WE HONOR ANTINOUS/MARS

WHEN the Sun enters the Sign of Aries at the March Equinox, we honor Antinous in his special guise as Antinous/Mars.

Mars, God of War, son of Jupiter and Juno, father of Romulus and Remus, founders of Rome, was the divine spirit of the Roman Army whose legions subjugated the world.

His power ran like molten steel in the blood of Romans who he made them invincible.

The ram was sacred to him, and thus the sign of Aries was devoted to him, as it was in the early spring, after the fields were sown and before the harvest that the men went to war.

Originally Mars was an agricultural deity, whose duty was to protect the fields from marauders. But he soon became an aggressive conqueror, whose sacred spears were ritually shaken by the Flamen Martialis when the legions were preparing for war.

He had twin sons who accompanied him and went before the armies in battle, their names were Phobos and Deimos, fear and panic.

He was the illicit lover of Venus, and it is said that they were the co-creators of Rome who through war brought love and peace to the whole world. It was in this spirit that Hadrian worshipped the pair.

Mars is the great spirit of masculinity, the violent, courageous power of the male sex, the penetrator and subjugator.

His emblem, an iron spear, is a symbol for the phallus, and so it is that Mars is the great potent Phallus of Man, the impregnator.

In this sense he is venerated as the warrior within all men, and as our most extreme, animalistic, carnal, aggressive nature.

He is the conqueror of winter, the dominator of spring, the protector of life, and the bringer of death.

He is war and fury, selflessly courageous, for the protection of the weak and for the defeat of the strong.

Mars never surrenders, and this is why Venus is so mad with lust for him, and why we adore him as our protector.

CHARLOTTE VON MAHLSDORF SAINT OF ANTINOUS

SAINT Charlotte von Mahlsdorf, who was born on this day in 1928, was a Berlin trans/gay who survived the Nazis and East German communists and about whose life a Pulitzer Prize winning play, "I Am My Own Woman", has been staged at theatres around the world.

The title is misleading since the original German is "Ich bin meine eigene Frau" and the word "Frau" can mean either "Woman" or "Wife". 

The phrase was Charlotte's answer to her mother's question: "Don't you think it's time you got a wife?"

Charlotte was her own man and her own woman and her own husband/wife. In a long life amidst dictatorship, war and oppression of human-rights, Charlotte learned to create her own identity. We honor Charlotte as a Saint of the Religion of Antinous.

St. Charlotte, who liked to wear frumpy house dresses with a clunky handbag and a strand of pearls and matronly shoes, somehow managed to survive the Gestapo, the East German Stasi secret police and assaults by neo-Nazis. In doing so, Charlotte made serious ethical compromises along the way in order to stay alive. 

Charlotte amassed a huge collection of Victorian antiques which some said came from the homes of Jewish Holocaust victims and (later) from homes of people fleeing East Germany.


But Charlotte DID stay alive in dangerous times during which others perished. Charlotte's life forces you to ask yourself what YOU would have done in similar circumstances.

After German unification, Charlotte became something of a reluctant gay icon in Germany in the 1990s. Charlotte never had any pretensions of being intellectual or a political activist. 

Charlotte never quite fit in with post-Stonewall activists, who were a bit puzzled by her dowdy grand-motherliness and her passion for 19th Century Renaissance Revival style antiques. Like Quentin Crisp (also a Saint of Antinous), Charlotte belonged to another era.

But unlike Quentin Crisp, Charlotte wasn't especially witty or campy (despite her appearance) and was not an artist of the arch one-liner the way Quentin was. In appearances on talk shows, she would sit there, smiling politely, with not a great deal to say unless it was about collecting and restoring 19th Century antiques. But what she did say was eloquent in its simplicity: 

People should be kind to each other and let each other get on with their lives the way they want to.

Above all, she didn't much like being a celebrity. Too many people  expected things of her. She became a target for neo-Nazis, mostly drunken, youthful vandals in the 1990s. Not surprisingly perhaps, considering all she had lived through, she became somewhat paranoid towards the end of her life. In the end, she fled to Sweden where she spent her final years in virtual isolation before dying in 2002.

We honor St. Charlotte von Mahlsdorf for being someone who was not afraid to be openly trans/gay in the face of totalitarian dictatorships and police states. Someone who survived the Nazis and the Stasi secret police ... wearing a dress, a strand of pearls and a handbag.

THIS IS THE DAY THE WISEST MAN DIED AND ROME BEGAN TO FALL

MARCH 17th is the anniversary of the death of Marcus Aurelius and we in the Religion of Antinous set aside this day each year to remember the last of the great philosopher-emperors, and a man who knew both Hadrian and Antinous.

What follows, is adapted from writings over the years by Flamen Antinoalis Antonius.

As a young boy Marcus Aurelius had caught the eye of the Emperor Hadrian. He was appointed by the Emperor to priesthood in the year 129 (just a year before the death of Antinous), and Hadrian also supervised his education, which was entrusted to the best professors of literature, rhetoric and philosophy of the time.

Marcus Aurelius discovered Stoicism by the time he was 11 and from his early twenties he deserted his other studies for philosophy. The Emperor Antoninus Pius, who succeeded Hadrian, adopted Marcus Aurelius as his son in 138.

Antoninus Pius treated Aurelius as a confidant and helper throughout his reign; Marcus Aurelius also married his daughter, Faustina, in 139. He was admitted to the Senate, and then twice the consulship. In 147 he shared tribunician power with Antoninus. During this time he began composition of his Meditations, which he wrote in Greek in army camps.

