Showing posts with label hermopolis. Show all posts
Showing posts with label hermopolis. Show all posts

Friday, May 15, 2026

IN PRAISE OF MERCURY


WE lift up our hearts to the great wing-footed God Mercury on this day in mid-May when Mercury traditionally leaves stodgy Taurus and wings his way into Gemini, his astrological home.

The Ancient Romans celebrated this cosmic event on May 15th each year with the Mercuralia festival.

Father of Antinous, son of Zeus and Maia, Mercury is the god of speed, the Lord of commerce, communication, and cunning. 


He is forever young and beautiful, the patron of skilled athletes, especially runners, and yet he possesses the infinite wisdom of extreme old age.

When Mercury was one day old, he charmed Apollo by stealing the sun god's prized cattle and crafting an ingenious story to cover his tracks.

Apollo fell in love with Mercury and from that day forward became his godfather and protector, presenting him to Olympus. Zeus was so taken by his son Mercury that he made him the messenger of the gods, and placed in his hand the sacred Caduceus, the serpent-entwined rod.

Hermes (as he was called by the Greeks) was charged with escorting the souls of the dead to the underworld, and to relay messages between heaven and hell. Thus he acquired his mystic powers, which were the inspiration of the Hermits, and of their religion known as Hermeticism.

He was known to them as Hermes Tristmegistus, the "thrice-great", and was said to have taught the secret knowledge of salvation to mankind.

As Hermes of the crossroads, he was a Phallic god, whose image was a herme, or column with a bearded head and a large penis that was placed at forks in the road to protect travelers.

Mercury made love to Venus and was father of Pan, Priapus, Hermaphroditus, and of Fortuna. He was the craftiest inventor, who created the lyre, which he gave to Apollo. And he invented written language, weights and measurement.

Mercury was the god of good business, but also of dishonesty and absolute capitalism. He invented dice and was the lord of gambling and all games of chance.

Antinous was often compared to Mercury in the statues and in the artefact fragments (bust above). His powers of youth, virility and physical fitness were central parts of the Religion of Antinous. But the hermetic sages, from whom so much of the salvation of Antinous extends, deepened this fascade. He is, along with Dionysus, Apollo and Osiris, a major facet of the Spirituality of Antinous.


We acknowledge and extol Mercury, the wing-footed god, and pray to him as Antinous to run by our side and give us good fortune throughout our travels and in our communication with the divine.

Friday, November 28, 2025

JEAN-BAPTISTE de LULLY
SAINT OF ANTINOUS


ON November 28th the Religion of Antinous honors Saint Jean-Baptiste de Lully, who was born on this day in 1632 in Florence, Italy. 

Parlaying his looks, his dancing and his musical genius into an erotic/artistic career, he rose from being a scullery knave to becoming director of music in the Court of French King Louis XIV. 

By the time he died on March 22, 1687, he had created a new art form and had changed the course of the performing arts forever.

Lully's story has some parallels to the story of Hadrian and Antinous. The parallels are not exact. It is more as though Lully and Louis XIV were a "parallel universe" story of Antinous and Hadrian with bizarre twists thrown in to the plot of the story.

Lully was totally dependent upon the Sun King and was totally devoted to him. When the king expressed a whim to learn to dance, Lully became his dance instructor, creating a whole new art form involving dance and song.

Quite aside from his infamous carousing with boys, Lully was desperately in love with Louis XIV. It was an impossible love, of course. It could never be consummated.

The king viewed Lully as his artistic mentor, but nothing more. Lully viewed the king as the love of his life, and his art was merely an expression of that love.

Unwittingly, Lully planted the seeds for his own doom. Others took his idea and developed it further: And Opera was born.

The king became infatuated with Opera and totally lost interest in Lully's Baroque stage productions. He forgot all about Lully.

For Lully, that was tantamount to death, and he soon died as the result of a tragic "accident" -- he plunged a sharp baton-sceptre through his foot in a rage of despair after the king failed to appear at the debut of his latest masterpiece.

The wound became gangrenous, but when physicians advised that the foot must be amputated, St. Jean-Baptiste refused, saying that if he could never dance again, then he would prefer to be dead.

Yes, his life was like some nightmare, parallel-universe version of the Hadrian and Antinous story, set against the backdrop of men in silk brocade costumes and in four-inch heels and wearing ornate wigs. It is a story of a man's unconditional love and self-sacrifice for his Sun King.

St. Jean-Baptiste de Lully had a deep fondness for the Roman Gods, and he portrayed them with the gay flourish of the the court of the Sun King. It remains a style all its own, completely out of fashion...even among classical music weirdos.

We adore St. Lully's music...we adore the grace and profound emotions that pour from his chords. We love the beauty of his style of dance.


No doubt when Monsieur St. de Lully arrived at the Divine court of Hadrian the God, he immediately set about rearranging the Imperial Orchestra, replacing the Ney Flutes with Bassoons and Oboes, dismissing the Cythara in favor of Violas de Gamba.

Perhaps the old Greek musicians might have taken insult at being swept aside, but with a wave of his hand...Antinous calmed them.

So it was that the celestial Imperial Orchestra performed the new opera Of Saint Jean-Baptiste de Lully. The Imperial Court was astonished to hear the new sound. Even the Greeks were amazed (and the Greeks had heard everything). And With a wreathed nod of his illuminated head, Hadrian enthroned commanded his beloved Antinous to dance.

Tuesday, October 28, 2025

ANTINOUS DIES AS A MORTAL
RISES AS A GOD AT THE FEAST
OF THE BENNU PHOENIX



ON October 28th we commemorate the tragic death of Antinous in the Nile in October 130 AD. October 28th is also the Egyptian Day of Transformation into the Bennu Bird. 

This festival is the conclusion of the Mysteries of Osiris ... a festival which Antinous and Hadrian witnessed in Hermopolis during the final days of the mortal life of Antinous. 

