THE ANCIENT RENAISSANCE MAN IMHOTEP SET THE EGYPTIAN PRECEDENT FOR ANTINOUS TO BECOME A GOD

SOME 3,000 years before Antinous, the Egyptians deified another mortal commoner ... the ancient "Renaissance Man" Imhotep ... Egyptian magician, physician, scribe, sage, architect, astronomer, vizier, and priest.

Imhotep's many talents and vast acquired knowledge had such an effect on the Egyptian people that he became the first individual of non-royal birth to be deified ... setting a precedent for Antinous to attain the status of a god.

 Imhotep, or "he who cometh in peace," was born in Ankhtowe, a suburb of Memphis, Egypt. 

The month and day of his birth are noted precisely as the sixteenth day of Epiphi, third month of the Egyptian harvest (corresponding to May 31) but the year is not definitely recorded. 

It is known that Imhotep was a contemporary (living in the same time period) of the Pharaoh, or king of Egypt, Zoser (also known as  Neterikhet) of the Third Dynasty. But estimates of the era of his reign vary by as much as three hundred years, falling between 2980 and 2600 B.C.E.

Imhotep's father, Kanofer, a celebrated architect, was later known to be the first of a long line of master builders who contributed to Egyptian works through the reign of King Darius the First (522–486 B.C.E. ). His mother, Khreduonkh, who probably came from the province of Mendes, is known today for having been deified alongside her son, an Egyptian custom.

Vizier under King Zoser

The office of the vizier in politics was literally described as "supervisor of everything in this entire land." Only the best educated citizen could handle the range of duties of this position that worked closely with the Pharaoh, or king of Egypt.

The capital city was Mennefer (Memphis) called the city of the "White Walls" for the enormous walls around the Temple of Ptah compound (right).

As vizier, Imhotep was chief advisor to Zoser in both religious and practical matters, and he controlled the departments of the Judiciary (court system), Treasury, War, Agriculture, and the General Executive.

There are no historical records of Imhotep's acts as a political figure, but his wisdom as a religious advisor was widely recognized after he ended a terrible famine (a severe shortage of food) that dominated Egypt during seven years of Zoser's reign. It is said that the king was failing in his responsibility to please the god Khnum, and his neglect was causing the Nile to fall short of a flood level which would support Egyptian farms. 

Imhotep, having a vast knowledge of the proper traditions and methods of worship, was able to counsel Zoser on pleasing Hapi, the the god of the inundation, allowing the Nile to return to its usual flood level.

The first miracle attributed to Antinous was a bountiful Nile inundation in the year 131 AD. 

Architect of the famous pyramid at Sakkara

 The Step Pyramid at Sakkara is the only of Imhotep's achievements that can still be seen and appreciated today. Its reputation is largely based on Imhotep's accomplishments as the pyramid's inventor and builder. 

This pyramid for King Djoser, also called "Netjerikhet" (Incarnation of the Gods), was the first structure ever built of cut stone, and is by far the oldest of the Seven Wonders of the World, the seven structures of the ancient world that were astonishing accomplishments for their time. 

It took twenty years to complete—not very long, given the newness of the idea and the state of structural science in the Bronze Age (between 3000 B.C.E. and 1100 C. E.), the period of development where metals, particularly bronze, were used for the first time.

Imhotep wanted the tomb to accommodate the Pharaoh's rise into the heavens. To do this, he planned to improve upon the flat, rectangular mastabas, or built-in benches, which were the traditional tombal structures. 

The pyramid was raised on top of the base mastabas in five smaller steps, one on top of the other.

He added a passageway on the north side issuing upward within the structure from a sarcophagus chamber (where the stone coffin holding the mummy is kept) seventy-five feet below ground. 

The total height of the pyramid and base is just under two hundred feet, unimaginably large for a single structure before Imhotep's design.

The project at Sakkara was designed in its entirety as a way for the deceased to perform the rituals of the jubilee festival, or Hebsed. The complex consisted of many other buildings, as well as ornamental posts some thirty-seven feet high. 

The protection of the king and his burial gifts—about 36,000 vessels of alabaster, dolomite, aragonite, and other precious materials—was the other primary function of the burial site.

The entire complex was enclosed within a stone wall about thirty-five feet high. Imhotep added several false entrances to throw off possible tomb raiders. As a final measure, the king's treasure was lowered through vertical shafts around the tomb into a long corridor one hundred feet below ground. The digging of just this corridor without machines of any kind is an amazing accomplishment by modern standards.

When Antinous and Hadrian visited Egypt in the year 130 AD, they stood atop the plateau at Sakkara and marveled at the achievements of Imhotep.

It is likely that Imhotep was the architect and master builder of many other projects completed during a forty-year period of the Third Dynasty, though none of them compare in size or stylistic influence to the burial site at Sakkara. 

Imhotep was also the author of an encyclopedia of architecture that was used as a reference tool by Egyptian builders for thousands of years.
 

Physician-magician, God of medicine

As a god of medicine, Imhotep was beloved as a curer of everyday problems who could "provide remedies for all diseases," and "give sons to the childless."

Members of the cult of Imhotep in the Twenty-sixth and Twenty-seventh Dynasties (between 525 B.C.E. and 550 C. E.) would pay tribute to the God at his temple just outside Memphis. 

The temple also contained halls devoted to the teaching of medical methods, and to the preservation of the materia medica, which details the entirety of Egyptian medical knowledge which may actually have originated with Imhotep.

Imhotep's name was often grouped with such powerful deities as Thoth, God of Wisdom, Isis, the wonder-worker, and Ptah, a healer and the ancient God of Memphis. 

Although royal individuals were deified by the Egyptians, Imhotep is unique as the first non-royal man to be known by his own name as a god inferior in power only to Re (chief Sun-God). With that precedence in mind, the Egyptians had no objections to accepting Antinous as a God.