At the age of 40, in 161 Marcus Aurelius ascended the throne and shared his imperial power with his adopted brother Lucius Aurelius Verus. Useless and lazy, Verus was regarded as a kind of junior emperor; he died in 169. After Verus's death he ruled alone.

Most of his reign was spent fighting and negotiating with the Germanic barbarians who were steadily crowding around the borders of the Empire. Marcus was able to hold them back with a succession of victories and peace treaties. In 177 he made his son, Commodus, joint-Emperor, though Commodus had no interest in the responsibility, caring more for the gladiatorial sports, but Marcus, the philosopher- king, took no notice of his son's blood-lust, which was to later cost the Empire dearly.

For much of his reign, Marcus Aurelius had suffered from severe illness, but his calm devotion to stoic virtue gave him the strength to continue without rest and without his poor health interfering with his duties. While with the legions on the German frontier, Marcus Aurelius suddenly died on March 17th in the year 180AD.

His ashes were conveyed to Rome and placed in Hadrian's Mausoleum. Commodus assumed power and began the chain of tragic events that are said to have brought the decline and fall of the Roman Empire.

For his wisdom, and strength, and because he was the last instrument of Hadrian's plan that brought so much glory, and prosperity to Rome, we venerate the deified Marcus Aurelius as a god of the Religion of Antinous.
An important feature of the philosophy was that everything will recur: the whole universe becomes fire and then repeats itself.

Constantly regard the universe as one living being, having one substance and one soul; and observe how all things have reference to one perception, the perception of this one living being; and how all things act with one movement; and how all things are the cooperating causes of all things which exist; observe too the continuous spinning of the thread and the contexture of the web. (from The Meditations)

THE FEAST OF HORUS AND THE SEVEN SCORPIONS

MARCH 16th is the feast of Horus and the Seven Scorpions. Horus is the son of Isis and Osiris. 

When Seth murdered Osiris, grief-stricken Isis searched for his corpse. Isis entrusted baby Horus to Selket/Serqet the scorpion goddess. 

The Egyptians knew that scorpions are very good mothers. A mother scorpion carries her babies on her back ... and she attacks anyone who dares to approach too close! 

For added protection, Selket became seven scorpions, thus providing seven-fold protection to Horus. 

Selket is the guardian of Horus and ... by extension ... she is the guardian of Antinous. When you REALLY need protection: call upon Selket!

16 de março é a festa de Horus e os Sete Escorpiões. Horus é filho de Isis e Osíris. Quando Seth assassinou Osíris, a Isis, que sofreu um sofrimento, procurou seu cadáver. Isis confiou o bebê Horus a Selket / Serqet a deusa do escorpião. Os egípcios sabiam que os escorpiões são mães muito boas. Uma mãe escorpião carrega seus bebês em suas costas ... e ela ataca qualquer um que se atreva a aproximar-se muito perto! Para maior proteção, Selket se tornou sete escorpiões, proporcionando assim sete vezes proteção a Horus. Se você realmente precisa de proteção: chamar Selket!

El 16 de marzo es la fiesta de Horus y los Siete Escorpiones. Horus es el hijo de Isis y Osiris. Cuando Seth asesinó a Osiris, Isis buscó su cadáver. Isis le confió a Horus a Selket / Serqet la diosa del escorpión. Los egipcios sabían que los escorpiones son muy buenas madres. Una madre escorpión lleva a sus bebés sobre su espalda ... y ella ataca a cualquiera que se atreva a acercarse demasiado cerca! Para mayor protección, Selket se convirtió en siete escorpiones, proporcionando así siete veces protección a Horus. Si realmente necesita protección: ¡llame a Selket!

ANTINOUS AND THE MAGIC OF SCENT EXPERTS SAY STATUES WERE PERFUMED

ANCIENT statues of Antinous not only were painted and gilded and had floral wreaths and draped fabrics, but they were also perfumed.

A recent study published in the Oxford Journal of Archaeology has revealed a little-explored aspect of ancient art: the use of perfumes and aromatic substances in Greco-Roman sculptures. This research, led by archaeologist Cecilie Brøns, proposes a new way of understanding classical art, challenging the traditional perception of sculpture as a purely visual art form.

Greco-Roman art has been studied for centuries through the lens of its visual appearance. However, Brøns' research highlights that these sculptures were not only polychromed and adorned with textiles and jewelry but also impregnated with fragrances.

This practice, documented in literary and epigraphic texts, suggests that the sensory experience of ancient spectators was much richer than previously thought.

The research is based on a series of classical texts describing how statues of gods and illustrious figures were perfumed. For example, the Roman orator Cicero mentions the custom of anointing the statue of Artemis in Segesta with perfumes. Likewise, the poet Callimachus describes in an epigram that the statue of Berenice II, queen of Egypt, was moist with perfume.

Perfumes were not only used to beautify the sculptures but also served a ritual function. In ancient Greece and Rome, the gods were honored with exotic fragrances and scented oils. In the sanctuary of Delos, epigraphic inscriptions detail the costs and composition of the perfumes used for the kosmesis (adornment) of the statues of Artemis and Hera. These included olive oils, beeswax, natron (sodium carbonate), and rose perfumes.

One of the most fascinating findings of the research is the connection between the perfume workshops discovered in Delos and the practice of perfuming statues. Facilities have been found that suggest the local production of fragrances, confirming that the perfumes used in rituals could have been made on the same island.

