WE HONOR YUKIO MISHIMA 'THE LOST SAMURAI'

ON January 14 we mark the anniversary of the birth of one of modern Japan's most famous, controversial, and mysterious gay personalities ... and a saint of Antinous.

Yukio Mishima (1925-1970) is regarded as one of 20th-century Japan's most prolific writers, and was the first postwar Japanese writer to achieve international fame. 

Nominated on three occasions for the Nobel Prize for Literature, and author of no less than forty novels, essays, poems, and traditional Japanese kabuki and noh dramas, Mishima’s contribution to Japanese literature was indeed profound.

His samurai-inspired ritual "seppuku"suicide by "hara-kiri" (literally stomach cutting, or disembowelment) and beheading on November 25, 1970, at the young age of 45 marked the end of a life that represented for some, a protest against a post-war Japan that seemed to have lost its traditional identity and values under the tide of mass consumerism, and cultural and political Westernization.

The sharp contrasts between the country he grew up in and the Japan he died in were defining influences in his life, shaping his writings, which often questioned the new Japan and harked for a return to days of old. 

Born Kimitaka Hiraoka in Tokyo on Jan 14, 1925, he assumed the nom de plume  "Yukio Mishima," cryptically interpreted as "He who chronicles reason," so that his disapproving anti-literary father would not know he was a writer. 

It was however his paternal grandmother, Natsuko Hiraoka, who was to have the most lasting impact on his life. A mere 29 days after his birth until his 12th year, Mishima was separated from his family and raised by his sophisticated yet capricious grandmother whose own background and personality shaped his character.

The young protégé was forced to live a very sheltered life in which sports, playing with other boys, and even going out in the sun were off limits. She was the illegitimate daughter of a Meiji era daimyo with familial links to the all powerful Tokugawas and was reared in a princely household, a samurai-influenced upbringing which she did not let others forget and which instilled in her, and by consequence her grandson, a reverence for Japan's past, and the samurai fascination with beauty, purity and death. 

Her noble past and yet not so noble marriage to a successful bureaucrat arguably contributed to her frustrations, characterized by violent outbursts and morbid fixations. 

Her character had a lasting yet undeclared effect on Mishima’s later works and personality, particularly the insatiable desire for perfection in the mind and body, and the terrible beauty of death at the moment of perfection exemplified by the honored cherry blossom.

Mishima's complexities were not only confined to his writings. A fluent speaker of English, Mishima wore Western clothes and lived in a Western style house while espousing a return to his country’s past values and practices. 

Much mystery also surrounds the exact nature of his sexuality, and his frequenting of gay bars such as the now defunct Brunswick bar in Ginza despite a rushed marriage at 33 which produced two children. 

Mishima's interest in homosexuality is clearly illustrated in one of his seminal books, "Confessions of a Mask" (1948) where he tells of a man who conceals his true self and sexuality behind a mask of lies and pretense. This book is regarded by many as a semi-autobiographical account of the author's own life.

According to his biographers, he had also considered a marriage proposal to Michiko Shoda, the current empress and wife of Emperor Akihito.  Biographers such as close friend John Nathan contend that the tragic writer married not for love but for respectability.

At the earlier age of 30, conscious of the inevitability of aging, and desiring bodily "perfection," he embarked on a strict bodybuilding regime that lasted for the rest of his life. 

His longing for a return to a spiritual Japan which respected the bushido (way of the warrior) code inspired his expertise in karate and kendo, martial arts that he contended allowed one to experience the border between life and death. 

His extreme nationalist credentials were most notably illustrated in his founding of the Tatenokai (Shield Society) in 1968, a small private army of mostly university students dedicated to the bushido code and the protection of the emperor and the martial discipline of pre-Meiji era Japan. 

This dedication was not to Hirohito per se, whom he had criticized for "dishonoring" the war dead by surrendering, and for renouncing his divinity after World War II, but rather to the symbolism of the emperor system for traditional Japan.

On November 25, 1970, carrying with him a longing for a return to lost samurai values, and an obsession with a purifying and beautiful death, Mishima and four of his Tatenokai followers, entered the Japanese Self-Defense Forces (JSDF) headquarters in Ichigaya and attempted a coup d’etat which they hoped would awaken the Japanese from their spiritual and political slumber. 