They had already visited the Shrine of the Bennu (phoenix) Bird in Heliopolis Egypt. 

Now in Hermopolis, during the passion play, Antinous and Hadrian see how Isis and Nephthys search for and finally find the body of Osiris. 

Then, using the Scroll of Thoth from the sacred library at Hermopolis, Isis raises Osiris from the dead and transforms him into a spirit which can pass from the Underworld into the world of the living.

At the end of the Festival of the Passion of Isis and Osiris, Antinous plunges into the Nile under mysterious circumstances. Grieving Hadrian proclaims him a god ... he is worshiped throughout the Empire as Antinous in the form of Osiris. And Antinous is worshiped as a lunar deity. 

There is a spell of Transformation in the Book of the Dead, Chapter 83 (LXXXIII): 

I fly up and out of the Primeval Waters 
I come into being as the God Kheper
I am the Bennu, the Soul of Ra,
and the guide of the gods in the Tuat.
I become a Shining One, 
I am Mighty,
I become sacred among the Gods,
I am the Moon God
who vanquishes all darkness.


The OBELISK OF ANTINOUS speaks of Antinous becoming "a shining one" and also of being full of the "Semen of the First God" which is the creative force of the universe. That means Antinous can assume "any form his heart desires" since he (like Osiris) is one with the First God ... and one with the Bennu Bird.

Antinous IS the Phoenix.

Monday, October 27, 2025

ANTINOUS AND THE SCROLL OF THOTH
BY WHICH ISIS RAISED OSIRIS
FROM THE DEAD



AS we commemorate the death of Antinous on October 28th, we need to remember what likely transpired during the hours leading up with his demise and deification.

On October 27th Antinous and the Imperial entourage were in the ancient city of Hermopolis, the Sacred City of Thoth/Hermes during the celebration of the Death and Resurrection of Osiris.

We believe that the spiritual forces of this occasion, and the Mysteries divulged to him by the Hermetic priests of the god Thoth, were the inspiration for this ascension into godliness.

The Passion of Isis and Osiris was played out annually in Ancient Egypt and formed the cornerstone of the Egyptian belief system, a belief system which taught that you could die horribly and tragically and yet you could be revived and restored and in fact you could become a god.

Sacred players acted out the roles of Osiris, his murderous brother Set and his faithful consort Isis. It was through the magical spells contained in the fabled "Scroll of Thoth" that Isis brought Osiris back from the dead.




At Oxyrhynchus Antinous had seen just how potent the magical spells of Isis were.

The festival of Osiris celebrated at Hermopolis and observed by Hadrian and Antinous commemorated the rending of the body of Osiris and the searching of Isis for each of the parts.

We believe that something of a cathartic nature happened within the soul of Antinous at Hermopolis just before he plunged into the Nile on the opposite bank across from Hermopolis.

We will never know precisely what happened. Did Antinous get a glimpse at the fabled Scroll of Thoth? Did some Egyptian magician-priest teach him a bit about spellcasting? Did Antinous perhaps believe that he could use a spell to prolong Hadrian's life?

The Egyptians believed anyone who drowned in the Nile would become "a deified Osiris". Some Egyptian magical spells call for the magician to "deify a scarab beetle" -- which means to drown it in Nile water and thus make it sacred and magical.

We will never know for sure what happened as a result of the ceremonies on October 27th, the last day and the last sunset of the brief mortal life of Antinous. The sun would rise on October 28th and, although the mortal Antinous would die, there would never be another setting of the sun for Antinous the Gay God!

FLAMEN ANTONIUS SUBIA tells us:

Like Osiris, Antinous descended into the Nile, and arose to bring the blessing of eternal life to the world. The Religion of Antinous, like the body of Osiris was scattered over the face of the world, and we who worship him, are like Isis, gathering the fragments together again.

Hermopolis was the last city that Antinous ever saw, and the Passion of Osiris was the last religious ceremony in which he took part. Certainly it was here and at this time that an Awakening occurred, dark in its implications, causing Antinous to relinquish his life.

But it was of splendid power in that, from the death of the boy, a god emerged. We observe that in Hermopolis, the scattering of the body of Osiris was the moment when the sperm of the blessed one was planted in the immortal spirit of Antinous, Our God.


The Sacred Nights of Antinous begin tomorrow ....

Wednesday, October 22, 2025

SOME MODERN ANTINOUS WORSHIPERS
PURCHASE NEWSPAPER DEATH NOTICES



LATE October is the time of the Sacred Nights of Antinous ... culminating with the death and deification of Antinous.

In the modern religion of Antinous, we commemorate the Death of Antinous on 28 October ... but many scholars and Antinous adherents believe 22 October may have been the date.

Some faithful worshipers purchase obituary death notices in newspapers on the anniversary, such as the one above.

The death notice at the left was published in the Camden New Journal on 17 October 2013.

The exact date is uncertain. 

All we know for certain is that his death occurred in the final week of October during a visit to Egypt with Emperor Hadrian in the year 130 AD. 

Near the Egyptian village of Hir-wer, Antinous fell into the Nile and drowned. Antonius Subia says:

"Antinous fell into the Nile, beneath the swirling waves, but when his body was pulled from the water ... a God emerged. Antinous is our God, he has accomplished the salvation of all lovers of his beauty. His is our salvation. He is Antinous the Gay God. He is the last pagan God of Classical Rome."

Thursday, May 15, 2025

IN PRAISE OF MERCURY


WE lift up our hearts to the great wing-footed God Mercury on this day in mid-May when Mercury traditionally leaves stodgy Taurus and wings his way into Gemini, his astrological home.

The Ancient Romans celebrated this cosmic event on May 15th each year with the Mercuralia festival.

Father of Antinous, son of Zeus and Maia, Mercury is the god of speed, the Lord of commerce, communication, and cunning. 