The application of perfumes to sculptures was carried out using specific techniques such as ganosis, which involved applying waxes and oils to preserve and enhance the surface of the statues. Vitruvius and Pliny the Elder mention in their writings the use of Pontic wax and special oils to prevent the sculptures from discoloring and to give them a particular sheen.

On the other hand, kosmesis included the use of textiles, jewelry, and fragrances on statues, a practice that reinforced the idea that these divine images were treated as living beings. In this regard, Pausanias recounts that the statue of Zeus at Olympia was anointed with olive oil to protect its ivory from the humid climate.

Although time has erased most of the fragrances applied in antiquity, some traces have survived. A notable case is the portrait of Queen Berenice II, a Ptolemaic sculpture from the 3rd century BCE, where traces of beeswax have been identified on its surface, indicating that it may have been treated with a perfume bath.

Another example is the use of flowers and garlands to adorn statues, adding a temporary but significant olfactory dimension. Festivals such as the Floralia in Rome included the decoration of sculptures with garlands of roses and violets, filling the environment with a festive fragrance.

This drastically changes our perception of Greco-Roman sculpture. Traditionally, statues have been studied from a formalist perspective, focusing on technique and visual composition. However, the fact that these sculptures were also designed to be smelled suggests that classical art appealed to a richer and more complex multisensory experience.

ANTINOUS AS THE SLEEPER ENDYMION SIRED THE 52 MAGICAL LUNAR PHASES

ON World Sleep Day ... the Friday before the March Equinox ... we honour Antinous the Moon God as Endymion. 

There are several versions of the story of Endymion and the Moon. 

In all of them, he and the Moon become united in love for each other. 

He sleeps eternally bathed in moonbeams, guarded by animal spirits associated with lunar deities: Selene, Diana, Artemis. 

Pliny the Elder mentions Endymion as the first human to observe the movements of the Moon, which (according to Pliny) accounts for Endymion's love.

In other versions, he is the son of Jupiter/Zeus and the personification of the Moon's Magic on Earth. He sired 52 children with Diana/Selene ... the 52 Lunar Phases of ANTINOUS MOON MAGIC.

WE CELEBRATE THE JOY OF BEING ALIVE AT THE FEAST OF ANTINOUS OSIRIS UNNEFER

THE 14th of March is the Ancient Egyptian festival of Osiris Unnefer .. life reborn after the dead of winter.

Antinous has always been identified as Osiris, and on this date we commemorate his victory over death by celebrating the joy of life.

The ancient festival is the celebration of the death and resurrection of Osiris. 

The ancient story tells how the evil god Set and his seventy-two accomplices had murdered Osiris by drowning him in the river, and then they dismembered him, scattering his limbs up and down the valley. 

His sacrifice causes the annual floods that bring life to the rainless valley. 

Osiris arises from the dead, but needs the constant supplication of his devoted followers to strengthen his return. 

It is said that, in ancient times, young boys, chosen for their exceptional beauty were thrown into the Nile to drown, just as Osiris had drowned, as a sacrifice to the God of the Nile for the benefit of the living. 

Those who drowned in the Nile were considered to have become gods, especially if the water responded the following year with a deep inundation.

During his tour up the Nile with Emperor Hadrian in 130 AD, Antinous underwent a transformation the likes of which we can only wonder, because from this point onward, the history of Antinous takes on mythical proportions.

Antinous fell into the Nile. There is no way to know if he was pushed, if he committed suicide, if he gave himself as a human sacrifice, or if he slipped and drowned by accident.

No explanation was given, perhaps even then it was a mystery.

Hadrian "wept like a woman," we are told, in front of the entire court. This shameless display of emotion became a scandal that for so many centuries discredited the achievements of Hadrian.

It made plain that their relationship had transcended what was usual and what tradition held to be manly and appropriate for an Emperor of the warrior Rome nation.

The High Priests of Osiris came privately to Hadrian that Night and revealed what they believed had taken place. Antinous had joined the river inundation god Hapi, and had become the river inundation god. 

They showed Hadrian that the local people had already taken up the lamentation and exaltation of Antinous, proclaiming that he had become a God, after their custom. Hadrian took these sentiments to heart. 

The following day he consulted with his advisers and with the Roman pontiffs of the court, and revealed his astonishing plan.

On October 30th of the year 130 AD, Hadrian founded the Holy City of Antinoopolis on the bank of the river where Antinous had drowned, tracing out the major streets with his own rod in the sand.

He then proceeded to do the unthinkable, as Pontifex Maximus, High Priest of the Roman Religion, he declared that Antinous was a God, that he had conquered death, and risen up to dwell among the never-ending stars ... as Osiris. 

Proclamations were sent out to ever corner of the world, inaugurating the religion of the New God Antinous-Osiris.

WHEN YOU'RE IN BERLIN VISIT ANTINOUS IN THIS SPLENDOROUS MUSEUM

IN Berlin, Antinous lives in Greek-revival, neo-Classical splendor in the Altes Museum designed by Karl Friedrich Schinkel, who was born 13 March 1781.

When in Berlin, be sure to drop by for a visit. Antinous will receive you in grandeur ... along with Emperor Hadrian, Empress Sabina, Emperors Augustus Caesar and Caracalla ... and many others.

WE CELEBRATE THE FEAST OF THE INTOXICATION OF SEKHMET

MARCH 12th  is the Egyptian festival of the intoxication of Sekhmet, lioness deity of war and protection. 

