THE VENERALIA WHEN VENUS BLESSES HOMOSEXUAL LOVE

ON April 1st worshipers of Antinous around the world honor Venus Urania, who blesses homosexual love.

In Romania, worshipers led by Andrei Dragan will offer prayers and cast rose petals onto the waters of the Black Sea at Constanţa, the country's largest seaport.

The Black Sea also fronts on ancient Bithynia, birth place of Antinous!

Andrei says: "We will honor our Lady and Queen Venus, she from whom love and desire emerged. And therefore, she is also the mother of Gay Love, the mother of our people. So take a moment and show your devotion to her."

Prayers will be accepted from all over the world. Andrei will print them out and scattered the prayers with the rose petals over the waters of the Black Sea at 2 p.m. European time on April 1st.

Submit your prayers to Venus to Antinouspriest@gmail.com by midnight Tuesday.

April 1 is the date given for the Birth of Venus. When Saturn castrated his father Uranus, and separated the sky from the earth, by cutting away the testicles of heaven, Venus, the Great Goddess of Love, was born where the foam of the testicles washed ashore on the island of Cyprus.

She was attended by the Erotes, the spirits of desire, as seen in this image: "D'après Botticelli" 1984, acrylic on canvas, by the noted Italian artist, Marco Silombria. Soon afterwards she created the three Graces.

She was brought into Olympus by marrying Vulcan, the smith god, but Venus is an older, and more powerful than the Olympians, except for Zeus, because she is directly descended from Uranus, the heavens.

Venus shared her love with almost all the gods, to the humiliation of Vulcan, Juno's son, but her most ardent desire was for the war god Mars, whose virile masculinity is in direct contrast to her voluptuous feminine grace.

Together Mars and Venus fought for the Trojans against the other jealous goddesses, and though Zeus gave victory to the Greeks, he promised Venus that her chosen people would have their revenge.

Flamen Antonius Subia says:

So it was that Venus guided her son Aeneus and his followers out of the burning city and across the world to the place where Rome would one day stand. The descendants of the Trojan refugees and of Mars were Romulus and Remus who founded Rome, whose sons, through War and Love would conquer the world.

Julius Caesar claimed to be descended from Venus through Aeneus, and so she became the guardian spirit of the Emperors.

In the year 135 Hadrian dedicated the Temple of Venus and Roma. Hadrian built one of the largest Temples in Rome for the Great Goddess of Love and for the Spirit of the Deified City.

Hadrian intended with this Temple to proclaim to the Romans that the Empire was the child of Love and War, but that Love, through the Goddess Venus, was to be the foremost power. We dedicate this day to Venus Urania, who blesses homosexual love.

AS THE BEES MYSTERIOUSLY DISAPPEAR WE REMEMBER ANTINOUS-ARISTAEUS

A mysterious malady seems to have expanded drastically, wiping out as many as half of the beehives needed to pollinate much of produce in North America and many other parts of the world.

This is a crisis of mythic proportions ... in the truest sense of the word. In Classical Mythology the world's bees all vanished ... and it took the daring plunge of a brave Hero to find the divine powers to bring the bees back ... and to save mankind.

It is all there in Virgil's version of the story of Aristaeus (Aristée/Aristaios).

As this statue in the Louvre shows, Antinous was identified by the Ancients with Aristaeus ... they both descended into a river and emerged with godly powers.

Aristaeus was the son of Apollo and the river-nymph Cyrene and his assignment on the earthly plane was to teach mortal humans the art of farming and cultivating crops and tending livestock and keeping bees.

Honey was practically a form of ambrosia, or at least the nearest thing to ambrosia that mortal men had. It was the job of Aristaios to teach men how to cunningly harvest honey without being stung.

But Aristaeus had inadvertently caused the death of Eurydice by causing her to tread upon a venomous serpent. Her death and Orpheus's attempt to bring her back to the earthly plane were the origins of the Orphic Mysteries.

Shortly after Eurydice died, the bees which Aristaeus had been nurturing all began dying of a unexplainable cause. Nothing he could do seemed to prevent them from dying and soon they were all gone and humans were deprived of honey, beeswax, mead and the many other products which bees provide to man, not to mention the fact that, without bees, there was nobody to pollinate plants. The situation was dire.

Here's what Bulfinch writes, quoting Virgil:

"Aristæus, who first taught the management of bees, was the son of the water-nymph Cyrene. His bees had perished, and he resorted for aid to his mother. He stood at the river side and thus addressed her: 'O mother, the pride of my life is taken from me! I have lost my precious bees. My care and skill have availed me nothing, and you my mother have not warded off from me the blow of misfortune.'

"His mother heard these complaints as she sat in her palace at the bottom of the river, with her attendant nymphs around her. They were engaged in female occupations, spinning and weaving, while one told stories to amuse the rest. The sad voice of Aristæus interrupting their occupation, one of them put her head above the water and seeing him, returned and gave information to his mother, who ordered that he should be brought into her presence.

"The river at her command opened itself and let him pass in, while it stood curled like a mountain on either side. He descended to the region where the fountains of the great rivers lie; he saw the enormous receptacles of waters and was almost deafened with the roar, while he surveyed them hurrying off in various directions to water the face of the earth.

"Arriving at his mother’s apartment, he was hospitably received by Cyrene and her nymphs, who spread their table with the richest dainties. They first poured out libations to Neptune, then regaled themselves with the feast, and after that Cyrene thus addressed him: 'There is an old prophet named Proteus, who dwells in the sea and is a favorite of Neptune, whose herd of sea-calves he pastures. We nymphs hold him in great respect, for he is a learned sage and knows all things, past, present, and to come. He can tell you, my son, the cause of the mortality among your bees, and how you may remedy it.'"

The story goes on to say a river nymph escorted Aristaeus to the cave of Proteus where he subdued the cantankerous old prophet (who was a shape-shifter and tried unsuccessfully to elude Aristaeus by changing form). Aristaeus told him of his plight and wanted to know the cause of this misfortune and how to remedy it. Bulfinch writes:

"At these words the prophet, fixing on him his gray eyes with a piercing look, thus spoke: 'You receive the merited reward of your deeds, by which Eurydice met her death, for in flying from you she trod upon a serpent, of whose bite she died. To avenge her death, the nymphs, her companions, have sent this destruction to your bees. You have to appease their anger, and thus it must be done: Select four bulls, of perfect form and size, and four cows of equal beauty, build four altars to the nymphs, and sacrifice the animals, leaving their carcasses in the leafy grove. To Orpheus and Eurydice you shall pay such funeral honors as may allay their resentment. Returning after nine days, you will examine the bodies of the cattle slain and see what will befall.'

