WE lift up our hearts to the great wing-footed God Mercury on this day in mid-May when Mercury traditionally leaves stodgy Taurus and wings his way into Gemini, his astrological home.
The Ancient Romans celebrated this cosmic event on May 15th each year with the Mercuralia festival.
Father of Antinous, son of Zeus and Maia, Mercury is the god of speed, the Lord of commerce, communication, and cunning.
He is forever young and beautiful, the patron of skilled athletes, especially runners, and yet he possesses the infinite wisdom of extreme old age.
When Mercury was one day old, he charmed Apollo by stealing the sun god's prized cattle and crafting an ingenious story to cover his tracks.
Apollo fell in love with Mercury and from that day forward became his godfather and protector, presenting him to Olympus. Zeus was so taken by his son Mercury that he made him the messenger of the gods, and placed in his hand the sacred Caduceus, the serpent-entwined rod.
Hermes (as he was called by the Greeks) was charged with escorting the souls of the dead to the underworld, and to relay messages between heaven and hell. Thus he acquired his mystic powers, which were the inspiration of the Hermits, and of their religion known as Hermeticism.
He was known to them as Hermes Tristmegistus, the "thrice-great", and was said to have taught the secret knowledge of salvation to mankind.
As Hermes of the crossroads, he was a Phallic god, whose image was a herme, or column with a bearded head and a large penis that was placed at forks in the road to protect travelers.
Mercury made love to Venus and was father of Pan, Priapus, Hermaphroditus, and of Fortuna. He was the craftiest inventor, who created the lyre, which he gave to Apollo. And he invented written language, weights and measurement.
Mercury was the god of good business, but also of dishonesty and absolute capitalism. He invented dice and was the lord of gambling and all games of chance.
Antinous was often compared to Mercury in the statues and in the artefact fragments (bust above). His powers of youth, virility and physical fitness were central parts of the Religion of Antinous. But the hermetic sages, from whom so much of the salvation of Antinous extends, deepened this fascade. He is, along with Dionysus, Apollo and Osiris, a major facet of the Spirituality of Antinous.
We acknowledge and extol Mercury, the wing-footed god, and pray to him as Antinous to run by our side and give us good fortune throughout our travels and in our communication with the divine.
Friday, May 15, 2026
IN PRAISE OF MERCURY
Friday, November 28, 2025
JEAN-BAPTISTE de LULLY
SAINT OF ANTINOUS
SAINT OF ANTINOUS
ON November 28th the Religion of Antinous honors Saint Jean-Baptiste de Lully, who was born on this day in 1632 in Florence, Italy.
Parlaying his looks, his dancing and his musical genius into an erotic/artistic career, he rose from being a scullery knave to becoming director of music in the Court of French King Louis XIV.
By the time he died on March 22, 1687, he had created a new art form and had changed the course of the performing arts forever.
Lully's story has some parallels to the story of Hadrian and Antinous. The parallels are not exact. It is more as though Lully and Louis XIV were a "parallel universe" story of Antinous and Hadrian with bizarre twists thrown in to the plot of the story.
Lully was totally dependent upon the Sun King and was totally devoted to him. When the king expressed a whim to learn to dance, Lully became his dance instructor, creating a whole new art form involving dance and song.
Quite aside from his infamous carousing with boys, Lully was desperately in love with Louis XIV. It was an impossible love, of course. It could never be consummated.
The king viewed Lully as his artistic mentor, but nothing more. Lully viewed the king as the love of his life, and his art was merely an expression of that love.
Unwittingly, Lully planted the seeds for his own doom. Others took his idea and developed it further: And Opera was born.
The king became infatuated with Opera and totally lost interest in Lully's Baroque stage productions. He forgot all about Lully.
For Lully, that was tantamount to death, and he soon died as the result of a tragic "accident" -- he plunged a sharp baton-sceptre through his foot in a rage of despair after the king failed to appear at the debut of his latest masterpiece.
The wound became gangrenous, but when physicians advised that the foot must be amputated, St. Jean-Baptiste refused, saying that if he could never dance again, then he would prefer to be dead.
Yes, his life was like some nightmare, parallel-universe version of the Hadrian and Antinous story, set against the backdrop of men in silk brocade costumes and in four-inch heels and wearing ornate wigs. It is a story of a man's unconditional love and self-sacrifice for his Sun King.
St. Jean-Baptiste de Lully had a deep fondness for the Roman Gods, and he portrayed them with the gay flourish of the the court of the Sun King. It remains a style all its own, completely out of fashion...even among classical music weirdos.
We adore St. Lully's music...we adore the grace and profound emotions that pour from his chords. We love the beauty of his style of dance.
No doubt when Monsieur St. de Lully arrived at the Divine court of Hadrian the God, he immediately set about rearranging the Imperial Orchestra, replacing the Ney Flutes with Bassoons and Oboes, dismissing the Cythara in favor of Violas de Gamba.
Perhaps the old Greek musicians might have taken insult at being swept aside, but with a wave of his hand...Antinous calmed them.
So it was that the celestial Imperial Orchestra performed the new opera Of Saint Jean-Baptiste de Lully. The Imperial Court was astonished to hear the new sound. Even the Greeks were amazed (and the Greeks had heard everything). And With a wreathed nod of his illuminated head, Hadrian enthroned commanded his beloved Antinous to dance.