He is forever young and beautiful, the patron of skilled athletes, especially runners, and yet he possesses the infinite wisdom of extreme old age.

When Mercury was one day old, he charmed Apollo by stealing the sun god's prized cattle and crafting an ingenious story to cover his tracks.

Apollo fell in love with Mercury and from that day forward became his godfather and protector, presenting him to Olympus. Zeus was so taken by his son Mercury that he made him the messenger of the gods, and placed in his hand the sacred Caduceus, the serpent-entwined rod.

Hermes (as he was called by the Greeks) was charged with escorting the souls of the dead to the underworld, and to relay messages between heaven and hell. Thus he acquired his mystic powers, which were the inspiration of the Hermits, and of their religion known as Hermeticism.

He was known to them as Hermes Tristmegistus, the "thrice-great", and was said to have taught the secret knowledge of salvation to mankind.

As Hermes of the crossroads, he was a Phallic god, whose image was a herme, or column with a bearded head and a large penis that was placed at forks in the road to protect travelers.

Mercury made love to Venus and was father of Pan, Priapus, Hermaphroditus, and of Fortuna. He was the craftiest inventor, who created the lyre, which he gave to Apollo. And he invented written language, weights and measurement.

Mercury was the god of good business, but also of dishonesty and absolute capitalism. He invented dice and was the lord of gambling and all games of chance.

Antinous was often compared to Mercury in the statues and in the artefact fragments (bust above). His powers of youth, virility and physical fitness were central parts of the Religion of Antinous. But the hermetic sages, from whom so much of the salvation of Antinous extends, deepened this fascade. He is, along with Dionysus, Apollo and Osiris, a major facet of the Spirituality of Antinous.


We acknowledge and extol Mercury, the wing-footed god, and pray to him as Antinous to run by our side and give us good fortune throughout our travels and in our communication with the divine.

Thursday, November 28, 2024

JEAN-BAPTISTE de LULLY
SAINT OF ANTINOUS


ON November 28th the Religion of Antinous honors Saint Jean-Baptiste de Lully, who was born on this day in 1632 in Florence, Italy. 

Parlaying his looks, his dancing and his musical genius into an erotic/artistic career, he rose from being a scullery knave to becoming director of music in the Court of French King Louis XIV. 

By the time he died on March 22, 1687, he had created a new art form and had changed the course of the performing arts forever.

Lully's story has some parallels to the story of Hadrian and Antinous. The parallels are not exact. It is more as though Lully and Louis XIV were a "parallel universe" story of Antinous and Hadrian with bizarre twists thrown in to the plot of the story.

Lully was totally dependent upon the Sun King and was totally devoted to him. When the king expressed a whim to learn to dance, Lully became his dance instructor, creating a whole new art form involving dance and song.

Quite aside from his infamous carousing with boys, Lully was desperately in love with Louis XIV. It was an impossible love, of course. It could never be consummated.

The king viewed Lully as his artistic mentor, but nothing more. Lully viewed the king as the love of his life, and his art was merely an expression of that love.

Unwittingly, Lully planted the seeds for his own doom. Others took his idea and developed it further: And Opera was born.

The king became infatuated with Opera and totally lost interest in Lully's Baroque stage productions. He forgot all about Lully.

For Lully, that was tantamount to death, and he soon died as the result of a tragic "accident" -- he plunged a sharp baton-sceptre through his foot in a rage of despair after the king failed to appear at the debut of his latest masterpiece.

The wound became gangrenous, but when physicians advised that the foot must be amputated, St. Jean-Baptiste refused, saying that if he could never dance again, then he would prefer to be dead.

Yes, his life was like some nightmare, parallel-universe version of the Hadrian and Antinous story, set against the backdrop of men in silk brocade costumes and in four-inch heels and wearing ornate wigs. It is a story of a man's unconditional love and self-sacrifice for his Sun King.

St. Jean-Baptiste de Lully had a deep fondness for the Roman Gods, and he portrayed them with the gay flourish of the the court of the Sun King. It remains a style all its own, completely out of fashion...even among classical music weirdos.

We adore St. Lully's music...we adore the grace and profound emotions that pour from his chords. We love the beauty of his style of dance.


No doubt when Monsieur St. de Lully arrived at the Divine court of Hadrian the God, he immediately set about rearranging the Imperial Orchestra, replacing the Ney Flutes with Bassoons and Oboes, dismissing the Cythara in favor of Violas de Gamba.

Perhaps the old Greek musicians might have taken insult at being swept aside, but with a wave of his hand...Antinous calmed them.

So it was that the celestial Imperial Orchestra performed the new opera Of Saint Jean-Baptiste de Lully. The Imperial Court was astonished to hear the new sound. Even the Greeks were amazed (and the Greeks had heard everything). And With a wreathed nod of his illuminated head, Hadrian enthroned commanded his beloved Antinous to dance.



Monday, October 28, 2024

ANTINOUS DIES AS A MORTAL
RISES AS A GOD AT THE FEAST
OF THE BENNU PHOENIX



ON October 28th we commemorate the tragic death of Antinous in the Nile in October 130 AD. October 28th is also the Egyptian Day of Transformation into the Bennu Bird. 

This festival is the conclusion of the Mysteries of Osiris ... a festival which Antinous and Hadrian witnessed in Hermopolis during the final days of the mortal life of Antinous. 

They had already visited the Shrine of the Bennu (phoenix) Bird in Heliopolis Egypt. 

Now in Hermopolis, during the passion play, Antinous and Hadrian see how Isis and Nephthys search for and finally find the body of Osiris. 

Then, using the Scroll of Thoth from the sacred library at Hermopolis, Isis raises Osiris from the dead and transforms him into a spirit which can pass from the Underworld into the world of the living.