"Aristæus faithfully obeyed these directions. He sacrificed the cattle, he left their bodies in the grove, he offered funeral honors to the shades of Orpheus and Eurydice; then returning on the ninth day he examined the bodies of the animals, and, wonderful to relate! a swarm of bees had taken possession of one of the carcasses and were pursuing their labors there as in a hive."

So there we have it! Even the most illiterate and ignorant peasant would know the story of Aristaeus and the bees and the plunge into the river to unravel a Sacred Mystery. Aristaeus survived the plunge and emerged with Secret Knowledge which was of a great service to mankind.

For without bees to pollinate orchards and crops, mankind can scarcely survive ... a fact which has come home to haunt us today as bee populations dwindle worldwide and food riots rage in developing countries.

Ancient peoples, even those who could not read or write, could look at the statue of Antinous-Aristaeus and immediately see the Sacred Symbolism ... Like Aristaios, Antinous is a god who took the plunge into a river and who emerged with knowledge of Sacred Mysteries.

Wearing a sun hat, carrying a farm tool and holding an olive sprig, Antinous-Aristaeus symbolizes the union of sunshine and water (Apollo/Cyrene) combined with ingenuity and hard work and the ability to dive into the spiritual depths ... defying death ... and to emerge with a miracle which benefits all humankind.

FEATURED ANTINOUS STATUE OF THE DAY THE ANTINOUS OF ELEUSIS

THE statue of Antinous from Eleusis - Ἐλευσίς - is the only one that seems to refer back to an incident in his life, his initiation into the Eleusinian Mysteries of death and resurrection in September 128 AD.

The sculpture was erected after his death in the outer courtyard of Eleusis and captures this instant of his life, though officially it depicts him as the god Dionysos Zagreus, a divinity of suffering abd resurrection associated with the Eleusinian Mysteries.

Technically it is not one of the best of the depictions of Antinous, but it evokes a mood and a moment.

The sulptor clearly envisaged the young lad draped in his himation, standing in the darkened Telesterion (the initiation hall) and confronted with the Eleusinian Mysteries of death and resurrection.

He clutches at the folds of his himation anxiously, insecure, staring wide-eyed, his mouth pursed in awe, with an expression of apprehension, intent rapture and awarness of the tremendous significance of what was being revealed to him.

Even though it is a mediocre statue in workmanship and details it is redeemed by its expressiveness and pathos.

This statue is now housed in the Archaeological Museum of Eleusis: Antinous as Dionysus Zagreus, Inv. 5092, 1.83 m, in marble of Thasos.

ODE TO THE NARCISSUS MOON By Antonius Subia

I am Antinous looking down in the mirror

The way that I love myself is the way that I love you

My love is your love and your love is my love

My breathe is a trace of your perfume

As I walk through the world, I walk as you

My steps are your steps and your steps are my steps

I look up into the stars and I see myself 

You have no idea that I am you

And you are me

And that we are in love

I am Antinous looking up in the mirror

(Narcissus Moon)

THIS PUZZLING POMEGRANATE EMERGED FROM THE UNDERWORLD OF A VINTAGE CAR

THE Puzzle of the Pomegranate. 

Antonius Subia was driving his vintage Camaro through the streets of Hollywood the other day when he braked suddenly ... and a pomegranate rolled out from under the seat. 

He had bought it weeks ago and had forgotten it. 

Its reappearance "from the underworld" coincides with this week's Equinox celebration of Persephone emerging from Hades with a pomegranate. 

Pomegranates symbolize Antinous priests: "Severe on the outside and indulgent on the inside," says Priest Uendi, who has a pomegranate tapestry behind her Antinous altar. 

Antonius meanwhile shares this photo of his Antinous Lararium altar with the magic pomegranate that suddenly returned from the underworld in his car.

WALT WHITMAN SAINT OF ANTINOUS

ON March 26th the Religion of Antinous takes a moment to celebrate the life of one of our most popular Antinoian prophets ... Saint Walt Whitman.

Walt Whitman was born on May 31, 1819, on the West Hills of Long Island, New York. He was lavished with love by his mother, but treated with stern discipline by his carpenter father.

After only a few years of school, Whitman was pulled out to help with the family earnings. He educated himself, reading all that he could, worked in a printing house, and eventually became a schoolteacher who taught with refreshing openness and excitement, allowing his students to call him by his first name. After years of teaching, he went into journalism, and in time was the editor of several publications.

However, Walt Whitman is said to have experienced a life-transforming epiphany. He left New York, and returned to live for a period with his family, then returned from isolation with Leaves of Grass, one of the most powerful collections of poems in American literature and the first to allude heavily to homosexual love.

It is often said that, during his time in isolation, a religious sense of purpose entered his heart, which he revealed in the Calamus poems.

The aromatic, psychotropic calamus plant with its phallic spadix flower pods was his symbol for homosexuality. The calamus has special meaning for us because Kalamos of Greek myth fell in love with the beautiful youth Karpos. 

Like Antinous, Karpos died by drowning. Grief-stricken Kalamos wept among the reeds at the waterside until he was himself transformed into a reed, whose rustling in the wind is his sigh of woe.

When the American civil war broke out, Walt Whitman was 42 years old and served as a hospital nurse, falling in love with all the soldiers, especially those who died in his arms.

Open expressions of love between men were accepted without issue during the war, and it was when the visionary enlightenment of Walt Whitman became clear to him. He saw that the origin of this love, brotherly, or friendly perhaps, if not more, was the salvation of the human race, and certainly able to heal the divide between North and South.

His final years were spent communicating his message to the new torchbearers, such as John Addington Symonds and Edward Carpenter. After his death, and as Gay Liberation took strength, he was called a Prophet, particularly by the George Cecil Ives and the Order of Chaeronea.

We, adherents of the ancient/modern Religion of Antinous, proclaim him to be St. Walt Whitman the Prophet of Homoeros, and we elevate him to his own stratosphere in our devotion.