Tuesday, October 28, 2025
ANTINOUS DIES AS A MORTAL
RISES AS A GOD AT THE FEAST
OF THE BENNU PHOENIX
RISES AS A GOD AT THE FEAST
OF THE BENNU PHOENIX
ON October 28th we commemorate the tragic death of Antinous in the Nile in October 130 AD. October 28th is also the Egyptian Day of Transformation into the Bennu Bird.
This festival is the conclusion of the Mysteries of Osiris ... a festival which Antinous and Hadrian witnessed in Hermopolis during the final days of the mortal life of Antinous.
They had already visited the Shrine of the Bennu (phoenix) Bird in Heliopolis Egypt.
Now in Hermopolis, during the passion play, Antinous and Hadrian see how Isis and Nephthys search for and finally find the body of Osiris.
Then, using the Scroll of Thoth from the sacred library at Hermopolis, Isis raises Osiris from the dead and transforms him into a spirit which can pass from the Underworld into the world of the living.
At the end of the Festival of the Passion of Isis and Osiris, Antinous plunges into the Nile under mysterious circumstances. Grieving Hadrian proclaims him a god ... he is worshiped throughout the Empire as Antinous in the form of Osiris. And Antinous is worshiped as a lunar deity.
There is a spell of Transformation in the Book of the Dead, Chapter 83 (LXXXIII):
The OBELISK OF ANTINOUS speaks of Antinous becoming "a shining one" and also of being full of the "Semen of the First God" which is the creative force of the universe. That means Antinous can assume "any form his heart desires" since he (like Osiris) is one with the First God ... and one with the Bennu Bird.
Monday, October 27, 2025
ANTINOUS AND THE SCROLL OF THOTH
BY WHICH ISIS RAISED OSIRIS
FROM THE DEAD
BY WHICH ISIS RAISED OSIRIS
FROM THE DEAD
AS we commemorate the death of Antinous on October 28th, we need to remember what likely transpired during the hours leading up with his demise and deification.
On October 27th Antinous and the Imperial entourage were in the ancient city of Hermopolis, the Sacred City of Thoth/Hermes during the celebration of the Death and Resurrection of Osiris.
We believe that the spiritual forces of this occasion, and the Mysteries divulged to him by the Hermetic priests of the god Thoth, were the inspiration for this ascension into godliness.
The Passion of Isis and Osiris was played out annually in Ancient Egypt and formed the cornerstone of the Egyptian belief system, a belief system which taught that you could die horribly and tragically and yet you could be revived and restored and in fact you could become a god.
Sacred players acted out the roles of Osiris, his murderous brother Set and his faithful consort Isis. It was through the magical spells contained in the fabled "Scroll of Thoth" that Isis brought Osiris back from the dead.
At Oxyrhynchus Antinous had seen just how potent the magical spells of Isis were.
The festival of Osiris celebrated at Hermopolis and observed by Hadrian and Antinous commemorated the rending of the body of Osiris and the searching of Isis for each of the parts.
We believe that something of a cathartic nature happened within the soul of Antinous at Hermopolis just before he plunged into the Nile on the opposite bank across from Hermopolis.
We will never know precisely what happened. Did Antinous get a glimpse at the fabled Scroll of Thoth? Did some Egyptian magician-priest teach him a bit about spellcasting? Did Antinous perhaps believe that he could use a spell to prolong Hadrian's life?
The Egyptians believed anyone who drowned in the Nile would become "a deified Osiris". Some Egyptian magical spells call for the magician to "deify a scarab beetle" -- which means to drown it in Nile water and thus make it sacred and magical.
We will never know for sure what happened as a result of the ceremonies on October 27th, the last day and the last sunset of the brief mortal life of Antinous. The sun would rise on October 28th and, although the mortal Antinous would die, there would never be another setting of the sun for Antinous the Gay God!
FLAMEN ANTONIUS SUBIA tells us:
Like Osiris, Antinous descended into the Nile, and arose to bring the blessing of eternal life to the world. The Religion of Antinous, like the body of Osiris was scattered over the face of the world, and we who worship him, are like Isis, gathering the fragments together again.
Hermopolis was the last city that Antinous ever saw, and the Passion of Osiris was the last religious ceremony in which he took part. Certainly it was here and at this time that an Awakening occurred, dark in its implications, causing Antinous to relinquish his life.
But it was of splendid power in that, from the death of the boy, a god emerged. We observe that in Hermopolis, the scattering of the body of Osiris was the moment when the sperm of the blessed one was planted in the immortal spirit of Antinous, Our God.
The Sacred Nights of Antinous begin tomorrow ....
Wednesday, October 22, 2025
SOME MODERN ANTINOUS WORSHIPERS
PURCHASE NEWSPAPER DEATH NOTICES
PURCHASE NEWSPAPER DEATH NOTICES
LATE October is the time of the Sacred Nights of Antinous ... culminating with the death and deification of Antinous.
In the modern religion of Antinous, we commemorate the Death of Antinous on 28 October ... but many scholars and Antinous adherents believe 22 October may have been the date.
Some faithful worshipers purchase obituary death notices in newspapers on the anniversary, such as the one above.
