MEET SANTA'S HELPERS KRAMPUS AND ANTINOUS/APOLLO

EVER wonder about the origin of Santa's reindeer? They echo Pan, satyrs and fauns who had their own festival in December.

December 5th and 6th is the ancient Roman feast of the Faunalia ... which ironically is still celebrated in Europe and Latin America by millions of children ... who get a visit from Santa and his horned helpers.

Millions of kiddies know that you put your shoe outside the door on the evening of December 5th and that St. Nicholas will fill it goodies on December 6th ... the Feast Day of St. Nicholas.

Children who have been good receive sweets and toys ... but children who have been naughty are punished by St. Nick's furry helpers.

What few people realize is that old St. Nick is related to Antinous/Apollo ... and his helpers are Pan and his hordes of satyrs and fauns.

The pagan history shows that St. Nicholas is a vastly more complex being than most Christians could imagine, stemming from the Temples of Apollo and Artemis in Asia Minor (the birth country of Antinous) which would later be the birthplace of the mythical Nicholas.

The truth is that when you see a department store Santa, you are seeing only a composite being whose multitudinous composite aspects (many of them very dark and spooky) trace their origins back to the beginnings of mankind.

If you look very, very carefully, you will see the face of Antinous/Apollo shining through the centuries of folk customs under a variety of names including Santa, Sinter Klaas, das Christkind and Kriss Kringle.

In some parts of Central  Europe, St. Nick goes from house to house on December 6th accompanied by a coterie that includes figures resembling Pan, Apollo and Artemis (Austrian Alps photo right).

 The legend of St. Nicholas begins in the Turkish town of Patara in Asia Minor which was also the birth land of Antinous. Patara was also the birth place of Apollo and a famous oracle was located there.

Apollo's sister Artemis also had a cult center in nearby Myra, where Nicholas grew up and allegedly became a "bishop." Myra's main cult was dedicated to Artemis Eleuthera, a distinctive form of Cybele, the ancient mother-goddess of Anatolia. She had a magnificent temple in Myra.

Unfortunately, St. Nicholas was zealous in his duties as bishop and took strong measures against paganism. The temple of Artemis and the Apollo oracle were among many other temples in the region that he destroyed. It is said that the very foundations were uprooted from the ground, so complete was its destruction, "and the evil spirits fled howling before him".

St. Nicholas was never officially canonized by the Church. He simply usurped the popularity of Artemis and Apollo and promoted his own reputation for being a protector and a giver of good things.

Antinous/Apollo more or less morphed into Old St. Nick, aka Santa Claus, Father Christmas, Sinter Klaas, das Christkind and Kriss Kringle.

And in a lot of places, Santa has several dark and scary sidekicks — all related to Pan, who also originated in Asia Minor.

In the Alps, Santa's helpers take the form of a demonized Pan who chases and abducts children who have been naughty. He is called Krampus and, thanks to the Internet, Krampus is becoming widely known in English-speaking countries.

In the Nordic and English version, of course, all that is left of Krampus with his horns and hooves and fur is the reindeer which accompany Santa's sleigh. 

In Holland, St. Nick is accompanied on December 5th/6th by a Moorish youth wearing a turban and a fur-trimmed costume called Svarte Piet, who delights in teasing naughty children.

In English-speaking countries, prudish Victorians stripped Santa of all his impish devilry. Santa is nice to all and punishes no one. 

In Europe, Santa's Dark Side still prowls — marches defiantly, in fact. In a way, the Anglo-American Santa Claus was lobotomized by the Victorians so that he is only docile and sweet-humoured.

But to understand the REAL Santa Claus, you have to understand his Darker Side. You have to understand where Santa is coming from, literally....

He is composite spirit being who in English-speaking countries is called St. Nicholas, Santa Claus or Father Christmas.

But the deeper you go back into the forests of Europe, the more differentiated this ancient being becomes so that you see his various  component parts — including Antinous-Apollo — all competing against each other — sometimes morphing into each other.

A VOYAGE TO PARADISE WITH ANTINOUS ABOARD HIS CELESTIAL BARQUE

ALL those who believe in Antinous the Gay God hold a ticket for the Barque of Millions of Years. We will all be together, making our way towards the unseen Dark Star. This is a journey to paradise with Antinous...he will circle the Sun until the last one of us has boarded..and then we will set forth away into interstellar space until we reach his unseen star...which is a gateway to other worlds beyond.