She could cure or kill, so Egyptians called her the "Lady of Terror" and "Lady of Power." 

Ordered by Ra to punish humans, she went on a blood-fueled killing spree, killing every living thing on Earth. Alarmed, Ra created a lake of beer dyed red. She lapped it up and passed out dead drunk. 

Celebrate tonight with a mug of beer ... or two!

Incredibly, in recent years the German archaeological mission operating at the King Amenhotep III Temple area in Luxor has discovered more than 100 statues of the ancient Egyptian lioness goddess Sekhmet ... and more are likely to be found.

The discoveries are part of an enormous CACHE OF SEKHMET STATUES found in recent years during a restoration project for the Colossi of Memnon, two massive stone statues of King Amenhotep III and his temple.

Early in the year, 66 statues were found. That already would have been a record. But then in December 2017, nearly 30 more statues were found.

The project began in 1998 with the goal of preserving the remnants of the temple and rebuilding it anew, said head of the Egyptian Antiquities Sector at the ministry, Mahmoud Afify.

The discoveries were made during excavations by the German mission in the area between the courtyard and the hall of columns in the temple. The excavation was originally made to search for the remains of the wall separating the two sites.

Some of the discovered statues represent goddess Sekhmet in a seated position, others depict her while standing and holding in her hand the symbol of life and a scepter of the papyrus flower, said mission head Professor Horig Suruzaan.

She pointed out that all the discovered statues are made of Diorite rock.

The statues are in good condition and well-preserved; they have an important archaeological value as they should provide a full image of the temple, especially after its collapse in a devastating earthquake in the pharaonic era, Suruzaan added.

The statues are undergoing restoration before being replaced in their original locations at the temple, she mentioned.

King Amenhotep III installed a large number of statues of the goddess Sekhmet to protect the temple from dangers and the king from diseases.

Sekhmet, who is depicted as a lioness, was a warrior goddess and the goddess of healing, known to ancient Egyptians as the "powerful goddess."

THE TEMPLE OF ANTINOUS WEBSITE WENT ONLINE ON THIS DATE IN 2002

TODAY is the 23rd Anniversary of the Antinous website going online, the first official proclamation of the restoration of the Religion of Antinous since the end of the ancient cult!

This is what the original version looked like back on March 11th, 2002.

Click here to visit the TEMPLE OF ANTINOUS THE GAY GOD website.
May Antinous bless it with many years to come!

Ave Antinous!

~Flamen Antonius Subia 

THE ASSASSINATION OF ELAGABALUS ROME'S TRANSGENDER TEEN EMPEROR

ON March 11th the Religion of Antinous solemnly commemorates the assassination of Elagabalus, Rome's transgender teen emperor.

Imperator Caesar Marcus Aurelius Antoninus Augustus was born on an unknown date in the winter of 204 AD in the city of Emesa in Syria.

His birth name was Varius Avitus Bassianus, and he is believed to have been the son of Caracalla, for which reason he was declared Emperor by the Legions of Syria during an uprising against the short-lived Emperor Macrinus who had assassinated Caracalla and taken the throne.

Varius Bassianus was only 14 years old when he became sole ruler of the Roman Empire and took the name of Antoninus. He was the last Emperor to bear the sacred name of the most glorious rulers of the world, the Antonines. He is known to history as Elagabalus, because he was from birth the high priest(ess) of the androgynous sun deity Elagabal.

He brought his strange, phallic religion to Rome, and very shortly began to impose Elagabal, going so far as to nullify all other cults and force the Romans to accept his one god. It is even claimed that he closed and demolished the temple of Antinous at Tibur and perhaps others, but this is rumor.

What Elagabalus is famous for is that he was an extreme homosexual phallus worshipper with an insatiable fondness for chariot racers who he often elevated to the highest positions of authority simply based on the size and grace of their penises. He is criticized by ancient historians for portraying himself as Venus on Mount Ida, and allowing himself to be sodomized on stage by his chariot racers in the roles of various gods in full view of an audience.

History is slanted by anti-tranny prejudice. Elagabalus is recorded as having been one of the most infamous and degenerate figures in Roman history. 

This despite the fact that he was not particularly cruel or demonstrably mad. He simply offended the sensibilities of later historians ... particularly Victorian historians who were appalled by the fact that a trans teen had been acclaimed emperor of Rome.

Elagabalus, devoted to the androgynous god Elagabal, made it his priority as emperor to demote all others gods and goddesses to the position of servants to the principal deity. A black stone phallic representation of the god was processed through the streets of Rome to the temple annually.

Many of the sacred symbols of other religions were moved to the temple of Elagabal, including those of Jews and Christians. To persuade followers of other deities to worship Elagabal, the emperor participated in the rituals of several other religions. On a daily basis animal sacrifices were performed, consistent with the practices of many of the religions.

Victorian historians record Elagabalus' life as scandalous, yet an examination of their remarks reveal a troubled trans youth struggling with his identity.

"Not only was he bi-sexual, but also a transvestite. He would go to the taverns at night wearing a wig, woman's clothes and makeup and ply the trade of a prostitute. This activity only ended when he met Hierocles, a Carian slave, and became his wife. Hierocles was even permitted to beat the emperor when displeased, as any man might beat his wife. Even more scandalous Elagabalus not only acted and dressed like a woman, but he wanted to be physically transformed into one. He asked his physicians to contrive a vagina for him, promising huge rewards for success."