The death notice at the left was published in the Camden New Journal on 17 October 2013.
The exact date is uncertain.
All we know for certain is that his death occurred in the final week of October during a visit to Egypt with Emperor Hadrian in the year 130 AD.
Near the Egyptian village of Hir-wer, Antinous fell into the Nile and drowned. Antonius Subia says:
"Antinous fell into the Nile, beneath the swirling waves, but when his body was pulled from the water ... a God emerged. Antinous is our God, he has accomplished the salvation of all lovers of his beauty. His is our salvation. He is Antinous the Gay God. He is the last pagan God of Classical Rome."
Thursday, May 15, 2025
IN PRAISE OF MERCURY
WE lift up our hearts to the great wing-footed God Mercury on this day in mid-May when Mercury traditionally leaves stodgy Taurus and wings his way into Gemini, his astrological home.
The Ancient Romans celebrated this cosmic event on May 15th each year with the Mercuralia festival.
Father of Antinous, son of Zeus and Maia, Mercury is the god of speed, the Lord of commerce, communication, and cunning.
He is forever young and beautiful, the patron of skilled athletes, especially runners, and yet he possesses the infinite wisdom of extreme old age.
When Mercury was one day old, he charmed Apollo by stealing the sun god's prized cattle and crafting an ingenious story to cover his tracks.
Apollo fell in love with Mercury and from that day forward became his godfather and protector, presenting him to Olympus. Zeus was so taken by his son Mercury that he made him the messenger of the gods, and placed in his hand the sacred Caduceus, the serpent-entwined rod.
Hermes (as he was called by the Greeks) was charged with escorting the souls of the dead to the underworld, and to relay messages between heaven and hell. Thus he acquired his mystic powers, which were the inspiration of the Hermits, and of their religion known as Hermeticism.
He was known to them as Hermes Tristmegistus, the "thrice-great", and was said to have taught the secret knowledge of salvation to mankind.
As Hermes of the crossroads, he was a Phallic god, whose image was a herme, or column with a bearded head and a large penis that was placed at forks in the road to protect travelers.
Mercury made love to Venus and was father of Pan, Priapus, Hermaphroditus, and of Fortuna. He was the craftiest inventor, who created the lyre, which he gave to Apollo. And he invented written language, weights and measurement.
Mercury was the god of good business, but also of dishonesty and absolute capitalism. He invented dice and was the lord of gambling and all games of chance.
Antinous was often compared to Mercury in the statues and in the artefact fragments (bust above). His powers of youth, virility and physical fitness were central parts of the Religion of Antinous. But the hermetic sages, from whom so much of the salvation of Antinous extends, deepened this fascade. He is, along with Dionysus, Apollo and Osiris, a major facet of the Spirituality of Antinous.
We acknowledge and extol Mercury, the wing-footed god, and pray to him as Antinous to run by our side and give us good fortune throughout our travels and in our communication with the divine.
Thursday, November 28, 2024
JEAN-BAPTISTE de LULLY
SAINT OF ANTINOUS
SAINT OF ANTINOUS
ON November 28th the Religion of Antinous honors Saint Jean-Baptiste de Lully, who was born on this day in 1632 in Florence, Italy.
Parlaying his looks, his dancing and his musical genius into an erotic/artistic career, he rose from being a scullery knave to becoming director of music in the Court of French King Louis XIV.
By the time he died on March 22, 1687, he had created a new art form and had changed the course of the performing arts forever.
Lully's story has some parallels to the story of Hadrian and Antinous. The parallels are not exact. It is more as though Lully and Louis XIV were a "parallel universe" story of Antinous and Hadrian with bizarre twists thrown in to the plot of the story.
Lully was totally dependent upon the Sun King and was totally devoted to him. When the king expressed a whim to learn to dance, Lully became his dance instructor, creating a whole new art form involving dance and song.
Quite aside from his infamous carousing with boys, Lully was desperately in love with Louis XIV. It was an impossible love, of course. It could never be consummated.
The king viewed Lully as his artistic mentor, but nothing more. Lully viewed the king as the love of his life, and his art was merely an expression of that love.
Unwittingly, Lully planted the seeds for his own doom. Others took his idea and developed it further: And Opera was born.
The king became infatuated with Opera and totally lost interest in Lully's Baroque stage productions. He forgot all about Lully.
For Lully, that was tantamount to death, and he soon died as the result of a tragic "accident" -- he plunged a sharp baton-sceptre through his foot in a rage of despair after the king failed to appear at the debut of his latest masterpiece.
The wound became gangrenous, but when physicians advised that the foot must be amputated, St. Jean-Baptiste refused, saying that if he could never dance again, then he would prefer to be dead.
Yes, his life was like some nightmare, parallel-universe version of the Hadrian and Antinous story, set against the backdrop of men in silk brocade costumes and in four-inch heels and wearing ornate wigs. It is a story of a man's unconditional love and self-sacrifice for his Sun King.
St. Jean-Baptiste de Lully had a deep fondness for the Roman Gods, and he portrayed them with the gay flourish of the the court of the Sun King. It remains a style all its own, completely out of fashion...even among classical music weirdos.
We adore St. Lully's music...we adore the grace and profound emotions that pour from his chords. We love the beauty of his style of dance.
