THE DAY ANTINOUS WAS INITIATED INTO THE ELEUSINIAN MYSTERIES

ON THE EQUINOX in September the Religion of Antinous commemorates the FEAST OF THE PERSEPHONEA — the initiation of Antinous into the ELEUSINIAN MYSTERIES in Greece at the outset of Emperor Hadrian's Imperial Tour of the Eastern Provinces.

Historical records state that, in the late summer of the year 128, the Imperial Court embarked on a grand tour of the East. The Empress Sabina, Hadrian's wife, and her attendants were members of the entourage.

But on this particular journey, Antinous was the most favored of Hadrian's companions. Their love affair was openly, and gracefully displayed before the eyes of the world. This journey through the East, what we call the SACRED PEREGRINATION, is the only part of the short life of Antinous that history has conveyed to us. 

For this reason it takes on the importance of a sacred epic. Antinous  was in the very flower of his beauty and vigor, he was a shining star  held in the wings of the Imperial Eagle, and it is no coincidence that  this court of demigods should travel through the lands of Ganymede, Attis, Adonis, Jesus and Osiris, who were all beautiful souls taken from life before their time.

The court stayed in Athens for five or even six months, they arrived in time for the celebration of the MYSTERIES OF ELEUSIS, which symbolically portrayed the rape of Proserpina by Hades, the mourning of her mother Demeter, and the return of Spring. 

In the modern Religion of Antinous, we commemorate these ELEUSINIAN MYSTERIES during the September Equinox, for it is believed that Antinous underwent the secret initiations provided by the Priests of Eleusis at the Temple of Demeter/Ceres.

The painting above by Joseph Gandy in 1818 shows how the temple may have looked in the 2nd Century AD. The painting at right is "The Garden of Persephone" by Robert Hale Ives Gammell.

Through the Priests of Eleusis Antinous received the consecration of the dark goddess of the underworld Persephone/Proserpina, which prepared him for his own death and resurrection.

In the Mysteries of Eleusis, the initiates are led into the realm of death and are confronted with immediate death. 

Two years later, in 130 AD, Hadrian and Antinous would indeed be confronted by physical death. 

In the Mysteries of Eleusis (and indeed in the Underworld after Death), the initiates cannot go back the way they have come. 

And they cannot go forward without knowing the Words of Power that will allow the gatekeepers to throw open their gates.

But we face such situations not only in secret initiations, or on our deathbeds. No, we face such "mysteries" every day of our lives. 

We put off our dreams and aspirations so we can cope more effectively with the challenges of the present, ostensibly to have more time and leisure to realize our purpose in the future. 

Or we tell ourselves that we will chase our dreams someday once we have accomplished other lesser goals.

(Photo left: Antinous statue found at Eleusis.)

In truth, it is our fear that keeps us from seeking fulfillment in the here and now — because we view failure as a possibility, our reasons for delaying our inevitable success seem sound and rational. 

If we ask ourselves what we are really waiting for, however, we discover that there is no truly compelling reason why we should put off the pursuit of the dreams that sustain us.

That is what "mystery initiations" are all about. Hadrian and Antinous were forced by the Eleusinian priests to confront their fears and to find a way to go forth into life — NOW. They had no options. It was now or never. Life or Oblivion. In our own lives, we face the same question every day. And usually we try to find a way to avoid the question.

The idols, the images, the icons, the gilded statues and the gods themselves are as nothing.

YOU YOURSELF HOLD THE KEYS TO FINDING AND FULFILLING YOUR OWN DESTINY.

It is yours to find and to fulfill. No one else's. Not even the gods'.

That is what the ELEUSINIAN MYSTERIES are all about. And that is what the PERSEPHONEA is all about. And the Journey Up the Nile by Hadrian and Antinous to their Fateful Destiny with Eternity. And it is also what the symbolism of the Equinoxes is all about.

Even if the days are getting shorter, they are also getting longer — it is all a matter of perspective. The days ARE getting longer — our brothers in South America, South Africa and Australia can look out the window and see the lavender blossoms of the jacarandas in springtime bloom.

Remember Hadrian and Antinous in the Underworld (or on their Fateful Voyage Up the Nile) and understand what they understood: That the keys of fate are in your hands and you can venture forth RIGHT NOW wherever you wish to go.

FOR IT IS WRITTEN ON THE OBELISK OF ANTINOUS:  

 

He is able to enter any place he wishes.
The Guardians of the Gates
Of the Underworld
Say "Praise to You!" to Him...
They loosen their bolts
And throw open their Gates before Him ...
Millions of years ... daily ...
As His duration of life is as the sun,
Never in eternity elapsing!"

 

ANTINOUS ON MOUNT CASIUS WAS NEARLY STRUCK BY LIGHTNING

IT was at the season of the Equinox in the year 129 that the imperial court ascended Mount Cassius (also called Mons Casius, Mount Kel or Mount Casius).

They climbed the mountain overlooking the sea because on top of it was a Temple of the Sun. 

A storm broke while they made their ascent, and Hadrian had the priests conduct the Equinox ceremony in the rain. 

During the sacrifice at the altar, a bolt of lightning struck with a horrific, earth-shattering clap of thunder ... killing the priest and the sacrificial animal together. 

This was taken as a very significant portent, one that perhaps Antinous alone comprehended, the darkness of the coming death and transfiguration were presaged. 

Hadrian took it as a sign that the gods of Syria had turned against him, thinking it was Baal-Zeus who struck down the priests as a warning to Hadrian of what lay ahead when the court entered Jerusalem. 

Perhaps it is all a myth and a legend, of course. There were many myths and legends about the events leading up to the deification of Antinous. 

Researching background information on the Lightning Bolt Omen on Mount Cassius, we stumbled upon an old Epistle which Antonius Subia wrote to the original members of this religion at this time of year back in 2002. There were only a handful of followers ... about five or six. 