He died March 26th, 1892 of tuberculosis compounded by pneumonia. Over 1,000 mourners paid their respects. St. Walt told us how he wanted us to remember him, not as a great poet, but as "the tenderest lover":

You bards of ages hence! when you refer to me, mind not so much my poems,
Nor speak of me that I prophesied of The States, and led them the way of their Glories;
But come, I will take you down underneath this impassive exterior ... I will tell you what to say of me:
Publish my name and hang up my picture as that of the tenderest lover,
The friend, the lover's portrait, of whom his friend, his lover, was fondest,
Who was not proud of his songs, but of measureless ocean of love within him ... and freely poured it forth,
Who often walked lonesome walks, thinking of his dear friends, his lovers,
Who pensive, away from one he loved, often lay sleepless and dissatisfied at night,
Who knew too well the sick, sick dread lest the one he loved might secretly be indifferent to him,
Whose happiest days were far away, through fields, in woods, on hills, he and another, wandering hand in hand, they twain, apart from other men,
Who oft as he sauntered the streets, curved with his arm the shoulder of his friend  while the arm of his friend rested upon him also.

WE HONOR THE EMPRESS SABINA

THE Empress Sabina Augusta ... Vibia Sabina ... Hadrian's Wife ... died sometime in the year 136, and was deified in the year 138.

The date of her elevation to godliness is not known, but because she was so often compared to the Mother Goddess Ceres-Demeter, we declare her Apotheosis to coincide with the return of spring in Rome, and dedicate our celebration of the Equinox to our mother and Empress, Nova Dea Ceres, Sabina Augusta.

This relief sculpture of her deification, in which she is shown rising up from the cremation flames on the wings of a female Aeon, shows Hadrian enthroned, behind him is a figure that resembles Antoninus Pius.

And reclining on the floor is one who could possibly be Antinous, the resemblance to the youth on the Apotheosis of Antoninus is remarkable.

WE MOURN THE DEATH OF ANTINOUS-ADONIS

ADONIS was the most beautiful boy that ever lived, so beautiful that Venus fell totally in love with him and forsook all her love-joys in order to follow him on his hunt through the forests of Mt. Lebanon.

But Adonis was unmoved and completely rejected her advances. She became infatuated and abandoned herself to the boy who only cared to hunt.

Mars was jealous of his rival, and outraged to see Venus subjected to desperation and lust, so he contrived to lure Venus away by having Mercury recall her to her neglected duties, because without her influence to temper the raging schemes of her Erotic son, there was no love in the world.

While she was away, Mars transformed himself into a wild boar and let Adonis pursue him through the woods.

The God of War suddenly charged the young God of Beauty and disarmed him, and with a deadly kiss, gored Adonis in the groin sinking his razor tusk between his perfect white legs.

When she returned, Venus found her beloved boy dead and cut her hair in mourning, she immortalized his soul as a flower, and made the river that bears his name flow red.

The love between Venus and Adonis was unfulfilled, her adoration for him was unreturned because Adonis had no care for women, and he preferred his hunting dogs to her gentle caresses.

Only the War God Mars had his way with Adonis, though motivated by jealousy and rage, it was a violent sexual attack, for which all the world must mourn, because in the savagery of the Lust of Mars, the world was forever robbed of the beauty of Adonis.

Flamen Antonius Subia says:

"We venerate Adonis and seek his shadow in the gardens of human beauty. Antinous is the 'Adonis of the Underworld' ... our perfect desire who flees from our embrace ... but we, like Venus, never abandon him to his endless hunt, and caress his cheek even though our hands can never touch him."

ANTINOUS-ATTIS DIES AND IS REBORN DURING THE CYCLE OF THE EQUINOX

THE cycle of the March Equinox is Sacred to the Great Mother of the Gods, and to her divine lover-son Attis, who dies and is reborn at this time of year.

Persephone returns from the underworld, and the verdure returns to the face of the Earth.

The death of Attis is symbolic of the fruit flowers that appear at this season and then fall away, making room for the ripening fruit.

It was celebrated in Rome with the introduction of a great pine tree that was carried into the Temple of Magna Mater.

An image of the dead Attis was carried on a bier and hung from the tree which was decorated with purple ribbons and violet flowers.

On the Day of Blood, the priests performed austerities including the self-castration of new priests, and the bloodletting of the old priests to the accompaniment of drum and cymbal music.

After the Day of Blood, when Attis was said to have risen again, the festival turned to joy and elation and was known as the Hilaria.

The final part of the sacred days was the day of cleansing, when the image of the Great Mother, a black stone encased in silver, was taken to the river Arno and washed by the priests.

Flamen Antonius Subia says:

"The five-day cycle of the Equinox ... the the Mithraic Mysteries and all the other remembrances ... are all contained in the Death and Resurrection of Attis, the beautiful boy, who severed his own testicles and died giving his blood to the bosom of the earth ... but did not die."

WE HONOR ANTINOUS AS MARS

WHEN the Sun enters the Sign of Aries at the March Equinox, we honor Antinous in his special guise as Antinous/Mars.

Mars, God of War, son of Jupiter and Juno, father of Romulus and Remus, founders of Rome, was the divine spirit of the Roman Army whose legions subjugated the world.

His power ran like molten steel in the blood of Romans who he made them invincible.

The ram was sacred to him, and thus the sign of Aries was devoted to him, as it was in the early spring, after the fields were sown and before the harvest that the men went to war.

Originally Mars was an agricultural deity, whose duty was to protect the fields from marauders. But he soon became an aggressive conqueror, whose sacred spears were ritually shaken by the Flamen Martialis when the legions were preparing for war.

He had twin sons who accompanied him and went before the armies in battle, their names were Phobos and Deimos, fear and panic.

He was the illicit lover of Venus, and it is said that they were the co-creators of Rome who through war brought love and peace to the whole world. It was in this spirit that Hadrian worshipped the pair.

Mars is the great spirit of masculinity, the violent, courageous power of the male sex, the penetrator and subjugator.

His emblem, an iron spear, is a symbol for the phallus, and so it is that Mars is the great potent Phallus of Man, the impregnator.

In this sense he is venerated as the warrior within all men, and as our most extreme, animalistic, carnal, aggressive nature.

He is the conqueror of winter, the dominator of spring, the protector of life, and the bringer of death.

He is war and fury, selflessly courageous, for the protection of the weak and for the defeat of the strong.

Mars never surrenders, and this is why Venus is so mad with lust for him, and why we adore him as our protector.