No doubt when Monsieur St. de Lully arrived at the Divine court of Hadrian the God, he immediately set about rearranging the Imperial Orchestra, replacing the Ney Flutes with Bassoons and Oboes, dismissing the Cythara in favor of Violas de Gamba.
Perhaps the old Greek musicians might have taken insult at being swept aside, but with a wave of his hand...Antinous calmed them.
So it was that the celestial Imperial Orchestra performed the new opera Of Saint Jean-Baptiste de Lully. The Imperial Court was astonished to hear the new sound. Even the Greeks were amazed (and the Greeks had heard everything). And With a wreathed nod of his illuminated head, Hadrian enthroned commanded his beloved Antinous to dance.
Monday, October 28, 2024
ANTINOUS DIES AS A MORTAL
RISES AS A GOD AT THE FEAST
OF THE BENNU PHOENIX
RISES AS A GOD AT THE FEAST
OF THE BENNU PHOENIX
ON October 28th we commemorate the tragic death of Antinous in the Nile in October 130 AD. October 28th is also the Egyptian Day of Transformation into the Bennu Bird.
This festival is the conclusion of the Mysteries of Osiris ... a festival which Antinous and Hadrian witnessed in Hermopolis during the final days of the mortal life of Antinous.
They had already visited the Shrine of the Bennu (phoenix) Bird in Heliopolis Egypt.
Now in Hermopolis, during the passion play, Antinous and Hadrian see how Isis and Nephthys search for and finally find the body of Osiris.
Then, using the Scroll of Thoth from the sacred library at Hermopolis, Isis raises Osiris from the dead and transforms him into a spirit which can pass from the Underworld into the world of the living.
At the end of the Festival of the Passion of Isis and Osiris, Antinous plunges into the Nile under mysterious circumstances. Grieving Hadrian proclaims him a god ... he is worshiped throughout the Empire as Antinous in the form of Osiris. And Antinous is worshiped as a lunar deity.
There is a spell of Transformation in the Book of the Dead, Chapter 83 (LXXXIII):
The OBELISK OF ANTINOUS speaks of Antinous becoming "a shining one" and also of being full of the "Semen of the First God" which is the creative force of the universe. That means Antinous can assume "any form his heart desires" since he (like Osiris) is one with the First God ... and one with the Bennu Bird.
Sunday, October 27, 2024
ANTINOUS AND THE SCROLL OF THOTH
BY WHICH ISIS RAISED OSIRIS
FROM THE DEAD
BY WHICH ISIS RAISED OSIRIS
FROM THE DEAD
AS we commemorate the death of Antinous on October 28th, we need to remember what likely transpired during the hours leading up with his demise and deification.
On October 27th Antinous and the Imperial entourage were in the ancient city of Hermopolis, the Sacred City of Thoth/Hermes during the celebration of the Death and Resurrection of Osiris.
We believe that the spiritual forces of this occasion, and the Mysteries divulged to him by the Hermetic priests of the god Thoth, were the inspiration for this ascension into godliness.
The Passion of Isis and Osiris was played out annually in Ancient Egypt and formed the cornerstone of the Egyptian belief system, a belief system which taught that you could die horribly and tragically and yet you could be revived and restored and in fact you could become a god.
Sacred players acted out the roles of Osiris, his murderous brother Set and his faithful consort Isis. It was through the magical spells contained in the fabled "Scroll of Thoth" that Isis brought Osiris back from the dead.
At Oxyrhynchus Antinous had seen just how potent the magical spells of Isis were.
The festival of Osiris celebrated at Hermopolis and observed by Hadrian and Antinous commemorated the rending of the body of Osiris and the searching of Isis for each of the parts.
We believe that something of a cathartic nature happened within the soul of Antinous at Hermopolis just before he plunged into the Nile on the opposite bank across from Hermopolis.
We will never know precisely what happened. Did Antinous get a glimpse at the fabled Scroll of Thoth? Did some Egyptian magician-priest teach him a bit about spellcasting? Did Antinous perhaps believe that he could use a spell to prolong Hadrian's life?
The Egyptians believed anyone who drowned in the Nile would become "a deified Osiris". Some Egyptian magical spells call for the magician to "deify a scarab beetle" -- which means to drown it in Nile water and thus make it sacred and magical.
We will never know for sure what happened as a result of the ceremonies on October 27th, the last day and the last sunset of the brief mortal life of Antinous. The sun would rise on October 28th and, although the mortal Antinous would die, there would never be another setting of the sun for Antinous the Gay God!
FLAMEN ANTONIUS SUBIA tells us:
Like Osiris, Antinous descended into the Nile, and arose to bring the blessing of eternal life to the world. The Religion of Antinous, like the body of Osiris was scattered over the face of the world, and we who worship him, are like Isis, gathering the fragments together again.
Hermopolis was the last city that Antinous ever saw, and the Passion of Osiris was the last religious ceremony in which he took part. Certainly it was here and at this time that an Awakening occurred, dark in its implications, causing Antinous to relinquish his life.
But it was of splendid power in that, from the death of the boy, a god emerged. We observe that in Hermopolis, the scattering of the body of Osiris was the moment when the sperm of the blessed one was planted in the immortal spirit of Antinous, Our God.