Imhotep was also a member of the great triad of Memphis, with Ptah, Imhotep's father among the gods, and Sekhmet, a goddess associated with childbirth.

It is a matter of debate today how much of Imhotep's reputation as a curer of disease stems from medical skill and how much comes from his command of magic and healing rituals.

More than 3,000 years before Antinous died in the Nile ... Imhotep set the precedent for deification of mortal non-royals in Egypt.

JOAN OF ARC, SAINT OF ANTINOUS

ON MAY 30th the Religion of Antinous honors Saint Joan of Arc who was burned as a heretic on this day in 1431.

She was a peasant girl who led the armies of the King of France against the occupying forces of the English. She claimed to have been chosen by God to drive the English from France and deliver the country to her King.

Joan of Arc said that she conversed daily with Saints Catherine and Margaret and St. Michael the Archangel. Her greatest victory was the liberation of Orleans, where Charles, then Dauphin, was crowned as King of France.

She was later captured by the English and subsequently tried by the Church and burned as a heretic. The focus of her trial was upon the nature of her visions, which the inquisitors condemned as Demonic, and upon her refusal to wear women's clothing.

Joan of Arc was in essence the most courageous of all transvestites, whose insistence upon male dress and hair style, and occupation as a warrior was the excuse used by the Church for her condemnation and subsequent burning as a heretic. The Church however reversed this decision in 1909 by beatifying her, and then finally consecrating her as a saint in 1920.

Though she is a saint of the Catholic Church and a devoted Christian, it is for her courage as a transvestite and possibly as a sacred lesbian that she is included as a Heroic Martyr Saint of the Religion of Antinous.

JAMES WHALE, SAINT OF ANTINOUS

ON MAY 29th the Religion of Antinous celebrates the life of Saint James Whale (22 July 1889 — 29 May 1957), the openly gay British-born director of such films as Frankenstein, The Old Dark House, Bride of Frankenstein and The Invisible Man.

His movies were modern parables about the cruelty of "normal" people towards "monsters" in their midst. 

All of those 1930s films are recognized as classics of the genre. Whale directed over a dozen films in other genres, including what is considered the definitive 1936 film version of the musical Show Boat.

He became increasingly disenchanted with his association with horror, but many of his non-horror films have fallen into obscurity. Whale was openly gay throughout his career, something that was very unusual in the 1920s and 1930s.

He tended to use gay actors who were friends of his, including Colin Clive, Ernest Thesiger, Charles Laughton and Laughton's wife Elsa Lanchester, who played the "Bride". Thesiger has tea (below) in mad-scientist garb. 

Bride of Frankenstein, in particular, is widely interpreted as having a gay subtext and it has been claimed that Whale's refusal to remain in the closet led to the end of his career.

James Whale's true genius was in making movies which made the audience sympathize with the "monster" instead of the "normal" people, who invariably were portrayed as ridiculous, comic fools.

James Whale's soaring career was dashed by homophobic studio bosses who objected to having a "pansy" directing major movies. He spent the last decade of his life as an outcast in Hollywood.

He "accidentally" drowned in his own swimming pool in the mid-1950s after having become a chronic depressive following a stroke.

His life was brought to the screen in the award-winning movie Gods and Monsters, which is a masterful adaptation of a very wonderfully written gay novel entitled Father of Frankenstein by Christopher Bram.

The book and the movie are about his final weeks of life with flashbacks to his childhood in poverty in northern England and his traumatic experiences during World War I and to his heyday as the toast of Tinseltown, and his plunge into obscurity — and his final plunge into the watery arms of Antinous.

It is a great irony that the only out-and-proud Hollywood director of the 1930s is remembered as a man whose name is equated with monsters.

Sir Ian McKellen, who is also from conservative Northern England and is an openly gay star of stage and screen, was nominated for a Golden Globe and for an Academy Award for his role as James Whale in the 1998 movie Gods and Monsters.

Brendan Fraser also won critical acclaim in that film as Whale's yard boy who identifies with the Frankenstein monster. His compelling portrayal suggests to the audience that all of us are gods and monsters, to some degree. But then, even Antinous was a god to pagans — yet a monster to early Christians.

And Lynn Redgrave won a Golden Globe and got an Oscar nod for her scene-stealing performance as James Whale's disapproving Swedish housekeeper — a tongue-in-cheek characterization drawn from the real-life eccentrics who performed supporting roles in Whale's wonderfully campy old movies.

ANTINOUS WAS PHOTOGRAPHED IN 3-D FOR VICTORIAN ARMCHAIR TRAVELERS

I found this old stereoview with Antinous. 

It is from the Louvre Museum and is dated 1860 on the back of the card. The image shows the Antinous-Aristaeus statue.

Stereoviews are designed to be seen through a stereoscope, which I do not have but am tempted to purchase. 

When looking through the scope it produces "3-D" version of the image. 

It is amazing to think how many hands held this image and were able to see the glory of Antinous.

~PRIEST UENDI

WE CELEBRATE THE FEAST OF COMUS GREEK GOD OF DRAG QUEENS

MAY 27th is the Greek festival of Comus ... the god of drag queens! 

Comus is the son of Dionysus which means that he is the son of Antinous, because Antinous is often depicted as Dionysus.

During his festival, the worshipers of Comus would dress in clothes of the opposite sex and have fun dancing all night. He is the god of cross-dressing, partying, comedy and comedians. 

Art above by Edmund Dulac shows Comus in red wig and green frock leading his followers in a wild dance in his role as the god of festivity, revels and nocturnal dalliances. 

He is a son and a cup-bearer of the god Bacchus. Comus represents anarchy and chaos. His mythology occurs in the later times of antiquity. During his festivals in Ancient Greece, men and women exchanged clothes. 

He had a wreath of flowers on his head and carried a torch that was in the process of being dropped. 

