SEEK THE LOST TOMB OF ANTINOUS WITH BEN PASTOR'S 'THE WATER THIEF'

IT's summer vacation time in the Northern Hemisphere and anyone who is interested in historical fiction in general and Antinous in particular should read this book by Ben Pastor, the award-winning Italian-American historian and author. 

She knows more about Hadrian and Antinous than almost any other living expert. 

Her historical novel THE WATER THIEF is an example of fine scholarly research, as are indeed all of her books.

This novel traces the efforts of Aelius Spartianus to discover the fabled LOST TOMB OF ANTINOUS. 

Aelius Spartianus is a true-life figure who did in fact write a biography of Hadrian nearly 200 years after the death of Antinous.

Set in the year 304 AD, it tells of this very literate Roman army officer who is commissioned by Emperor Diocletian to do research on his predecessor the Divine Hadrian, who had died nearly two centuries earlier. 

It is while delving into the mystery of the death of Antinous and while trying to learn the whereabouts of the Boy's tomb that the officer stumbles onto evidence of a letter penned by Hadrian uncovering a covert conspiracy to bring down the Empire ... a conspiracy that is still very much at work in 4th Century Rome. 

As Spartianus comes ever closer to finding the answer to the death of Antinous, the conspirators' efforts to thwart him become ever more violent, resulting in numerous brutal murders and attempts on the officer's life.

Pastor's descriptions of Rome in the year 304 AD are superb. You get a real feel for the teeming city in mid-summer, with all the odors and noise, colors and steamy heat that that implies. 

Best of all, for those of us who love and worship Antinous, are the chapters in which Spartianus ensconces himself in Hadrian's derelict villa outside Rome. 

It is there, as he stares up into the stars at night, that he makes a startling connection between the layout of the villa and the eight visible constellations in the nighttime sky in late October when Antinous died ... indicating that Hadrian's obsession with horoscopes and astrology led him to create an earthly universe where time stood still at the death of Antinous.

Did Hadrian's belief in astrological fate compel him to have Antinous killed? Or did Antinous take his own life in a bid to fulfill his astrological fate? 

Or was it more mundane? Did he and Hadrian have a lovers' tiff that ended tragically? Was he done in by young male rivals intent on gaining Hadrian's affections for themselves? 

Or was something even more sinister at work? And why is someone desperate to preventing the officer from finding out what happened to Antinous all those years ago?

For those of us who love Antinous, this book is a joy to read. Pastor works in many small and obscure details which are well known to his modern-day followers. 

To give just one example, the Roman officer expends a great deal of effort trying to locate and decipher the OBELISK OF ANTINOUS which today stands in a park in Rome and is the focus of much current research in the 21st Century.

The obelisk's key inscription, which is the focus of modern experts seeking his tomb, says that Antinous "rests within the garden bounds of the great lord of Rome". 

Just as today's researchers have puzzled over the meaning of that phrase, Ben Pastor's protagonist must also make sense of it ... and he arrives at a startling answer that almost costs him his life and jeopardizes future of the Empire.

The novel's characters are well drawn and the reader identifies with Spartianus as he attempts to unravel this Gordian Knot while at the same time pulling together the strands of his own personal life.

There are numerous gay characters and they emerge as well-rounded and believable characters, especially the flamboyant Egyptian gays who find themselves unwittingly the target of unscrupulous killers in their very midst.

The tales of Antinous and Hadrian which unfold as the investigation progresses are a true pleasure to read, if only because they are all so contradictory and often far-fetched ... precisely as they are to today's researchers. 

Spartianus must work his way through this thicket of tall tales and outright lies and defamations in order to determine precisely what sort of persons Hadrian and Antinous were ... in order to save the Empire two centuries after their deaths.

One of the more outlandish tall tales is told to Aelius by a Roman transgender hustler named Cleopatra Minor who claims to have frequented a notorious whorehouse which specializes in boys for aristocratic customers whose villas line the Bay of Naples. 

Cleo claims it is "well-known there" that Antinous was a boy prostitute who had just arrived from Bythinia and "had barely become accustomed to his little bed" when Hadrian stopped by the whorehouse and took a fancy to him.