At the end of the Festival of the Passion of Isis and Osiris, Antinous plunges into the Nile under mysterious circumstances. Grieving Hadrian proclaims him a god ... he is worshiped throughout the Empire as Antinous in the form of Osiris. And Antinous is worshiped as a lunar deity. 

There is a spell of Transformation in the Book of the Dead, Chapter 83 (LXXXIII): 

I fly up and out of the Primeval Waters 
I come into being as the God Kheper
I am the Bennu, the Soul of Ra,
and the guide of the gods in the Tuat.
I become a Shining One, 
I am Mighty,
I become sacred among the Gods,
I am the Moon God
who vanquishes all darkness.


The OBELISK OF ANTINOUS speaks of Antinous becoming "a shining one" and also of being full of the "Semen of the First God" which is the creative force of the universe. That means Antinous can assume "any form his heart desires" since he (like Osiris) is one with the First God ... and one with the Bennu Bird.

Antinous IS the Phoenix.

Sunday, October 27, 2024

ANTINOUS AND THE SCROLL OF THOTH
BY WHICH ISIS RAISED OSIRIS
FROM THE DEAD



AS we commemorate the death of Antinous on October 28th, we need to remember what likely transpired during the hours leading up with his demise and deification.

On October 27th Antinous and the Imperial entourage were in the ancient city of Hermopolis, the Sacred City of Thoth/Hermes during the celebration of the Death and Resurrection of Osiris.

We believe that the spiritual forces of this occasion, and the Mysteries divulged to him by the Hermetic priests of the god Thoth, were the inspiration for this ascension into godliness.

The Passion of Isis and Osiris was played out annually in Ancient Egypt and formed the cornerstone of the Egyptian belief system, a belief system which taught that you could die horribly and tragically and yet you could be revived and restored and in fact you could become a god.

Sacred players acted out the roles of Osiris, his murderous brother Set and his faithful consort Isis. It was through the magical spells contained in the fabled "Scroll of Thoth" that Isis brought Osiris back from the dead.




At Oxyrhynchus Antinous had seen just how potent the magical spells of Isis were.

The festival of Osiris celebrated at Hermopolis and observed by Hadrian and Antinous commemorated the rending of the body of Osiris and the searching of Isis for each of the parts.

We believe that something of a cathartic nature happened within the soul of Antinous at Hermopolis just before he plunged into the Nile on the opposite bank across from Hermopolis.

We will never know precisely what happened. Did Antinous get a glimpse at the fabled Scroll of Thoth? Did some Egyptian magician-priest teach him a bit about spellcasting? Did Antinous perhaps believe that he could use a spell to prolong Hadrian's life?

The Egyptians believed anyone who drowned in the Nile would become "a deified Osiris". Some Egyptian magical spells call for the magician to "deify a scarab beetle" -- which means to drown it in Nile water and thus make it sacred and magical.

We will never know for sure what happened as a result of the ceremonies on October 27th, the last day and the last sunset of the brief mortal life of Antinous. The sun would rise on October 28th and, although the mortal Antinous would die, there would never be another setting of the sun for Antinous the Gay God!

FLAMEN ANTONIUS SUBIA tells us:

Like Osiris, Antinous descended into the Nile, and arose to bring the blessing of eternal life to the world. The Religion of Antinous, like the body of Osiris was scattered over the face of the world, and we who worship him, are like Isis, gathering the fragments together again.

Hermopolis was the last city that Antinous ever saw, and the Passion of Osiris was the last religious ceremony in which he took part. Certainly it was here and at this time that an Awakening occurred, dark in its implications, causing Antinous to relinquish his life.

But it was of splendid power in that, from the death of the boy, a god emerged. We observe that in Hermopolis, the scattering of the body of Osiris was the moment when the sperm of the blessed one was planted in the immortal spirit of Antinous, Our God.


The Sacred Nights of Antinous begin tomorrow ....

Tuesday, October 22, 2024

SOME MODERN ANTINOUS WORSHIPERS
PURCHASE NEWSPAPER DEATH NOTICES



LATE October is the time of the Sacred Nights of Antinous ... culminating with the death and deification of Antinous.

In the modern religion of Antinous, we commemorate the Death of Antinous on 28 October ... but many scholars and Antinous adherents believe 22 October may have been the date.

Some faithful worshipers purchase obituary death notices in newspapers on the anniversary, such as the one above.

The death notice at the left was published in the Camden New Journal on 17 October 2013.

The exact date is uncertain. 

All we know for certain is that his death occurred in the final week of October during a visit to Egypt with Emperor Hadrian in the year 130 AD. 

Near the Egyptian village of Hir-wer, Antinous fell into the Nile and drowned. Antonius Subia says:

"Antinous fell into the Nile, beneath the swirling waves, but when his body was pulled from the water ... a God emerged. Antinous is our God, he has accomplished the salvation of all lovers of his beauty. His is our salvation. He is Antinous the Gay God. He is the last pagan God of Classical Rome."

Tuesday, August 6, 2024

LET ANTINOUS GUIDE YOU
THROUGH THE CATACOMBS OF THOTH

By Priest Hernestus



ON August 6th the ancient Egyptians celebrated a major feast of Thoth, so come with me on a trip up the Nile to the Sacred City of Hermopolis. Hadrian and Antinous visited this city in 130 AD … indeed it was the last city Antinous saw before he died in the Nile.

The thing you have to remember about Hermopolis, the Sacred City of Thoth, god of writing, is that it is located in the very middle of Egypt. Thoth officiated at the weighing of the soul before the throne of Osiris.

Appropriately, his sacred city is at the fulcrum of the scales, as it were, midway between the Lower Kingdom capital of Memphis and the Upper Kingdom capital of Thebes.

It is no coincidence that, when Akhenaten sought a site midway between Upper and Lower Egypt, he chose a site only about 20 kilometres south of Hermopolis for his city of Akhetaten (Tel El Amarna).