Todos aqueles que acreditam em Antinous, o Deus Gay, têm um bilhete para o Barque de Milhões de Anos. Estaremos todos juntos, fazendo o nosso caminho rumo à Estrela Negra invisível. Esta é uma viagem ao paraíso com Antinous ... ele circundará o Sol até que o último de nós tenha embarcado ... e então iremos para o espaço interestelar até chegar à sua estrela invisível ... que é uma porta de entrada para Outros mundos além.

Todos los que creen en Antinous el Dios Gay tienen un boleto para la Barca de Millones de Años. Estaremos todos juntos, haciendo nuestro camino hacia la Estrella Oscura invisible. Esto es un viaje al paraíso con Antinous ... él circundará el Sol hasta que el último de nosotros ha abordado ... y entonces partiremos lejos en el espacio interestelar hasta que alcancemos su estrella invisible ... que es una entrada a Otros mundos más allá.

~ANTONIUS SUBIA

NOW YOU CAN SEE THE TOMB OF OSIRIS JUST AS ANCIENT EGYPTIAN PILGRIMS DID

THE 3rd of December is the Feast of the Going Forth of the Netjeru from Abydos (site of the Tomb of Osiris) in Egypt which we commemorate because Antinous has always been equated with Osiris as deity of transcendence over death. 

During this festival the Statue of Osiris was transported down the Nile to visit his tomb in Abydos and then returned in triumph to the temple.

This represented the triumph of Osiris over death. An effigy of Osiris was removed from his temple and processed along the Nile to the jubilation of crowds lining the river banks.

Not many people realized that there is a symbolic Tomb of Osiris which was a pilgrimage site for millions of Egyptians over the centuries.

Many Egyptians even designed their own tombs to be a REPLICA TOMB OF OSIRIS.

Just as people make pilgrimages to the Ganges, Mecca, Lourdes and other sites today, the Ancient Egyptians made pilgrimages to Abydos to make offerings.

Many pharaohs also built symbolic tombs at Abydos in addition to their actual tombs in Thebes, Memphis and elsewhere.

Now you can visit the most sacred ... and most mysterious ... temple in Egypt at night and even explore the fabled Tomb of Osiris.

Desperate to boost tourism, Egyptian authorities have improved the long-neglected Temple of Seti at Abydos ... where for thousands of years, Egyptians made pilgrimages to pay their respects to Osiris.

The Temple of Seti is now outfitted with lighting to enable visitors to see it in all its glory at night, Minister of Antiquities Mohamed Ibrahim said in a surprise announcement.

In addition, the subterranean Tomb of Osiris ... called the Osireion ... has been drained of water and cleared of reeds and waterlilies and is included in tours of Abydos, he said.

Most tourists bypass Abydos, which would be unfathomable to the Ancient Egyptians, who considered it the most Sacred City.

In a way, Abydos was the Ancient Egyptian Mecca or Lourdes ... a place where pilgrims converged for prayers and meditation and to attend the annual Passion Plays which explained the cruel death and mutilation of Osiris and the grief of Isis and the miraculous resurrection of Osiris as Egyptian god of Victory over Death and King of Eternity.

The Tomb of Osiris is a subterranean chamber fed by an underground channel from the nearby Nile, which created a moat inside the chamber. The chamber was accessed by priests via a long, dark passageway.

A mound of earth covered the tomb, symbolizing the original mound which rises out of the cosmic depths in the Egyptian creation myths. 

The mound, which is a feature of illustrations in the Egyptian Book of the Dead, is thought to be the inspiration for the first pyramids.

But that raises the controversial issue of the true age of the Tomb of Osiris, an issue hotly disputed by experts.

The Temple of Abydos was begun by Pharaoh Seti, but completed by his son Rameses the Great after his father died befored it was finished. It features exquisite reliefs in amazingly bright colors. 

Most importantly, from the viewpoint of Egyptologists, one entire wall along a long passage provides a list of all Egyptian pharaohs from the beginning of their history in chronological order.

The temple was largely neglected until the 1950s when a self-taught English Egyptologist named DOROTHY EADY helped with restoration efforts. 

Using insights she claimed to have gleaned from a past life incarnation as a priestess at Abydos, she led archaeologists with uncanny accuracy to the location of such things as the temple library.

She became official Keeper of Abydos and was instrumental in piecing together fragments of bas relief stones ... so that Abydos is now one of the most completely restored Egyptian temples. 

Many books and films have been made about her. Witty and full of life, she loved to regale visitors with tales of her past life.

She brazenly observed ancient rituals at the temple to the astonishment of her Islamic neighbors ... she lived at Abydos year-round for decades.

With her winning smile and encyclopedic knowledge, she won the respect of scholars.

Dorothy Eady, affectionately called Omm Sety by her friends and neighbors, never returned to England, dying in old age at her beloved Abydos.