There are lots of other, equally intriguing characters in this book. But the most intriguing character of all, of course, is the one character who cannot take active part in the plot but whose presence is felt at every turn of the plot:

Antinous himself.

Though the 4th Century murders take center stage in the story, this book actually is more concerned with telling the story of Antinous and Hadrian and their abiding love affair which spans the gulf of the centuries.

As you read the novel, you get a growing awareness of Antinous as the living, breathing, three-dimensional human being that he must have been in life. 

The more Spartianus looks into the life of Antinous, the more he becomes obsessed with the Blessed Boy. He simply has to find that tomb, even if it means his death and the downfall of Rome.

We won't give away the thrilling ending, except to say that, when Spartianus finally "exchanges glances" with Antinous (in a manner of speaking), Spartianus is overcome with emotion ... and the reader finds it hard to hold back the tears. 

CLICK HERE to order, but don't wait too long ... or the Water Thief will catch up with you.

DISCOVER THE MYSTERIES OF ANTINOUS IN YOUR DAILY LIFE NOW

JUNE 17th is the traditional anniversary of the wedding of Orpheus and Eurydice. Antinous was initiated into the Orphic Mysteries of the power of love transcending death. Discover the Orphic Mysteries in your daily life. 

The Orphic Mysteries teach you to remember that you are the musician. You are the dancer. You are that which dies and enters the Underworld. You are also that which rises re-born bright and shining like the dawn sunrise ... today ... every day ... forever ... Homotheosis, Man-Godliness-Becoming-the-Same. 

For a clue to the Antinous Mystery Teachings, just check out French director Marcel Camus' unforgettable film Orfeu Negro, which is a rendition of the Orphic Mysteries in the setting of 1950s Rio de Janeiro during Mardi Gras, or Carnival. 

It is based on the Greek myth of Orpheus and Eurydice. Orfeu is a trolley-car motorman and gifted guitarist. Amid the joyous frenzy of Rio's Carnival, he becomes enthralled with the beautiful, doomed Eurydice. 

Against a backdrop of Rio's favelas (shanty-town ghettos on the hills), the lovers sway in a never-ending rhythmic samba among the crowds. But Eurydice is stalked by a man in a skeleton costume. 

Eventually, Orfeu finds her body in the morgue. In the house of the dead, voodoo rites are performed to bring her back to life. But impatient Orfeu looks upon her too soon ... and the spell is broken. 

In the end, bearing her body in his arms, he falls to his death from a cliff. His guitar, standing in for the lyre of Orpheus, is taken up by one of the street urchins who follow him as a sort of Greek chorus.

The movie is the stuff of pure myth. The movie shows a Rio which no longer exists. In fact, it shows a Rio that never existed. The movie was based on a highly political stage play which satirically condemned the poverty of the favelas. 

When the movie came out, Brazilians criticized it for portraying a Frenchman's romanticized TechniColor tourist vision of Rio.

So what?

That's what myths are about. Myths don't tell the plain old every-day truth that we see on the streets. Myths tell Sacred Truths that exist within our hearts and our souls.

Hadrian and Antinous had both been initiated into the Orphic Mysteries. That is the darker aspect ... the Antinous Mystery Teaching ... which was brought to the screen in Orfeu Negro. Mardi Gras (Carnival) ultimately is a Masque of Love and Death. 

The frivolities are fleeting. Death will catch up with each of us. But a few mortals are privileged ... like Hadrian and Antinous ... to have been initiated into the Mysteries which enable a mortal to cheat death. And that is why we put on gay costumes and dance until we drop.

Most mortals are dancing just because it's party time. But a few mortals are dancing because they have been initiated into the Mysteries of Life and Death. Initiation into the Orphic Mysteries promised advantages in the afterlife. Hadrian and Antinous were well-versed in both Mystery Schools.

But, like Orpheus in the Underworld, poor grieving Hadrian must have known as we wept over his lost boy that the Mysteries not only offer a promise of advantages in the afterlife. The Mysteries of Antinous are lived on a daily basis.

We face a dark demon every day, if not several dark and deathly demons. Physical death is only one of those demons. There are many other forms of death, and the Mysteries of Antinous help us to overcome them on a daily basis.

Bringing Light out of Darkness is a spiritual miracle each of us faces every day. Rejuvenating our spiritual life out of the setbacks and trials of mortality is a task we face every day of our lives, and not just at the hour of our death.