BRAZIL'S FIRST TEMPLE OF ANTINOUS TO BE FOUNDED BY NEWSMAN DECO RIBEIRO

PLANS were announced today for the first Temple of Antinous in Brazil.

The announcement came during Equinox ceremonies at the Hollywood Temple of Antinous which were shared via SKYPE with adherents in Brazil, Europe and Australia.

High priest of the new temple will be DECO RIBEIRO, journalist and educator, who has been a driving force in the worldwide worship of Antinous for more than 10 years. 

Deco lives in Brazil in the city of Campinas located north of São Paulo and he is a veteran journalist and gay activist and founder/director of a pioneering SCHOOL FOR LGBT YOUTH ... the only one of its kind in the world.

Speaking via SKYPE, he announced his calling to become a dedicant priest of Antinous. 

The assembled priests unanimously acclaimed his announcement and welcomed him to a one-year training period before investiture.

Brazil has a large number of Antinous adherents, far more than any other nation aside from the United States. 

"It is noteworthy that the only sculptures of Antinous located in the Western Hemisphere happen to be in the US and in Brazil," said ANTONIUS SUBIA.

"It is as though Antinous himself has chosen those two countries to be his base for spreading his religion in the Western Hemisphere," Antonius told the worshipers assembled via SKYPE.

Deco said his decision comes after years of contemplation and worship.

He added that the spark for his decision to announce his candidacy at this particular time was the investiture of MARTINUS CAMPBELL as priest of Antinous in London earlier this month.

"Martinus inspired me to take the leap of faith and make my announcement now," Deco said to applause from the group.

He will now undertake 12 months of study, meditation and learning before taking his final vows.

PRIESTS OF ANTINOUS CELEBRATE THE HISTORIC 2015 EQUINOX SOLAR ECLIPSE

THE Equinox Solar Eclipse has just past its peak and the sun is beginning to reappear. 

Priests Hernestus and Martinus have just completed a meditation ritual for this historic celestial event. 

Joined across the cyber-aether, Martinus (in Britain) and Hernestus (in Germany) joined together in a crystal-enhanced meditation in which they visualized Antinous standing vulnerable on the deck of the imperial barge in the final moments of his earthly life ... on the threshold between mortality and divinity. 

Priests of Antinous in the Western Hemisphere will celebrate the Equinox later Friday with special Skype ceremonies originating from the Hollywood Temple of Antinous.

Antinous worshipers in the UK, Germany, US, Mexico and Brazil are commemorating the change in the seasons, the Eclipse and the New Moon ... which is a "Super Moon" because the moon is closer than usual to the Earth and will appear somewhat larger than usual. 

Shortly after the New Moon Solar Eclipse, the Sun shifts into Aries for the Equinox. 

This is the start of the astrological new year, and the symbolism could not be stronger: This is an ending and also a new beginning. It is the best time of year to plant the "seeds" you want to see growing in your own personal life.

STONE AGE MASTER LOVED DOG SO MUCH HE BURIED IT WITH HONORS 7,000 YEARS AGO

A dog was loved so much by its prehistoric human master that it was given a proper human burial with honors … more than 7,000 years ago.

Another canine was buried with a human at the same burial site in Siberia ... a wolf whose paws were wrapped around a human's head, like a shaman's headdress.

The experts say the evidence is clear: the wolf was seen as a fierce protector in the afterlife ... but the dog was considered a member of the family who should be a beloved companion for eternity.

Experts say burial remains of the dog in Siberia suggest the male Husky-like canine clearly was treated like one of the family, eating the same food, doing chores which resulted in injuries which were treated medically, and getting a human-like burial.

"Based on how northern indigenous people understand animals in historic times, I think the people burying this particular dog saw it as a thinking, social being, perhaps on par with humans in many ways," said Robert Losey, lead author of a study about the dog burial, which has been accepted for publication in the Journal of Anthropological Archaeology.

"I think the act of treating it as a human upon its death indicates that people knew it had a soul, and that the mortuary rites it received were meant to ensure that this soul was properly cared for," added Losey, an associate professor of anthropology at the University of Alberta.

For the study, Losey collaborated with excavation director Vladimir Bazaliiskii and his team, who found the buried dog at the Shamanka cemetery near Lake Baikal in Siberia in farthest eastern Russia.

"Just like the humans in the cemetery, the dog was buried with other items, (such as) a long spoon made of antler," Losey said.

The dog was carefully laid to rest lying on his right side in a grave pit that, at other levels, also contained five partial human skeletons.

DNA and stable isotope analysis determined the animal was indeed a dog and that he ate exactly what humans at the site consumed: fish, freshwater seal meat, deer, small mammals, and some plant foods.

But being treated like one of the family also meant that the dog had to perform chores … chores which entailed injury.

"The dog's skeleton, particularly its vertebrate spines, suggests that it was repeatedly used to transport loads," Losey explained. 

"This could have included carrying gear on its back that was used in daily activities like hunting, fishing, and gathering plant foods and firewood," he said.

"The dog also could have been used to transport gear for the purposes of relocating settlements on a seasonal basis," Losey added.

Additional fractures suggest the dog suffered numerous blows during its lifetime, possibly from the feet of red deer during hunting outings. 

The researchers cannot rule out that humans hit the dog, but its older age at burial, food provisions, and more suggest otherwise.

From the same general time period, the scientists also found a wolf burial at a site called Lokomotiv near the Irkut and Angara rivers in Siberia.

The wolf, which did not consume human-provided foods, appears to have died of old age. Its remains were found wrapped around a human skull. There is no evidence the wolf interacted with the person when alive.

"Perhaps the burial of the wolf with the human head placed between its feet was done to send the spirit or soul of the wolf with this particular human to the afterlife, perhaps as its protector," Losey said.

ROBERT MAPPLETHORPE SAINT OF ANTINOUS

ON March 19 the Religion of Antinous honors Robert Mapplethorpe, Saint of Antinous.

In 1990, the Cincinnati Contemporary Arts Center and its director were charged with "Pandering Obscenity" after an exhibition of Mapplethorpe?s photographs. 

They were eventually acquitted but the event fueled a national debate over federal funding of the arts in the United States. 

The debate, which has affected American art ever since, focuses on whether tax dollars should be spent on projects which political conservatives deem objectionable. Specifically, the debate is over whether gay-theme art should be funded.

Robert Mapplethorpe died from AIDS on March 19th, 1989, one year before his art spawned the controversy, so he was only able to speak through his photographs.