In other words, he was a transgender teenager who had the power and money at his disposal to create the gender-bending reality he desired to live in.

At the age of 14, in 218, Elagabaltus, a zealous believer, declared a religious initiative giving Elagabal precedence over all other gods, even Jupiter himself.

The god was also to have a consort. Pallas Athena was the first choice, a goddess tended by the Vestal Virgins. As part of his strategy Avitus married one of the vestals. When Romans balked at the violation of a vestal virgin, however, he opted for the symbolic marriage with Urania, a moon goddess.

His attempt to unify Rome under one religion met with strong resistance and did nothing to moderate his unpopularity. In the very year that Elagabalus became emperor the Third Legion, which had placed him in office, attempted to replace him with Verus, their commander. The attempt failed. Over time, subsequent attempts by the Fourth Legion, by the fleet, and by a pretender named Seleucus also failed.

But as unpopular as he was with the nobility and commanders of the Legions, he was not at all unpopular with the plebs, upon whom he lavished gifts and games. As emperor he had a Temple built to Elagabal, restored the Flavian Amphitheatre (the Colosseum) that had been damaged by fire and completed the construction of the public baths of Caracalla in the Vicus Sulplicius. He also had built a palace complex, the Horti Variani, with an amphitheatre, a circus, a bath, and audience hall.

His most famous projects, however, were the temple of Elagabal (the Elagaballium) on the Palatine hill and another such temple on the southeastern edge of the city. From these temples the emperor delivered largesse to crowds that gathered below.

None of his works, or gifts to the people, were sufficient to offset his reputation among the elite, tarnished by his promiscuous behavior with men and women. Regardless, provided with almost absolute power one wonders, wouldn't most teenage boys be self- indulgent? Many of the adult emperors did no less.

Many legends have arisen about the decadent lifestyle of Elagabalus, including the tall tale that one of his palace orgies was the scene of an inadvertent massacre when so many flower petals were showered upon the banquet guests that dozens of people suffocated to death as they reclined on their couches. 

A colossal, wall-sized painting of this scene by Lawrence Alma-Tadema shocked and titillated Victorian  viewers.

As the young emperor's popularity dwindled his mother, Julia Soaemias, and other supporters recognized that the royal family was in danger of their lives. Rome had a tradition of murdering unpopular emperors, and sometimes their adherents as well.

In hopes of rescuing the regime his close family and supporters induced Elagabalus to adopt his cousin Bassianus Alexianus, a young man popular with the praetorian guard, and name him Caesar, heir to the throne.

The scheme backfired in that Julia Mamaea, Alexianus's mother, was as ambitious as Julia Soaemias and desired to see her son emperor as quickly as possible. Mamaea, playing on the praetorian guard's contempt for Elagabalus entreated for the assassination of Elagabalus. Soaemias, discovering the adoption had created greater danger not less, urged Elagabalus to have his cousin killed lest he himself be murdered. However, no one would obey the order.

Here is where we catch up with Julia Soaemias and Elagabalus:

"Mother," spoke the young emperor, 17 years old, the glow of childhood still reflected in his eyes, "they don't understand what I want to accomplish. If they did, they wouldn't hate me."

"Child," replied Julia Soaemias, "they have more than one reason to hate you. You're obsessed with being a woman and you flaunt Roman tradition. You seek to bring down their gods and make them slaves to Elagabal. Elagabal knows I worship him as much as you, but he wants not that we place him above other gods."

"I will go to the praetorian camp and entreat with them, explain what I intend. Surely they will listen. A single god for all Rome would unify us as naught else might. Our former glory would be restored and Rome would endure forever. I will go. I will go now! The armies must be made to understand," declared the emperor, rising from his throne even as he spoke.

"If you go to the guard they are as likely to kill you as listen to you," admonished his mother.

"That is a chance I must take," he retorted, "Rome is more important than my life."

At the praetorian camp:

"All hail Nellie Ellie," sarcastically called a guardsman upon the approach of the emperor.

"Run, fear for your manhood, she comes to drain us dry," screamed another voice.

Other guardsmen laughed and joined in, a little nervously at first, after all this was the emperor of Rome, but with growing enthusiasm. 

Stepping down from his chariot Elagabalus, dressed as a woman, his wig meticulously styled and his makeup artfully done, spoke in a loud voice, "I have come to discuss with you the fate of Rome." 

His mother, having accompanied him stepped down beside him, on her countenance fear was plainly written. She had a bad feeling about what could happen that night and the crowd of soldiers mocking and jeering did nothing to lessen that fear.

"Alexianus would have me murdered and restore the old gods, the many religions which kept Romans apart. I have dedicated my rule to bringing our great nation together under one god, you must see the wisdom in such a venture," he called out in a loud voice, ignoring the insults and belittling remarks.

"Wisdom from a boy whore," yelled out a disgruntled soldier, "Drunk one night, boy, I had you. Was that your wisdom, Nellie Ellie?" The crowd laughed uproariously.

"I am the priestess of Elagabal. It is my place to be among my people, to suffer the worst and the best at your hands. I am also your emperor and I command you to kill my rival, Alexianus," he ordered.

His mother leaned forward and whispered in his ear, "Tread softly my son, their temper is not to be trifled with. I like not their mood."

"You have had my spear once, priestess," venomously spat a soldier near the front of those gathered. "Now have another!" As the soldier uttered the words he hurled a spear. It landed to one side, but came perilously close to hitting Elagabalus.