Take a moment to read what Antonius wrote so many years ago:

"Whatever myths and mysteries were fabricated to legitimize the Religion of Antinous, we can be sure that they were only for the benefit of the vulgar populace, dependent on poetry and allegory. The Priesthood of Antinoopolis however, had to deal with the truth. I can't help but think that the pinnacle of his mysteries, revealed to only the most devoted, was the unsettling revelation that Antinous the God was no more than a boy, just as any of them were or had been."

And Antonius says that THAT fact was what makes our religion so special. He goes on to write:

"That Antinous lived a truly human life, died, and miraculously became a God is what captivates me, even more than his beauty. Unlike so many other, mythical gods, there is a definite level of certainty that all that is said about him is true. It is only when one begins to dig deeper that the mysteriousness of his story becomes manifest. There is a desperate shortage of evidence from his time, almost nothing at all, and what little is written is rare and clothed in foreign languages. Antinous, because of the peculiarity of his divinization, is not a subject of great philosophical interest as are the other, more popular gods."

And then he hints at the idea of HOMOTHEOSIS:

"The most important impression one receives from his story, which is utterly non-mythological, is that if he could become a God, with a star, and a flower, and an eternal name, then what prevents all of us from following in his trail? Antinous destroys the very concept of Godhood. For the vast majority, this is an incomprehensible concept, but Antinous is not a god of the populous, who remain simple in their acceptance of theology … then as now."

And he says Antinous is the divine spark of Sacred Homosexuality:

"Homosexuals suffer from a terrible lack of Gods and divine heroes. Heterosexuality has an overabundance. 

He adds: "I don't see the harm in claiming the truth of our one and only patron saint and god. The emphasis of our day, in which homosexuality is gaining acceptability, seems to be on bringing our sexuality into line, and in conformity to the rest of the population. But what we need most is our own identity, not as an aberration, or a peculiarity, or a mere deviation from the norm, but as a sanctification, a sacred state of blessedness. 

"For thousands of years we have been considered a degeneration, a sin, and even a disease of lust. Now people are beginning to see that we are just different, but there is almost no talk, even amongst ourselves, that we are a wonder of the human species, a divine grace, a delicate flower possible only in the most elevated levels of civilization. It is no coincidence that our sexuality has regained the prominence of respect that it knew in the age of the Antonines, and Antinous is the emblem, in my heart, of our blessedness, then as now."

Antonius then says non-pagans balk at our religion, but he also notes that traditional pagans also have problems with the concept of Antinous as the Gay God for the 21st Century, rather than remaining a reconstructed Classical deity from ancient times:

"Already I have encountered the difficulty of explaining what is so personal to an uninformed listener, and this conflict of interest, as it were, may only increase. My only hope is that Antinous has already prepared the way, as he has done with me, and a few others. However difficult and testing his message may be to bring to the world, I trust that those who are prepared to listen will need very little explanation, the truth being already ingrained within the depth of their soul.

"All I can ever do is turn the key that they alone suspected was there, but the door is for them to open. The statues, and the stark reality of his life, show that there are many sides to our Antinous, none of which is ultimately and universally true.

"However much we may delineate and formalize his religion, it must always remain founded on personal connection, and individual truth. 

"I am prepared to say that this is far more simple than it seems, if we are willing to succumb wholly to absolute freedom in ourselves, and in others."

Antonius (writing back in 2002, remember) has a final question ... a question he has posed to each new priest over the years:

"My question is this, if ever you felt yourselves to be secret priests, evangelists of beauty, and missionaries of sacred homosexuality among these barbarians of our age, what would you say to a soul in whom you could plainly see Antinous, just beneath the skin? But more importantly, why would you even mention his name?"

This weekend, as the shadow of the Super Moon Eclipse falls upon the Earth, and as we remember the story of the Lightning Omen on Mons Cassius, it is perhaps good to remember the founding tenets of our religion:

Antinous was a flesh-and-blood human being of lowly birth.

Antinous and Hadrian were male-male lovers.

Antinous died tragically, perhaps in sacrifice for his beloved Emperor.

Hadrian "wept like a woman" and issued a decree establishing the Religion of Antinous … declaring Antinous a God … the last Classical Deity.

And the question for us today is whether we would recognize a modern-day Antinous if he walked up to us on the street, or if we saw him on Netflix or on the Internet.

More importantly, can we see Antinous in the eyes of all gay men.

Because that's the first place to look for him.

GAY TEEN MARTYR JOÃO ANTÔNIO DONATI FIRST BRAZILIAN SAINT OF ANTINOUS

ON September 10th we remember the brutal mutilation murder of a gay teenager on this date in 2014 in Brazil ... the first official saint of Antinous in Brazil.

The death of 18-year-old JOÃO ANTÔNIO DONATI galvanized worshipers of Antinous into proclaiming him the first martyr saint of Antinous in Brazil.

His severely beaten body was found in the city of Inhumas in the state of Goiás with his neck fractured and both legs broken and with his mouth and trachea stuffed with a plastic bag and a paper note, on which had been scrawled an anti-gay hate message saying that this is what should happen to all queers.

His horrific bruises, lacerations and contusions showed that he had put up a desperate struggle against his attackers.

On the same day that João was killed, two other gays were beaten and a transvestite was murdered in the same state. But the images of João's smiling Facebook selfies instantly touched the hearts of millions.

Outrage swept the nation, with protest marches and vigils held in numerous cities.

Brazil has the largest Antinous faith community in the non-English speaking world, and adherents of Antinous have taken the unprecedented move of proclaiming João the first Saint of Antinous in Brazil. 

Brazilian Novitiate Priest DECO RIBEIRO says more than 300 LGBTIU victims of homophobic murders were reported in Brazil in 2015 alone, though the true figure is unknown.

"Hundreds more have died since then," says Deco. "Each and every one of these is a martyr who is symbolized by João Antônio Donati. He was a vibrant young man filled with all the hopes and dreams of so many his age, and who became yet another victim of homophobia in Brazil, and who so deeply touched us that we have been moved to initiate something in our country that has long been in the offing: the Declaration of Apotheosis and canonization of the martyrs of homophobia in Brazil."