His subject matter portrayed homosexually charged images of nude men.

The controversy that Robert Mapplethorpe sparked exposed the double standard by which homosexual art is judged against heterosexual art. He revealed that nudity is most "obscene" to non-gays when it involves males.

We proclaim his sainthood to be heroic and dedicated to Antinous, because Robert Mapplethrope beautifully photographed a plaster statue of Antinous (shown at left), indicating that he must have known our God and in some way loved him.

CHARLOTTE VON MAHLSDORF SAINT OF ANTINOUS

SAINT Charlotte von Mahlsdorf, who was born on this day in 1928, was a Berlin trans/gay who survived the Nazis and East German communists and about whose life a Pulitzer Prize winning play, "I Am My Own Woman", has been staged at theatres around the world.

The title is misleading since the original German is "Ich bin meine eigene Frau" and the word "Frau" can mean either "Woman" or "Wife". 

The phrase was Charlotte's answer to her mother's question: "Don't you think it's time you got a wife?"

Charlotte was her own man and her own woman and her own husband/wife. In a long life amidst dictatorship, war and oppression of human-rights, Charlotte learned to create her own identity. We honor Charlotte as a Saint of the Religion of Antinous.

St. Charlotte, who liked to wear frumpy house dresses with a clunky handbag and a strand of pearls and matronly shoes, somehow managed to survive the Gestapo, the East German Stasi secret police and assaults by neo-Nazis. In doing so, Charlotte made serious ethical compromises along the way in order to stay alive. 

Charlotte amassed a huge collection of Victorian antiques which some said came from the homes of Jewish Holocaust victims and (later) from homes of people fleeing East Germany.


But Charlotte DID stay alive in dangerous times during which others perished. Charlotte's life forces you to ask yourself what YOU would have done in similar circumstances.

After German unification, Charlotte became something of a reluctant gay icon in Germany in the 1990s. Charlotte never had any pretensions of being intellectual or a political activist. 

Charlotte never quite fit in with post-Stonewall activists, who were a bit puzzled by her dowdy grand-motherliness and her passion for 19th Century Renaissance Revival style antiques. Like Quentin Crisp (also a Saint of Antinous), Charlotte belonged to another era.

But unlike Quentin Crisp, Charlotte wasn't especially witty or campy (despite her appearance) and was not an artist of the arch one-liner the way Quentin was. In appearances on talk shows, she would sit there, smiling politely, with not a great deal to say unless it was about collecting and restoring 19th Century antiques. But what she did say was eloquent in its simplicity: 

People should be kind to each other and let each other get on with their lives the way they want to.

Above all, she didn't much like being a celebrity. Too many people  expected things of her. She became a target for neo-Nazis, mostly drunken, youthful vandals in the 1990s. Not surprisingly perhaps, considering all she had lived through, she became somewhat paranoid towards the end of her life. In the end, she fled to Sweden where she spent her final years in virtual isolation before dying in 2002.

We honor St. Charlotte von Mahlsdorf for being someone who was not afraid to be openly trans/gay in the face of totalitarian dictatorships and police states. Someone who survived the Nazis and the Stasi secret police ... wearing a dress, a strand of pearls and a handbag.

THIS IS THE DAY THE WISEST MAN DIED AND ROME BEGAN TO FALL

MARCH 17th is the anniversary of the death of Marcus Aurelius and we in the Religion of Antinous set aside this day each year to remember the last of the great philosopher-emperors, and a man who knew both Hadrian and Antinous.

What follows, is adapted from writings over the years by Flamen Antinoalis Antonyus.

As a young boy Marcus Aurelius had caught the eye of the Emperor Hadrian. He was appointed by the Emperor to priesthood in the year 129 (just a year before the death of Antinous), and Hadrian also supervised his education, which was entrusted to the best professors of literature, rhetoric and philosophy of the time.

Marcus Aurelius discovered Stoicism by the time he was 11 and from his early twenties he deserted his other studies for philosophy. The Emperor Antoninus Pius, who succeeded Hadrian, adopted Marcus Aurelius as his son in 138.

Antoninus Pius treated Aurelius as a confidant and helper throughout his reign; Marcus Aurelius also married his daughter, Faustina, in 139. He was admitted to the Senate, and then twice the consulship. In 147 he shared tribunician power with Antoninus. During this time he began composition of his Meditations, which he wrote in Greek in army camps.

At the age of 40, in 161 Marcus Aurelius ascended the throne and shared his imperial power with his adopted brother Lucius Aurelius Verus. Useless and lazy, Verus was regarded as a kind of junior emperor; he died in 169. After Verus's death he ruled alone.

Most of his reign was spent fighting and negotiating with the Germanic barbarians who were steadily crowding around the borders of the Empire. Marcus was able to hold them back with a succession of victories and peace treaties. In 177 he made his son, Commodus, joint-Emperor, though Commodus had no interest in the responsibility, caring more for the gladiatorial sports, but Marcus, the philosopher- king, took no notice of his son's blood-lust, which was to later cost the Empire dearly.

For much of his reign, Marcus Aurelius had suffered from severe illness, but his calm devotion to stoic virtue gave him the strength to continue without rest and without his poor health interfering with his duties. While with the legions on the German frontier, Marcus Aurelius suddenly died on March 17th in the year 180AD.

His ashes were conveyed to Rome and placed in Hadrian's Mausoleum. Commodus assumed power and began the chain of tragic events that are said to have brought the decline and fall of the Roman Empire.

For his wisdom, and strength, and because he was the last instrument of Hadrian's plan that brought so much glory, and prosperity to Rome, we venerate the deified Marcus Aurelius as a god of the Religion of Antinous.

An important feature of the philosophy was that everything will recur: the whole universe becomes fire and then repeats itself.

Constantly regard the universe as one living being, having one substance and one soul; and observe how all things have reference to one perception, the perception of this one living being; and how all things act with one movement; and how all things are the cooperating causes of all things which exist; observe too the continuous spinning of the thread and the contexture of the web. (from The Meditations)

POMPEII'S VILLA OF THE MYSTERIES REOPENS IN ITS ENTIRETY

POMPEII's biggest house, the Villa of the Mysteries, is set to reopen in its entirety on March 20, following nearly two years of restoration work that began in May 2013.