The Afterlife is Now! And THAT is the ultimate Mystery Teaching. The Mysteries of Antinous are not about the Afterlife. They are about your Spiritual Life on an everyday basis.

That's why we dance and sing till we drop ... and never look back! When we dance the Masque of Love and Death, then our lives become imbued with the stuff Sacred Myths are made of ....

THE TWO LOVERS OF ANTINOOPOLIS

ON MAY 10th the Religion of Antinous honors two men we call the Two Lovers of Antinoopolis who lived in the Sacred City of Antinoopolis and who worshiped the Beauteous Boy and whose joint portrait is one of the great mysteries of Egyptology.

This round portrait, called a "tondo" because of its circular format, was used as a face plate on a mummy. The vicinity of Antinoopolis and the Fayoum Oasis region is famous for hundreds of such mummy portraits which give us a priceless look at how the residents of the Sacred City actually looked. It is believed these were portraits which had hung in people's homes and which were interred with the deceased, as a reminder to their Ka about who they were in mortal life.

The tondo is unique, though, because it shows two faces. Archaeologists have no explanation as to why anyone would want the face plate on a mummy to show two men's faces. The conventional explanation is that they were perhaps brothers and when one of them died, his surviving brother insisted on burying him with their joint portrait to show his fraternal love.

But one glance at the portrait shows that the two men bear little resemblance to each other.

Even more striking is the difference in skin coloring. Throughout Egyptian art, males were portrayed as having typically ruddy-brown skin and girls and women as having creamy colored skin ... that was the iconic rule in Ancient Egyptian art. The skin colors do not represent the ACTUAL skin tones of the people, just as the idealized features of pharaohs don't reflect how they actually looked.

In Ancient Egyptian art, even if two individuals appear to be identically dressed with wigs and flowing robes, you can distinguish gender roles by skin color.

Ruddy skin means male. Creamy skin means female.

That makes it all the more interesting to look at the Tondo of the Two Lovers, because one man has dark "male type" skin coloring and the other man has very light "female type" skin coloring. Such contrasting skin coloring traditionally was used only for married male-female couples in Ancient Egyptian art.


Even when the hairstyles and clothing are barely indistinguishable in Egyptian art, the difference in skin tones is a gender-role clue. Any Egyptian would instantly register the visual "pun" and would think it no accident.The artist who painted the Tondo of the Two Lovers appears to have been giving us a clue as to the relationship between the two men.

The Tondo has been dated between 130-150 AD which would place them as nearly contemporaries of Antinous, living in His Sacred City in the first bloom of the Religion of Antinous. French architectural historian Jean-Claude Golvin painted this stunning rendering of Antinoopolis at its height.

But of even more significance are the small images of Greco-Egyptian gods placed above their shoulders. The darker man is guarded by a figure which some experts identify as Hermanubis, a god of the underworld adored in the nearby city of Hermopolis. His name is variously interpreted as "Hermes/Anubis" or "Horus-as-Anubis", depending on whether you read the Latin or the Egyptian spellings.

The cult of Hermanubis was on the rise in Rome at this time and he was interpreted as a solar deity who (like Hermes/Mercury and Horus) led the dead through the darkness to everlasting sunlight. A crack runs through the figure, however, making its identity somewhat unsure. At one point Hermanubis had a large cult following in Rome itself and his face graced Imperial coins. But his cult was suppressed almost as quickly as it rose, for moralistic reasons which are hard to reconstruct.

The lighter skinned and more beautifully dressed boy is watched over by Antinous, the patron god of Antinoopolis, who grasps a Dionysiac scepter and who wears the SWTY (Two Feathers) crown of divinity symbolic of his many-faceted Sacred Powers. It is ironic that the Christians later suppressed the cult of Antinous for moralistic reasons, just as the cult of Hermanubis had been suppressed by the Romans. Was there a sexual/moral connection between the two cults?

At any rate, this makes the Tondo of the Two Lovers the only portrait painting of Antinous to have survived, and the only image of two probable followers of HIS religion.

The faint inscription beneath the image of Antinous reads 15 Pachon, which is a date in the Greek calendar that corresponds to the 10th of May. No one knows what the significance of this date might be. An anniversary, perhaps.