Noting that anti-gay hate crimes and murders are frequent in Brazil, Deco says: "This is the first statement and official nomination amid many others that will follow continuously over time honoring the names of many victims who have died in the past and who inevitably will be murdered in the future."

He adds, "We are setting out upon a long and arduous road which will entail hard battles for criminalization of homophobia in a country that has become increasingly Christo-Fascistic, homophobic and intolerant in a grotesque throwback of catastrophic and irreparable proportions. This is a turning point in history."

At the Hollywood Temple of Antinous, the founder of the modern religion of Antinous, ANTONIUS SUBIA, says:

"My prayer goes out to Antinous to take João Donati into his embrace, to give him a place of glory and bliss and show him that the world is not merely a place of hatred and violence, but that love still exists here.  

"May his short beautiful life prove to be a changing point for Brazil, may his violent death awaken his country to the darkness and hatred that has infiltrated their society.  May he be a martyr whose violent death brings an end to such things in the future," Antonius said in the statement issued moments ago.

After João's death, his FACEBOOK page was filled with messages of condolence. 

A month before his murder, he updated his profile image with the accompanying message: "Determination, courage and self-confidence are decisive factors for success.

"No matter what obstacles and difficulties. If we are possessed of an unwavering determination, we will be able to overcome them."

Though Brazil passed same-sex marriage into law in May 2014, homophobic attacks and transphobic attacks are still common.

HOW WOULD YOU RESPOND IF YOU SAW ANTINOUS TODAY?

FLAMEN Antonius Subia likes to ask new dedicants of Antinous this question:

"If you encountered Antinous right here in your midst today, how would you react? Would you believe it was H.I.M? Or would you say it couldn't be true?"

That is why we love this painting by one of our favorite artists, ANDRÉ DURAND.

He entitles it "The Disciples of Emmaus" from a biblical verse about two men who are so busy talking about the death of Jesus that they fail to recognize him walking towards them on the road to the village of Emmaus.

They "believe in" the promise of eternal life.

But they do not "really believe" that it is possible ... even when they see it with their own eyes.

We are in the midst of the greatest turning point in human history since the discovery of fire … you hold it in the palm of your hand as you scroll your smart phone's apps.

Look around yourself and you see people so engrossed in the the magical world of their smart phones that they are unaware of the magic happening all around them.

It is the same with HOMOTHEOSIS … Gay-Man-Godliness-Becoming-The-Same. Many people "believe in" becoming one with Antinous. But they don't "really believe" it is possible.

Antonius has always believed that a "New Antinous" may already have been born ... or soon will be. He won't be the same "Old Antinous". He will be the Antinous we gay men need in the 21st Century.

Antonius always asks the question to prospective new priests, "Would you recognize Antinous if you were to see him on the street today? And if so, how would you respond?"

Do you "believe in" ... or do you "really believe"? A very good question.

ANTINOUS WORSHIPERS WORLDWIDE TAKE PART IN LION HUNT CEREMONIES

ANTINOUS worshipers worldwide participated live online tonight in ceremonies commemorating the SACRED LION HUNT, the final recorded event in the brief life of Antinous ... when he and Hadrian slew a man-eating lion in Egypt in August of the year 130 AD.

Worshipers on both coasts of North America as well as worshipers in South America, Europe and Africa took part in the ceremonies originating at the Hollywood Temple of Antinous.

The skin art image shows Antinous subduing the man-eating Marousian lion in the Egyptian desert in the year 130 AD.

The SACRED LION HUNT was immortalized in poetry and in stone, showing Antinous brashly attacking the lion with his adamantine-tipped spear and wounding it ... so that Hadrian had to gallop to his rescue and dispatch the beast.

Hadrian added medallions to the Arch of Constantine showing him and Antinous with feet on the lion's neck and also making sacrifice to the great lion-killer Hercules.

Soon legend would have it that scarlet-red lotus blossoms had sprung forth from the pool of the lion's blood ... which we honor as the LOTUS MOON, the Pisces Third Quarter Moon in June.

Within a few short weeks after the Sacred Lion Hunt, Antinous himself would be dead. The Sacred Lion Hunt is the last recorded event in His short life.

Flamen ANTONIUS SUBIA celebrated the liturgical ritual in Hollywood.

Antonius noted that the brave may not live forever, but the cautious do not live at all. Tonight's rituals and meditations were aimed at enabling participants to traverse the road between who they think they are and who they can be. The key is to set forth on the journey ... with adamantine-tipped spear in hand ... galloping forward.

ANTINOUS WORKS MIRACLES FOR YOU WHILE YOU DAYDREAM AT WORK

NEXT time you have a difficult problem to solve, and concentrating on it just isn't getting you anywhere, consider this: Maybe you're thinking too hard.

"Walk over to a window and think about the people or cars going by for a few minutes, until you get bored," suggests Josh Davis, research director at the New York Neuro-Leadership Institute. 

"Let your mind wander."

How will that help? "Always being 'on' blocks the brain processes that occur when we daydream," says Davis. 

His book, TWO AWESOME HOURS Science-Based Strategies to Harness Your Best Time and Get Your Most Important Work Done, draws on new discoveries in brain science.

The idea is certainly not new. This enkoimesis (ἐγκοίμησις) "dream-incubation" was used in Abaton sleep chambers of Aesculapius temples where worshipers sought healing visions from the god to cure their ailments.

The Ancient Priests of Antinous knew that enkoimesis "dream-incubation" and zoning out, even for a few minutes, allows your brain to tackle tasks it can't handle when you're busy. 

They called it the medium for Antinous to work miracles in your life.

In ancient times, Antinous was known as a miracle worker. His worshipers prayed to him for miracles, oracles, visions and answers to problems in their daily lives.

The Egyptian hieroglyphs on the OBELISK OF ANTINOUS state clearly that Antinous answers the prayers of all who call upon him through dreams and visions, for example.

The hieroglyphs also make cryptic references to his ability to work magic through his heart. This is a reference to the Ancient Egyptian concept of the "Intelligence of the Heart."