The restoration was funded by the Special Superintendency for the Archaeological Heritage of Naples and Pompeii (SANP) and was conducted in lots so that parts of the Villa were still open to the public throughout the restoration process.

The Villa was first discovered in excavations in 1909 and was exceptionally well-preserved despite the eruption of Vesuvius in 79 A.D., which covered it in a layer of over 30 feet of volcanic ash.

The recent restoration work, which involved 70 rooms of the Villa, corrected some of the damage inflicted by previous restoration techniques that were found to be harmful to the Villa's frescoes over the years.

In work done during the 1930s, wax was applied to preserve the frescoes, but ultimately faded the colors, something that was corrected using techniques to first identify the nature of the chromatic alterations and other damage over time and then perform restorations.

In addition to work done to restore the Villa's frescoes, the most famous of which is the Dionysiac frieze portraying the mysteries of the Cult of Dionysus from which the Villa takes its name, work was also done to clean the intricate mosaic floor decorations.

THE ONLY IMAGE OF A GREAT PHARAOH WAS FLUSHED DOWN THE TOILET

EXPERTS recently found the oldest papyrus document in Egypt, a scrap of papyrus with the name Khufu (Cheops) ... meaning the document is 4,500 years old ... written 2,000 years before the siege of Troy.

The only known portrait of Khufu (or Cheops), the 4th Dynasty pharaoh who (allegedly) built the Great Pyramid at Giza, is a very tiny ivory figurine only 7 centimeters (3 inches) tall.

It was discovered covered in dried feces in an ancient cesspit next to the temple of Seti at Abydos in Egypt. 

We can only assume that, thousands of years ago, some harried novice priest "flushed it away" during routine spring cleaning to clear out old statuary to make room for new items.

We like to think he was a rather awkward young priest who had been given the rather thankless task of ritually blessing and "desanctifying" old statues and burying them with special prayers. He probably had a whole bag of these little figurines from various olden dynasties.

There he is, toiling away at his rituals for these little objects, his stomach growling as the broiling sun hits midday. Another young priest sticks his head through the door and says, "What? You're still not finished? You'll miss lunch! Well, we can't wait, the rest of us are going now, slowpoke!"

So he did the unthinkable and dumped the rest of the little figures down the toilet, muttering hurried incantations and prayers for forgiveness for his sacrilege -- and scampered off to join his fellow novices for lunch. Among the objects was the little ivory figure of Khufu. He no doubt assumed it was insignificant and nobody would know ....

How ironic, then, that it was his sacrilegious act which in fact saved Khufu from the nameless death -- the second death so feared by Egyptians. Every other statue of Khufu vanished. That one tiny figurine, encased in compacted turds, survived to become one of the great treasures of the world ... the only image of him incised with his name.

And the priest? Most likely he cringed at what he had done, would wake up at night even years later, full of guilt and worry for his immortal soul. Surely his KA would refuse him at the hour of his death. His heart would betray him at the judgement. He would die the second death in the jaws of the Devourer ... for he had treated sacred images literally the same as shit!

Imagine the priest's flabbergasted surprise when Anubis led him to the scales and his heart was lighter than the Feather of Truth and the 42 sacred baboons sang his praises and the Divine Khufu himself was there to congratulate him and welcome him (and his overjoyed KA) aboard the king's own personal barque of eternity.

This tiny ivory figurine is symbolic of the course of human history. Imagine how Julius Caesar or Hadrian felt as they toured Egypt and saw all the looted tombs and perhaps stood before the rock-crystal sarcophagus of Alexander (if it hadn't been stolen by their time) and how they must have marveled with increasing dread at how  much had been lost to the vicissitudes of time. 

Hadrian collected everything he could get his hands on and put it on display at his villa -- treasures from around the world.

But Hadrian knew -- and history shows us -- that many of the "treasures" of our human heritage are in fact only the detritus and left-overs of earlier ages. 

Often enough, the truly splendid things were lost precisely because efforts were made to place them in a highly exposed place such as a museum or a great library or a temple vault.

Often enough, the things which survived are the junk which was considered not worth saving and so was dumped into storage rooms somewhere -- or even flushed down the toilet ....

TRACE THE FOOTSTEPS OF ANTINOUS WITH THIS STREET MAP OF ROME

WE envision Antinous strolling down these streets in Rome's infamous Subura red-light district with other young friends from the "paedagogium" academy.

The wide street that traverses this fragment of a map of the city of Rome from right to left (west to east) has been identified as the Clivus Suburanus, a major street that ran from the Forum and the Argiletum through the Subura neighborhood, past the front of the Porticus Liviae, to the Esquiline Gate.

This fragment is from the Forma Urbis Romae, or Severan Marble Plan of Rome. This enormous map, measuring ca. 18.10 x 13 meters (ca. 60 x 43 feet), was carved between 203-211 AD and covered an entire wall inside the Templum Pacis in Rome. 

It depicted the ground plan of every architectural feature in the ancient city, from large public monuments to small shops, rooms, and even staircases.

This fragment represents a large section on the Oppian Hill of the residential and commercial district called the Subura. 

Roman poets like Martial and Juvenal described the Subura as a sordid commercial area, riddled with violence, brothels, and collapsing buildings. 

In reality, it was probably not different from any other neighborhood in Rome … or many modern European cities, for that matter … where commercial activity intermingled with the religious and political life in the great public monuments and smaller local shrines and meeting halls of the local "collegia" and where the large "comus" homes of the rich stood next to the decrepit apartment buildings that housed the poor. 

An abundance of evidence demonstrates that even in imperial times the Subura housed senators (probably on the upper slopes) as well as sandal makers, blacksmiths, and cloth sellers. Commercial activity was probably concentrated all along the clivus Suburanus.

The Severan Marble Plan is a key resource for the study of ancient Rome, but only 10-15% of the map survives, broken into 1,186 pieces.

For centuries, scholars have tried to match the fragments and reconstruct this great puzzle, but progress is slow … the marble pieces are heavy, unwieldy, and not easily accessible. 

Now, computer scientists and archaeologists at Stanford are employing digital technologies to try to reconstruct the map. 

In collaboration with the Sovraintendenza of the Comune di Roma, a team from Stanford's Computer Graphics laboratory has been creating digital photographs and 3D models of all 1,186 fragments. 

The next step is to develop 3D matching algorithms to "solve the map," and to build a fully searchable database of the fragments … a much-needed tool for archaeological research.