Stepping out onto a nearby balcony, Mishima was ridiculed and jeered as he attempted in vain to rouse the present JSDF members below him to his cause. Realizing the hopelessness of his efforts, the "Lost Samurai" went back inside for his final act of drama.

Positioning himself in traditional Japanese manner on the floor of the office which they had seized, Mishima proceeded to ritually disembowel himself with a “tanto” (a small sword), exclaiming “Long live the emperor” just before a pre-ordained “kaishakunin” (the one chosen to decapitate Mishima) and later one other, made an initially botched but ultimately effective attempt at beheading the famed author.

Debate surrounds Mishima’s motivations. Attempting a coup d’etat with only four other people was almost certainly going to be a failure. Comments made to Western journalists about hara-kiri in his writings some years earlier might be more insightful.

At that time, the author claimed that "spiritually, I wanted to revive some samurai spirit. I did not want to revive hara-kiri itself but through the vision of such a very strong vision of hara-kiri, I wanted to inspire and stimulate younger people."

THE BIRTH OF LUCIUS AELIUS CAESAR

ON January 13th the Religion of Antinous celebrates the birthday of Aelius Caesar.

Lucius Ceionius Commodus Verus was born on January 13th, 101, most likely in Rome. He was from an old wealthy Etruscan family. 

His grandfather, after whom he had been named, had been a Consul and his father a Senator.

(Images by PRIEST UENDI)

Lucius Ceionius was beautiful and elegant, well educated, and was given over to a life of pleasure and voluptuousness.

He was a teenager when Hadrian came to power in 117, and his flamboyant and attractive character was a compliment to his physical beauty that soon gained the attention of the new Emperor.

It is believed that Hadrian and Lucius were lovers during the early years of Hadrian's reign, perhaps for the period of six years prior to Antinous. 

When Hadrian met Antinous in the year 123, Lucius was 22 years old, and in keeping with the Greek philosophy of pederastic love, it is very likely that their love affair had transformed into what would become a life-long friendship between the Emperor and his now matured Lucius.

Antinous entered Hadrian's heart just as Lucius was moving on to his responsibilities as a patrician citizen of Rome. There were rumors of rivalry, as spoofed in this cartoon by Priest Uendi showing Lucius left, Hadrian at right and Antinous between them.

While Hadrian was courting the young Antinous, Lucius married Domitia Lucilla and had three children by her, one of which was the later Emperor known as Lucius Verus, who is often confused with his father.

After the Death of Antinous, as Hadrian began to grow ill, his attention turned again to his still beloved Lucius, and on August 10, 136, Hadrian surprised the world by adopting Lucius and declaring him to be his successor.

Suspicions abounded, as the eccentric and delicate character of Lucius hardly seemed appropriate to rule the Empire after such a man as Hadrian.

But there must have been more to Lucius than history has preserved. He assumed the name Aelius Caesar, and was sent to govern Pannonia along the Danube, but became ill and returned to Rome in the winter of 137, where he died on January 1st.

He is remembered and adored as a god, as the brother of Antinous, the twin and second love of Hadrian. We call him the Prince of Flowers.

ANTINOUS NAVIGATOR

ON January 12th, as the Sun moves out of alignment with the STAR OF ANTINOUS, we celebrate the festival of ANTINOUS NAVIGATOR.

Flamen Antonius Subia explains it this way:

"Antinous the Transfigured steps away and The Boat of Millions of Years in One Moment, leaves the shore of the known cosmos, sailing out into the darkness of the abyss on its voyage to the Black Star, the way of the void, where the heaven of Antinous lies concealed beyond the veil of the cloud of unknowing, where he enters the fullness of the Place of Light, and restores the unity of the Aeons.

"This is the Via Negativa whereupon the soul-triumphant is lost in the open space of non-being, awaiting the Dark Bird of Night, the Thunderbird-Phoenix-Eagle that will elevate his heroic spirit to immortality. Only Antinous can guide the Boat of Millions of Years  across this expanse of darkness.

"This journey, which ends as it begins, which arrives as it departs, is the eternal heaven which Antinous has accomplished for all those who are his chosen, who answer his call, and who believe in him."

WE CELEBRATE "VICTORIA ANTINOI" WHEN THE SUN ALIGNS WITH THE STAR OF ANTINOUS

ON January 11th the Sun aligns with the STAR OF ANTINOUS for the most glorious day in our liturgical calendar ... Victoria Antinoi.