The Egyptians knew that the brain is the center of motor activity and sensory perception. 

But they believed the heart is the center of a form of intelligence which has baffled most mainstream Egyptologists ... who assume the Egyptians believed the heart was where cognitive thinking occurs.

But the Egyptians had a very different view of the universe from our rational, scientific view of the universe. 

We dissect facts and analyze them. But while the Egyptians were very good at analyzing facts, they also retained the Zen-like ability to see the whole ... which leads to contemplation ... not analysis.

The Egyptians understood that if you want to find an intelligent solution to a problem, your brain can do the work. You have all the necessary intelligence inside the bone in your skull.

However, most people use their brains the same way they use their muscles. You can strain your head just as if it were a muscle, and work very hard trying to arrive at an answer, but it doesn't really work that way.

When you really want to find an answer to something, what you need to do is contemplate the problem. Visualize your question as well as you can, and then simply wait.

If you don't, and if you instead try to find the solution through brute mental strength, you may be disappointed, because any solution that comes in that way is likely to be wrong.

But when you have waited for a while, the solution will come of itself. That is what the Egyptians called the Intelligence of the Heart ... using your heart instead of your head.

It will work for you in the same way your stomach will digest your food for you without your having to supervise it consciously. Our attempts to supervise everything consciously have all led to consequences that aren't too good for our stomach, and the reason for that is quite simple.

Conscious attention, which employs words, cannot think of very much. We are forced, therefore, to ignore almost everything while we are thinking. We think along a single track, but the world doesn't proceed along a single track.

The world is everything happening altogether everywhere, and you just can't take all that into consideration because there isn't time.

However, the Intelligence of the Heart can take it all into consideration because it is capable of handling innumerable variables at once, even though your conscious attention cannot...

The hieroglyphs on the Obelisk of Antinous promise that Antinous the Gay God enables us to discover the Intelligence of the Heart ... the Intelligence of HIM ... he opens his heart to you ....

FAMOUS AS HE WAS INFAMOUS SIMEON SOLOMON IS A SAINT OF ANTINOUS

ON August 14th we honour Simeon Solomon, who died on this date in 1905, and who was one of the most famous and infamous pre-Raphaelite painters of the 19th Century.

He was an outcast in two regards: he was Jewish and he was homosexual.

The pre-Raphaelites rejected the industrial machine age in the mid-19th Century and sought to return the the artistic genius of the late Medieval and early Renaissance "before Raphael."

Solomon was acclaimed for his glowing depictions of Jewish life just as he was derided for his depictions of same-sex love.

At the height of his fame, he was arrested in 1873 at a public lavatory on Oxford Street in the heart of London and thrown in jail. He was in and out of prison the rest of his life on similar public "indecency" convictions.

After his prosecutions he no longer exhibited, but achieved a degree of celebrity amongst those who shared his sensibilities, including Oscar Wilde, John Addington Symonds,Count Eric Stenbock, and Walter Pater, who all collected his works.

He continued to paint in prison. Born 9 October 1840, he died in ignominy 14 August 1905. He is a saint of Antinous!

WE REMEMBER WHAT UNITES US ALL ON INTERNATIONAL FRIENDSHIP DAY

AS our liturgical year draws to a close at the end of July each year, we pause to join hands and remember the bond that unites all of us around the world ... on July 30th ... International Friendship Day.

We the priests of Antinous receive messages every day from worshipers who feel alone and isolated ... stuck in far-flung places ... stuck in jobs they hate ... or stuck in joblessness ... stuck in loveless relationships with hateful family ... stuck in poverty ... not just poverty in terms of money, but poverty in terms of friendship and emotional support.

In earlier days physical isolation meant isolation of the heart. But with the growth of social media, we are learning that geographical distances are no barrier to emotional support and loving friendship.

So on this day it is good to remember that we are never truly alone.

Cynics say that friendships happen by chance, that you happen to stumble upon a person in a coincidental circumstance and that you both open your hearts to each other and then become friends ... all by chance.

But we prefer to believe that friends are in each other all along ... always have been in each other ... always will be in each other.

And we remember that Hadrian loved Antinous so much that, when Antinous died tragically, the Emperor proclaimed him a God ... the last and ultimate Classical deity.

Hadrian could have chosen to grieve alone and to hold the memory of his beloved Antinous in his heart. But instead, Hadrian chose to share Antinous with all of us. 

Hadrian's heart was broken, but he chose to open his heart and to share Antinous with all of us ... for the Emperor knew that one day each of our hearts was waiting to be filled with the friendship that Hadrian's heart had known ... and which he shares freely and lovingly with us.

WORLD'S OLDEST TEMPLE ALIGNED WITH THE DOG STAR

THESE are the "Dog Days" when the Dog Star Sirius rises above the horizon ... and now an expert has determined that the world's oldest temple, Göbekli Tepe in southern Turkey, may have been built to worship Sirius.

The 11,000-year-old site consists of a series of at least 20 circular enclosures, although only a few have been uncovered since excavations began in the mid-1990s.

Each one is surrounded by a ring of huge, T-shaped stone pillars, some of which are decorated with carvings of fierce animals. Two more megaliths stand parallel to each other at the centre of each ring.

Giulio Magli, an archaeo-astronomer at the Polytechnic University of Milan in Italy, looked to the night sky for clues. After all, the arrangement of the pillars at Stonehenge in the UK suggests it could have been built as an astronomical observatory, maybe even to worship the moon.

Magli simulated what the sky would have looked like from Turkey when Göbekli Tepe was built. Over millennia, the positions of the stars change due to Earth wobbling as it spins on its axis. Stars that are near the horizon will rise and set at different points, and they can even disappear completely, only to reappear thousands of years later.

Today, Sirius can be seen almost worldwide as the brightest star in the sky – excluding the sun – and the fourth brightest night-sky object after the moon, Venus and Jupiter. Sirius is so noticeable that its rising and setting was used as the basis for the ancient Egyptian calendar, says Magli.