Comus was often depicted with Momus (illustration left), who was the deity of satire and mockery and who later became the familiar court jester.

Unlike the purely carnal Pan or purely intoxicated Bacchus, Comus was a god of excess. 

He is the god of drunken revelry, merrymaking, the source of jokes and comedy, especially anything which provokes a huge belly laugh. He is the god who makes a party go with a swing. 

His festival was a time of fun and frolics, with men dressed in drag and women sauntering about in male garb.

27 de maio é o festival grego de Comus ... o deus dos travestis! Comus é o filho de Dionísio. Durante seu festival, os adoradores de Comus vestir-se-iam nas roupas do sexo oposto e dariam o divertimento dançar toda a noite. Ele é o deus do travestismo, da festa, da comédia e dos comediantes. A arte por Edmund Dulac mostra Comus na peruca vermelha e no vestido verde que conduz seus seguidores em uma dança selvagem.

27 de mayo es el festival griego de Comus ... el dios de los travestis! Comus es el hijo de Dionisio. Durante su fiesta, los adoradores de Comus se vestirían con ropas del sexo opuesto y se divertirían bailando toda la noche. Él es el dios del travestismo, fiesta, comedia y comediantes. El arte de Edmund Dulac muestra a Comus en la peluca roja y el vestido verde que lleva a sus seguidores en una danza salvaje.

ANTINOUS WITH MITHRAS

AFTER what receiving the power of Homotheosis, Antinous ascended beyond the celestial sphere to the spine of the cosmos where he came into the presence of Mithras, the god of light, who advances the heavens with the turn of his hand.

Serpent entwined, he is the lion-headed god of endless time. 

The bull slayer, arisen from stone, with crown of stars, who holds the sky beneath his starry cloak, who sets time in motion, turning the clockwork of the cosmos, stands before Antinous illuminating the ascending youth with his light.

Antinous is greeted by the ascended fathers of the mysteries, because he is among the initiated through the tauromachia where he received the blood of the bull.

An initiated raven escorts him into the cavern of the sky, he passes between two mighty torch bearers who mark the turning of the sun.

A majestic table is set within the celestial dome, where Mithras sits enthroned, together with Sol Invictus and Lunus the Moon by his side.

All around are the ascended initiates, charioteers and fathers and the sacred soldiers of Rome who serve the god of light.

Antinous is given a seat in the presence of the gods.  He is served the sacred meat of the Bull of Heaven.  His cup is filled with the libations of those who know the mysteries.

The great god Mithras bestows his blessing upon Antinous who is illuminated with rays of shining light, becoming as one with the unconquered sun, becoming the bull-slayer, the savior of all those who enter the sacred mysteries.

Ave Antinous-Mithras

We pray to the Unconquered Sun, Pater Saturnus, serpent entwined, leontocephalus

Who walks across the spine of the cosmos

Here, now, always in darkness, 

The blood of the bull is my cup

The stars are my crown

The lotus-rose is my heart

My hooves are cloven among the tombs

Rising from stone by night I am Bacchus, Capricornius returned, 

For the semen of the first god truly is in my body!

Ave Antinous-Mithras

HADRIAN IN ALEXANDRIA

IN May of 131 Hadrian returned to Alexandria, where he inspected the many construction projects he began earlier and finalized the administrative reforms he made, setting everything in order.

It was during Hadrian's final stay in Egypt that he organized and delineated the details of the new religion of Antinous.  He appointed priests and set forth the liturgy and theology of the new faith.  

The artist who sculpted the original bust of Antinous while he was still alive, known as the "Antinoos Haupttypus," was summoned to bring his sketches and make copies of Antinous images to be distributed all over the Empire.  

The first Antinous coins were struck which were the prototype for all coins to follow.  

It was at this time that the Lion Hunt poem was presented to Hadrian by Pancrates, for which he was rewarded a lifetime position in the Musaeum.  

The original reason Hadrian may have visited Egypt was to settle the issue of the new Apis Bull which had been born and which various cities were vying to possess for the religious prestige and immense wealth from pilgrimage that the bull would bring.  

Hadrian's decision is not recorded, but it may have been that he presented the Apis Bull to the Serapeum of Alexandria, as a life-size Apis bull sculpture was found in the catacombs dating from Hadrian's reign.  

Alexandria had a thriving Cult of Mithras that was associated with the Apis Bull, and which 200 years later became one of the issues that set off deadly riots in the 3rd Century when the Christians pillaged a hidden Mithraeum and paraded the sacred images through the city, causing a riot among the pagans that ultimately led to the destruction of the Serapeum by order of Emperor Theodosius.

Shortly afterward, Hypatia was murdered by Christians in a church that had once been the temple of the divine Caesars. The cult of the bull which had brought Hadrian to Egypt in the first place therefore had a part to play in the ultimate destruction of the last pagan te temples.

Before leaving, Hadrian complained of the ingratitude of the city after all he had done, which included bestowing the Apis Cult upon them, and yet they spoke ill of him and Antinous.  

The boat-shaped sarcophagus of Antinous was placed on a ship, the new priests were sent out carrying statues and coins to every corner of the world, and Hadrian made his final departure from Alexandria.

WE JOYOUSLY CELEBRATE PANSEXUAL VISIBILITY DAY

MAY 24th is Pansexual Visibility Day. Much like Bi Visibility Day, when bisexual people remove their invisibility cloaks and instead don their beautiful bi vis jackets, Pan Visibility Day is a day to celebrate and recognise those who identify as pansexual. 

To help you do that, here are five things you should know.

1. The word pansexuality originally comes from Greek ... just like the Greek god Pan in the poster here. 

Pan means ‘all’, and is related to words like panorama. Pansexual people aren’t attracted to all other people, but they are attracted to people of all genders. This is different from being attracted to everyone; in the same way that a heterosexual woman will not be attracted to all men and a lesbian woman will not be attracted to all women, pansexual people will experience attraction to specific people and not others.