The younger figure is wearing a splendid red wrap held in place by an impressive amethyst brooch in a gold setting ... a family heirloom perhaps. The artist has gone to pains to render it perfectly. The embroidery on his white tunic is very fine. An oriental swastika good-luck charm is stitched into his right sleeve.

Perhaps the portrait was commissioned for the day (May 10th) when he donned his manly robes for the first time on his 16th birthday, as was the Roman custom. The peach-fuzz on his face gives him the appearance of an adolescent.

The older man (who could 30-something) stands behind him, as if symbolically showing his love and support of his young companion. He could be an older brother or uncle. He could even be the youth's father ... life expectancy was shorter then, and people married early in those days and were grandparents by their mid-30s.

But just perhaps the composition and skin-tone nuances are subtle clues by the artist that these two men shared an older-man, younger-man relationship ... a Classical Greek-style erastes/eromenos relationship ... similar to that of Hadrian and Antinous. After all, this city was founded on Hadrian's love for Antinous.

The Temple of Antinous honors these two men on May 10th ... the day which was so special to them, for reasons known only to them and to the gods they worshiped ... Hermanubis and Antinous! 

NAPOLEON BONAPARTE SAINT OF ANTINOUS

ON May 5th the Religion of Antinous celebrates the life of Napoleon Bonaparte, who died on this day in 1821.

Napoleon is a saint primarily because he was the first European ruler to "decriminalize" homosexual acts. It had once been a crime punishable by burning at the stake...but Napoleon, under the advice of his top legal adviser, who was a homosexual...chose to legalize homosexuality.

He may seem a very unlikely person to be a champion of gay rights...but that's what he is...he didn't care...he saw no reason to persecute men for being homosexual...one of the greatest military commanders the world has ever known...and he accepted gay people...he would laugh at "Don't Ask, Don't Tell....he would laugh as his gay army invaded America and set things right.

Napoleon was trying to restore the Roman Empire...that's what all his imagery and symbolism were about...the fashions of the day were inspired by Rome...the Empire waist dress...women were styling their hair to look like Sabina...men combed their hair forward like Hadrian.

For gay people, one of the most disastrous turning points in world history was the defeat of Napoleon at Waterloo. We've been led to believe that the British are heroes and Napoleon was a tyrant. But he was the best "tyrant" the world has known since Hadrian.

Napoleon would have set the world forward decades or even centuries. But that didn't happen...instead of tremendous social progress...the opposite occurred.

Another reason why we Consecrate Emperor Napoleon as a Saint of Antinous is because, in 1799-1801, when Napoleon tried and nearly succeeded in conquering the entire Middle East, it was French scientists who were the last to see and the first to record and depict the remains of our Sacred City of Antinoopolis. Those ruins have vanished beneath the sands of Egypt since then.

Had Napoleon not invaded, had he not defeated the Mamluk army at the Battle of the Pyramids, then the expedition to Antinoopolis would not have occurred and the fragments of Antinoopolis would never have been recorded.

STRIPEY SOCK SHOWS ANTINOOPOLITANS WERE FOOTWEAR FASHION TREND-SETTERS

MAY 8th is No Socks Day and May 9th is Lost Sock Day: We know that Antinoopolis, the city established by Hadrian at the site on the Nile where Antinous died in October of 130 AD, is famous for its colorful woven tapestries, garments and burial shrouds.

Now it turns out that residents of ANTINOOPOLIS were style-setters in stripey socks ... using innovative weaving and dying techniques to create spectacular socks that were exported throughout the Roman Empire ... even as far away as Legion outposts at Hadrian's Wall in Britannia.

Scientists at the British Museum used a new imagining technique to analyze a child’s sock, recovered from a rubbish dump in ancient Antinoupolis in Roman Egypt, and dating from 300AD.

They discovered red, blue and yellow dyes were used, along with a range of advanced dying and weaving techniques.

The sock, made for the left foot of a child with separation between the big toe and four other toes used six to seven colours of wool yarn, they found, and was radiocarbon-dated to 3rd to 4th Century AD ... the heyday of the religion of Antinous.

Many Egyptian socks found have a similar style, made them of wool, generally bright colour, with a section between the first two fingers to wear with sandals.