It is at this very point, at the fulcrum of Egypt, at the center of the Egyptian world, just across the river from Hermopolis and a few miles north of Akhetaten, that Antinous plunged into the Nile.

The Greeks called the town Hermopolis, the City of Hermes, because they associated Thoth with their own Hermes. The Egyptians, however, have always called it Shmunu, a name whose meaning is lost in the mists of time. They still call it that: Al Ashmunein. Like so many things in Egypt, the spelling has changed but the essence has remained the same.

There is little in the modern town of Al Ashmunein to indicate what ancient Shmunu looked like because it has continued to be lived in and built upon for generation after generation. 

In a way, we are lucky that Antinoopolis was abandoned many centuries ago. At least we can still see where the ancient streets were. At Hermopolis/Ashmunein, as at Thebes/Luxor, centuries of building has been going on and there is no way to see what is underneath without ripping out half the town.

Even so, there are still some truly spectacular monuments ... monuments that Hadrian and Antinous most definitely must have seen during their trip to Hermopolis in the last week or so of October in the year 130.

Most impressively, there are still a number of Doric columns of an ancient temple which is nowadays called the "Basilica" because it served as a Christian church after the fall of paganism.


It is very moving to stand among these towering columns and to think that Hadrian and Antinous must have stood here as well and marvelled at this structure when it was still in its glory.

There are also some splendid statues, most notably a monumental statue of Thoth in his guise as the "dog-faced" (cynocephalic) baboon, a primate whose mischievous intelligence was associated by with Thoth, lord of learning and magic.

When you stand amongst the ruins and look around yourself, you notice what appear to be odd-shaped mounds and hillocks. As so often in Egypt, these are not natural geological formations at all. They are the remnants of walls and buttresses and other structures.

Hadrian and Antinous must have seen all this. And they must have been taken on a tour of the City of the Dead which lies to the west of Hermopolis at the point where the irrigated valley gives way to the desert. You take a few steps past the irrigated gardens and orchards and suddenly find yourself stumbling around in the sandy desert. It is the contrast between life and death. The place is now the site of the village of Tuna al Gebel.

It is here that some spectacular tombs were built, tombs that undoubtedly were visited by Hadrian and Antinous. They couldn't help but have seen the Tomb of Isadora (right), for example.


Isadora was a prominent young woman who drowned in the Nile early in the 2nd Century. Her drowning death caused her to be venerated by the Egyptians. Antinous undoubtedly saw her tomb, which was brand new at the time. He heard about her death and her subsequent veneration.

Possibly he saw her mummified body, which is still on view in the tomb.

He and Hadrian would also have seen the beautiful Greco-Egyptian tomb of the Priest Petosiris.

It was quite a tourist attraction even back then. The Imperial Entourage gathered in front of the tomb like modern tourists.

Petosiris was High Priest of Thoth and his tomb features some lovely reliefs honoring Thoth and showing scenes of Greco-Egyptian life.

There is also a stele nearby marking the northern boundary of the city of Akhetaten. I doubt very much that Hadrian and Antinous would have been shown that "heretic's" boundary stone, located high in a cliff. 

But it demonstrates just how close these two sites are. Hermopolis was practically within the city limits of Akhetaten.

Today there is a flight of steps that enables you to get up close to it.

And then, of course, there are the catacombs. No tourist who visits Hermopolis can resist climbing down into the catacombs, where hundreds of thousands (if not millions) of mummified ibis birds and mummified baboons were buried over thousands of years. 

I'm sure Hadrian and Antinous were no different and were taken on a tour of the catacombs, where they peered into the cubby-holes which formed the last resting place for all those baboon and ibis mummies.

The catacombs are a labyrinth of corridors leading off into inky blackness. 

The only light, then as now, is from torches placed in holders along the way. 

Nowadays, of course, they are electric torches and flood-lights. Back then, they were flickering flame torches.

Occasionally you come across a baboon or ibis that was given special treatment and which has its own little chapel with a votive offering stone out front.

I've been to the Hermopolis catacombs and I can tell you it is one of the spookiest and yet one of the most wonderful places in all of Egypt. Generally, I don't condone public display of mummies. 

But in this case, in these catacombs, I felt strangely right at home. It was the home of Hermes/Thoth, a place sacred to him.

So I trailed along with an Egyptian guide holding an electric torch flashlight and directing about 20 of us tourists through the labyrinth, right down to a tiny room at the very end ... after about a 15-minute walk.

It allegedly had been a chief scribe's study, if legend is correct.

I doubt that seriously since I can't imagine why any scribe would want to sit in a dusty, stuffy, pitch-black cubicle hundreds of meters down a tunnel when he could sit on a cushion on the cool paved floor of a temple annex with birds chirping in the sycamore outside instead.

I can't explain why, exactly, but I felt refreshed in those catacombs.

There were mummified ibis birds and baboons everywhere I looked, shoved into terracotta tubes like plastic plumbing pipes, all stacked in row upon row along all the walls. 

The guide explained that many of them didn't actually contain ibises or baboons. Some contained perhaps only one ibis bone and the rest was filled with chicken carcass or sparrows.

I felt that that didn't matter. They were all "virtual ibises" as far as the priests of Thoth were concerned, I have no doubt. The same for dog skeletons in place of baboon mummies.

They were meant to constitute a powerhouse of Thothian energy. And they did that by magical association with each other. I wanted to sense that energy, so I stayed behind as the group worked its way back to the entrance.

You should do that in Egypt. I highly recommend it. I stayed behind in the Burial Chamber of the Great Pyramid, and in
the Osireion at Abydos and enjoyed just being alone there.

Eventually, however, I realized it was time to leave because the guide had warned that he would turn out the lights upon leaving and anyone left inside would be sealed inside in perfect inky blackness.