2. It’s nothing to do with saucepans or frying pans. Pansexual people have nothing against old jokes but the one about being sexually attracted to pans isn’t just old, it’s also just not funny.

3. Pansexuality is different from bisexuality but the two aren’t mutually exclusive. Being bisexual means being attracted to more than one gender, while being pansexual means being attracted to people regardless of gender. Pansexuality and bisexuality are not in conflict. In fact, some bisexual people also identify as pansexual, and vice versa. Pansexuality is included under the bisexual umbrella, which covers anyone who experiences sexual or romantic attraction to more than one gender.

4. There are lots of famous pansexual people! Recently, the fabulous Janelle Monáe came out as pansexual, saying ‘I’m open to learning more about who I am’. Other notable pansexual people include Miley Cyrus, Angel Haze, Laci Green and of course the not-quite-superhero Deadpool.

5. Being pansexual is just one part of who someone is. A pansexual person may also be trans, or disabled, or a person of colour, or all three. Pansexual people come in all ages and sizes and enjoy a range of activities and hobbies. On pansexual visibility day it’s important to remember that we’re celebrating pansexual people from all backgrounds and all walks of life.

Happy Pansexual Visibility Day! 

HERE'S YOUR CHANCE TO BE A CHAMPION IN THE SACRED GAMES OF ANTINOUS

 

IT is with great joy that we, the Priesthood of the Temple of Antinous

Solemnly announce the coming of the 5th Antinous Games!

To be Celebrated on the Day of the Sacred Lion Hunt

13 Days before the Calends of September

On the 20th of August 2022 (Year of Antinous 1891)

We invite Artists, Poets, Musicians, Performers and Athletes

To prepare submissions for the sacred competition

In honor of Antinous the Gay God

The theme is open to interpretation

With suggested emphasis on Antinous

Or Gay Pagan Spirituality.

Three winners will be selected by a panel of judges.

Fabulous prizes will be awarded!

May the gods of Olympus be with us as we formally announce

The 5th Sacred Games of Antinous

AVE ANTINOUS!

Send Submissions to: templeofantinous@gmail.com

Rules of Submission:

The Deadline to Enter is August 17th, 2022

All submissions must be about Antinous, or include Antinous as their theme or subject matter, or in some discernible way reference Antinous. Performance submissions can be about Homotheosis, Gay Spirituality, Paganism, LGBTQ experiences, or even Abstract but must either demonstrate a connection to Antinous or must begin or end with the submitter stating that their performance is dedicated to Antinous. Athletic submissions must begin, or end with a stated dedication to Antinous.

The following are acceptable categories:

ART

MUSIC

DANCE

THEATER

PERFORMANCE ART

POETRY

LITERATURE

ATHLETICS

REQUIREMENTS:

-ART must be submitted as photographs and emailed to templeofantinous@gmail.com

-MUSIC can be submitted as an audio-only file, or as a recorded video performance (preferred)

-DANCE, THEATER and PERFORMANCE ART pieces must be submitted as video and must not exceed standard YouTube time-length requirements.

-ATHLETICS can include any form of athletic demonstration such as weight-lifting, exercise, running, track and field, wrestling, yoga, gymnastics, or any form imaginable that can be captured in short video form.

-LITERATURE can be fiction, nonfiction, essays, academic research papers, or autobiographical works. It is recommended that Literary submissions be reasonably short in form, although there is no official limitation to the length of form of a submission. If submitting a novel or book, a short treatment or synopsis is recommended and a link to where the full work can be purchased or downloaded. Blog entry submissions or articles will also be accepted, a link to the blog page or article must be provided

Additional submissions that do not fall into the above categories will be considered at the discretion of the Convener of the Games.

RULES:

1) All Submission must be Antinous. Performance pieces and Athletics must be verbally dedicated to Antinous. No non-Antinous related Submissions will be accepted. The decision as to whether a submission conforms to this requirement will be made by the Convener of the Games

2) Only One Entry can be submitted per Competitor. Multiple pieces can be submitted but they will all be considered One entry and will be presented together as a single Submission.

3) All submissions must be the original work of the Competitor. Additional participants in the entry are allowed, but only the submitter will be considered to be the Competitor and only the submitter will be eligible to receive an award.

4) No submissions made during a previous Sacred Games of Antinous will be allowed

5) All Competitors must be over the age of 18 to participate

6) Submissions must conform to the rules of usage of Facebook and YouTube

7) Submissions must not violate copyright laws or any other federal, state or local laws.

Three awards will be given:

ART - paintings, drawings, sculpture, photography

LITERATURE - fiction, nonfiction, poetry, novels, articles, memes

PERFORMANCE - theater, performance art, dance, ceremonies, athletics, music (including audio only)

One of the three winners will be proclaimed the overall champion and will receive the grand-prize, which will include the traditional bronze tripod and the largest monetary prize.

Everyone has heard of the Ancient Olympics, but there were other Games held in antiquity, and among the most famous were the Games of Antinous, which were called the Megala Antinoeia ... the Great Games of Antinous. These were Sacred Games which were held in Antinoopolis, Bithynia and in Mantinea."

The most famous Games were held at Antinoopolis, the city founded by Emperor Hadrian in Egypt at the spot along the Nile where Antinous had drowned in the year 130 AD.

The competitors were primarily young men called Ephebes. 

In Antinoopolis these included swimming and boat races in the Nile.

But the Antinous Games were unique in that they also included competition in the arts and music. 

The over-all winner was consecrated as the living embodiment of Antinous and given citizenship in Antinoopolis, with an all-expense-paid life of luxury and adoration. 

He was worshiped in the temple as the representative of Antinous, the emblem of youth and masculinity. He was the Divine Ephebe.