This is the day that the 72 days of mourning and mummification are finished and Antinous emerges from the perils of the Underworld to shine "younger than the newborn sun," as the Ancient Egyptian texts say.

Flamen ANTONIUS SUBIA says:

"Antinous in glory and radiance, stands between our cosmos and the abyss that is known as the Veil. He has returned as Antinous the Savior. This is the End of the sacred period of 72 days following the earthly mummification of the body of Antinous.

"The preservation of his perfect body was completed by the Egyptian priests, providing him with a carnal vessel for millions of years.

"This is the day upon which Antinous overcomes the 72 princes who rule over the cycles of life and death in the underworld and the outer limit of the cosmos, and our god becomes Antinous the Victorious.

"This is the Coming Forth By Day of Antinous so that he can sail in his Barque of Millions of Years. His triumph becomes the celestial procession, and together with the saints and blessed spirits of the immortals and divinized men, Antinous prepares to step away from the limit of the cosmos and enter the darkness of the void beyond."

ANTINOUS THE GAY GOD IS NOW ANTINOUS THE FEATURE FILM

FILMING will begin this year on the long-awaited feature film "Antinous" by artist Stuart Sandford, according to filmmaker Gus Van Sant.

In an interview with VARIETY, Van Sant, who is best known for Oscar winners "Good Will Hunting" and "Milk," says he is backing the screen thriller "Antinous," a modern-day drama inspired by the life and death of Antinous. He says visual artist Sandford wrote and will direct the film, which will be his feature film debut.

"Antinous" tells the story of a present-day young actor, who becomes convinced he is the reincarnation of Antinous, sparking a psychosexual drama that bridges the grandeur of ancient Rome with Hollywood's obsession with youth, beauty and immortality.

Van Sant told Variety: "I'm excited to see Stuart Sandford, an amazing photographer and sculptor, create a beautiful film inspired by the historical relationship between Hadrian and Antinous."

"Antinous has been on my mind for more than a decade, and his story is one that few people know about," Sandford said. "As an artist, my work brings together ideas from classical antiquity into a contemporary context. This film takes that concept and expands it greatly. It’s a reflection of enduring struggles with identity, desire, sexuality, obsession, fame, power and societal expectations ... themes just as relevant today as they were in antiquity. Antinous’ story takes on profound significance. His life reminds us of the fear and vulnerability that comes with living authentically under oppressive systems."

The project is produced by Dreamtown's Ben Charles Edwards ("Quant," "The Wheels of Heaven"), and Kirsty Bell ("A Bird Flew In," "Don't Forget Me"), and is executive produced by Phil McKenzie ("Ronnies").

Filming is scheduled to begin in the second quarter of this year, with locations spanning London, Los Angeles and Greece, in co-production with the production company and film financier Goldfinch Entertainment.

"This is a story that has remained in the shadows for far too long—a young man whose life and death have rippled through history in art, literature and legend, yet remains largely unknown,” Edwards said. “Antinous’ story is not just history, it’s a reflection of enduring struggles with identity, desire and societal expectations—themes as relevant today as they were in antiquity."

THE JUTURNALIA THE ROMAN FOUNTAINS FESTIVAL

ON January 11th Romans celebrated the Ancient Juturnalia Festival.

Flamen Antonius Subia says:

"Juturna, Goddess of fountains, lakes and rivers cleanses Antinous of his mortal remnants and prepares him for his journey of millions of years in one moment. 

"In the ancient history of Rome, it is said that the divine twins Castor and Pollux, miraculously appeared in the Forum, watering their horses in the fountain of Juturna, announcing that the Romans were Victorious at the battle of Lake Regillus. Castor and Pollux, came to the side of Juturna and proclaimed the Freedom of the Romans from the tyranny of their Kings. 

"We observe the coming of the twins as announcing of the Victory of Antinous over the 72 Archons of the high celestial sphere. His victory is our victory. We observe his ascent and departure from our reality by bathing in our own 'fountains of Juturna' in preparation for the elevation of Antinous to the eternal Black Star."

We like to think of the Juturnalia as representing the intersex Nile Inundation Deity Hapi (who had embraced Antinous when he plunged into the Nile) now rinsing and cleansing ANTINOUS THE GAY GOD of all vestiges of his earthly mortal life so that he is free to ascend to godhood.