At the latitude of Göbekli Tepe, Sirius would have been below the horizon until around 9300 BC, when it would have suddenly popped into view.

"I propose that the temple was built to follow the 'birth' of this star," says Magli. "You can imagine that the appearance of a new object in the sky could even have triggered a new religion."

Magli used existing maps of Göbekli Tepe and satellite images of the region.

Magli drew an imaginary line running between and parallel to the two megaliths inside each enclosure. Three of the excavated rings seem to be aligned with the points on the horizon where Sirius would have risen in 9100 BC, 8750 BC and 8300 BC, respectively (arxiv.org/abs/1307.8397).

The results are preliminary, Magli stresses. More accurate calculations will need a full survey using instruments such as a theodolite, a device for measuring horizontal and vertical angles.

Also, the sequence in which the structures were built is unclear, so it is hard to say if rings were built to follow Sirius as it rose at different points along the horizon.

THE HELIACAL RISING OF THE DOG STAR

THE "Dog Days" are here! In Ancient Egypt, the "Heliacal Rising of Sirius" occurred in mid-July ... but over the course of many centuries it now occurs in late July or early August (in the Northern Hemisphere). 

But depending on where you live on our planet, you may see Sirius/Sothis rising just before dawn any day now ... as nighttime turns to daytime.

During the daytime, look to the sun and you see Antinous conjoined with Ra-Herakhte, Apollo, Invictus, Horus, Mithras, Belenus, Balder, Huitzilopochtli and countless other solar deities. ANTONIUS SUBIA offers this prayer: 

Arise in Me…Sothis,

Let me be cleansed

Let me be renewed

Let the Inundation flood

Across the heart

Dog Star Returns

A New Antinous coming forth

To set the soul in order

To purify with clear water

That we may be whole again

~FLAMEN ANTONIUS SUBIA

THE DEATH OF JUDY GARLAND SPARKED THE STONEWALL RIOTS

THIS is the day the Liturgical Calendar of the Religion of Antinous sets aside for remembrance of Saint Judy Garland, whose death was the spark that ignited the Stonewall Riots on a sultry night in 1969 when a bunch of drag queens and assorted other gay men decided they weren't in the mood to put up with yet another raid by the corrupt and brutal NYPD.

Gays had had enough and they had just suffered a terrible shock — Judy Garland's tragic death on June 22 had rocked the gay world. It was said that 13 twisters raged through Kansas the day Judy died, which — in Kansas — in June — is a pretty safe bet, in any case. But still, and all the same ....

Judy had died in London, and amid much news media hype, her body was flown back to New York for a memorial service which drew a huge crowd of grief-stricken gay men who gathered outside Campbell's Funeral Chapel in Manhattan — on June 27, 1969.

Afterwards, the bars were jammed with gay men drowning their sorrows in booze and drugs while listening to Judy Garland songs full blast on every jukebox.

The mood was electrified by a sense of solidarity in grieving for a fallen idol. Gay men had surprised themselves by turning out en masse for Judy's funeral. They had experienced strength in numbers for the first time. They had been on national TV news.

In an unprecedented move by prime-time national news anchormen, Walter Cronkite and Huntley-Brinkley had talked about Judy Garland's "tremendous appeal among male homosexual fans" — at supper time when whole families were watching the evening news!

Blacks were standing up for their rights. Women were burning their bras. The Chicano Movement was gathering steam. And now "ho-mo-sexuals" (the announcers were unaccustomed to speaking the word aloud) were having the audacity to congregate outside a sacred chapel in broad daylight — and they even showed their faces on the evening news!

Straight people were being confronted with homosexuals right there on television beamed into their homes. And — more importantly — homosexuals were seeing themselves and their brothers/sisters on national television news. Gays in isolated places who had worshipped Judy Garland at the movies or on LP and tape, were now watching other gay people weeping for her in New York. For the first time, gay people in isolated places saw themselves on TV. We were not alone in our grief at the passing of a star with whom we somehow innately felt connected.

It was a Friday night. Late June. Hot and steamy. The bars were filled to bursting. Gay men were sharing a rare moment of solidarity in powerful emotions. There was a feeling, not only in New York, but around the world, that a paradigm shift had taken place. A gay icon had died suddenly and tragically (shades of Antinous) and we gay people everywhere found ourselves in a catharsis of identity change. None of us understood what was happening. Just as it was with being gay, we gay men couldn't explain it, we just "felt" it and "knew" it to be true.

And THAT moment was when the Manhattan police happened to stage one of their periodic raids on queers. Basically it was a routine raid on an average gay bar. Nobody had reckoned with what would happen next. Even gay men were surprised by what happened next.

ESPECIALLY gay men.

We were men who had been accustomed to being timid fraidy-cats. Men who had never dared to stand up for their sexuality. Drag queens and faggots never fought back. That was a fact of gay survival. We knew we were gay. And we knew what we weren't. We were not "MEN".

Grief turned to outrage. It was a spontaneous uprising fuelled by rage. The vice squad was overwhelmed. Reinforcements had to be sent in. Gay men stood their ground and advanced on the police, pushing them back.

It was the turning point for us. Gay men throughout America — and later in London, Berlin, Sydney and elsewhere — began standing up for themselves under the banner "Remember Stonewall".

In a sense, Judy Garland died for us. Had it not been for her tragic death — strangling on vomit over a toilet bowl in a London hotel suite — there might not have been any Stonewall Riots.

Flamen Antinoalis ANTONIUS SUBIA puts the Stonewall Riots into a spiritual context:

"It was the first resistance by homosexuals against the repression of two thousand years, and the beginning of the Gay Liberation movement. The importance of the Stonewall Riots is the awakening of gay consciousness, the throwing off of the coils of the python that had for so many centuries enveloped our divine form of Love. This sacred revolt is holy to Apollo, Dionysus, and Diana combined as the guardian spirits of Homosexuality. Our modern Gay society was born on this occasion, and all of the peace and freedom that we have obtained in the these short decades are due to the courage that erupted on that Sacred Night in front of the Stonewall Bar."