The Sacred Nights of Antinous begin tomorrow ....
Tuesday, October 22, 2024
SOME MODERN ANTINOUS WORSHIPERS
PURCHASE NEWSPAPER DEATH NOTICES
PURCHASE NEWSPAPER DEATH NOTICES
LATE October is the time of the Sacred Nights of Antinous ... culminating with the death and deification of Antinous.
In the modern religion of Antinous, we commemorate the Death of Antinous on 28 October ... but many scholars and Antinous adherents believe 22 October may have been the date.
Some faithful worshipers purchase obituary death notices in newspapers on the anniversary, such as the one above.
The death notice at the left was published in the Camden New Journal on 17 October 2013.
The exact date is uncertain.
All we know for certain is that his death occurred in the final week of October during a visit to Egypt with Emperor Hadrian in the year 130 AD.
Near the Egyptian village of Hir-wer, Antinous fell into the Nile and drowned. Antonius Subia says:
"Antinous fell into the Nile, beneath the swirling waves, but when his body was pulled from the water ... a God emerged. Antinous is our God, he has accomplished the salvation of all lovers of his beauty. His is our salvation. He is Antinous the Gay God. He is the last pagan God of Classical Rome."
Tuesday, August 6, 2024
LET ANTINOUS GUIDE YOU
THROUGH THE CATACOMBS OF THOTH
By Priest Hernestus
THROUGH THE CATACOMBS OF THOTH
By Priest Hernestus
The thing you have to remember about Hermopolis, the Sacred City of Thoth, god of writing, is that it is located in the very middle of Egypt. Thoth officiated at the weighing of the soul before the throne of Osiris.
It is no coincidence that, when Akhenaten sought a site midway between Upper and Lower Egypt, he chose a site only about 20 kilometres south of Hermopolis for his city of Akhetaten (Tel El Amarna).The Greeks called the town Hermopolis, the City of Hermes, because they associated Thoth with their own Hermes. The Egyptians, however, have always called it Shmunu, a name whose meaning is lost in the mists of time. They still call it that: Al Ashmunein. Like so many things in Egypt, the spelling has changed but the essence has remained the same.
There is little in the modern town of Al Ashmunein to indicate what ancient Shmunu looked like because it has continued to be lived in and built upon for generation after generation.
Even so, there are still some truly spectacular monuments ... monuments that Hadrian and Antinous most definitely must have seen during their trip to Hermopolis in the last week or so of October in the year 130.
Most impressively, there are still a number of Doric columns of an ancient temple which is nowadays called the "Basilica" because it served as a Christian church after the fall of paganism.
It is here that some spectacular tombs were built, tombs that undoubtedly were visited by Hadrian and Antinous. They couldn't help but have seen the Tomb of Isadora (right), for example.
Possibly he saw her mummified body, which is still on view in the tomb.
Occasionally you come across a baboon or ibis that was given special treatment and which has its own little chapel with a votive offering stone out front.So I trailed along with an Egyptian guide holding an electric torch flashlight and directing about 20 of us tourists through the labyrinth, right down to a tiny room at the very end ... after about a 15-minute walk.
I felt that that didn't matter. They were all "virtual ibises" as far as the priests of Thoth were concerned, I have no doubt. The same for dog skeletons in place of baboon mummies.
They were meant to constitute a powerhouse of Thothian energy. And they did that by magical association with each other. I wanted to sense that energy, so I stayed behind as the group worked its way back to the entrance.
You should do that in Egypt. I highly recommend it. I stayed behind in the Burial Chamber of the Great Pyramid, and in
the Osireion at Abydos and enjoyed just being alone there.
So I hurried back along the tunnel to where the guide met me with shocked surprise. You can't blame him for being upset. If I'd been sealed in or if I'd set fire to the place or something, HE would have been held responsible.
I wonder if Antinous stayed behind to be alone in the catacombs? What boy or young man wouldn't want to do that, just for the eeriness of it all?
It was the climax of a journey through Egypt that had taken Hadrian and Antinous to many very strange places. They had possibly seen the Tomb of Alexander in Alexandria. In Memphis, they had stood on the cliffs overlooking the vast City of the Dead. They had seen the pyramids. They had seen fabulous temples and palaces.
What was going through the mind of Antinous? What happened here, in the very center of Egypt itself, to prompt him to take his life? Assuming he committed suicide, and was not the victim of accident or foul play, just what was it here in Hermopolis, the sacred city of Hermes/Thoth, that convinced him it was time to end it all?
Wednesday, May 15, 2024
IN PRAISE OF MERCURY
WE lift up our hearts to the great wing-footed God Mercury on this day in mid-May when Mercury traditionally leaves stodgy Taurus and wings his way into Gemini, his astrological home.
The Ancient Romans celebrated this cosmic event on May 15th each year with the Mercuralia festival.
Father of Antinous, son of Zeus and Maia, Mercury is the god of speed, the Lord of commerce, communication, and cunning.
He is forever young and beautiful, the patron of skilled athletes, especially runners, and yet he possesses the infinite wisdom of extreme old age.
When Mercury was one day old, he charmed Apollo by stealing the sun god's prized cattle and crafting an ingenious story to cover his tracks.