"I want nothing but the betterment of Rome," shouted Avitus, taking his mother by the arm and retreating to his chariot. Too late he took the reins of his spirited horses, the soldiers had already surrounded his chariot and taken control.

"You will agree to abdicate in favor of Alexianus before you leave this night, or you shall not leave," spoke up the closest of his adversaries. The army heard the words and began to chant, "Alexianus, Alexianus, Alexianus."

Enraged the youthful emperor screamed, "I am emperor. It is I who know what is best for Rome. Not you traitors. Now, let go of my horses!" With his whip he struck at the face of the nearest soldier, landing a vicious blow that brought blood.

The soldier in turn pulled Elagabalus from the chariot and stabbed him. Others joined in. The last thing Elagabalus saw before he died was the soldiers pulling his mother from the chariot," Let my mother be," he tried to yell, but only a whisper passed his lips.

So ended the reign of the trans teenage Varius Avitus Bassinus, having ruled Rome for but four years.

He had been the first emperor to attempt to unify Rome under one god.

His gender variance, his sexual escapades while frowned on but tolerated had destroyed his credibility. After the murders, his body and that of his mother's, were dragged naked through the streets of Rome.

Finally, beheaded, both bodies were thrown into the Tiber, the punishment for convicted criminals.

Elagabalus reigned only four years, and was 18 years old when he was murdered, the same age as Antinous.

Though his character is condemned as perverse, the open phallicism that he imposed upon Rome, and the dramatic exhibition of his homosexuality warrant his deification.

WE CELEBRATE THE WEDDING OF VENUS/APHRODITE & ANTINOUS/ADONIS

THE 9th of March is the festival of the wedding of Aphrodite and Adonis. 

Antinous has always been identified with Adonis, as the famous Farnese statue shows here. So the union of Adonis and Aphrodite is the joining of Antinous male energies with Venus female energies … to form a more complete you.

There is a lovely description of this festival in "The Golden Bough" by J G Frazer:

"Images of Aphrodite and Adonis were displayed on two couches, beside them were set ripe fruits of all kinds, plants growing in flower-pots, green bowers twined with anise, golden boxes of myrrh, cakes of meal, honey and oil, made in the likeness of things that creep and things that fly. The marriage of the lovers was celebrated."

So today is a good time for any love magic, but particularly magic to cement or confirm a relationship, or to encourage a partner to want to make a commitment.

WE PRAISE THE GODDESS ARTEMIS/DIANA GUARDIAN OF ANIMALS AND VEGETATION

THE 8th of March is the festival of Artemis/Diana as guardian of animals and vegetation.

In the Northern Hemisphere spring is on the way ... and for those of us in the Southern Hemisphere winter is coming.

Regardless where you live, leave food for wild birds and other small animals which might need sustenance at this transitional season.

We remember that Diana is the twin sister of Apollo. And because Antinous is often assimilated to Apollo, he therefore substitutes as the twin of Diana, though he can often be viewed as her male double.

That means Antinous is Diana/Artemis/Hecate. She is a goddess of wisdom and can lead us even out of the darkest night, she carries torches to illuminate any tricky path, so call to her whenever you are desperate for help … like all the small creatures under her care at this transitional time of year.

WE JOYFULLY CELEBRATE THE JUNONALIA FEAST OF JUNO QUEEN OF HEAVEN

ON March 7th we observe the Junonalia feast of the Roman goddess Juno, with whom Hadrian's wife and consort Empress Sabina is identified ritually. (Art by ANTONIUS SUBIA).

On this day, Ancient Romans observed the Junonalia to honor their Queen of Heaven. This festival was celebrated by the matrons of Rome in which a procession of 27 girls accompanied a statue of Juno carved out of a cypress tree.

There were processions in which statues of Juno were carried through the streets and ending at the Temple of Juno. Prayers and generous offerings of flowers and flowering plants were brought to Juno.

There was dancing, merriment, and wonderful feasting (for the Romans were known for their feasts). From how it sounded, it would be very similar to a modern "girls night out."

The Junonalia was also attested in a fragmentary poem De Iunonalibus, attributed to Claudian. In it, Juno is addressed as mistress of the celestial pole, and the spouse and sister of the king of heaven.

Her function as a goddess of marital bonds is also noted. Although the text is conjectural at this point, she may be asked to grant a return.

The Junonalia may have concluded a three-day festival begun March 5th with the Isidis Navigium (Sailing of Isis). In the Metamorphoses of the Metamorphoses of Apuleius, Isis is addressed as Queen of Heaven, and by the 2nd Century a number of goddesses, including Juno, shared the epithet Caelestis.

As the patron goddess of Rome and the Roman Empire, Juno was called Regina (Queen) and, together with Jupiter and Minerva, was worshipped as a the Juno Capitolina (Capitoline Triad) in Rome. Juno was a daughter of Saturn and sister (but also the wife) of the chief god Jupiter, as well as being the mother of Mars and Vulcan.

Juno's theology is one of the most complex and disputed issues in Roman religion. Even more than other major Roman deities, Juno held a large number of significant and diverse epithets, names and titles representing various aspects and roles of the goddess. In accordance with her central role as a goddess of marriage, these included Pronuba and Cinxia (she who loses the bride's girdle).

Juno looked after the women of Rome, with her Greek equivalent as Hera and her Etruscan counterpart was Uni. Hera was the Greek goddess for love and marriage, so Juno was Rome's goddess of love and marriage.