So I hurried back along the tunnel to where the guide met me with shocked surprise. You can't blame him for being upset. If I'd been sealed in or if I'd set fire to the place or something, HE would have been held responsible. 

He gets paid a few lousy piasters a day and yet gets in trouble if the tourists get into trouble. I gave him some baksheesh money on the way out and felt deliciously guilty with the thrill of it all.

I wonder if Antinous stayed behind to be alone in the catacombs? What boy or young man wouldn't want to do that, just for the eeriness of it all?

It was the climax of a journey through Egypt that had taken Hadrian and Antinous to many very strange places. They had possibly seen the Tomb of Alexander in Alexandria. In Memphis, they had stood on the cliffs overlooking the vast City of the Dead. They had seen the pyramids. They had seen fabulous temples and palaces.

What was going through the mind of Antinous? What happened here, in the very center of Egypt itself, to prompt him to take his life? Assuming he committed suicide, and was not the victim of accident or foul play, just what was it here in Hermopolis, the sacred city of Hermes/Thoth, that convinced him it was time to end it all?

Wednesday, May 15, 2024

IN PRAISE OF MERCURY


WE lift up our hearts to the great wing-footed God Mercury on this day in mid-May when Mercury traditionally leaves stodgy Taurus and wings his way into Gemini, his astrological home.

The Ancient Romans celebrated this cosmic event on May 15th each year with the Mercuralia festival.

Father of Antinous, son of Zeus and Maia, Mercury is the god of speed, the Lord of commerce, communication, and cunning. 


He is forever young and beautiful, the patron of skilled athletes, especially runners, and yet he possesses the infinite wisdom of extreme old age.

When Mercury was one day old, he charmed Apollo by stealing the sun god's prized cattle and crafting an ingenious story to cover his tracks.

Apollo fell in love with Mercury and from that day forward became his godfather and protector, presenting him to Olympus. Zeus was so taken by his son Mercury that he made him the messenger of the gods, and placed in his hand the sacred Caduceus, the serpent-entwined rod.

Hermes (as he was called by the Greeks) was charged with escorting the souls of the dead to the underworld, and to relay messages between heaven and hell. Thus he acquired his mystic powers, which were the inspiration of the Hermits, and of their religion known as Hermeticism.

He was known to them as Hermes Tristmegistus, the "thrice-great", and was said to have taught the secret knowledge of salvation to mankind.

As Hermes of the crossroads, he was a Phallic god, whose image was a herme, or column with a bearded head and a large penis that was placed at forks in the road to protect travelers.

Mercury made love to Venus and was father of Pan, Priapus, Hermaphroditus, and of Fortuna. He was the craftiest inventor, who created the lyre, which he gave to Apollo. And he invented written language, weights and measurement.

Mercury was the god of good business, but also of dishonesty and absolute capitalism. He invented dice and was the lord of gambling and all games of chance.

Antinous was often compared to Mercury in the statues and in the artefact fragments (bust above). His powers of youth, virility and physical fitness were central parts of the Religion of Antinous. But the hermetic sages, from whom so much of the salvation of Antinous extends, deepened this fascade. He is, along with Dionysus, Apollo and Osiris, a major facet of the Spirituality of Antinous.


We acknowledge and extol Mercury, the wing-footed god, and pray to him as Antinous to run by our side and give us good fortune throughout our travels and in our communication with the divine.

Tuesday, November 28, 2023

JEAN-BAPTISTE de LULLY
SAINT OF ANTINOUS


ON November 28th the Religion of Antinous honors Saint Jean-Baptiste de Lully, who was born on this day in 1632 in Florence, Italy. 

Parlaying his looks, his dancing and his musical genius into an erotic/artistic career, he rose from being a scullery knave to becoming director of music in the Court of French King Louis XIV. 

By the time he died on March 22, 1687, he had created a new art form and had changed the course of the performing arts forever.

Lully's story has some parallels to the story of Hadrian and Antinous. The parallels are not exact. It is more as though Lully and Louis XIV were a "parallel universe" story of Antinous and Hadrian with bizarre twists thrown in to the plot of the story.

Lully was totally dependent upon the Sun King and was totally devoted to him. When the king expressed a whim to learn to dance, Lully became his dance instructor, creating a whole new art form involving dance and song.

Quite aside from his infamous carousing with boys, Lully was desperately in love with Louis XIV. It was an impossible love, of course. It could never be consummated.

The king viewed Lully as his artistic mentor, but nothing more. Lully viewed the king as the love of his life, and his art was merely an expression of that love.

Unwittingly, Lully planted the seeds for his own doom. Others took his idea and developed it further: And Opera was born.

The king became infatuated with Opera and totally lost interest in Lully's Baroque stage productions. He forgot all about Lully.

For Lully, that was tantamount to death, and he soon died as the result of a tragic "accident" -- he plunged a sharp baton-sceptre through his foot in a rage of despair after the king failed to appear at the debut of his latest masterpiece.

The wound became gangrenous, but when physicians advised that the foot must be amputated, St. Jean-Baptiste refused, saying that if he could never dance again, then he would prefer to be dead.

Yes, his life was like some nightmare, parallel-universe version of the Hadrian and Antinous story, set against the backdrop of men in silk brocade costumes and in four-inch heels and wearing ornate wigs. It is a story of a man's unconditional love and self-sacrifice for his Sun King.

St. Jean-Baptiste de Lully had a deep fondness for the Roman Gods, and he portrayed them with the gay flourish of the the court of the Sun King. It remains a style all its own, completely out of fashion...even among classical music weirdos.

We adore St. Lully's music...we adore the grace and profound emotions that pour from his chords. We love the beauty of his style of dance.


No doubt when Monsieur St. de Lully arrived at the Divine court of Hadrian the God, he immediately set about rearranging the Imperial Orchestra, replacing the Ney Flutes with Bassoons and Oboes, dismissing the Cythara in favor of Violas de Gamba.