Such Antinoopolis-style striped socks have been found as far away as northern Britain.

The new technique, looks at the luminescence of different dyes and uses digital microscopy to examine fibres, and discovered the Egyptians used just three colors to blend the seven used in the sock.

Researchers say it could allow many more textiles to be examined and giving us an unprecedented glimpse into ancient life ... and how colourful it may have been.

The city named for Antinous became renowned around the world in 1895 when French Egyptologist Albert Gayet (Saint of Antinous) discovered thousands of mummies ... To his utter astonishment, many were gilded, many were swathed in priceless woollen wraps and others wore Byzantine jewelry and headdresses ... Antinoopolis embroidery and linens inspired Matisse, Renoir and the leading Paris fashion designers, who incorporated the rich colors and designs into their work.

Over the years, spectacular finds at Antinoopolis have shown that mummies were given a SKIN OF GOLD for burial.

The socks find was made for the Egyptian Exploration Society in 1913-1914 by English papyrologist John de Monins Johnson.

His team found two excellent examples of Egyptian socks, the child's one that has been newly analyzed and a larger adult version, with the impression of the sandal thong still visible. 

While socks have been around since the stone age, when cavemen used pelts or animal skins, the ancient Egyptians are thought to be responsible for the first knitted socks.

MEET MARCO ANTINOUS OF EGYPT By Flamen Antinoalis Antonius Subia

I have the pleasure to introduce someone very special. A beautiful boy who was very likely one of our brothers.

Mummy of Marco Antinous, encaustic painting on linen, the frieze of the aureus protector in gilded stucco. 

Egyptian civilisation, Roman Empire, 3rd Century. Paris, Musée Du Louvre.

The hauntingly lovely portrait from the heyday of Antinoopolis features the face of a young man with striking, realistic features painted with encaustic (wax-based paint) on thin wood panels and embellished with intricate gold-leaf details.

Portraits like these are highly treasured today. They are often known as FAYOUM PORTRAITS, after the region, near Antinoopolis, where most of them were found. There are fewer than 1,000 extant.

The Ancients believed Antinous worked miracles in the lives of his faithful followers. 

Antinous healed the sick, he granted people love and prosperity, he shielded them from peril.

Historian Royston Lambert's book Beloved and God: The Story of Hadrian and Antinous devotes a full chapter to the Religion of Antinous and mentions the miracles he was able to bring forth.

The oracle priests of Antinous could intercede with the God, or followers could appeal directly to Antinous:
 

"There is evidence of oracles at Tarsos and perhaps at Rome itself," Lambert writes. "No doubt it was through these pronouncements and visitations that he wrought miracles and healing for which he evidently became famous in the east."

In many areas, people named their children Antinous in the fervent belief that he would watch over and protect their offspring all their lives.

Marco Antinous undoubtedly is one of these children named after Antinous ... undoubtedly a follower of Antinous ... we hail Marco Antinous as our brother in Antinous!

~ANTONIUS SUBIA

APOLLONIUS AND PHILEMON SAINTS AND MARTYRS OF ANTINOUS

AS the fires of intolerance under the guise of "freedom of religion" rage all around us, we remember St. Apollonius and St. Philemon of Antinoopolis, two loving friends who died together as martyrs to religious persecution.
 
Antinoopolis was built upon the bank where Antinous had fallen into the Nile. From its birth the city was enshrouded with the specter of death.

The Religion of Antinous under the Curia of Antinoopolis was a death cult. The city's two major temples, that of the Egyptian faction and the larger Antinoeion which is the second possible site of the Lost Tomb of Antinous, were places for the perpetual lamentation of the death of Antinous, and for the passing of all beauty and youth in the world.

Antinoopolis was the flower of Greek civilization deep in the desert of the Thebaid, and it was a haven for dispossessed and exiled thinkers and theological revolutionaries of all sorts. But there came a time when even liberal-minded Antinoopolis fell under the sway of the fear and violence that had swept across the world.

The Christian faith was suffering one of the bloodiest persecutions in its history. In the 4th Century CE, as Antinoopolis was in full flower, Emperor Diocletian had sought to curb the rising tide of Christianity with brutal violence. He issued decrees that all citizens should be compelled to demonstrate their piety to the Roman Gods by offering sacrifice. It was a direct challenge.