Apollo fell in love with Mercury and from that day forward became his godfather and protector, presenting him to Olympus. Zeus was so taken by his son Mercury that he made him the messenger of the gods, and placed in his hand the sacred Caduceus, the serpent-entwined rod.
Hermes (as he was called by the Greeks) was charged with escorting the souls of the dead to the underworld, and to relay messages between heaven and hell. Thus he acquired his mystic powers, which were the inspiration of the Hermits, and of their religion known as Hermeticism.
He was known to them as Hermes Tristmegistus, the "thrice-great", and was said to have taught the secret knowledge of salvation to mankind.
As Hermes of the crossroads, he was a Phallic god, whose image was a herme, or column with a bearded head and a large penis that was placed at forks in the road to protect travelers.
Mercury made love to Venus and was father of Pan, Priapus, Hermaphroditus, and of Fortuna. He was the craftiest inventor, who created the lyre, which he gave to Apollo. And he invented written language, weights and measurement.
Mercury was the god of good business, but also of dishonesty and absolute capitalism. He invented dice and was the lord of gambling and all games of chance.
Antinous was often compared to Mercury in the statues and in the artefact fragments (bust above). His powers of youth, virility and physical fitness were central parts of the Religion of Antinous. But the hermetic sages, from whom so much of the salvation of Antinous extends, deepened this fascade. He is, along with Dionysus, Apollo and Osiris, a major facet of the Spirituality of Antinous.
We acknowledge and extol Mercury, the wing-footed god, and pray to him as Antinous to run by our side and give us good fortune throughout our travels and in our communication with the divine.
Tuesday, November 28, 2023
JEAN-BAPTISTE de LULLY
SAINT OF ANTINOUS
SAINT OF ANTINOUS
ON November 28th the Religion of Antinous honors Saint Jean-Baptiste de Lully, who was born on this day in 1632 in Florence, Italy.
Parlaying his looks, his dancing and his musical genius into an erotic/artistic career, he rose from being a scullery knave to becoming director of music in the Court of French King Louis XIV.
By the time he died on March 22, 1687, he had created a new art form and had changed the course of the performing arts forever.
Lully's story has some parallels to the story of Hadrian and Antinous. The parallels are not exact. It is more as though Lully and Louis XIV were a "parallel universe" story of Antinous and Hadrian with bizarre twists thrown in to the plot of the story.
Lully was totally dependent upon the Sun King and was totally devoted to him. When the king expressed a whim to learn to dance, Lully became his dance instructor, creating a whole new art form involving dance and song.
Quite aside from his infamous carousing with boys, Lully was desperately in love with Louis XIV. It was an impossible love, of course. It could never be consummated.
The king viewed Lully as his artistic mentor, but nothing more. Lully viewed the king as the love of his life, and his art was merely an expression of that love.
Unwittingly, Lully planted the seeds for his own doom. Others took his idea and developed it further: And Opera was born.
The king became infatuated with Opera and totally lost interest in Lully's Baroque stage productions. He forgot all about Lully.
For Lully, that was tantamount to death, and he soon died as the result of a tragic "accident" -- he plunged a sharp baton-sceptre through his foot in a rage of despair after the king failed to appear at the debut of his latest masterpiece.
The wound became gangrenous, but when physicians advised that the foot must be amputated, St. Jean-Baptiste refused, saying that if he could never dance again, then he would prefer to be dead.
Yes, his life was like some nightmare, parallel-universe version of the Hadrian and Antinous story, set against the backdrop of men in silk brocade costumes and in four-inch heels and wearing ornate wigs. It is a story of a man's unconditional love and self-sacrifice for his Sun King.
St. Jean-Baptiste de Lully had a deep fondness for the Roman Gods, and he portrayed them with the gay flourish of the the court of the Sun King. It remains a style all its own, completely out of fashion...even among classical music weirdos.
We adore St. Lully's music...we adore the grace and profound emotions that pour from his chords. We love the beauty of his style of dance.
No doubt when Monsieur St. de Lully arrived at the Divine court of Hadrian the God, he immediately set about rearranging the Imperial Orchestra, replacing the Ney Flutes with Bassoons and Oboes, dismissing the Cythara in favor of Violas de Gamba.
Perhaps the old Greek musicians might have taken insult at being swept aside, but with a wave of his hand...Antinous calmed them.
So it was that the celestial Imperial Orchestra performed the new opera Of Saint Jean-Baptiste de Lully. The Imperial Court was astonished to hear the new sound. Even the Greeks were amazed (and the Greeks had heard everything). And With a wreathed nod of his illuminated head, Hadrian enthroned commanded his beloved Antinous to dance.
Saturday, October 28, 2023
ANTINOUS DIES AS A MORTAL
RISES AS A GOD AT THE FEAST
OF THE BENNU PHOENIX
RISES AS A GOD AT THE FEAST
OF THE BENNU PHOENIX
ON October 28th we commemorate the tragic death of Antinous in the Nile in October 130 AD. October 28th is also the Egyptian Day of Transformation into the Bennu Bird.
This festival is the conclusion of the Mysteries of Osiris ... a festival which Antinous and Hadrian witnessed in Hermopolis during the final days of the mortal life of Antinous.
They had already visited the Shrine of the Bennu (phoenix) Bird in Heliopolis Egypt.
