious emperor would turn bitter and cruel without sweet Antinous at his side. The history of Western Civilization was about to change ....

But on this day in the spring of 130 AD, Hadrian basked in the golden glow of adulation, sensing perhaps only vaguely that this glow was in fact the sunset of his reign.

Hadrian and Antinous crossed the Jordan river and entered Jerusalem on this day in 130. There they remained for much of summer of 130, while Hadrian immersed himself in the Jewish faith and attempted to convince Jewish leaders to compromise on religious matters. He soon realized that compromise was impossible.

Hadrian had two facets to his personality. One was the compassionate and wise seeker of knowledge who was open to new ideas, particularly when they pertained to spiritual matters. But the other facet was the uncompromising warrior who could not allow an affront to Roman dignity and socio-economic order to go unpunished.

It was during this visit to Jerusalem that Hadrian realized the Jews would never be subsumed into Roman society. He began issuing controversial decrees, such as outlawing circumcision.

It may have been during this visit that Hadrian began drawing up plans to rebuild Jerusalem after the fashion of the Greeks, with major temples to Jupiter and Venus.

He may even have begun work on the reconstruction of the Temple Mount, dedicating the new Temple to Jupiter Capitolinus, with a statue of Hadrian in front.

His actions and disregard for the Jewish religion led to the rebellion of Bar Kochba, and the protracted and very bloody Jewish war. The result of this war was that Jerusalem was renamed Aelia Capitolina, and all Jewish and Christian Churches were replaced with Temples to Venus and Adonis.

Israel was renamed Palestine, and the Jews were forbidden to enter Jerusalem except once a year on Passover.

This was the beginning of the Diaspora. It was the beginning of 18 centuries of rancour and strife over the issue of Judea/Israel/Palestine, and of who should live there. To this day, Hadrian's name is accursed among Jews.

This is where the glorious tour of the Eastern Provinces turned sour. But it is also where the glorious reign of Hadrian turned sour. Until the year 130, Hadrian had surprised his critics with his even-handedness and his cautious wisdom and his patience in seeking peace and avoiding armed conflict wherever possible. His goal was to create a Hellenistic society based on tolerance and mutual benefit.

But the second half of the year 130 changed everything. By the end of the year Antinous would be dead and Hadrian would return to Rome a broken and embittered man. The man who loved to travel and spent half of his reign abroad would never leave the environs of Rome and his villa at Tivoli again. The remaining eight years of his life would be marked by capricious cruelty, vindictiveness, chronic pain and sickness. Above all, he would be remembered for a devastating war against the Jews — a war which left a sore which continues to fester 1,800 years later.

Tuesday, July 13, 2021

HOW DID ANTINOUS DIE?
READ THIS BOOK TO FIND OUT



HERE's a riveting book you must be sure to read … the mystery of the death of Antinous. 

George Gardiner's THE HADRIAN ENIGMA: A FORBIDDEN HISTORY masterfully recreates that fateful tour up the Nile and the tragic death which changed the course of history.

Gardiner's novel is written in the form of a whodunnit with possibly the most original investigator imaginable ... the Roman historian Suetonius, who is traveling with the entourage. 

Author of such juicy tomes as "De vita Caesarum" (commonly known as "The Twelve Caesars") and "Lives of Famous Whores" and other tell-all books, Suetonius has the investigative skill and the jaundiced eye to peer behind the veil of Roman dignity to see the sordidness underneath.

Suetonius and two other Patricians, with Strabo as their forensic stenographer, uncover a tale of sex, intrigue and treason which sends such powerful shock waves through the Imperial coterie that Hadrian is compelled to order a cover-up ... hence, the subtitle "A Forbidden History". 

Thus, the official line is Hadrian's pronouncement that "he fell into the Nile" while only Suetonius's secret manuscript reveals the true story ... a manuscript "found" by Gardiner.

The reader sees the case through Suetonius's eyes as he investigates the death, looking for clues.

Gardiner superbly describes the elaborate Imperial compound along the banks of the Nile ... basically a tent city on a fabulously grand scale, a palace made of fabrics with the entire Imperial court transferred from Rome to this remote stretch of the Nile.