THE BURNING OF THE SODOMITES

ON January 10th we solemnly remember the gays who were burned at the stake in the Middle Ages..

The Heretics of the Middle Ages were the last defenders of the Gnosis, against the authority of the Catholic Church. Like the Gnostic Fathers before them, they advocated homosexuality as a sacred form of love.

When the Order of Knights Templar was disbanded in 1310, the inquisitors discovered (under torture) that Heresy, Homosexuality and Devil Worship were interrelated. They represented a united Satanic assault on the power of the Church and the stability of Christian Civilization.

Heresy infected the soul by undermining faith, Witchcraft bred hatred in the form of hexing, but Homosexuality was the vilest of the three because it infected Love, turning a man from his natural affection for a wife, and causing him to waste his seed in lecherous desire.

The homosexual was a danger because he was a threat to the perpetuation of the family and of the human race. He fostered chaos, and weakened the already tenuous position of a society hemmed in by Islam, infected with Plague, and torn apart by War. The Bible warned that any city guilty of the crime of Sodomy would be destroyed by the fire of heaven, so the solution of the Church, in order to avert god's wrath, was to burn the Sodomites.

The Gay Burning Times lasted six hundred years, seven hundred including the Nazis Holocaust (which was based on the same principles) a period of torture, murder and all out war against our kind, lasting much longer than Heresy and Witchcraft combined, which even continues to this day.

The most intense period of burning was the 1600's through late 1700's in France and England, hundreds of thousands were burned at the stake.

The word "Faggot" which means fire-log is said to have derived from the practice of piling the Sodomites upon the pyre, at the feet of the Heretics, because a Sodomite was not worthy to burn standing up.

Flamen Antonius Subia says:

We who believe in Antinous, and in the sanctity of Homosexuality, solemnly remember the cruel death of the Sodomites who burned for us. Antinous was with them, he burned by their side.

On this last day, Antinous the God redeems the souls of all those who were burned, tortured, strangled, beheaded, or otherwise executed and condemned to Hell by the Church.

That we may never forget the human sacrifice that was inflicted on our brothers and sisters, we consecrate the overthrow of the last Archon to the memory of the Heroic Sodomites who knowing that our form of Love was punishable by death, Loved as Homosexuals nevertheless, and almost willingly gave themselves to be Burned at the Stake. We pray that they will bless us with their fire in our own struggle for liberation.

DAVID BOWIE SAINT OF ANTINOUS

WE honour David Bowie as a SAINT OF ANTINOUS.

He was born 8th January 1947 and died of cancer 10th January 2016 ... having revolutionized Western popular culture.

When homosexuality was still considered a shameful secret to many, Bowie told the world he was gay, and music ... and the lives of many of his fans and followers ... would never be the same.

"I'm gay," declared David Bowie, "and always have been, even when I was David Jones."

When he uttered these now-immortal words in the Jan. 22, 1972, issue of England's Melody Maker, the fledgling starman had just released December 1971's Hunky Dory and already was giving his interviewer a taste of his glam-rock milestone, June 1972's The Rise and Fall of Ziggy Stardust and The Spiders From Mars. 

The British Parliament had only decriminalized homosexuality in 1967 ... post-­Stonewall U.S. gay life was not yet three years old.

He wasn't the first British pop singer to come out (that was Dusty Springfield in 1970); he did it while newly married to Angie Bowie, months after fathering future film ­director Duncan Jones.

But Bowie led the way in contextualizing pop through LGBT identity. The Hunky Dory song "Queen Bitch" is sung in gay vernacular ("She's so swishy in her satin and tat!") from the perspective of a participant in gay life and set to buzzing guitar chords clearly cribbed from The Velvet Underground, which earlier chronicled this gender-mutable world through its ties to Andy Warhol, who had a Hunky Dory tune written about him too.

That same year, Bowie scored a U.K. hit with "John, I'm Only Dancing," a wham-bam of pansexual knowingness considered too outre for U.S. release until hisChangesOneBowie collection in 1976.

That was when Cameron Crowe prodded Bowie to tell Playboy, "It's true ... I am a bisexual. But I can't deny that I've used that fact very well."