HERMES TRISMEGISTUS IS FOCUS OF SHOW AT AMSTERDAM'S FAMOUS RITMAN LIBRARY

AN amazing exhibition has opened at The Ritman Library of esoteric and occult lore in Amsterdam which focuses on Hermes Trismegistus.

This breath-taking show explains everything you ever wanted to know about the attributes that can be associated with him, such as the armillary sphere, the Tabula smaragdina, the ouroboros and the caduceus.

MASTER OF CHANGE: Images of Hermes Trismegistus is based on works in The Ritman Library.

On show are examples of printed books and manuscripts and prints ranging mainly from the early 16th to the late 18th Centuries which show some facets of the philosopher-god who already in his first manifestation as the god Thoth in ancient Egypt was regarded as a ‘many-sided’ god. 

When Hermes eventually changed into the ‘patron saint’ of alchemy, he came to symbolize Mercury, a volatile metal which can form amalgams with almost all other metals. 

Mercury is also the beginning and end of the alchemical process and synonymous with the Philosophers’ Stone: ‘Est in Mercurio quidquid quaerunt sapientes’ – whatever the sages seek is in Mercurius.

The exhibition traces the development of this multi-faceted occult phenomenon from Thoth in Ancient Egypt through Ancient Greece and Rome through the Middle Ages and into the Renaissance and even into the modern occult revival.

Master of Change. Images of Hermes Trismegistus. 

6 January – 31 July 2015.

The Ritman Library
Bloemstraat 13-19
1016 KV Amsterdam
The Netherlands
info@ritmanlibrary.nl

Opening hours: Tuesday-Friday 10.00-12.30 and 13.30-17.00

Admission fee: € 5 euros
Guided tours: available on request

TWO ANCIENT EGYPTIAN TOMBS FOUND WILL ANTINOUS TOMB BE NEXT?

TWO ancient Egyptian tombs have been discovered at Luxor ... raising hopes once again that the Lost Tomb of Antinous could still yet be found.

If tombs can still be found even in Egypt, where archaeological digs have been going on for centuries, then the resting places of such personalities as Alexander the Great and Antinous may also be hidden under the sands.

Antinous died in the Nile in Egypt, but his resting place has never been identified.

The Egyptian Ministry of Antiquities said the two "new" ancient tombs were found in Western Thebes at the village of Qurna.

One tomb was identified as belonging to a man called "Amenhotep" who was also called Rebiu, the door-keeper of the god Amun.

The second tomb is T-shaped and its owner is "Sa-Mut" and most probably dates to the 18th Dynasty of the New Kingdom . 

It contains a number of beautiful scenes painted on plaster with extremely bright colors (shown here). 

There are scenes representing everyday life activities, celebration scenes and other scenes representing the tomb owner and his wife "Ta Khaeet". 

The tomb consists of a transverse hall and unfinished side chambers with shafts. It was robbed in antiquity and some of the texts and scenery were deliberately damaged.

THE ASSASSINATION OF ELAGABALUS ROME'S TRANSGENDER TEEN EMPEROR

ON March 11th the Religion of Antinous solemnly commemorates the assassination of Elagabalus, Rome's transgender teen emperor.

Imperator Caesar Marcus Aurelius Antoninus Augustus was born on an unknown date in the winter of 204 AD in the city of Emesa in Syria.

His birth name was Varius Avitus Bassianus, and he is believed to have been the son of Caracalla, for which reason he was declared Emperor by the Legions of Syria during an uprising against the short-lived Emperor Macrinus who had assassinated Caracalla and taken the throne.

Varius Bassianus was only 14 years old when he became sole ruler of the Roman Empire and took the name of Antoninus. He was the last Emperor to bear the sacred name of the most glorious rulers of the world, the Antonines. He is known to history as Elagabalus, because he was from birth the high priest(ess) of the androgynous sun deity Elagabal.

He brought his strange, phallic religion to Rome, and very shortly began to impose Elagabal, going so far as to nullify all other cults and force the Romans to accept his one god. It is even claimed that he closed and demolished the temple of Antinous at Tibur and perhaps others, but this is rumor.

What Elagabalus is famous for is that he was an extreme homosexual phallus worshipper with an insatiable fondness for chariot racers who he often elevated to the highest positions of authority simply based on the size and grace of their penises. He is criticized by ancient historians for portraying himself as Venus on Mount Ida, and allowing himself to be sodomized on stage by his chariot racers in the roles of various gods in full view of an audience.

History is slanted by anti-tranny prejudice. Elagabalus is recorded as having been one of the most infamous and degenerate figures in Roman history. 

This despite the fact that he was not particularly cruel or demonstrably mad. He simply offended the sensibilities of later historians ... particularly Victorian historians who were appalled by the fact that a trans teen had been acclaimed emperor of Rome.

Elagabalus, devoted to the androgynous god Elagabal, made it his priority as emperor to demote all others gods and goddesses to the position of servants to the principal deity. A black stone phallic representation of the god was processed through the streets of Rome to the temple annually.

Many of the sacred symbols of other religions were moved to the temple of Elagabal, including those of Jews and Christians. To persuade followers of other deities to worship Elagabal, the emperor participated in the rituals of several other religions. On a daily basis animal sacrifices were performed, consistent with the practices of many of the religions.

Victorian historians record Elagabalus' life as scandalous, yet an examination of their remarks reveal a troubled trans youth struggling with his identity.

"Not only was he bi-sexual, but also a transvestite. He would go to the taverns at night wearing a wig, woman's clothes and makeup and ply the trade of a prostitute. This activity only ended when he met Hierocles, a Carian slave, and became his wife. Hierocles was even permitted to beat the emperor when displeased, as any man might beat his wife. Even more scandalous Elagabalus not only acted and dressed like a woman, but he wanted to be physically transformed into one. He asked his physicians to contrive a vagina for him, promising huge rewards for success."

In other words, he was a transgender teenager who had the power and money at his disposal to create the gender-bending reality he desired to live in.

At the age of 14, in 218, Elagabaltus, a zealous believer, declared a religious initiative giving Elagabal precedence over all other gods, even Jupiter himself.

The god was also to have a consort. Pallas Athena was the first choice, a goddess tended by the Vestal Virgins. As part of his strategy Avitus married one of the vestals. When Romans balked at the violation of a vestal virgin, however, he opted for the symbolic marriage with Urania, a moon goddess.