Now in Hermopolis, during the passion play, Antinous and Hadrian see how Isis and Nephthys search for and finally find the body of Osiris.
Then, using the Scroll of Thoth from the sacred library at Hermopolis, Isis raises Osiris from the dead and transforms him into a spirit which can pass from the Underworld into the world of the living.
At the end of the Festival of the Passion of Isis and Osiris, Antinous plunges into the Nile under mysterious circumstances. Grieving Hadrian proclaims him a god ... he is worshiped throughout the Empire as Antinous in the form of Osiris. And Antinous is worshiped as a lunar deity.
There is a spell of Transformation in the Book of the Dead, Chapter 83 (LXXXIII):
The OBELISK OF ANTINOUS speaks of Antinous becoming "a shining one" and also of being full of the "Semen of the First God" which is the creative force of the universe. That means Antinous can assume "any form his heart desires" since he (like Osiris) is one with the First God ... and one with the Bennu Bird.
Friday, October 27, 2023
ANTINOUS AND THE SCROLL OF THOTH
BY WHICH ISIS RAISED OSIRIS
FROM THE DEAD
BY WHICH ISIS RAISED OSIRIS
FROM THE DEAD
AS we commemorate the death of Antinous on October 28th, we need to remember what likely transpired during the hours leading up with his demise and deification.
On October 27th Antinous and the Imperial entourage were in the ancient city of Hermopolis, the Sacred City of Thoth/Hermes during the celebration of the Death and Resurrection of Osiris.
We believe that the spiritual forces of this occasion, and the Mysteries divulged to him by the Hermetic priests of the god Thoth, were the inspiration for this ascension into godliness.
The Passion of Isis and Osiris was played out annually in Ancient Egypt and formed the cornerstone of the Egyptian belief system, a belief system which taught that you could die horribly and tragically and yet you could be revived and restored and in fact you could become a god.
Sacred players acted out the roles of Osiris, his murderous brother Set and his faithful consort Isis. It was through the magical spells contained in the fabled "Scroll of Thoth" that Isis brought Osiris back from the dead.
At Oxyrhynchus Antinous had seen just how potent the magical spells of Isis were.
The festival of Osiris celebrated at Hermopolis and observed by Hadrian and Antinous commemorated the rending of the body of Osiris and the searching of Isis for each of the parts.
We believe that something of a cathartic nature happened within the soul of Antinous at Hermopolis just before he plunged into the Nile on the opposite bank across from Hermopolis.
We will never know precisely what happened. Did Antinous get a glimpse at the fabled Scroll of Thoth? Did some Egyptian magician-priest teach him a bit about spellcasting? Did Antinous perhaps believe that he could use a spell to prolong Hadrian's life?
The Egyptians believed anyone who drowned in the Nile would become "a deified Osiris". Some Egyptian magical spells call for the magician to "deify a scarab beetle" -- which means to drown it in Nile water and thus make it sacred and magical.
We will never know for sure what happened as a result of the ceremonies on October 27th, the last day and the last sunset of the brief mortal life of Antinous. The sun would rise on October 28th and, although the mortal Antinous would die, there would never be another setting of the sun for Antinous the Gay God!
FLAMEN ANTONIUS SUBIA tells us:
Like Osiris, Antinous descended into the Nile, and arose to bring the blessing of eternal life to the world. The Religion of Antinous, like the body of Osiris was scattered over the face of the world, and we who worship him, are like Isis, gathering the fragments together again.
Hermopolis was the last city that Antinous ever saw, and the Passion of Osiris was the last religious ceremony in which he took part. Certainly it was here and at this time that an Awakening occurred, dark in its implications, causing Antinous to relinquish his life.
But it was of splendid power in that, from the death of the boy, a god emerged. We observe that in Hermopolis, the scattering of the body of Osiris was the moment when the sperm of the blessed one was planted in the immortal spirit of Antinous, Our God.
The Sacred Nights of Antinous begin tomorrow ....
Sunday, October 22, 2023
SOME MODERN ANTINOUS WORSHIPERS
PURCHASE NEWSPAPER DEATH NOTICES
PURCHASE NEWSPAPER DEATH NOTICES
LATE October is the time of the Sacred Nights of Antinous ... culminating with the death and deification of Antinous.
In the modern religion of Antinous, we commemorate the Death of Antinous on 28 October ... but many scholars and Antinous adherents believe 22 October may have been the date.
Some faithful worshipers purchase obituary death notices in newspapers on the anniversary, such as the one above.
The death notice at the left was published in the Camden New Journal on 17 October 2013.
The exact date is uncertain.
All we know for certain is that his death occurred in the final week of October during a visit to Egypt with Emperor Hadrian in the year 130 AD.
Near the Egyptian village of Hir-wer, Antinous fell into the Nile and drowned. Antonius Subia says:
"Antinous fell into the Nile, beneath the swirling waves, but when his body was pulled from the water ... a God emerged. Antinous is our God, he has accomplished the salvation of all lovers of his beauty. His is our salvation. He is Antinous the Gay God. He is the last pagan God of Classical Rome."
Monday, May 15, 2023
IN PRAISE OF MERCURY
WE lift up our hearts to the great wing-footed God Mercury on this day in mid-May when Mercury traditionally leaves stodgy Taurus and wings his way into Gemini, his astrological home.