The Great Antinoeia, as the Games of Antinous were called, were held for hundreds of years. 

But little was known of the actual competitions until a fragile papyrus was deciphered recently which revealed some intriguing and somewhat shocking details about the Games of Antinous of the year 267 AD and two wrestlers named NICANTINOUS AND DEMETRIUS.

The Games of Antinous faded into obscurity ... but have been revived in the past decade by us. They are held every four years during the cycle of the blooming of the ROSY LOTUS OF ANTINOUS AFTER THE LION HUNT in August.

The modern-day Religion of Antinous revived the Sacred Games 20 years ago. This is the V ANTINOEIAD of the modern era, and entry is open to everyone wishing to honor Antinous with their own artistic, academic or athletic talents.

"These Games are open to all ... regardless whether you are gay and regardless of gender," Antonius Subia says.

"You can submit any form of artistic endeavor ... poems, paintings, videos or literary works. But you can also submit dancing, running or other physical effort ... as long as you provide documentation of your performance art," he explained.

Prizes will be awarded to winners, details of which are to be unveiled on this blog in coming days and weeks as the deadline approaches.

For enquiries and submissions, contact us here: templeofantinous@gmail.com 

WORSHIPERS WORLDWIDE VIA ZOOM CELEBRATE THE SACRED BULL HUNT

WORSHIPERS worldwide tonight celebrate The Sacred Bull Hunt of Antinous in ceremonies originating from the Hollywood Temple of Antinous and uplinked globally via Zoom.

The commemoration marks the end of Taurus, the death of the Bull of Heaven ... and the coming of Gemini, the Divine Twins ... or shall we say The Lovers ... Hadrian and Antinous.

The Cycle of the Sacred Hunts are of course a recognition that Antinous was a God of the Hunt, that in his life-time, he is recorded in verse to have participated in a Lion Hunt, and in stone relief, his image has been identified as one of the participants, along with Hadrian in the hunt of the Bear and the Boar, and also the Lion on the tondos of the Arch of Constantine.

We might call this cycle "Hunt Spirituality," an awareness of the active element of Antinous.  

From his images we are given to understand him as a melancholy, day-dreaming, slightly self-involved, yet gentle and radiantly peaceful boy...but this is only part of the beautiful story.

Another part, which is in the ancient record and therefore can be regarded as biographical, is that he was a hunter...on horseback...and perhaps on foot...able to chase down wild animals, and kill them with a spear.

The Sacred Hunts commemorate the nature of the animals which then become part of who Antinous is, and by extension, who we may become, or find ourselves to be.

Whether we see ourselves as the Hunter Antinous, or the Hunted Animal...or a mingling of the two...the significance is always through our own personal essence...animalistic...the Sacred Hunts, therefore are one of the significant forms that Animalism has taken up in the New Religion of Antinous.

Antinous was never historically said to have hunted a Bull...so for historical accuracy, this is not a Sacred Hunt with historical precedence...this would be my own invention....but I will try to explain the essence of what I feel it means, and perhaps will you understand and even add your own meaning..or detract from it, or have no opinion at all.

But as I feel now...the Bull Hunt is probably one of the more meaningful and powerful understandings of Antinous that I have discovered.

There is an ancient connection between Antinous and the Bull that has remained unexplained, or unobserved because the meaning is unclear.

If there is no historical precedent to prove that Antinous participated in the bullfights, there is evidence to show that the bull was sacred to Antinous.

There are a number of coins from Asia Minor, that portray Antinous standing by the side of a bull, or have a Bull on the reverse. A coin from Antinous's home town Bithynium-Claudiopolis is among this type.

The majority are of the type that read "Fatherland of Antinous the God"...they were minted in cities where the Religion of Antinous was strongest and most heart-felt, where he was openly proclaimed to be a God of the Country...and so from the coins, we can know that the bull, among other animals, was considered to be a sacred symbol of Antinous.

The Bull, therefore, is an ancient, stone-age and early Bronze age symbol for a King, and it is from this connection that the notion of the Bull of Heaven is derived.

The Egyptians believed that the Ka of Osiris would take the form of a perfect young Bullock...when one of these perfect bulls was discovered, it was treated with deep reverance, and allowed to live in splendor like a living god...because it was a living god...it was Osiris.

When the bull reached the age of 28, the age when Osiris was murdered, the bull was sacrificed.

Certain parts were eaten by the Pharaoh, while the body of the bull was mummified and given a tomb at Saqqara.

Plutarch said "The Apis should ever to be regarded by us, as a fair and beautiful image of the soul of Osiris."

The Apis Bull was the Spirit of Osiris in living form...eternal and ever-present. Antinous was of course first compared to Osiris because he drowned in the Nile.  In ancient antiquity when a King died, his Ka and his Ba...soul and spirit, were said to join and take form as Osiris in the underworld, so as to circle the cosmos in the Boat of Millions of Years.

In later history, any person who could afford to have the elaborate ceremonies associated with mummification and the recitation of the Book of the Dead could also join Osiris.

It would seem to be highly probable to suppose that Antinous may have undergone the most elaborate Egyptian burial that Hadrian could arrange....that Antinous was very likely mummified and entombed in or near his temple in Antinoopolis...if he was not bought home and entombed at Hadrian's Villa.

Mummification seems very likely, though there is no proof or evidence that it occurred...but that he was first and very closely identified with Osiris seems to hint that perhaps his association with Osiris would have been elaborated, and not merely allegorical.

Antinous and Osiris were united in one being...known as Osarantinous.

Our sacred Obelisk Text repeatedly mentions him as "The God, Osiris-Antinous the Justified"...because among several other gods, one of the most important elements of the divinity of Antinous was his connection to Osiris.