Any person who refused was not only insulting the Gods of Rome, but also showing disloyalty to the Emperor and to Rome herself. Such treason was punishable by death. This was a legal way to persecute Christians. It was not an attack on the Christian doctrine, or its practices, but demonstrated an unavoidable line that no Christian would cross.

It is interesting to note that, although many of the Christians were executed by beheading or by being shot through with arrows, some were executed by being drowned in the Nile. This similarity between their deaths and the death of Antinous must have been very moving to the Ancient Priests of Antinous.

And it is also curious that the authorities apparently were not sensitive to the nature of this form of execution in the sacred city of a boy who had become a god simply by drowning in the Nile.

Of these Martyrs, the most profoundly moving are Apollonius and Philemon. Apollonius was a Deacon of the Church, also called a reader. The story goes that he was ordered to make a pagan sacrifice at Antinoopolis in order to prove that he was not a practicing Christian. He couldn't bring himself to do that, so he asked his "dearest friend" Philemon to make the sacrifice for him, since Philemon was a pagan.

Philemon is said to have been a flute player, an occupation notoriously held by homosexuals. While one was a young Christian priest and the other a pagan, it is indeed noteworthy that Apollonius the priest would have the confidence and trust to ask Philemon to take his place, and that Philemon would risk his life to aid the young priest. The two must have had a very close friendship, the nature of which has escaped the attention of the Christian martyrologists.


In the end, of course, the ruse was found out and they both died together by being drowned after the manner of Antinous, in the Nile.

One key element of the story is the irrefutable fact that Philemon, though not a Christian himself, refused under torture to renounce his friendship. In other words, he would rather die with his friend than renounce him and live on without him.

The details of the story of their martyrdom are shrouded in legend. In one version, they were tortured separately and were to be executed by archers.

But the story goes that the arrows bounced off their bodies. And in one version, an arrow point ricocheted back at Arian himself, blinding him in one eye.

Saint Philemon predicted that, after his martyrdom, Arian would be healed at Philemon's tomb on condition that he became a Christian. Arian did so, was cured miraculously -- and subsequently was put to death himself for being a Christian.

After arrows failed to kill them, Apollonius and Philemon, bloody but alive, were chained together and placed in a sack and thrown into the river. In one version, they were thrown into the sea at Alexandria.

Their deaths occurred on April 10th in the year 305.

What would cause a man to link his fate with that of another man, the two of them residents of a city founded in honor of a man who linked his fate with that of another man?

As for Apollonius, he must have been regarded as a rebellious hothead and self-destructive with his talk about this martyred Hebrew carpenter boy being an alternative to Antinous -- right there in the Sacred City of Antinoopolis!

What thoughts went through Philemon's mind as he was being bound up in chains together with his beloved friend and they were shoved into the river?

They probably weren't very nice men. Remember that actor/musicians were considered scum in ancient Rome. One was an actor and the other was a rabble-rousing religious fanatic. Not nice men.

Theirs was not a very pretty story. But then, few of the saints of any religious canon were very "sweet and nice" people to actually be around. "Nice" people obey the rules. "Nice" people obey the rules.

These people did not. They stood up against authority and convention. And their life stories generally are not very pretty.

But most of us are not very "sweet and nice" people, once you get past the smiling exteriors that most of us present to neighbors and co-workers. Most of our life stories are not particularly very pretty.

But "nice" people with pretty life stories don't become saints. Most saints are usually just ordinary people who were placed in an extraordinary situation and who did something extraordinary as a result. We read the lives of the saints because they shock us into facing the reality of our own not very nice selves and our own not very pretty little lives.

It is very fitting and appropriate that we remember Philemon and Apollonius, two friends from the Sacred City of Antinoopolis whose lives were linked by bonds of love and whose deaths were linked by bonds of chains.

ANCIENT CROCODILE SKELETON FOUND UNDER A TEMPLE AT ANTINOOPOLIS

TODAY is the ancient Egyptian Festival of Sobek, the ancient Egyptian crocodile god. 

Sobek is fierce, frightening, nurturing, and virile ... and as such was much loved by the Egyptian pharaohs. 

Archaeologists have found a crocodile skeleton under a temple of Antinous at Antinoopolis (see photo below). 