The Osireion (also spelled Osirion or Osireon) is outside of the temple, behind it. It was discovered by Flinders Petrie and Margaret Murray by chance in 1902. For more than a century, experts have argued over the age of the Osireion. 

Some experts insist it was built in the 19th Dynasty by Seti or Rameses, making it 3,300 years old. 

But others point out that the stone work is similar to the Sphinx Temple at Giza ... which would make it at least 4,500 years old.

The Osireion draws New Age pilgrims who flock to the site in the footsteps of the Egyptians of ages past. 

But the derelict state of the Osireion meant that visitors had to stumble across rocks and sand dunes and then climb down a steep ramp to a veritable swamp overgrown with bullrushes and waterlilies.

In this photo, the reeds have been cleared, but often it is totally overgrown.

Priest Hernestus has vivid memories of leaving his tour group and heading off alone ... finally finding the Osireion ... descending the rickety and slippery ramp ... and being confronted by a toothless Egyptian man who popped out of the reeds, brackish water up to his hips, brandishing a machete.

Hernestus thought, "Well, what better place to die than the Tomb of Osiris?" But it turned out the man was trying to clear some of the undergrowth and only wanted baksheesh (pocket money) to help feed his family.

Nonetheless, the Osireion is one of the eeriest and most mysterious places on Earth ... and you will now be able to pay a proper pilgrimage to it ... as the Ancient Egyptians did.

MARQUIS de SADE SAINT OF ANTINOUS

ON December 2nd, the Religion of Antinous honors the Marquis de Sade for being the first person since ancient times to proclaim publicly his adoration of the beauty of Antinous.

The Marquis de Sade was himself probably what we would nowadays call ambi-sexual. At any rate, homosexual activity is an important item in his program of revolutionary sexual libertinism.

The Comte Donatien-Alphonse-François de Sade, more often called the Marquis de Sade, lent his name to the complex psycho-sexual phenomenon of "sadism" ... that is, the derivation of pleasure from cruelty through inflicting physical pain, mental suffering, or both.

To this day, "sadism" (which was named for him) is a provocative term which turns off conventional-minded people ... and turns on those other people who are into Fetish, BDSM and the many other related fields of sexual endeavour.

Yet there is more to Sade's writings than sadism -- the term coined by Krafft-Ebing in his "Psychopathia Sexualis" (1876). For running  throughout the Sadean oeuvre of plays, stories, essays, novellas, and letters ... and often overlapping with the most calculated outrages of his obscene novels ... is a philosophical discourse on freedom, power, evil and desire.

Donatien Alphonse Francois de Sade was born June 2, 1740, in Paris, France. The Marquis grew up in the decadent excesses of pre-revolution France's aristocracy.

Sade's father, for instance, was arrested while "cruising" the Tuileries Gardens for male hustlers. Throughout most of his life, the Marquis pursued bizarre forms of sexual gratification, he was arrested for his excesses numerous times and spent several periods of time imprisoned.

In 1772, he was sentenced to death as a "sodomite." Though the sentence was lifted in 1776, he was imprisoned for many years. Early in July 1789, as mobs rallied for the revolution, he screamed to the masses from his cell window in the Bastille, telling them that the prisoners were being slaughtered by the guards on orders of the aristocracy. 

The mob subsequently freed him, but the cloud of immorality never lifted and he died broken in mind and body.

And yet it was his imprisonment which resulted in his literary legacy. While serving that sentence in the Bastille, he began to turn his extreme imagination towards writing books and plays, which are a summit of erotic poetry.

It is from these works that the word Sadism is derived because the philosophy of sexual violence and domination was delineated and demonstrated for the first time by the Marquis in his numerous and detailed catalogues of perversions.

One of these works, entitled "The 120 Days of Sodom" was written  while in the Bastille. When the prison was stormed during the French Revolution, many of the works of the Marquis de Sade were lost, including this work. It was miraculously rediscovered in 1904, rolled up in the frame of a bed, and subsequently published.

We consecrate the memory of the Marquis de Sade because he was a sexual revolutionary, who spoke quite openly about homosexuality, and who freely acknowledged that his valet Latour was his personal sodomizer.

And he was among the first to take up the name of Antinous for beauty and homoerotic purposes, naming one of the characters in "The 120 Days of Sodom" after Antinous, describing him in this way:

"Antinous: so named because, like Hadrian's favorite, he had, together with the world's loveliest prick, its most voluptuous ass, and that is exceedingly rare. Antinous wielded a device measuring eight inches in circumference and twelve in length. He was thirty and had a face worthy of his other features."