The living symbol of Osiris was the Apis Bull...therefore, as the Coins of Bithynia seem to suggest...the Bull was likewise, the living symbol of Antinous...the Ka of Antinous...the Spirit of Antinous in living form.

The Bull can therefore be viewed as a symbol of our spiritual connection to Antinous...the living spirit of Antinous, the consumption of which, like the flesh of the sacred Apis Bull is in essence the consumption of the Spirit of Antinous.

There is a strong likelihood that Antinous and Hadrian may have hunted Bulls.

We must therefore wonder what the Bull Hunt means to us, in what of so many contexts we may choose to view the brutal combat between a man and a bull...which is in a sense, a parable of man against nature...against the world (earthquakes for example)...the ferocious forces that are greater and able to destroy us, over which we can only triumph with excessive courage, at the risk of our very existence.

The Bull Hunt, therefore, is a sacred observance of how with intensities of inner strength, we can overcome all those forces that would destroy us.

And so it is, in the Name of Antinous, that I offer you the Sacred Bull Hunt, in observance of which I recommend that you take a moment to think upon the obstacles of your life, those which seem overwhelming, or on the verge of destroying you, or breaking you down, those from which you seek to flee...that you may find the courage to face them, even at the cost of everything that you count as dear and of value.

It is these wild forces that we must face, if we are ever to regard ourselves as Men.

In Commemoration of the End of Taurus,

May Antinous, the Spirit of Osiris give you strength.

~ANTONIUS SUBIA

HARVEY MILK, SAINT OF ANTINOUS

ON May 22nd the world honors Harvey Milk ... his birthday (22 May 1930) is commemorated as Harvey Milk Day around the world. 

Champion of the early gay rights movement, in 1977 Harvey Milk became the first openly Gay person to be elected to the Board of Supervisors in San Francisco.

He advocated the liberation of homosexuality for the benefit of society in general, and jokingly claimed to be a gay recruiter. He was instrumental in passing the Gay Civil Rights Bill in San Francisco, which was to be his undoing.

On November 27, of 1978, Milk was murdered City Hall along with Mayor George Moscone by former City Supervisor Danny White who had resigned his office after the enactment of the bill. Dan White was acquitted of murder but sentenced to only seven years on manslaughter charges.

Following his acquittal on May 21st, 1979, riots broke during a demonstration in front of City Hall, and later, 100,000 people marched on Washington in support of Gay Rights chanting "Harvey Milk Lives!" He became the first gay saint and martyr following the movement that began at the Stonewall.

In a tape recording made one year before his assassination, as if in prophecy, Harvey Milk said, "If a bullet should enter my brain, let that bullet destroy every closet door."

For his actions, for his life, for the changes that he effected, and for the love that continues to burn for him in the memory of his gay, lesbian and transgender children, we priests of Antinous recognize and sanctify Harvey Milk as a Heroic Saint and Martyr.

CASTOR AND POLLUX TWIN GODS OF HOMOSEXUALITY

TODAY the Sun enters the Sign of Gemini — the sign of the Twins Castor and Pollux, Gods of Homosexuality.  This is the zodiac sign which ushers in a special sacred time in the Religion of Antinous, for this is the time of year when the STAR OF ANTINOUS rises, after having been hidden below the horizon since the Death of Antinous at the end of October.

We honor the Dioscuri who were born as triplets with the beautiful Helen as their sister. The mother of the three was Leda who was seduced by Zeus who came to her in the form of a swan. Leda gave birth to an egg from which emerged Castor, Pollux and Helen.

The photo above shows the Prado's Ildefonso Group, twin statue of Castor and Pollux, with a marble head of Antinous "restored" to the left figure.

The identical brothers were inseparable, and had a deep affection for one another, for which reason they were often worshipped as gods of homosexuality. Helen was constantly being abducted and in  need of rescue, which the brothers were usually successful in accomplishing, however, her beauty was eventually to lead to the Trojan War.

Castor was a skilled horseman, and Pollux was an unconquerable boxer. They took part in the voyage of the Argonauts, and with Orpheus they calmed a storm, for which reason they were worshipped as the protectors of sailors.

Later in the voyage, Castor was killed. Pollux was so overwhelmed that he begged Zeus to accept his life in exchange for his brother's. 

Out of compassion, Zeus immortalized Castor and proclaimed that Pollux would spend half the year in the underworld and half the year in heaven with his brother. 

Together they were placed in the sky as the sign of Gemini.

The Divine Twins miraculously appeared in Rome to announce the victory of the Republic over the allies of the last king by watering their horses in the Fountain of Juturna in the Forum.

Flamen Antonius has this further insight into Castor and Pollux:
"The sacredness of the Twin Gods, with their third twin sister Helen is found in Norse Mythology as the Alcis and as the twins Frey and Skirnir with their third twin sister Freya.

"The symbolism of brotherly love, and of sacrificing one's life for the immortality of a brother is at the heart of the Religion of Antinous, and is an example of the sacrifice that Antinous is said to have committed for the prolongation of the life of Hadrian. The Dioscuri are Antinous and his "rival" Aelius Caesar, and they are also seen in the two brothers of Hadrian's court, Macedo and Statianus Caesernius, who were servants, protectors, confidants, lovers, friends, witnesses and first priests of Antinous.

"The Sacred Star of Antinous rises during the sign of the brothers Castor and Pollux."

THE BIRTH OF PLATO SAINT OF ANTINOUS

ON May 21st the Religion of Antinous honors Plato, Saint of Antinous, because May 21st is Plato's birthday, and no worshipper of Antinous could possibly forget HIS birthday.

The greatest of all western mystics and philosophers was born on this day in the year 427 BC. He was originally named Aristocles, but was called Plato by one of his teachers because of the breadth of his shoulders and of his speech, and we might also say because of the magnitude of his legacy of wisdom.