By then, Bowie's glam had transformed Elton John from stern balladeer to Technicolor rocker; gave ex-Velvets leader Lou Reed his first smash (the Bowie-produced account of Warhol's stupendously queer Factory, "Walk on the Wild Side"); shook U.K. pop out of its post-Beatles doldrums through glam-rockers Sweet, Slade, T. Rex and so many others; and shaped Elektra Records founder Jac Holzman's final signings before handing the reins to David Geffen: Those were Jobriath, an even more whimsical dandy, and Queen.

And through his R&B radio ­success with "Young Americans" and "Fame," Bowie bolstered disco's early link between clandestine gay dance halls and ­defiantly upscale soul. 

He used his outsider stance not simply to be breathtaking; he also built bridges. You can bet his sartorial influence on the cross-dressing New York Dolls and sponsorship of both Mott the Hoople (he wrote and produced "All the Young Dudes") and Iggy Pop similarly paved a path for what became punk.

And when he went electronic in the late '70s, he begat Gary Numan, The Human League and the New Romantic club scene of Culture Club and Duran Duran.

Suddenly, England's New Wave was awash with baby Bowies both male (Spandau Ballet) and female (Eurythmics' Annie Lennox) that filled the first playlists of MTV.

Even disco's Grace Jones fully ­actualized her ­freakiness when she covered the Bowie/Pop tune "Nightclubbing," which set a stage for today's art-pop transgressions of Lady Gaga and Janelle Monáe.

"I loved how he challenged people about how gender was represented," says Adam Lambert of Bowie's beyond-music contributions.

Married to Iman, a Somali-American, since 1992, Bowie let unconventionally matched and gendered ­heteros know their nonconformity would be cool too. They could all be heroes, each and every day.

ANTINOUS THE GAY GOD

OURS is not a rigid religion of rules and dictates of how you should live your life and of how you should conduct yourself towards Antinious. 

We encourage YOU to define your relationship with the god, to find his contribution & what his role in your life is to be. 

He can be a friend and a companion, a confidant, a healer, a comfort, sharing your life, and he can help you manifest your truth and your ambitions, help you realize your ambitions and dreams.

He understands the plight and experiences of LGBTQ people and assists in overcoming related problems and empowers LGBTQ people and endorses your right to defend yourself and endorses our fight for our place and our rights. Perhaps Antinous' primary role is to be a helper to humanity.

You can offer your problems and lay it at Antinous' feet. Start by having a conversation with Antinous, it would count as a prayer, but you can simply speak, speak to Antinous.

WE TOAST ANTINOUS THE GAY GOD DURING THE MINOR BACCHANALIA

ON January 6th we celebrate the Minor Bacchanalia.

The lesser Festival of Dionysus is celebrated when the wine has reached fermentation. Traditionally a secret ceremony limited to women, but opened to men during Roman times.

It is the season in which Dionysus rules at Delphi and at Eleusis, though the full ceremonies of the Minor Bacchanalia were only performed once every two years.

Mythologically this is the occasion when the Titans lure and capture the child Dionysus, charming him with a mirror and toys. The Titans murder him, rend his limbs from his body and eat his flesh.

This is the first Wine festival and triumphal procession of the entourage of Dionysus whose arrival signals the Victory of Antinous over the forces of life and death as represented by the Archons.

ANTINOUS PRAYER FOR PROTECTION By Our Flamen Antinoalis Antonius Subia

WE call out to you, Antinous Nekydaemon

Rise up within us in our moment of darkness

Countless enemies are arrayed against us

Barbarians full of hatred seek our destruction

Forces of adversity closing in around us

We call out to you, Antinous Nekydaemon,

The name of the terrible and fearsome

The name at whose sound the earth opens up

The name at whose sound the demons tremble in fear

The name at whose sound rivers and rocks burst asunder

Protect us from violence, and destruction

Protect us from illness, and suffering

Protect us from injustice, and misfortune

Protect us from Titans beyond our control

Let us be an impenetrable fortress in our hearts

Let no fear, nor despair nor uncertainty enter

For we are sovereign and invincible through your power

May the light of the Star of Antinous illuminate our path 

And drive away all forces of malevolence (manu fica)

Ave Antinous the Lion Slayer 

Ave Antinous the Invincible

~ANTONIUS SUBIA

ANTINOUS THE GAY GOD

THERE is a popular misconception that Antinous was underage when his relationship with Hadrian started. 