HADRIAN'S VILLA OBSERVATORY TOWER IS ALIGNED TO THE SOLSTICES

 

HADRIAN designed his personal observatory at his sprawling villa outside Rome to be in alignment with the Solstices. 

Imagine the scene during the Solstice cycle: First, he would observe the setting sun sending a shaft of goldish-red light through a certain slit in his observatory tower to illuminate a golden statue of the Egyptian Goddess Isis.

Then there would be oracles at midnight. You can just see the cluster of priests and augurs, chanting and offering sacrifices amidst billowing clouds of incense. 

An Etruscan haruspex or two would be wearing yellow robes and conical hats as they inspected the entrails of animals. Patrician augurs would be wearing their finest ceremonial togas as they listened for messages from nocturnal birds. Babylonian astrologers would be clad in garish robes with multi-tiered crowns as they scanned the heavens and babbled to each other about their arcane calculations. 

And naturally the Egyptian priests would do their utmost to out-do all the others with outlandish make-up, headdresses and robes to the cacophony of sistrums, gongs and the whoosh of incendiary incense sending up pastel-colored clouds of smoke to the wailing of a priestess of Isis in the throes of a trance.

Scores of Imperial court officials and hangers-on would be stifling yawns as the oracles took most of the night. 

But yawns would turn to gasps of wonder and praise when the Emperor announced that he had just seen the RISE OF THE STAR OF ANTINOUS over the eastern horizon.

Then at dawn, the Emperor would climb stairs to the upper chamber to observe the Solstice Sunrise on June 21st.

He would announce the outcome of the oracles and whether the Antinoian Auspices for the coming year were favorable.

Modern Priests of Antinous annually celebrate rites at the HOLLYWOOD TEMPLE OF ANTINOUS to mark the Solstice.

Meanwhile, an Italian archaeologist and her team spends Solstice at  the ruins of a tower on a hillock at Hadrian's Villa which was the Emperor's own private observatory. 

These experts, led by MARIA DE FRANCESCHINI, have demonstrated that the observatory tower is in fact aligned to the Solstices. She believes the observatory was dedicated to the Egyptian goddess Isis, who raised Osiris from the dead to become a god of resurrection and transfiguration — just as Hadrian declared Antinous a god of resurrection and transfiguration.
 
For centuries, experts had been mystified by the layout of the sprawling complex of marble baths, banquet halls, luxurious residences, gardens, shrines and unidentified structures 30 kilometers outside Rome.

Hadrian's Villa was a sprawling complex of buildings, temples, gardens, a zoo and — yes — even an observatory tower on a hillock on the edge of the compound from which Hadrian could observe the heavens. 

 But, in an article published in the journal Nature last year, De Franceschini wrote that she believes the mystery-shrouded Rocca Bruna Tower, long held to be Hadrian's private observatory, is in fact aligned so as to produce sunlight effects for the seasons.

She describes her findings personally in the video at the top of this entry. 

De Franceschini says that during the summer solstice, rays of light pierce the tower and another of the villa's buildings. In the Rocca Bruna Tower, dawn sunlight during the summer solstice enters through a wedge-shaped slot above the door and illuminates a niche on the opposite side of the interior (image courtesy nature.com). And in a temple of the Accademia building, De Franceschini has found that sunlight passes through a series of doors during both the winter and summer solstices.

"The alignments gave me a new key of interpretation," says De Franceschini, who adds that the two buildings are connected by an esplanade that was a sacred avenue during the solstices. Based on ancient texts describing religious rituals and study of recovered sculptures, she thinks the sunlight effects were linked to religious ceremonies associated with the Egyptian goddess Isis, who was adopted by the Romans.

De Franceschini, who works with the University of Trento in Italy, has published a book describing the archaeo-astronomical work, VILLA ADRIANA ARCHITETTURA CELESTE. She credits two architects, Robert Mangurian and Mary-Ann Ray, for initially noticing the light effect in Rocca Bruna.

According to nature.com, Robert Hannah, a classicist from the University of Otago in New Zealand, says that De Franceschini's ideas are plausible. "They're certainly ripe for further investigation," he says.

Hannah believes that the Pantheon, designed by Hadrian in Rome with a circular opening at the top of its dome, also acts as a giant calendrical sundial, with sunlight illuminating key interior surfaces at the equinoxes and on the spring equinox on April 21st, the city's birthday.

Few classical buildings have been investigated for astronomical alignment, says Hannah, partly because it is much easier to check for alignments in prehistoric structures such as Stonehenge, which do not have potentially contradictory artefacts.

De Franceschini spends every solstice at Hadrian's villa, seeking further verification. Our thoughts and prayers go with her during this special season of the Solstice.

We can envision Hadrian, sick with grief and alone after the death of Antinous, ensconced in his observatory tower scanning the heavens for a sign from his Beloved Boy, praying to Isis for her to work her magic on Antinous. 

NICK DRAKE SAINT OF ANTINOUS

ON JUNE 19th the Religion of Antinous commemorates the birth of SAINT NICK DRAKE, the sexually ambivalent English singer who died under very mysterious, Antinous-like circumstances at a young age and who became an artistic icon for future generations of dreamers and artists.

Nicholas Rodney Drake was born on June 19th, 1948, to an upper middle class English family living in Burma. His father was an industrialist and there was never much question about Nick's financial future. Indeed, he would have been a wealthy middle-aged man today had he done nothing at all.

But Nick never ceased to wonder and worry about his spiritual future. Despite or perhaps precisely because of his admission to Cambridge University, Nick Drake was convinced that he should shun a financially certain future and pursue a future as a musician.

Nick Drake learned to play piano at an early age, and began to compose his own songs, which he would record on a reel-to-reel tape recorder he kept in the family drawing room in rural England.

In 1966 he spent some time in the South of France where he purportedly became acquainted with "the best sort of pot" and perhaps experimented with LSD — and possibly sex with both females and males.

Returning to England, he realized he was not suited to receive a degree from Cambridge University. Nick abruptly and shockingly (as far as his family was concerned) ended his studies at Cambridge nine months before graduation, and in autumn 1969 moved to London to concentrate on a career in music.