The Marquis de Sade died December 2, 1814, in Charenton Insane Asylum.

THE NEW STAR OF ANTINOUS

ON December 1st we remember the day in 1999 when a New Star was discovered in the Constellation of Antinous ... a celestial portent for the rebirth of the religion of Antinous in the 21st Century.

It reminded us of that dark night 1,800 years ago when grief-stricken Hadrian looked up into the heavens with tearful eyes and saw a new star in what had until then been the Constellation of Ganymede.

Hadrian proclaimed it the STAR OF ANTINOUS and renamed the constellation after Antinous. 

Flamen Antonius Subia sees parallels to the new discovery which coincides with the re-establishment of the Religion of Antinous for the new Millennium and writes:

"In 1999 on December 1st, a Super Nova was discovered in the constellation Aquila, visible with the naked eye. It was confirmation that the ancient celestial event criticized by Dio Cassius as a lie might indeed have occurred, prompting Hadrian to redraw the map of the constellations and include Antinous among the immortal heroes of antiquity. 

"This new star named by astronomers Nova Aquilae v1492 was a sign of the return of Antinous in the modern age. It was a signal to begin the reconsecration of His sacred religion. 

"The light of this new star passed over the face of the Earth, illuminating the hearts of all those who believe in him, effecting change and demonstrating those whose eyes were directed towards the heavens that the voice of Antinous was beckoning, and the time to revive his religion had finally come, after so many centuries of silence.

"With this sign from Antinous we are compelled, out of love to inflame ourselves for his sake and to spread the light of the New Star to the world."

GLOBAL ANTINOUS BIRTHDAY CEREMONIES

"THE most salient feature about Antinous, and the thing that makes our religion different from others, is that Antinous was a mortal human being who actually lived," said Antonius Subia in a global social-media interactive Zoom link-up this weekend celebrating the birthday of Antinous.

Speaking from the Hollywood Temple of Antinous to celebrants taking part from across the United States, Europe and as far away as Africa, he noted that we know his birth date ... 27 November ... and we know what he looked like from countless statues.

"He was a human being just like you or me," Flamen Antonius said. "He was not some ray of light of divine perfection. He was a person with faults and failings just like any of us. And yet he became the last deity of the Classical era ... we know he lived ... and we know he became a god."

YOU CAN TAKE IT WITH YOU THANKS TO THIS WINGED SNAKE GOD

WE all know that the Ancient Egyptians believed you can take it with you ... that death does not mean you have to part with everything that was important to you in life ... but few people today understand that there was a far more sophisticated spiritual interpretation.

Yes, of course, the simple folk believed that you literally took things with you to the afterlife ... mummified body, ushabti figures, food, clothing. There was a huge industry specializing in tomb furnishings,  mummification and supplying the dead with sustenance.

But the material goods in tombs were only symbolic of a far richer, and spiritually deeper understanding of "taking it with you" after death.

The curious-looking winged snake on the papyrus of the 19th Dynasty scribe Amenemwija in Berlin's Egyptian Museum hints at that far deeper spiritual meaning.

The deity is called "Nehebkau" (Harnesses KAs) ... and he is poised in front of the deceased ... taking in the every spiritual essence (KA) that the deceased wants to take with him in the afterlife.

November 29th was one of this deity's feast days.

The Egyptians believed you give up only those things you don't want to take with you ... you take anything and everything else which you deem worth saving for eternity.

Nehebkau represents an advanced spiritual element. In computer parlance, he "downloads" the spiritual essence or "KA" of everything you want to have with you ... and Nehebkau defrags and condenses everything for instant retrieval.

The "KA" is the spiritual essence of everything. Each human has a main KA plus many subsidiary ones. Everything has at least one KA ... every blade of grass, every object, every animal ... everything.

Nehebkau literally takes all the KAs of the person and all the KAs that the person wants to have with him/herself in the afterlife ... all friends, memories, pets, pleasant experiences, houses, furnishings ... the spiritual essence of EVERYTHING ... and then he "downloads" them by swallowing them into his slender serpentine body ... and condenses them like zip files and defrags them and compacts and configures them all into an infinitely small corner of his infinitely vast mind ....

It is important to point out that this does not mean that the dead person drains the life force from all friends and family and leaves them empty. It does not mean they all have to die to accompany the deceased.

Instead, it is exactly like "downloading" the essence of the persons or objects. The persons and objects themselves remain intact ... their spiritual essence is unaffected ... but Nehebkau has downloaded the spiritual essence to accompany the deceased.

Nothing is diminished. Nothing is lost. The KA is copied and saved and filed away.