Perhaps the old Greek musicians might have taken insult at being swept aside, but with a wave of his hand...Antinous calmed them.

So it was that the celestial Imperial Orchestra performed the new opera Of Saint Jean-Baptiste de Lully. The Imperial Court was astonished to hear the new sound. Even the Greeks were amazed (and the Greeks had heard everything). And With a wreathed nod of his illuminated head, Hadrian enthroned commanded his beloved Antinous to dance.



Saturday, October 28, 2023

ANTINOUS DIES AS A MORTAL
RISES AS A GOD AT THE FEAST
OF THE BENNU PHOENIX



ON October 28th we commemorate the tragic death of Antinous in the Nile in October 130 AD. October 28th is also the Egyptian Day of Transformation into the Bennu Bird. 

This festival is the conclusion of the Mysteries of Osiris ... a festival which Antinous and Hadrian witnessed in Hermopolis during the final days of the mortal life of Antinous. 

They had already visited the Shrine of the Bennu (phoenix) Bird in Heliopolis Egypt. 

Now in Hermopolis, during the passion play, Antinous and Hadrian see how Isis and Nephthys search for and finally find the body of Osiris. 

Then, using the Scroll of Thoth from the sacred library at Hermopolis, Isis raises Osiris from the dead and transforms him into a spirit which can pass from the Underworld into the world of the living.

At the end of the Festival of the Passion of Isis and Osiris, Antinous plunges into the Nile under mysterious circumstances. Grieving Hadrian proclaims him a god ... he is worshiped throughout the Empire as Antinous in the form of Osiris. And Antinous is worshiped as a lunar deity. 

There is a spell of Transformation in the Book of the Dead, Chapter 83 (LXXXIII): 

I fly up and out of the Primeval Waters 
I come into being as the God Kheper
I am the Bennu, the Soul of Ra,
and the guide of the gods in the Tuat.
I become a Shining One, 
I am Mighty,
I become sacred among the Gods,
I am the Moon God
who vanquishes all darkness.


The OBELISK OF ANTINOUS speaks of Antinous becoming "a shining one" and also of being full of the "Semen of the First God" which is the creative force of the universe. That means Antinous can assume "any form his heart desires" since he (like Osiris) is one with the First God ... and one with the Bennu Bird.

Antinous IS the Phoenix.

Friday, October 27, 2023

ANTINOUS AND THE SCROLL OF THOTH
BY WHICH ISIS RAISED OSIRIS
FROM THE DEAD



AS we commemorate the death of Antinous on October 28th, we need to remember what likely transpired during the hours leading up with his demise and deification.

On October 27th Antinous and the Imperial entourage were in the ancient city of Hermopolis, the Sacred City of Thoth/Hermes during the celebration of the Death and Resurrection of Osiris.

We believe that the spiritual forces of this occasion, and the Mysteries divulged to him by the Hermetic priests of the god Thoth, were the inspiration for this ascension into godliness.

The Passion of Isis and Osiris was played out annually in Ancient Egypt and formed the cornerstone of the Egyptian belief system, a belief system which taught that you could die horribly and tragically and yet you could be revived and restored and in fact you could become a god.

Sacred players acted out the roles of Osiris, his murderous brother Set and his faithful consort Isis. It was through the magical spells contained in the fabled "Scroll of Thoth" that Isis brought Osiris back from the dead.




At Oxyrhynchus Antinous had seen just how potent the magical spells of Isis were.

The festival of Osiris celebrated at Hermopolis and observed by Hadrian and Antinous commemorated the rending of the body of Osiris and the searching of Isis for each of the parts.

We believe that something of a cathartic nature happened within the soul of Antinous at Hermopolis just before he plunged into the Nile on the opposite bank across from Hermopolis.

We will never know precisely what happened. Did Antinous get a glimpse at the fabled Scroll of Thoth? Did some Egyptian magician-priest teach him a bit about spellcasting? Did Antinous perhaps believe that he could use a spell to prolong Hadrian's life?

The Egyptians believed anyone who drowned in the Nile would become "a deified Osiris". Some Egyptian magical spells call for the magician to "deify a scarab beetle" -- which means to drown it in Nile water and thus make it sacred and magical.

We will never know for sure what happened as a result of the ceremonies on October 27th, the last day and the last sunset of the brief mortal life of Antinous. The sun would rise on October 28th and, although the mortal Antinous would die, there would never be another setting of the sun for Antinous the Gay God!

FLAMEN ANTONIUS SUBIA tells us:

Like Osiris, Antinous descended into the Nile, and arose to bring the blessing of eternal life to the world. The Religion of Antinous, like the body of Osiris was scattered over the face of the world, and we who worship him, are like Isis, gathering the fragments together again.

Hermopolis was the last city that Antinous ever saw, and the Passion of Osiris was the last religious ceremony in which he took part. Certainly it was here and at this time that an Awakening occurred, dark in its implications, causing Antinous to relinquish his life.

But it was of splendid power in that, from the death of the boy, a god emerged. We observe that in Hermopolis, the scattering of the body of Osiris was the moment when the sperm of the blessed one was planted in the immortal spirit of Antinous, Our God.


The Sacred Nights of Antinous begin tomorrow ....

Sunday, October 22, 2023

SOME MODERN ANTINOUS WORSHIPERS
PURCHASE NEWSPAPER DEATH NOTICES



LATE October is the time of the Sacred Nights of Antinous ... culminating with the death and deification of Antinous.

In the modern religion of Antinous, we commemorate the Death of Antinous on 28 October ... but many scholars and Antinous adherents believe 22 October may have been the date.

Some faithful worshipers purchase obituary death notices in newspapers on the anniversary, such as the one above.

The death notice at the left was published in the Camden New Journal on 17 October 2013.