Nick signed to Island Records when he was 20 years old and released his debut album, Five Leaves Left, in 1969. By 1972, he had recorded his second album — Bryter Layter and part of his third, Pink Moon. Neither of the first two albums sold more than 5,000 copies on their initial release in Britain, much less abroad. He never made an American breakthrough, unlike other major British artists of the era.

Nick was devastated and depressed. His excruciating shyness to perform live or be interviewed further contributed to his lack of commercial success. Despite this, he was able to gather a loyal following.

He managed to complete his third album, Pink Moon, recorded in midnight sessions in the winter of 1971, immediately after which he withdrew from both live performance and recording, retreating to his parents' home in rural England. Once again, it did not sell well. He felt he was a failure. On November 25th, 1974, Nick Drake retired to his upstairs bedroom where he took a cocktail anti-depressants which killed him. He was found stretched over his bed next morning by his mother.

The Religion of Antinous honors Nick Drake as a prophet of Homoeros. He was a man who saw through the transparent barriers between sexuality to see the spiritual truth of reality. He was one of those many men who are never sure of their sexuality. But it is unimportant whether he was "gay" or not.

Nick Drake is a symbol of these sorts of dreamy and shy men who live existences of quiet despair. Nick Drake could play better riffs on the guitar than almost anybody of his generation. He had a beautiful voice. He was a gifted song-writer. He knew he had more   talent in his little finger than most well-paid artists would ever possess. But his career never took off. The big break never happened. Nobody appreciated him. He was broke and disillusioned.

His sister says she believes he took an overdose of anti-depressants   thinking he wanted it to either cure him or kill him, because he couldn't go on living in such despair of being an artistic failure. How many people in the economic meltdown of the early 21st Century don't feel the same despair? And yet ....

Nick Drake could scarcely have dreamt as he swallowed a handful of pills on a dreary November evening in his parents' house in the English Midlands that he would become a major recording star with fans around the world — 30 years after his death. His three albums now are cult chart-busters around the world.

When we remember Saint Nick Drake, we must remember too that Antinous is the patron of these sensitive souls who die untimely and tragic deaths at an early age. Antinous is the River Man who drowned in the Nile .... 

THE HYACINTHIA FESTIVAL HONORS ANTINOUS AS APOLLO-HYACINTHUS

AT THE height of summer, during the cycle of the June Solstice, the Ancient Spartans noticed that the hyacinth flower began to wilt in the intense heat ... which reminded them of the untimely death of Hyacinthus, lover of Apollo.

The Ancient Spartans celebrated a three-day festival called the Hyacinthia, which began with mourning for Hyacinthus and ended with rejoicing for the majesty of Apollo.

This solar cycle is sacred to Antinous in the form of Apollo-Hyacinthus. ... Antinous being the beautiful flower boy Hyacinthus who dies, just as the sun begins to die, but who was raised from the dead and deified by the love of the God of Light, who forbade Dis Pater from taking his beloved boy to the place of Death.... 

Hyacinthus arose as Apollo, to live forever within the rays of the Unconquered Sun, an allegory of ourselves awakening to the light of reason, truth and sacred Homotheosis.

The beautiful boy from Sparta known as Hyacinthus, whose astonishing beauty and long, flowing blonde hair, was first noticed by Zephyrus, the God of the West Wind.

The moisture laden Zephyrus fell madly in love with the boy, and attempted many times to seduce Hyacinth, but every time the boy rejected the wind god whose breeze is the most lovely and most arousing.

It was then that Apollo noticed Hyacinthus and fell completely in love with him also, however when Apollo revealed his love to Hyacinth, he was not rejected, but his shining love was returned many fold. 

The two, who were like twins, whose long, blonde curls, rustled together in the jealous wind of Zephyrus, enjoined a passionate love affair, until one day, the sight of their happiness proved too much for Zephyrus to endure.

While Apollo and Hyacinthus were throwing the discus together, the wind god sent a gust of air, when Apollo threw the golden disk, causing it to fall directly on the perfect head of Hyacinthus who died instantly from the blow. 

It was all an accident, and a tragedy, but Apollo was beside himself with grief, like Hadrian holding the body of his beloved Antinous.

The Sun God turned the blood that flowed through the soft curls into the flower that we call the Hyacinth. 

The Death of Hyacinthus is the divine metaphor for the beauty and tragedy of life taken from the young in their full vigor, falling victim to the accidents of youth.

It is also a warning to those who would approach the majesty of the great god Apollo, who is rightfully called the Far-Shooter, and the falling of the golden discus is a sign that the powers of the sun at this time of the year, though at their greatest, are slowly fading. The disk strikes Hyacinth on the head and the days grow shorter.

DISCOVER THE MYSTERIES OF ANTINOUS IN YOUR DAILY LIFE NOW

JUNE 17th is the traditional anniversary of the wedding of Orpheus and Eurydice. Antinous was initiated into the Orphic Mysteries of the power of love transcending death. Discover the Orphic Mysteries in your daily life. 

The Orphic Mysteries teach you to remember that you are the musician. You are the dancer. You are that which dies and enters the Underworld. You are also that which rises re-born bright and shining like the dawn sunrise ... today ... every day ... forever ... Homotheosis, Man-Godliness-Becoming-the-Same. 

For a clue to the Antinous Mystery Teachings, just check out French director Marcel Camus' unforgettable film Orfeu Negro, which is a rendition of the Orphic Mysteries in the setting of 1950s Rio de Janeiro during Mardi Gras, or Carnival. 

It is based on the Greek myth of Orpheus and Eurydice. Orfeu is a trolley-car motorman and gifted guitarist. Amid the joyous frenzy of Rio's Carnival, he becomes enthralled with the beautiful, doomed Eurydice. 

Against a backdrop of Rio's favelas (shanty-town ghettos on the hills), the lovers sway in a never-ending rhythmic samba among the crowds. But Eurydice is stalked by a man in a skeleton costume. 