The crocodile protects the temple in all eternity! 

Sobek is celebrated for his protective and nurturing nature. In ancient Egypt, crocodiles were often mummified with a baby crocodile in their mouth, or on their back. 

This aspect of crocodile behavior was unknown to Western science until late in the 20th century, but the ancient Egyptians knew it. That is why a crocodile was buried at a temple of Antinous ... to protect Antinous for all eternity! 

The crocodile skeleton is one of the mysteries surrounding an INTENTIONALLY BURIED STONE STRUCTURE at Antinoopolis where ot just one ... but three ... human skeletons interred in sand directly on top of the structure.

With the discovery of the first body in 2017, archaeologists reluctantly speculated about "human sacrifice" ... but now they believe humans were buried separately but along with sacrificial animals.

The team of archaeologists working at ANTINOOPOLIS in Egypt say the subterranean "stone structure," which they believe may be an underground mortuary temple, is covered by two meters of soil strewn with sacrificial pottery sherds, bones of livestock and a crocodile ... and the skeleton of at least three human beings.

None of the animals was mummified ... nor were the humans,
says James B. Heidel, president of the Antinoupolis Foundation.

Some of the animals ... livestock ... were ritually butchered as normal for a Roman-era sacrifice. But a crocodile was buried intact, without being mummified.

But the human bodies were interred intact, also without being mummified. One of the bodies was accompanied by pottery vessels and ushabti figurines ... small clay dolls representing spirits who tend the deceased in the afterlife. 

The experts are certain that the pottery vessels and the bodies date to the earliest days of the city which Hadrian founded at the site where Antinous died in the Nile.

None of the pottery is later than the 2nd or 3rd Century AD, the experts said ... meaning the sacrificial offerings were made at the time when the city was founded and under construction.

The archaeologists are also certain that the site is intact and has not been disturbed by looters over succeeding centuries.

They found bones of large livestock, which appear to have been butchered prior to burial. An intact crocodile skeleton is seen as proof that the site was used as a religious sacrificial offering venue ... since crocodiles were sacred to Ancient Egyptians and not a source of food.

But the human skeleton is a total mystery. In Roman times, human sacrifice was taboo, but the archaeologists say the human bones mixed in amongst the bones of sacrificial animals and pottery suggest a gruesome possibility.

"The human burial is sealed in the same clean sand layer as all the other offerings, and the not unreasonable, but somewhat uncomfortable, hypothesis must now be that at least one human was sacrificed and offered with the animals," says James B. Heidel, president of the Antinoupolis Foundation.

The pottery and bones are in soil which covers the mystery-shrouded "intentionally buried stone structure" which Heidel's team found in January 2017 in the heart of the city founded by Hadrian at the spot where Antinous died in the Nile.

Using ground-penetrating radar, the experts discovered the rectangular stone structure ... 12 by 22 meters in size ... which consists of three successive chambers. 

The archaeologists suggest it could be an OSIREION ... symbolic Tomb of Osiris ... raising hopes that this could be the Lost Tomb of Antinous.

The structure was detected with ground-penetrating radar.

It is located near the waterfront peristyle discovered last season.

It is within what possibly was the Great Temple of Antinous and is a rectangular chamber which is subdivided into three sub-chambers ... apparently an antechamber, a middle chamber and an inner sanctum.

ANTINOUS SAINTS BLESS THE MARRIAGE OF BRAZIL'S FIRST PRIEST OF ANTINOUS

SAINTS Sergius and Bacchus continue to bless gay nuptials in their roles as patrons of Marriage Equality.

Marriage Equality is legal in Brazil ... and those saints were honored along with Antinous the Gay God at this wedding in Campinas, São Paulo, on 23 March 2013! 

See if you can spot an image of Antinous visible in this photo of the wedding of gay educator-journalist Deco Ribeiro (Brazil's first priest of Antinous) and his beloved Chessler Lohren Beauty.

A giant icon of Saints SERGIUS AND BACCHUS is the backdrop for the altar in the background. 

And also THE TWO LOVERS OF ANTINOOPOLIS are invoked. And it is in the upper corner of their round tondo portrait that you see a small golden image of Antinous.

May these Saints of Antinous watch over Chessler and Deco for all eternity.