The exact date is uncertain. 

All we know for certain is that his death occurred in the final week of October during a visit to Egypt with Emperor Hadrian in the year 130 AD. 

Near the Egyptian village of Hir-wer, Antinous fell into the Nile and drowned. Antonius Subia says:

"Antinous fell into the Nile, beneath the swirling waves, but when his body was pulled from the water ... a God emerged. Antinous is our God, he has accomplished the salvation of all lovers of his beauty. His is our salvation. He is Antinous the Gay God. He is the last pagan God of Classical Rome."

Monday, May 15, 2023

IN PRAISE OF MERCURY


WE lift up our hearts to the great wing-footed God Mercury on this day in mid-May when Mercury traditionally leaves stodgy Taurus and wings his way into Gemini, his astrological home.

The Ancient Romans celebrated this cosmic event on May 15th each year with the Mercuralia festival.

Father of Antinous, son of Zeus and Maia, Mercury is the god of speed, the Lord of commerce, communication, and cunning. 


He is forever young and beautiful, the patron of skilled athletes, especially runners, and yet he possesses the infinite wisdom of extreme old age.

When Mercury was one day old, he charmed Apollo by stealing the sun god's prized cattle and crafting an ingenious story to cover his tracks.

Apollo fell in love with Mercury and from that day forward became his godfather and protector, presenting him to Olympus. Zeus was so taken by his son Mercury that he made him the messenger of the gods, and placed in his hand the sacred Caduceus, the serpent-entwined rod.

Hermes (as he was called by the Greeks) was charged with escorting the souls of the dead to the underworld, and to relay messages between heaven and hell. Thus he acquired his mystic powers, which were the inspiration of the Hermits, and of their religion known as Hermeticism.

He was known to them as Hermes Tristmegistus, the "thrice-great", and was said to have taught the secret knowledge of salvation to mankind.

As Hermes of the crossroads, he was a Phallic god, whose image was a herme, or column with a bearded head and a large penis that was placed at forks in the road to protect travelers.

Mercury made love to Venus and was father of Pan, Priapus, Hermaphroditus, and of Fortuna. He was the craftiest inventor, who created the lyre, which he gave to Apollo. And he invented written language, weights and measurement.

Mercury was the god of good business, but also of dishonesty and absolute capitalism. He invented dice and was the lord of gambling and all games of chance.

Antinous was often compared to Mercury in the statues and in the artefact fragments (bust above). His powers of youth, virility and physical fitness were central parts of the Religion of Antinous. But the hermetic sages, from whom so much of the salvation of Antinous extends, deepened this fascade. He is, along with Dionysus, Apollo and Osiris, a major facet of the Spirituality of Antinous.


We acknowledge and extol Mercury, the wing-footed god, and pray to him as Antinous to run by our side and give us good fortune throughout our travels and in our communication with the divine.

Monday, November 28, 2022

JEAN-BAPTISTE de LULLY
SAINT OF ANTINOUS


ON November 28th the Religion of Antinous honors Saint Jean-Baptiste de Lully, who was born on this day in 1632 in Florence, Italy. 

Parlaying his looks, his dancing and his musical genius into an erotic/artistic career, he rose from being a scullery knave to becoming director of music in the Court of French King Louis XIV. 

By the time he died on March 22, 1687, he had created a new art form and had changed the course of the performing arts forever.

Lully's story has some parallels to the story of Hadrian and Antinous. The parallels are not exact. It is more as though Lully and Louis XIV were a "parallel universe" story of Antinous and Hadrian with bizarre twists thrown in to the plot of the story.

Lully was totally dependent upon the Sun King and was totally devoted to him. When the king expressed a whim to learn to dance, Lully became his dance instructor, creating a whole new art form involving dance and song.

Quite aside from his infamous carousing with boys, Lully was desperately in love with Louis XIV. It was an impossible love, of course. It could never be consummated.

The king viewed Lully as his artistic mentor, but nothing more. Lully viewed the king as the love of his life, and his art was merely an expression of that love.

Unwittingly, Lully planted the seeds for his own doom. Others took his idea and developed it further: And Opera was born.

The king became infatuated with Opera and totally lost interest in Lully's Baroque stage productions. He forgot all about Lully.

For Lully, that was tantamount to death, and he soon died as the result of a tragic "accident" -- he plunged a sharp baton-sceptre through his foot in a rage of despair after the king failed to appear at the debut of his latest masterpiece.

The wound became gangrenous, but when physicians advised that the foot must be amputated, St. Jean-Baptiste refused, saying that if he could never dance again, then he would prefer to be dead.

Yes, his life was like some nightmare, parallel-universe version of the Hadrian and Antinous story, set against the backdrop of men in silk brocade costumes and in four-inch heels and wearing ornate wigs. It is a story of a man's unconditional love and self-sacrifice for his Sun King.

St. Jean-Baptiste de Lully had a deep fondness for the Roman Gods, and he portrayed them with the gay flourish of the the court of the Sun King. It remains a style all its own, completely out of fashion...even among classical music weirdos.

We adore St. Lully's music...we adore the grace and profound emotions that pour from his chords. We love the beauty of his style of dance.


No doubt when Monsieur St. de Lully arrived at the Divine court of Hadrian the God, he immediately set about rearranging the Imperial Orchestra, replacing the Ney Flutes with Bassoons and Oboes, dismissing the Cythara in favor of Violas de Gamba.

Perhaps the old Greek musicians might have taken insult at being swept aside, but with a wave of his hand...Antinous calmed them.

So it was that the celestial Imperial Orchestra performed the new opera Of Saint Jean-Baptiste de Lully. The Imperial Court was astonished to hear the new sound. Even the Greeks were amazed (and the Greeks had heard everything). And With a wreathed nod of his illuminated head, Hadrian enthroned commanded his beloved Antinous to dance.