His attempt to unify Rome under one religion met with strong resistance and did nothing to moderate his unpopularity. In the very year that Elagabalus became emperor the Third Legion, which had placed him in office, attempted to replace him with Verus, their commander. The attempt failed. Over time, subsequent attempts by the Fourth Legion, by the fleet, and by a pretender named Seleucus also failed.

But as unpopular as he was with the nobility and commanders of the Legions, he was not at all unpopular with the plebs, upon whom he lavished gifts and games. As emperor he had a Temple built to Elagabal, restored the Flavian Amphitheatre (the Colosseum) that had been damaged by fire and completed the construction of the public baths of Caracalla in the Vicus Sulplicius. He also had built a palace complex, the Horti Variani, with an amphitheatre, a circus, a bath, and audience hall.

His most famous projects, however, were the temple of Elagabal (the Elagaballium) on the Palatine hill and another such temple on the southeastern edge of the city. From these temples the emperor delivered largesse to crowds that gathered below.

None of his works, or gifts to the people, were sufficient to offset his reputation among the elite, tarnished by his promiscuous behavior with men and women. Regardless, provided with almost absolute power one wonders, wouldn't most teenage boys be self- indulgent? Many of the adult emperors did no less.

Many legends have arisen about the decadent lifestyle of Elagabalus, including the tall tale that one of his palace orgies was the scene of an inadvertent massacre when so many flower petals were showered upon the banquet guests that dozens of people suffocated to death as they reclined on their couches. 

A colossal, wall-sized painting of this scene by Lawrence Alma-Tadema shocked and titillated Victorian  viewers.

As the young emperor's popularity dwindled his mother, Julia Soaemias, and other supporters recognized that the royal family was in danger of their lives. Rome had a tradition of murdering unpopular emperors, and sometimes their adherents as well.

In hopes of rescuing the regime his close family and supporters induced Elagabalus to adopt his cousin Bassianus Alexianus, a young man popular with the praetorian guard, and name him Caesar, heir to the throne.

The scheme backfired in that Julia Mamaea, Alexianus's mother, was as ambitious as Julia Soaemias and desired to see her son emperor as quickly as possible. Mamaea, playing on the praetorian guard's contempt for Elagabalus entreated for the assassination of Elagabalus. Soaemias, discovering the adoption had created greater danger not less, urged Elagabalus to have his cousin killed lest he himself be murdered. However, no one would obey the order.

Here is where we catch up with Julia Soaemias and Elagabalus:

"Mother," spoke the young emperor, 17 years old, the glow of childhood still reflected in his eyes, "they don't understand what I want to accomplish. If they did, they wouldn't hate me."

"Child," replied Julia Soaemias, "they have more than one reason to hate you. You're obsessed with being a woman and you flaunt Roman tradition. You seek to bring down their gods and make them slaves to Elagabal. Elagabal knows I worship him as much as you, but he wants not that we place him above other gods."

"I will go to the praetorian camp and entreat with them, explain what I intend. Surely they will listen. A single god for all Rome would unify us as naught else might. Our former glory would be restored and Rome would endure forever. I will go. I will go now! The armies must be made to understand," declared the emperor, rising from his throne even as he spoke.

"If you go to the guard they are as likely to kill you as listen to you," admonished his mother.

"That is a chance I must take," he retorted, "Rome is more important than my life."

At the praetorian camp:

"All hail Nellie Ellie," sarcastically called a guardsman upon the approach of the emperor.

"Run, fear for your manhood, she comes to drain us dry," screamed another voice.

Other guardsmen laughed and joined in, a little nervously at first, after all this was the emperor of Rome, but with growing enthusiasm. 

Stepping down from his chariot Elagabalus, dressed as a woman, his wig meticulously styled and his makeup artfully done, spoke in a loud voice, "I have come to discuss with you the fate of Rome." 

His mother, having accompanied him stepped down beside him, on her countenance fear was plainly written. She had a bad feeling about what could happen that night and the crowd of soldiers mocking and jeering did nothing to lessen that fear.

"Alexianus would have me murdered and restore the old gods, the many religions which kept Romans apart. I have dedicated my rule to bringing our great nation together under one god, you must see the wisdom in such a venture," he called out in a loud voice, ignoring the insults and belittling remarks.

"Wisdom from a boy whore," yelled out a disgruntled soldier, "Drunk one night, boy, I had you. Was that your wisdom, Nellie Ellie?" The crowd laughed uproariously.

"I am the priestess of Elagabal. It is my place to be among my people, to suffer the worst and the best at your hands. I am also your emperor and I command you to kill my rival, Alexianus," he ordered.

His mother leaned forward and whispered in his ear, "Tread softly my son, their temper is not to be trifled with. I like not their mood."

"You have had my spear once, priestess," venomously spat a soldier near the front of those gathered. "Now have another!" As the soldier uttered the words he hurled a spear. It landed to one side, but came perilously close to hitting Elagabalus.

"I want nothing but the betterment of Rome," shouted Avitus, taking his mother by the arm and retreating to his chariot. Too late he took the reins of his spirited horses, the soldiers had already surrounded his chariot and taken control.

"You will agree to abdicate in favor of Alexianus before you leave this night, or you shall not leave," spoke up the closest of his adversaries. The army heard the words and began to chant, "Alexianus, Alexianus, Alexianus."

Enraged the youthful emperor screamed, "I am emperor. It is I who know what is best for Rome. Not you traitors. Now, let go of my horses!" With his whip he struck at the face of the nearest soldier, landing a vicious blow that brought blood.

The soldier in turn pulled Elagabalus from the chariot and stabbed him. Others joined in. The last thing Elagabalus saw before he died was the soldiers pulling his mother from the chariot,"Let my mother be," he tried to yell, but only a whisper passed his lips.

So ended the reign of the trans teenage Varius Avitus Bassinus, having ruled Rome for but four years. 

He had been the first emperor to attempt to unify Rome under one god. 

His gender variance, his sexual escapades while frowned on but tolerated had destroyed his credibility. After the murders, his body and that of his mother's, were dragged naked through the streets of Rome.

Finally, beheaded, both bodies were thrown into the Tiber, the punishment for convicted criminals.

Elagabalus reigned only four years, and was 18 years old when he was murdered, the same age as Antinous. 

Though his character is condemned as perverse, the open phallicism that he imposed upon Rome, and the dramatic exhibition of his homosexuality warrant his deification.