And in the afterlife, the deceased retrieves any and all docs, jpegs, YouTube URLS and files ... eternally fresh and alive ... for all eternity.

We tend to buy the Judaeo-Christian idea of ashes-to-ashes, dust-to-dust which means that we must "let go" while our loved ones, memories and treasures all crumble away and end up on the conveyor belt of the garbage incinerator ... like the final scene from a "Toy Story" movie.

Or we opt for the Eastern idea that you become one with the universe and everything dissolves away into one-ness ... no self, no ego, no death, no suffering, no end to suffering, no end to death ... etc. ... like the final scene of a movie about Tibetan monks and a little boy from Seattle.

These scenarios would have been appalling to the Egyptians. You take whatever and whomever you want along with you into the afterlife ... no carry-on bags necessary ... everything is neatly defragged and compressed and configurated and stored away in the infinitely vast mind of Nehebkau.

Yes, all of your earthly friends, pets and possessions will crumble away ... but their spiritual essence has been downloaded as a back up for you to keep with you ... for all eternity ... thanks to Nehebkau.

JEAN-BAPTISTE de LULLY SAINT OF ANTINOUS

ON November 28th the Religion of Antinous honors Saint Jean-Baptiste de Lully, who was born on this day in 1632 in Florence, Italy. 

Parlaying his looks, his dancing and his musical genius into an erotic/artistic career, he rose from being a scullery knave to becoming director of music in the Court of French King Louis XIV. 

By the time he died on March 22, 1687, he had created a new art form and had changed the course of the performing arts forever.

Lully's story has some parallels to the story of Hadrian and Antinous. The parallels are not exact. It is more as though Lully and Louis XIV were a "parallel universe" story of Antinous and Hadrian with bizarre twists thrown in to the plot of the story.

Lully was totally dependent upon the Sun King and was totally devoted to him. When the king expressed a whim to learn to dance, Lully became his dance instructor, creating a whole new art form involving dance and song.

Quite aside from his infamous carousing with boys, Lully was desperately in love with Louis XIV. It was an impossible love, of course. It could never be consummated.

The king viewed Lully as his artistic mentor, but nothing more. Lully viewed the king as the love of his life, and his art was merely an expression of that love.

Unwittingly, Lully planted the seeds for his own doom. Others took his idea and developed it further: And Opera was born.

The king became infatuated with Opera and totally lost interest in Lully's Baroque stage productions. He forgot all about Lully.

For Lully, that was tantamount to death, and he soon died as the result of a tragic "accident" -- he plunged a sharp baton-sceptre through his foot in a rage of despair after the king failed to appear at the debut of his latest masterpiece.

The wound became gangrenous, but when physicians advised that the foot must be amputated, St. Jean-Baptiste refused, saying that if he could never dance again, then he would prefer to be dead.

Yes, his life was like some nightmare, parallel-universe version of the Hadrian and Antinous story, set against the backdrop of men in silk brocade costumes and in four-inch heels and wearing ornate wigs. It is a story of a man's unconditional love and self-sacrifice for his Sun King.

St. Jean-Baptiste de Lully had a deep fondness for the Roman Gods, and he portrayed them with the gay flourish of the the court of the Sun King. It remains a style all its own, completely out of fashion...even among classical music weirdos.

We adore St. Lully's music...we adore the grace and profound emotions that pour from his chords. We love the beauty of his style of dance.

No doubt when Monsieur St. de Lully arrived at the Divine court of Hadrian the God, he immediately set about rearranging the Imperial Orchestra, replacing the Ney Flutes with Bassoons and Oboes, dismissing the Cythara in favor of Violas de Gamba.

Perhaps the old Greek musicians might have taken insult at being swept aside, but with a wave of his hand...Antinous calmed them.

So it was that the celestial Imperial Orchestra performed the new opera Of Saint Jean-Baptiste de Lully. The Imperial Court was astonished to hear the new sound. Even the Greeks were amazed (and the Greeks had heard everything). And With a wreathed nod of his illuminated head, Hadrian enthroned commanded his beloved Antinous to dance.

ANTINOUS WAS BORN ON THIS DAY 1,914 YEARS AGO

ANTINOUS was born on this day, November 27th in the year 111 AD — 1,914 years ago!

Festive celebrations are being held by worshipers all over the world, with special rites being conducted at the HOLLYWOOD TEMPLE OF ANTINOUS.

Antinous was born in the Bithynian city of Claudiopolis, modern-day Bolu in Turkey.

It was a major city in those days with a Hellenistic/Roman heritage dating back centuries. It was nestled among snow-capped peaks and woodlands full of wild beasts and full of mythical magic.