He was a follower of Socrates and the majority of his works are written as Dialogues of Socrates, wherein Plato elaborates his vision of the Universe, the inner workings of mankind, the complexities of human relationships, and the virtues of civilization.

All we know about Socrates is in reality only what Plato has told us of his teacher. Out of loyalty, Plato gave all personal credit to the wisdom of his divine teacher.

Plato founded the Academy in Athens that was dedicated to the love of wisdom and to the perfection of the minds and souls of young men. The image above is a mosaic from Pompeii showing Plato and his academy assembled under his famous olive tree.

Plato studied Pythagoreanism in Italy and made further speculation into the mathematical mysticism of the first philosopher thereby creating the model upon which western monotheism is based. The Platonic system was essentially a unification of the social inquiry of Socrates with the cosmic ramifications of the teachings of Pythagoras.

Here is how Flamen Antinoalis Antonius Subia explain's the significance of Saint Plato:

"In the vision of Love that Plato expounded, Venus Urania, Celestial Love, is glorified as highest form of human affection, above the earthly requirements of procreation. The love between two men, what is innocently called Platonic Love, was considered by Plato to be the most divine form of relationship.

"Hadrian, in all ways the most Platonic of all Emperors, the veritable manifestation of the Philosopher King as glorified by Plato in The Republic, was demonstrating the meaning of Venus Urania, for all the world to see, in his passion for Antinous.

"For the beautiful light in which Plato illuminated the inner nature of homosexual love, he is venerated as a divine Saint of the Religion of Antinous."

AS THE BEES MYSTERIOUSLY DISAPPEAR WE REMEMBER ANTINOUS-ARISTAEUS

AS we celebrate World Bee Day on May 20th, we mourn the fact that a mysterious malady is wiping out as many as half of the beehives needed to pollinate much of produce in North America and many other parts of the world.

This is a crisis of mythic proportions ... in the truest sense of the word. In Classical Mythology the world's bees all vanished ... and it took the daring plunge of a brave Hero to find the divine powers to bring the bees back ... and to save mankind.

It is all there in Virgil's version of the story of Aristaeus (Aristée/Aristaios).

As this statue in the Louvre shows, Antinous was identified by the Ancients with Aristaeus ... they both descended into a river and emerged with godly powers.

Aristaeus was the son of Apollo and the river-nymph Cyrene and his assignment on the earthly plane was to teach mortal humans the art of farming and cultivating crops and tending livestock and keeping bees.

Honey was practically a form of ambrosia, or at least the nearest thing to ambrosia that mortal men had. It was the job of Aristaios to teach men how to cunningly harvest honey without being stung.

But Aristaeus had inadvertently caused the death of Eurydice by causing her to tread upon a venomous serpent. Her death and Orpheus's attempt to bring her back to the earthly plane were the origins of the Orphic Mysteries.

Shortly after Eurydice died, the bees which Aristaeus had been nurturing all began dying of a unexplainable cause. Nothing he could do seemed to prevent them from dying and soon they were all gone and humans were deprived of honey, beeswax, mead and the many other products which bees provide to man, not to mention the fact that, without bees, there was nobody to pollinate plants. The situation was dire.

Here's what Bulfinch writes, quoting Virgil:

"Aristæus, who first taught the management of bees, was the son of the water-nymph Cyrene. His bees had perished, and he resorted for aid to his mother. He stood at the river side and thus addressed her: 'O mother, the pride of my life is taken from me! I have lost my precious bees. My care and skill have availed me nothing, and you my mother have not warded off from me the blow of misfortune.'

"His mother heard these complaints as she sat in her palace at the bottom of the river, with her attendant nymphs around her. They were engaged in female occupations, spinning and weaving, while one told stories to amuse the rest. The sad voice of Aristæus interrupting their occupation, one of them put her head above the water and seeing him, returned and gave information to his mother, who ordered that he should be brought into her presence.

"The river at her command opened itself and let him pass in, while it stood curled like a mountain on either side. He descended to the region where the fountains of the great rivers lie; he saw the enormous receptacles of waters and was almost deafened with the roar, while he surveyed them hurrying off in various directions to water the face of the earth.

"Arriving at his mother’s apartment, he was hospitably received by Cyrene and her nymphs, who spread their table with the richest dainties. They first poured out libations to Neptune, then regaled themselves with the feast, and after that Cyrene thus addressed him: 'There is an old prophet named Proteus, who dwells in the sea and is a favorite of Neptune, whose herd of sea-calves he pastures. We nymphs hold him in great respect, for he is a learned sage and knows all things, past, present, and to come. He can tell you, my son, the cause of the mortality among your bees, and how you may remedy it.'"

The story goes on to say a river nymph escorted Aristaeus to the cave of Proteus where he subdued the cantankerous old prophet (who was a shape-shifter and tried unsuccessfully to elude Aristaeus by changing form). Aristaeus told him of his plight and wanted to know the cause of this misfortune and how to remedy it. Bulfinch writes:

"At these words the prophet, fixing on him his gray eyes with a piercing look, thus spoke: 'You receive the merited reward of your deeds, by which Eurydice met her death, for in flying from you she trod upon a serpent, of whose bite she died. To avenge her death, the nymphs, her companions, have sent this destruction to your bees. You have to appease their anger, and thus it must be done: Select four bulls, of perfect form and size, and four cows of equal beauty, build four altars to the nymphs, and sacrifice the animals, leaving their carcasses in the leafy grove. To Orpheus and Eurydice you shall pay such funeral honors as may allay their resentment. Returning after nine days, you will examine the bodies of the cattle slain and see what will befall.'

"Aristæus faithfully obeyed these directions. He sacrificed the cattle, he left their bodies in the grove, he offered funeral honors to the shades of Orpheus and Eurydice; then returning on the ninth day he examined the bodies of the animals, and, wonderful to relate! a swarm of bees had taken possession of one of the carcasses and were pursuing their labors there as in a hive."