Juno's own warlike aspect among the Romans was apparent in her attire, as she often appeared sitting with a peacock armed and wearing a goatskin cloak. The traditional depiction of this warlike aspect was assimilated from the Greek goddess Athena, whose goatskin was called the aegis.

Ancient etymologies associated Juno’s name with iuvare (to aid, benefit) and iuvenescendo (rejuvenate), sometimes connecting it to the renewal of the new and waxing moon. This perhaps implied the idea of a moon goddess.

THE ASCENSION OF MARCUS AURELIUS AND LUCIUS VERUS AS CO-EMPERORS

UPON the occasion of the Death and Apotheosis of Antoninus Pius on 7th March 161 AD, Marcus Aurelius and Lucius Verus became co-Emperors, both surnamed Antoninus, a name which the ancient Romans equate with inestimable glory.

Marcus being the elder and wiser, was given the title Augustus, while Lucius took the name Caesar. 

They remained cordial to one another though their vastly different characters were always a cause of discord, though never of rivalry or outright animosity. 

They were a harmonious and cooperative pair of rulers, the only example of effective imperial brotherhood in the long history of Rome.

ANTONIUS SUBIA CELEBRATES THE FEAST OF THE SHIP OF ISIS AT PHILAE ISLAND

MARCH 5th is the Navigum Isidis, or Ploiaphesia, the feast of the Ship of Isis. This celebrates Isis both as Moon Goddess and Queen of the Sea ... the Moon being the source of the tides. 

At this time a great procession would go down to the sea and carry with them a boat full of offerings to the Goddess, milk would be poured on the waters, then the boat loaded with gifts would be sent out to sea. 

Apuleius (1st CenturyAD) has described the ceremony in great detail and concludes: "When the ship was loaded with generous gifts and prayers for good fortune, they cut the anchor cables and she slipped across the bay of Alexandria with a serene breeze behind her that seemed to have sprung up for her sake alone. When she stood so far out to sea that we could no longer keep her in view, the priests took up the holy emblems and started happily back towards the temple." 

Our spiritual leader ANTONIUS SUBIA, during his sacred pilgrimage to Egypt, visited the last Temple of Isis where these ceremonies were celebrated.

A highlight of my pilgrimage to Egypt

Was the Philae Island Temple 

On the Upper Nile

Last stand of the Pagan religion.

Long after Theodosius outlawed the old religions,

The priests of Isis continued their devotions.

It was a great honor to visit that beautiful little island

And there is a corridor called Hadrian's gate

In my photo at the top of this entry!

Ave Antinous!

~ANTONIUS SUBIA

                        MORE PHOTOS BELOW:

ANTINOUS SAILS THE SOLAR BOAT BY NIGHT THANKS TO THE MYSTERIES OF HELIOPOLIS

MARCH 4th is the festival of Re at Heliopolis ... a city which Antinous visited during his fateful trip up the Nile ... and a city which our spiritual leader ANTONIUS SUBIA visited during his 2020 sacred pilgrimage to Egypt.

After leaving Alexandria, the first important stop for Antinous on the Nile journey in late 130 AD was at Heliopolis, the ancient center of the worship of Re, the sun god.

The Heliopolitan cosmology states that the universe is created when the Atum (first principle) masturbates and creates himself as the sun god Re, the visible manifestation of the Atum, and then rises up from the primordial waters in the form of a mound.

Re then gives birth to the Enneads, the Nine beings who create the cosmos: Shu (air) and Tefnut (fire), Geb (Earth), Nut (Sky), Osiris and Isis, Seth and Nepthys who together are the principles of life. 

The creator, Re-Harakhte, travels across the sky on his Boat of Millions of Years every day, and then as it submerges beneath the horizon, Re-Harakhte battles against death and evil, and is greeted triumphantly each morning by the priests of Heliopolis. 

Antinous was admitted into these mysteries, and gained a place by the side of Re-Harakhte on his sacred boat, according to the hieroglyphs on the Obelisk of Antinous.

The glyphs state that Antinous can "assume any form his heart desires, because the semen of the First God TRULY is in his body."

When Hadrian and Antinous visited Heliopolis, they were no doubt shown the sacred shrine of the Bennu bird, who was said to have burst forth in a shower of radiant light from the heart of the First God.

This is the same First God who ejaculated into his own mouth to utter the words of creation at the moment of Sep Tepy, the Creation Moment. Other versions say he ejaculated in great arcs which created all the other deities and the entire universe.

Then on October 11th, a few days after visiting the Sacred Shrine of the Phoenix in Heliopolis (and acquiring that virulent bit of spellwork), Hadrian and Antinous visited Oxyrhynchus and heard of the fabled phallus of Osiris.

And a couple of weeks later, Hadrian cradled the limp body of Antinous on the shores of the Nile. The body was limp like a marionette whose strings had been cut.

Hadrian "wept like a woman" and refused to accept oblivion for his Beloved Boy. Instead, he proclaimed Antinous a god and set about making sure that the Religion of Antinous took root and blossomed.

The Obelisk of Antinous speaks of Antinous being full of the "Semen of the First God" which is the creative force of the universe.

That means Antinous can assume "any form his heart desires" since he (like Osiris) is one with the First God ... and one with the Bennu Bird.

Antinous IS the Phoenix.