The portrait of the newborn baby Antinous and his mother against the backdrop of a Bithynian conifer forest is by PRIEST JULIEN, a New York artist who now lives in Hollywood.

Modern Claudiopolis/Bolu is a sleepy health resort. Not too many foreign tourists go there, but the area is a popular with Turkish vacationers because of its pine-covered mountains and its sparkling lakes and spa waters.

The altitude makes it refreshingly cooler than lower-lying regions, so Turks go there to get away from the heat and noise of places like Istanbul and Ankara.

Wikipedia says: "Local specialities include a sweet made of hazelnuts (which grow in abundance here) and an eau-de-cologne with the scent of grass. One feature of Bolu dear to the local people is the soft spring water obtained from fountains in the town."
 
Hazelnut candy? Grass-scented cologne? Amazingly soft spring water? Somehow that one little paragraph makes it sound like a place where Antinous would have to have been born.

The area where Antinous was born is a beautiful place, nestled high in piney forests and yet only a short distance from the sparkling Black Sea coast about halfway between Istanbul and Ankara.

The region is teeming with bountiful wildlife and so Hadrian and Antinous went on hunting forays while in Bithynium. As a boy, Antinous must have played in these forests and bathed in these sparkling lakes.

He would have remembered these boyhood days during his travels with Hadrian to the far corners of the Empire. We often forget that Antinous had a family who must have loved him and missed him. They were no doubt proud of him, but they missed him.

And he missed them as he also missed his lovely Bithynia with its mountains and lakes and deep forests which, in winter, are covered in deep snow.

The first snows may have already fallen "back home" at the end of October in 130 AD when Antinous stood on the banks of the Nile in Upper Egypt. Perhaps he had received a letter from home with the latest family gossip and news of the first snowfall. He would have remembered the scent of pine forests and fresh-fallen snow.

As he looked into the green waters of the Nile in far-away Egypt at the end of his brief life, perhaps he thought of "home" and lakes and dark forests and pine cones and the scent of hazelnuts being roasted and mixed with rose water and honey to make candy.

November 27th is an introspective moment ... an evaluation of things past ... and things to come. And above all, it is birthday party time. Let the Festive Season Begin with an Antinous Birthday Party!

THE APHRODISIAC ORCHIDS OF ANTINOUS THE GAY GOD

ORCHIDS are perhaps the most appropriate flowers for festivities on the Birthday of Antinous, which is November 27 since his homeland of Bithynia is renowned for its wild forest orchids.

Orchids take their name from the Greek word "orchis" which means "little boy's testes" for the scrotal shape of the bulbs and blossoms.

Hadrian and Antinous would have known this. Antinous would have seen wild orchids in the piney woods of Bithynia as a boy.

Antinous especially would have loved Bithynian wild mountain orchids -- because the plant's tubers are ground to make a flour which is used in all sorts of dessert sweets. It is called "salep" and is used in a syrupy drink which was very popular throughout the Mideast and Europe until its popularity was overtaken by coffee.

In England, it was called "saloop" and was THE thing to drink before tea was imported from India.

These Bithynian orchid bulbs were incredibly popular in Ancient Rome, where they were ground to make sweet drinks which were believed to be aphrodisiacs (coming from the "testes" orchid) and which had names like "satyrion" and "priapiscus".

Paracelsus, the alchemist/chemist, wrote, "Behold the Satyrion root! Is it not formed like the male privy parts? Accordingly, magic discovered it and revealed that it can restore a man's virility and passion!"

Now, for the first time, a careful study of ancient artifacts in Italy has proven that the Romans were not only crazy about consuming orchids but also about showing them in their art. 

Botanist Giulia Caneva of the University of Rome (Roma Tre) has assembled a database of Italian artifacts, including paintings, textiles, and stone carvings of subjects including vegetation. Then, the team began the painstaking process of trying to identify the real plants the artists had copied. 

One surprise was that depictions of Italian orchids—there are about 100 species in all—showed up much earlier than expected. Although scholars had spotted the flowers in paintings from the 1400s, Caneva's team discovered that stone carvers were reproducing orchids as early as 46 BC, when Julius Caesar erected the Temple of Venus Genetrix in Rome. 

And at least three orchids appear among dozens of other plants on the Ara Pacis, a massive stone altar erected by the emperor Augustus in 9 BC, Caneva and colleagues reported last week in the Journal of Cultural Heritage. 

Artists probably chose the flowers to help emphasize the altar's theme of civic rebirth, fertility, and prosperity following a long period of conflict, Caneva says. 

But orchids and other plants begin to fade from public art as Christianity began to gain influence in the 3rd and 4th centuries, she notes. 