The Ancient Romans celebrated this cosmic event on May 15th each year with the Mercuralia festival.
Father of Antinous, son of Zeus and Maia, Mercury is the god of speed, the Lord of commerce, communication, and cunning.
He is forever young and beautiful, the patron of skilled athletes, especially runners, and yet he possesses the infinite wisdom of extreme old age.
When Mercury was one day old, he charmed Apollo by stealing the sun god's prized cattle and crafting an ingenious story to cover his tracks.
Apollo fell in love with Mercury and from that day forward became his godfather and protector, presenting him to Olympus. Zeus was so taken by his son Mercury that he made him the messenger of the gods, and placed in his hand the sacred Caduceus, the serpent-entwined rod.
Hermes (as he was called by the Greeks) was charged with escorting the souls of the dead to the underworld, and to relay messages between heaven and hell. Thus he acquired his mystic powers, which were the inspiration of the Hermits, and of their religion known as Hermeticism.
He was known to them as Hermes Tristmegistus, the "thrice-great", and was said to have taught the secret knowledge of salvation to mankind.
As Hermes of the crossroads, he was a Phallic god, whose image was a herme, or column with a bearded head and a large penis that was placed at forks in the road to protect travelers.
Mercury made love to Venus and was father of Pan, Priapus, Hermaphroditus, and of Fortuna. He was the craftiest inventor, who created the lyre, which he gave to Apollo. And he invented written language, weights and measurement.
Mercury was the god of good business, but also of dishonesty and absolute capitalism. He invented dice and was the lord of gambling and all games of chance.
Antinous was often compared to Mercury in the statues and in the artefact fragments (bust above). His powers of youth, virility and physical fitness were central parts of the Religion of Antinous. But the hermetic sages, from whom so much of the salvation of Antinous extends, deepened this fascade. He is, along with Dionysus, Apollo and Osiris, a major facet of the Spirituality of Antinous.
We acknowledge and extol Mercury, the wing-footed god, and pray to him as Antinous to run by our side and give us good fortune throughout our travels and in our communication with the divine.
Monday, November 28, 2022
JEAN-BAPTISTE de LULLY
SAINT OF ANTINOUS
SAINT OF ANTINOUS
ON November 28th the Religion of Antinous honors Saint Jean-Baptiste de Lully, who was born on this day in 1632 in Florence, Italy.
Parlaying his looks, his dancing and his musical genius into an erotic/artistic career, he rose from being a scullery knave to becoming director of music in the Court of French King Louis XIV.
By the time he died on March 22, 1687, he had created a new art form and had changed the course of the performing arts forever.
Lully's story has some parallels to the story of Hadrian and Antinous. The parallels are not exact. It is more as though Lully and Louis XIV were a "parallel universe" story of Antinous and Hadrian with bizarre twists thrown in to the plot of the story.
Lully was totally dependent upon the Sun King and was totally devoted to him. When the king expressed a whim to learn to dance, Lully became his dance instructor, creating a whole new art form involving dance and song.
Quite aside from his infamous carousing with boys, Lully was desperately in love with Louis XIV. It was an impossible love, of course. It could never be consummated.
The king viewed Lully as his artistic mentor, but nothing more. Lully viewed the king as the love of his life, and his art was merely an expression of that love.
Unwittingly, Lully planted the seeds for his own doom. Others took his idea and developed it further: And Opera was born.
The king became infatuated with Opera and totally lost interest in Lully's Baroque stage productions. He forgot all about Lully.
For Lully, that was tantamount to death, and he soon died as the result of a tragic "accident" -- he plunged a sharp baton-sceptre through his foot in a rage of despair after the king failed to appear at the debut of his latest masterpiece.
The wound became gangrenous, but when physicians advised that the foot must be amputated, St. Jean-Baptiste refused, saying that if he could never dance again, then he would prefer to be dead.
Yes, his life was like some nightmare, parallel-universe version of the Hadrian and Antinous story, set against the backdrop of men in silk brocade costumes and in four-inch heels and wearing ornate wigs. It is a story of a man's unconditional love and self-sacrifice for his Sun King.
St. Jean-Baptiste de Lully had a deep fondness for the Roman Gods, and he portrayed them with the gay flourish of the the court of the Sun King. It remains a style all its own, completely out of fashion...even among classical music weirdos.
We adore St. Lully's music...we adore the grace and profound emotions that pour from his chords. We love the beauty of his style of dance.
No doubt when Monsieur St. de Lully arrived at the Divine court of Hadrian the God, he immediately set about rearranging the Imperial Orchestra, replacing the Ney Flutes with Bassoons and Oboes, dismissing the Cythara in favor of Violas de Gamba.
Perhaps the old Greek musicians might have taken insult at being swept aside, but with a wave of his hand...Antinous calmed them.
So it was that the celestial Imperial Orchestra performed the new opera Of Saint Jean-Baptiste de Lully. The Imperial Court was astonished to hear the new sound. Even the Greeks were amazed (and the Greeks had heard everything). And With a wreathed nod of his illuminated head, Hadrian enthroned commanded his beloved Antinous to dance.