As sacred synchronicity would have it, "Bennu Phoenix" birds (Egyptian storks) flew over Antonius Subia's head during his 2020 pilgrimage ... most notably when three Bennu bird storks flew overhead during the ABU SIMBEL SUNRISE cosmic event on February 22nd.

So it was imperative for Antonius to visit Heliopolis ... which he died on the final day of his pilgrimage ... despite hindrances and setbacks. 

Antonius says:

From the day we arrived I was trying to get there but it kept getting pushed back for another day. Finally the last day came and I was not going to be dissuaded from seeing Heliopolis.

It turned out to be an arduous ordeal across the worst parts of Cairo ... In the Rain and at rush hour ... all of which turned what I thought would be a short solo excursion ... into a four-hour journey.

I decided just to take a taxi ... made arrangements to meet everyone later at the Dervish dancers at 6:30 (actually I was supposed to go back to the hotel first then we would all go together).

The taxi driver didn't speak a word of English but when I showed him where I wanted to go he said okay ... as we left I realized that he thought I wanted to go to a Hotel called Heliopolis ... and he had no idea where to go. 

Eventually he called a guy from the sidewalk who spoke a little English to translate ... and then he said he knew and off we went. 

I had no idea how far it actually was ... and in a rough industrial area full of burning garbage (and I have been in some extremely rough parts of Egypt ... but this was the worst. 

The taxi driver and I eventually could chat using the "translate conversation" function on my phone ... even he said that it was in a Bad Neighborhood.

Suddenly in the distance I see it ... The Giant Obelisk! ... one of the only Obelisks still standing in its original location.

There was a lovely little park surrounding it with what little remains of the once glorious city of Ra, where the Great Temple once stood, which is said to have been larger, older and more spectacular than Karnak.

The Great Temple of Ra at Heliopolis was where the creation story involving the god Atum masturbating the universe into being took place. (Illustration above: "Israel In Egypt" by Edward John Poynter)

The city where Orpheus, Pythagoras, Homer and Plato all came to study with the priests of The Temple of Ra-Atum.

It is also where Antinous and Hadrian came during their visit a few months before Antinous drowned, the place where the event in which Antinous said he would be willing to give his life for Hadrian occurred.

I needed to see Heliopolis

I needed to stand where Antinous once stood,

Where he willingly dedicated his life to Hadrian

So many obstacles tried to prevent me from getting there. 

I went all by myself into the wild worst parts of Cairo, and paid a heavy fare to get there and back. 

I spent as long as I could, absorbing the presence and power beneath what could be seen around me ... and thanked Antinous for making it possible for me to have this magical moment.

My last adventure in Egypt.

The way back was worse than getting there, I barely made it on-time to see the dervish dancers ... which was surreal in its self.

Then back to the Hotel to pack and head to the airport where I am now.

Heliopolis was wonderful ... and heart-breaking.

Egypt was wonderful and heart-breaking.

It has been the most powerful experience of my life so far and it will take a while to go through all that I have experienced.

The Obelisk of Heliopolis will stand as my final pilgrimage station in Egypt. Although so many obstacles endeavored to prevent me from getting there ... I overcame all that came before me and stood in the footsteps of Antinous.

Ave Antinous!

~ANTONIUS SUBIA

MEXICO'S FIRST SAINT OF ANTINOUS IS VICTIM OF HOMOPHOBIC VIOLENCE

WORSHIPERS of Antinous in Mexico City today solemnly commemorate the anniversary of the horrific murder of the first martyr saint of Antinous in Mexico: Jorge Fernandez Martínez, a victim of homophobic violence.

He was brutally murdered by unknown assailants near his home in the Mexico City suburb of Tultitlán on 3 March 2016.

Forensic tests showed he had been tortured, raped and asphyxiated. His broken body lay undiscovered for days.

Grieving neighbors who had known and loved him for nearly 20 years held a wake and asked for dignified funeral services conducted under the auspices of Epithimia Antinous with Pride Tultitlán Committee and Estamos Contigo.

The rites were held at the famous Shrine of Santa Muerte (Our Lady of Sacred Death) in Tultítlan led by Enriqueta Vargas.

Our sister group Epithimia Antinous at the TEMPLO DE ANTÍNOO MÉXÍCO holds an annual vigil for him during ceremonies at the sanctuary of Santa Muerte in Tultitlán near Mexico City.

Carlos Oseguera Loraca, head of the Templo, says:

Today we commemorate the anniversary of the death of our brother in Antínoo Jorge Fernández Martínez, First Saint of Antínoo in Mexico, victim of homophobic violence in the Municipality of Tultitlán, State of Mexico. 

We also thank the Eclesiae Antinoi for having remember him on this date through the International Blog of Antinous the Gay God.

And we thank our brothers throughout the world who have raised their prayers for their eternal rest at the side of Antinous the God Gay. 

Praised be the gods because there will be justice in this life or in the other, for the crimes of hatred against our community! And let's say together with FLAMEN ANTONIUS SUBIA:

"When Antinous died, he passed into the realm of the dead where he met with our Lord Osiris and they became one God. A single God to rule the Underworld, travel through the chambers of darkness, cross the rivers of blood, cross the lakes of fire, where the light of his beautiful heart shines like a beacon. All the souls of gays, lesbians and trans will be reunited to give them a safe exit from the kingdom of shadows. He will welcome you all in his Million Year Barque. Not a single soul will be left behind forgotten and without love. Everyone will find a place of love and peace by their side. Let us raise our voices of praise, always in this way, from now on, until the end of time ... "!

Ave Antinoo!