THE ASCENSION OF MARCUS AURELIUS AND LUCIUS VERUS AS CO-EMPERORS

UPON the occasion of the Death and Apotheosis of Antoninus Pius on 7th March 161 AD, Marcus Aurelius and Lucius Verus became co-Emperors, both surnamed Antoninus, a name which the ancient Romans equate with inestimable glory.

Marcus being the elder and wiser, was given the title Augustus, while Lucius took the name Caesar. 

They remained cordial to one another though their vastly different characters were always a cause of discord, though never of rivalry or outright animosity. 

They were a harmonious and cooperative pair of rulers, the only example of effective imperial brotherhood in the long history of Rome.

ANTONINUS PIUS, THE ROMAN EMPEROR WHO FULFILLED HADRIAN'S DREAMS

AT the end of February and beginning of March the Religion of Antinous marks Three Holy Days involving the Divine Antoninus Pius.

On February 25th we celebrate the Adoption of Antoninus Pius by Hadrian. And on March 7th we commemorate the Apotheosis of Antoninus Pius . Also on March th, we celebrate the Ascension of Marcus Aurelius and Lucius Verus.

After the death of Aelius Caesar, Hadrian adopted Antoninus, imposing on him the condition that he adopt two sons, Lucius Verus and Marcus Antoninus to be his successors. Antoninus supported the dying Hadrian for the remainder of his years, and obeyed his commands even after his death. For this Antoninus is called Pius.

As the Fates would have it, March 1st is the date when Antoninus Pius died in 161 AD after 23 years as Emperor. His rule is marked by an almost unbroken period of peace and tranquility. The golden era of Rome, known as the Age of the Antonines, takes its name from Antoninus, because every emperor afterward took up his name as an emblem of glory. Antoninus is the emperor most responsible for the perpetuation of the Religion of Antinous.

He had served as Proconsul of Asia Minor under Hadrian from 130 to 135, while the Religion of Antinous was being formed, and it was during his reign that construction of the Sacred City of Antinoopolis was completed.

The Senate deified Antoninus Pius shortly after his death. The base of the column erected in his honor, shows Antoninus Pius and his wife Faustina the elder, rising up to heaven. They are ascending upon the wings of an Aeon, with Mother Rome on one side, and a beautiful reclining male figure on the other who grasps an obelisk. We believe this figure to be Antinous, guardian spirit of the Age of the Antonines.

Upon the occasion of the Death and Apotheosis of Antoninus Pius, Marcus Aurelius and Lucius Verus became co-Emperors, both surnamed Antoninus, a name which the ancient Romans equate with inestimable glory.

Marcus being the elder and wiser, was given the title Augustus, while Lucius took the name Caesar. They remained cordial to one another though their vastly different characters were always a cause of discord, though never of rivalry or outright animosity. They were a harmonious and cooperative pair of rulers, the only example of effective imperial brotherhood in the long history of Rome.

ANTONIUS SUBIA'S PILGRIMAGE TO EGYPT INCLUDES A PRIVATE TOUR OF KARNAK

I was totally and completely overwhelmed by Karnak.

I knew that it is the biggest temple in the world but I did not expect the scale of how magnificent it is and what it must have looked like when it was intact and functioning ... it brought me to tears.

In a secluded side temple away from all the millions of tourists the attendant took us into off limits areas, opening locked doors, down unlit stairways, across single beam walkways over deep pits to see amazing, beautiful rooms that I'm sure most people never see ... all for a heavy tip of course. 

He knew that we were there for religious purposes and took us to the secret shrines.

He even left us alone in an off limits "chapel," closed the door behind him and let us pray ... it was really great ... and extremely moving to have opportunity to see so many beautiful rooms that most people never see.

We took a carriage along the Nile-side Corniche from the hotel to Karnak, and I told the kid who was driving to come back and pick us up if he wanted.

And when we came out, there he was waiting so I gave them a nice tip. The boy insisted that I sit up front with him and gave me the reins to drive the horse.

I actually was driving the horse who's name was Rambo. I pulled him to the right because a car was coming and he responded. He was very cool.

We ended our day watching the sun go down from the rooftop area ... a beautiful day in Luxor.

Ave Antinous!

~ANTONIUS SUBIA

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