"My idea is that they are eliminating pagan symbols, and [those] that are related to sexuality," she says. With the arrival of the Renaissance, however, orchids blossom anew in art, "but this time mostly as a symbol of beauty and elegance." 
 

THIS IS THE DAY THE ORION NEBULA WAS DISCOVERED AND NAMED

ON 25 November 1610 French astronomer Nicolas-Claude Fabri de Peiresc (Peiresc) discovered the Orion Nebula and coined the term "nebula". 

The Ancient Egyptians equated Orion with Osiris ... the rise of the Orion Constellation and dog star Sirius coincided with the Nile Inundation ... symbolized by Osiris rising from the dead.

Like Osiris, Antinous died in the Nile and rose to divinity. The first miracle of Antinous was the bountiful Nile Inundation in 131 AD which ended a long drought ... bringing life from death.

FREDDIE MERCURY SAINT OF ANTINOUS

ON November 24th the Religion of Antinous celebrates the outrageous life of St. Freddie Mercury.

St. Freddie Mercury whose death from AIDS on this date in 1991 shocked the world, was a courageous performer whose gayness, while not always stated, was a visible part of his persona. He served as an inspiration for millions of gay men, particularly those who, like him, fight ethnic prejudice every day of their lives.

St. Freddie, who was of Indian Parsi descent, and who was born on the island of Zanzibar and grew up in India, has been referred to as "Britain's first Asian rock star."

Like all great showbiz artists, St. Freddie was acutely aware of his public image and went to great lengths to cultivate the persona of Freddie Mercury -- and to hide any trace of the little Parsi boy named Farrokh Bulsara. Freddie Mercury -- or rather the showbiz image called Freddie Mercury -- was beyond all definitions of ethnic origin, or sexual orientation or political affiliation. Not surprisingly, many people were confused and sometimes irritated by the image.

People criticized him for "hiding" his ethnic background. But as a friend told an interviewer after Freddie's death, "[Farrokh] Bulsara was a name he had buried. 

He never wanted to talk about any period in his life before he became Freddie Mercury, and everything about Freddie Mercury was a self-constructed thing."

People also criticized him for not "coming out" publicly. But again, Freddie Mercury (the showbiz image) was beyond gender limitations. 

In fact, Mercury referred to himself as "gay" in a 1974 interview with NME magazine. He was frequently spotted at the cruisiest gay bars across Europe, the UK and America. On the other hand, he would often distance himself from partner Jim Hutton during public events in the 1980s.

Freddie Mercury (the rock icon) was too big to be contained in one gender mold.

He was diagnosed with HIV in 1987. Everyone knew he was sick and everyone surmised the reason. But Freddie Mercury (the image) could never die.

And so it was, that Freddie Mercury never acknowledged his illness until November 23, 1991, when a tersely worded statement was issued announcing that he had AIDS.

A few hours later, he was dead. At the age of 45.

Although he cultivated a very flamboyant stage personality, several sources (including people of my own acquaintance who knew him "intimately") refer to Mercury as having been very shy in person. He also granted very few interviews. Mercury once said of himself: "When I'm performing I'm an extrovert, yet inside I'm a completely different man."

One man was an Indian Parsi kid called Farrokh Bulsara who had been born in Zanzibar.

The other man was FREDDIE MERCURY:

Farrokh Bulsara died on November 24, 1991.

Freddie Mercury will live forever.

The Religion of Antinous honors Freddie Mercury as a Saint of Antinous because he embodies the artistic genius and the flamboyant courage that inspires each of us to strive to be a "star". St. Freddie Mercury admonishes us to strip off the guise of conventionality and the put on our "star" outfits and to take the stage of life. He teaches us to live each day as if it is forever.

TRACE THE FOOTSTEPS OF ANTINOUS WITH THIS STREET MAP OF ROME

WE envision Antinous strolling down these streets in Rome's infamous Subura red-light district with other young friends from the "paedagogium" academy.

The wide street that traverses this fragment of a map of the city of Rome from right to left (west to east) has been identified as the Clivus Suburanus, a major street that ran from the Forum and the Argiletum through the Subura neighborhood, past the front of the Porticus Liviae, to the Esquiline Gate.

This fragment is from the Forma Urbis Romae, or Severan Marble Plan of Rome. This enormous map, measuring ca. 18.10 x 13 meters (ca. 60 x 43 feet), was carved between 203-211 AD and covered an entire wall inside the Templum Pacis in Rome. 

It depicted the ground plan of every architectural feature in the ancient city, from large public monuments to small shops, rooms, and even staircases.

This fragment represents a large section on the Oppian Hill of the residential and commercial district called the Subura. 