But there is no historical evidence that their relationship began before he was a legal adult. 

All sculptural art, without exception, depicts Antinous as a mature male. 

THE MUMMIFICATION OF ANTINOUS AS IT MIGHT HAVE BEEN CARRIED OUT

THE newly ordained priests of Antinous were busily overseeing the mummification of his body in the 72 days between his death in late October of the year 130 and early January of 131, many experts believe.

Hadrian founded the city of Antinoopolis on the banks of the Nile where Antinous died and proclaimed the new religion.

While the Emperor continued his tour of Egypt, the priests scurried to carry out his imperial commission.

We do not know for certain what transpired with the remains of Antinous ... or whether they were ever retrieved from the Nile. Perhaps they were cremated. But perhaps the body was mummified.

Using an Antinous Action Figure, we can demonstrate how it may have been done:

We prepared the body by cleansing it with wine. Then we removed the Intestines, Liver, Lungs and Stomach (placing them in Canopic Jars). 

There is a incision mark down his left side to represents where he would have been cut open for the removal of these organs. 

Next we removed the Brains with a hook through the nose (hence the black dot on his nostril). 

The brains were thrown away because the Egyptians felt the heart was the seat of intelligence, not the brain.

We used a basting brush to cleanse him although a hair-dye or cosmetics brush is also applicable. 

The red heart represents the fact that they left the heart in tact, later it will be used in the Weighing-of-the-heart ceremony. 

In the back corner you see Anubis (the God of Embalming) present during this embalming.

We put him in Sea Salt which represents the Natron Salt that the priests would have used. (Himalayan Salt works just as well). 

Then we let him sit in the salt for 40 minutes ... 1 minute for each day the priests would have left the body in the Natron Salt.

Next we wiped him down with spices of Cinnamon, Nutmeg and Allspice with olive oil.

Then the priests would have replaced the eyes with onions stuffed into the sockets. 

Because the salt desiccated the body, then they stuffed the body with mud, sawdust, rags and chaff to make it appear nicely contoured.

Next we began the wrapping process. We used muslin and a mixture of flour and water (1 part to 3 parts) for the paste. 

In ancient times, it took about 15 days to wrap the body and about 20 layers of linen bandages. 

We put Amulets between the layers of Linen … a tiny scarab beetle and a miniature protective eye of Horus.

We allowed him to do a little drying before the final wrapping.

In ancient times the process took 72 days.

In the case of Antinous, this meant his mummy would have been ready for the final ceremonies on January 11th of 131 AD.

By that time Hadrian would have completed his tour of Egypt and would have returned to Antinoopolis for the "Opening of the Mouth Ceremony."

Afterwards, his tomb would have been sealed and the first priests of Antinous would have begun their sacred watch … and the establishment of the new religion.

No one knows the location of the Lost Tomb of Antinous.

ANTINOUS JANUS, OPENER OF THE WAYS

ON January 1 the Religion of Antinous marks the moment the Egyptians called SEP TEPY, the moment of endings and origins, the moment that is not a moment and is every moment, the place that is no place and is every place.

The God Janus, doubled-faced, observes the passage of the common year. Hadrian mourns the tragic death of his Beloved Antinous, who died in October of the year which has now passed.

The Prince of Flowers is dead, and the New God Antinous is rising, just as the STAR OF ANTINOUS will rise in the heavens during the year to come.

Hadrian's Beloved Antinous resides in SEP TEPY, the inner-most celestial sphere, where he is filled with the Semen of the First God which infuses him with godhood.

ANTINOUS THE GAY GOD emerges from that moment which is no/all moments and from that place which is no/all places, and he strides forth as one of the Imperishables of heaven.

The Religion of Antinous recognizes the common calendar and uses the date as a reckoning that pertains only to our place in time and a space within the earthly sphere.

We know that, though our bodies are of Earth, our spirit is of the Heavens, and through the conquest of Antinous over the 72 Archons our spirit is set free.

Father Janus opens the way for the passage of Antinous through the outer limit of the celestial sphere. Janus is the mouth of the serpent that bites its tail, and we observe that as the common year is born, so the liberation of Antinous from our cosmos nears completion, with only eleven heavenly spirits standing before him.

This is the Holy Day of The Gate, the tool of the priesthood of Religion of Antinous. We wash our sacred stones and seek new auguries for the year.