Antinous had shared his quarters with a couple of other "ephebes", though he had a private sleeping area ... where only Hadrian had ever been. Suetonius and his Patrician assistants (with Strabo as their scribe), sift through his belongings and interrogate everybody, half of whom are either disconsolate with grief or else they have shifty eyes and their own motives ... there are lots of "red herrings" in this book, people who possibly could have done Him in.

Hadrian refuses to allow Suetonius to touch the body, which was found at dawn by fishermen who were trying to net ibises in the reeds for sale during the Festival of Osiris and Isis. 

They plucked a "silver body" out of the water ... Antinous was clad in his Lion Hunt garb which was silver and ivory breast plate and a solid silver mask, and his ornate bow and adamantine-tipped lance .... the fishermen knew He was a God, especially since He drowned on the day of Osiris' Death!

Suetonius wonders why in Hades Antinous was wearing all this ceremonial garb (otherwise worn only during Parades) and also wonders about a cut on the left wrist of Antinous and strange red marks around his throat. 

But Hadrian refuses to let him touch the body or perform an autopsy, saying His beauty will be preserved by the priests of Egypt through mummification. 

Indeed, Priest Pachrates is standing in the shadows, with kohl-rimmed eyes, and dripping with amulets and talismans, giving Suetonius the creeps.

Then Hadrian tells Suetonius to get out and find out what happened in 48 hours ... or else! 

Whereupon Hadrian throws himself over the body of his Beloved, kissing his cold lips and his hollow eyes (the fish have already eaten the eyeballs) and cradling his naked body — all the ceremonial garb is strewn on the floor of the tent. 

A Nubian slave languidly fans the air through mosquito netting which is continually sprayed with water in a vain attempt to slow down the process of decay.

The author knows his Antinous History and so the reading is deliciously slow-going for any true fan of historical crime novels.

The author peppers the text with Greek and Latin terms and names and expressions which cause the reader to go to the book shelf to dust off reference works. The historical details are a delight.

And the characters are outlined in a vivid way which is like meeting old friends. The description of Hadrian is perfect and the author also brings to life flamboyant heir-apparent Lucius, the Empress Sabina, her confidante Julia Balbilla, the Egyptian magician/priest Pachrates and indeed the entire Imperial coterie.

Even the Oracle of Siwa Oasis makes a cameo appearance, uttering seemingly incoherent clues which ultimately lead to the unravelling of the mystery.

Gardiner's Antinous is blonde with blue-grey eyes and pale skin.

He is left-handed we learn as Suetonius wonders if He had inflicted the slash to his left wrist in an attempt to commit suicide and someone says, but sire, the Boy was left-handed, so it is unlikely he would have held his ceremonial dagger in his right hand to do such a deed. 

And where is the lapis-lazuli talismanic ring (a magical gift from Hadrian) which Antinous always wore on his finger? The ring was supposed to ensure immortality.

What was it that caused such passions among all those who encountered Antinous? Suetonius learns the answer to that question from one person who loved Antinous whole-heartedly.

What is it, Suetonius demands, which inspires such ardor among the admirers of Antinous? He is told:

"It is beauty, my lord. A beauty of character, a beauty of spirit, a beauty of humanity. Beauty, too, of form and shape, but this was not the primary beauty. It would pass soon into time. Antinous was a beguiling personality whose openness communicated sincerity, security, and wholeheartedness. His spirit was alive to life and love .... Antinous was Apollo incarnate, he was Apollo alive in this world, here, now, with us to see and touch today. He was not distant, out of reach, silent. Old philosophers tell us Greeks how human beauty is a reflection of the divine among us. Yet unlike remote Apollo ... Antinous possessed an emotional warmth no god displays to devotees. For Antinous, LOVE must be tangible and active. In him, it was, generously."

In the end, Suetonius discovers precisely how and why Antinous died. And the discovery is such a devastating blow to the Emperor that he suppresses the investigation findings and forbids any mention of the case under penalty of exile. And that is The Hadrian Enigma ... A Forbidden Story.