So there we have it! Even the most illiterate and ignorant peasant would know the story of Aristaeus and the bees and the plunge into the river to unravel a Sacred Mystery. Aristaeus survived the plunge and emerged with Secret Knowledge which was of a great service to mankind.

For without bees to pollinate orchards and crops, mankind can scarcely survive ... a fact which has come home to haunt us today as bee populations dwindle worldwide and food riots rage in developing countries.

Ancient peoples, even those who could not read or write, could look at the statue of Antinous-Aristaeus and immediately see the Sacred Symbolism ... Like Aristaios, Antinous is a god who took the plunge into a river and who emerged with knowledge of Sacred Mysteries.

Wearing a sun hat, carrying a farm tool and holding an olive sprig, Antinous-Aristaeus symbolizes the union of sunshine and water (Apollo/Cyrene) combined with ingenuity and hard work and the ability to dive into the spiritual depths ... defying death ... and to emerge with a miracle which benefits all humankind.

ANTINOUS MAY HAVE SEEN THIS TEMPLE UNEARTHED NOW IN HELIOPOLIS EGYPT

A new discovery at a temple in Egypt which Hadrian and Antinous visited has revealed clues to the mysterious last native-born pharaohs of Egypt: Nectanebo I and his stepson Nectanebo II ... the legendary father of Alexander the Great.

A German-Egyptian team of archaeologists unearthed a sanctuary to Nectanebo in the temple precinct of Heliopolis.

It was there that Hadrian, according to historian Royston Lambert, may have cast a magical spell that rebounded and resulted in the death of his beloved Antinous. 

During that fateful final trip up the Nile, just weeks before Antinous died, it was said that Hadrian and Antinous stopped at Heliopolis. 

That is the town near Mennefer (Memphis/Cairo) where the Egyptian magician/priest Pancrates gave to Hadrian (or rather sold to him for an exorbitant sum) a magical spell which could bind another man's affections to him forever ... when the spell was cast properly.

If cast wrong, the spell would result in the death of the other man.

There was some speculation in ancient times as to whether the death of Antinous may have be related to this strange Egyptian spell. 

Whether we believe in the efficacy of Ancient Egyptian Spellcasting, Hadrian most certainly DID believe in magical spells.  

Assuming Hadrian cast the spell a few days or weeks prior to the death of Antinous ... that would certainly explain his inordinate grief at the Blessed Boy's death and his penance in declaring Antinous a god ... perhaps out of a profound sense of guilt.

The temple precinct of Heliopolis was steeped in magical lore and Nectanebo and his stepson were the focus of many legends. 

King Nectanebo or Nektanebos I (Nekhetenebef Kheperkara, may he live forever!) was an army general who became pharaoh and founder of the last native dynasty of Egypt, the thirtieth. 

Nectanebo was a great builder and restorer, to an extent not seen in Egypt for centuries. 

Nectanebo is very well known for the splendid "retro-style" monuments he

erected throughout Egypt, carefully copying the "Classical Middle Egyptian" style of the 12th Dynasty when Egyptian art and literature were at their peak.

The 30th Dynasty marked the final blooming of Egyptian art ahead of a long and inexorable decline in workmanship and artistry in succeeding centuries.

Nektanebos is especially for the many sphinx avenues he laid out in front of temples.

Now Mahmoud Afify, head of the ancient Egyptian antiquities sector at the Egyptian Ministry of Antiquities, has announced the discovery of a sanctuary of Nectanebo I (380-363 BC) in the temple precinct of Heliopolis. 

According to a report in ANSAmed, the building was constructed with limestone reliefs and columns, and had lower wall zones made of black basalt. Aiman Ashmawy, head of the Egyptian team, added that the eastern gate was made of brown silicified sandstone and decorated with inscriptions and ritual scenes. 

The team also unearthed a bronze figurine of the goddess Bastet, basalt slabs carved with images of Nile gods and accompanying texts, and sculptor's practice pieces.

Researchers from the University of Leipzig/Germany have also uncovered a workshop dating from the 4th century BC in the south-east of the temple precinct as well as a new possible temple site of Ramses II, evident by fragments of a colossal statuary and large blocks with wall relief.

Nektanebos founded the 30th Dynasty … the last dynasty of native-born Egyptian pharaohs. 

His stepson Nektanebos II is also well-known as a sorceror-king who, when the Persian fleet was bearing down on Egypt, used effigy model ships in a tank to cast magical spells that destroyed the invading forces at sea before they could reach the landing beaches.

In the eyes of the Egyptians, he was their last great king prior to the gradual descent into serfdom under the Persians, Greeks and, finally, the Romans.

Nectanebo II was ultimately defeated and, in the summer of 342 BC, Artaxerxes entered Memphis/Heliopolis, where the Persians installed a satrap.

Nectanebo fled to Upper Egypt and finally to Nubia, where he was granted asylum. He, however, preserved a degree of power there for some time. With the help of Chababash, Nectanebo made a vain attempt to regain the throne.

Soon after Alexander the Great's godhood was confirmed by the Oracle of Zeus Ammon, a rumor was begun that Nectanebo II, following defeat in his last battle, did not travel to Nubia but instead to the court of Philip II of Macedon in the guise of an Egyptian magician/priest. 

There, while Philip was away on campaign, Nectanebo convinced Philip's wife Olympias that Amun was to come to her and that they would father a son. Nectanebo, disguising himself as Amun, slept with Olympias and from his issue came Alexander. 

This myth would hold strong appeal for Egyptians who desired continuity and harbored a strong dislike for foreign rule.

Hadrian loved tales of mystery and magic and … as pharaoh of Egypt himself … no doubt was very familiar with the legend of Nectanebo, the magician/pharaoh who was the father of Alexander.