Eventually, Orfeu finds her body in the morgue. In the house of the dead, voodoo rites are performed to bring her back to life. But impatient Orfeu looks upon her too soon ... and the spell is broken. 

In the end, bearing her body in his arms, he falls to his death from a cliff. His guitar, standing in for the lyre of Orpheus, is taken up by one of the street urchins who follow him as a sort of Greek chorus.

The movie is the stuff of pure myth. The movie shows a Rio which no longer exists. In fact, it shows a Rio that never existed. The movie was based on a highly political stage play which satirically condemned the poverty of the favelas. 

When the movie came out, Brazilians criticized it for portraying a Frenchman's romanticized TechniColor tourist vision of Rio.

So what?

That's what myths are about. Myths don't tell the plain old every-day truth that we see on the streets. Myths tell Sacred Truths that exist within our hearts and our souls.

Hadrian and Antinous had both been initiated into the Orphic Mysteries. That is the darker aspect ... the Antinous Mystery Teaching ... which was brought to the screen in Orfeu Negro. Mardi Gras (Carnival) ultimately is a Masque of Love and Death. 

The frivolities are fleeting. Death will catch up with each of us. But a few mortals are privileged ... like Hadrian and Antinous ... to have been initiated into the Mysteries which enable a mortal to cheat death. And that is why we put on gay costumes and dance until we drop.

Most mortals are dancing just because it's party time. But a few mortals are dancing because they have been initiated into the Mysteries of Life and Death. Initiation into the Orphic Mysteries promised advantages in the afterlife. Hadrian and Antinous were well-versed in both Mystery Schools.

But, like Orpheus in the Underworld, poor grieving Hadrian must have known as we wept over his lost boy that the Mysteries not only offer a promise of advantages in the afterlife. The Mysteries of Antinous are lived on a daily basis.

We face a dark demon every day, if not several dark and deathly demons. Physical death is only one of those demons. There are many other forms of death, and the Mysteries of Antinous help us to overcome them on a daily basis.

Bringing Light out of Darkness is a spiritual miracle each of us faces every day. Rejuvenating our spiritual life out of the setbacks and trials of mortality is a task we face every day of our lives, and not just at the hour of our death.

The Afterlife is Now! And THAT is the ultimate Mystery Teaching. The Mysteries of Antinous are not about the Afterlife. They are about your Spiritual Life on an everyday basis.

That's why we dance and sing till we drop ... and never look back! When we dance the Masque of Love and Death, then our lives become imbued with the stuff Sacred Myths are made of ....

FELIZ DIA DOS NAMORADOS WHEN ANTINOUS SPROUTS WINGS OF CUPID

Feliz dia dos namorados! 12 de junho ... Happy Valentine’s Day in Brazil! 12th June (English below)

ANTÍNOO-EROS

Como a última divindade clássica do panteão romano, Antínoo, o Deus Gay, se fundia com muitos outros deuses antigos, que melhor expressavam determinado aspecto do Garoto ou ajudavam a disseminar o culto em determinada região. Antínoo foi comparado a (e identificado como) Dionísio, Apolo e até Diana, a Caçadora.

E, dentre as entidades nas quais Antínoo se metamorfoseava, estava Eros, o Cupido.

É Flamen Antonius Subia, Supremo Sacerdote da Religião de Antínoo, que diz: "Como Eros, Antínoo é Amor, é a força que a Beleza inspira nos homens. Antínoo é o amante que seguimos em nossos corações. Essa veneração da beleza e da sensualidade masculina é a pura expressão do amor de Antínoo-Eros.”

“Antínoo-Eros é o mais poderoso de todos os deuses, o mais inegável, aquele que nos domina quando menos esperamos, que facilmente nos abandona e nos deixa desolados, que é capaz de nos levar às raias da loucura, forçando-nos a cometer todo tipo de extravagâncias. Em Seu nome, estamos dispostos a entregar nossas vidas e morrer por quem Ele nos determinou amar. Nenhum outro deus tem esse poder. Antínoo-Eros é a única força a superar a Morte.”

Sim, é Antínoo, com as asas do Cupido, que se encarrega pessoalmente de flechar o coração de todo gay que se apaixona. Foi Ele que uniu os amantes-guerreiros de Esparta e o Batalhão Sagrado de Tebas. Que uniu Aquiles a Pátroclo, Felipe a Bartolomeu, Verlaine a Rimbaud.

Hoje, dia 12, quando você se perder no olhar do seu namorado, quem vai te encontrar vagando, sem rumo, e te guiar até o coração dele é ninguém menos que o Garoto em pessoa - Antínoo, o Deus Gay.

JUNE 12th – Valentine’s Day in Brazil

As the last Classical deity, Antinous the Gay God morphed with many previous deities, that better expressed some aspects of the Boy or helped the spreading of the religion to different regions. Antinous was compared to (and identified with) Apollo, Dionisos, even Diana the Huntress.

And among these deities Antinous also morphed into Amor/Eros, the Cupid.

Flamen Antonius Subia says: "As Eros, Antinous is love, the force that beauty inspires in men. Antinous is the lover after whom we follow in our hearts. The veneration of beauty and sensuality in men is an expression of the love of Antinous-Eros.”

"Antinous-Eros is the most powerful of all deities, the most undeniable, the one who overtakes us when we least expect him, the one who as easy deserts us and leaves us destitute, the one capable of driving us over the edge of insanity, forcing us to commit all manner of extravagances. In His name, we are willing to surrender our lives and die for the one whom he has deigned that we should love. No other god has this power. Antinous-Eros is the only force that can overcome death…."

Yes, it’s Antinous, sprouting Cupid’s wings, who personally sends an arrow through the heart of every gay man who falls in love. It was He who united the lovers-warriors of Sparta and the Sacred Band of Thebes ... who joined together Achilles and Patroclus, Phillip and Bartholomew, Verlaine and Rimbaud.

Today, when you lose yourself in your boyfriend’s eyes, He will find you wandering alone and guide you to your boy’s heart – Antinous the Gay God.