Roman poets like Martial and Juvenal described the Subura as a sordid commercial area, riddled with violence, brothels, and collapsing buildings. 

In reality, it was probably not different from any other neighborhood in Rome … or many modern European cities, for that matter … where commercial activity intermingled with the religious and political life in the great public monuments and smaller local shrines and meeting halls of the local "collegia" and where the large "domus" homes of the rich stood next to the decrepit apartment buildings that housed the poor. 

An abundance of evidence demonstrates that even in imperial times the Subura housed senators (probably on the upper slopes) as well as sandal makers, blacksmiths, and cloth sellers. Commercial activity was probably concentrated all along the clivus Suburanus.

The Severan Marble Plan is a key resource for the study of ancient Rome, but only 10-15% of the map survives, broken into 1,186 pieces.

For centuries, scholars have tried to match the fragments and reconstruct this great puzzle, but progress is slow … the marble pieces are heavy, unwieldy, and not easily accessible. 

Now, computer scientists and archaeologists at Stanford are employing digital technologies to try to reconstruct the map. 

In collaboration with the Sovraintendenza of the Comune di Roma, a team from Stanford's Computer Graphics laboratory has been creating digital photographs and 3D models of all 1,186 fragments. 

The next step is to develop 3D matching algorithms to "solve the map," and to build a fully searchable database of the fragments … a much-needed tool for archaeological research.

WE PRAY TO ANTINOUS/DIANA TO GUIDE US IN OUR HUNT BY MOONBEAMS

TONIGHT, November 22,  is one of the festivals of Diana goddess of the Moon and hunting. 

She is goddess of wild places and wild animals and the protector of young women, pregnant women and those giving birth. 

Diana is the twin sister of Apollo. 

As Antinous is often assimilated to Apollo, he therefore substitutes as the twin of Diana, though he can often be viewed as her male double, so that Antinous is Diana. 

Antinous and Diana are both hunters, and moon deities, and they are also gods of magic and darkness. 

Diana is often compared to Hecate, the supreme goddess of Theurgian magicians, who rose to prominence during the reign of Marcus Aurelius. 

Antinous therefore is the male equivalent of Hecate.

ANTONIUS SUBIA says: "We pray to Diana to guide us in our hunt and to illuminate our nights with the silver light of her sublime power. We recognize that the Moon of Diana is the Moon of Antinous."

QUENTIN CRISP SAINT OF ANTINOUS

ON November 21st the Religion of Antinous honors Saint Quentin Crisp, who died on this day in 1999. He was born on Christmas Day in 1908. 

He became a gay icon in the 1970s after publication of his memoir, The Naked Civil Servant, his true-life account of his defiant exhibitionism and longstanding refusal to conceal his homosexuality.

John Hurt helped to make Quentin Crisp a media star in the movie adaptation of The Naked Civil Servant in the 1970s. In a sequel 30 years later Hurt made him a screen legend, very much in keeping with the lifelong ambition of Quentin Crisp.

In the second film, An Englishman In New York, Hurt portrayed the elderly Quentin Crisp as the New York gay icon based in Manhattan's funky-gritty Lower East Side in the 1980s and '90s.

At an age when most people would retire to a nursing home, Quentin Crisp left his native England and moved to New York City, where he pursued a career as a bon vivant and raconteur.

Asked by a BBC interview if he intended to die in New York, Saint Quentin emphatically said: "Oh no, I didn't come to New York to die. I came to New York to LIVE."

Arriving in New York in his 70s, he lived in his accustomed artistic squalor in a Lower East Side walk-up with a view through a grimy window pane of the next door neighbor's grimy bedroom window.

Every bit the considerate Englishman, he turned off his bare-bulb light at 11 p.m. and sat in the dark, lest the neighbor complain the glare from the 60-watt bulb (through two filthy window panes) kept him awake.

Saint Quentin experienced a meteoric rise after his cunning agent launched him into a career as a raconteur in an off-Broadway one-man show and he became a movie reviewer for a Christopher Street magazine.

But he experienced a meteoric fall from grace when, during one of his frequent TV talk-show appearances, he flippantly remarked that AIDS was "just a fad" which would soon be out of fashion, and the gay community viciously turned on him. Quentin, who had never apologized for anything in his life (and was not about to start apologizing), was perplexed when he was dropped by his agent and editor until his eyes were opened when he got to know young artist Patrick Angus, who later died of AIDS.

But in a Hollywood happy ending, Quentin was rescued by performance artist Penny Arcade, who put him back on stage, and Christopher Street re-hired him, paving the way for a glorious comeback and reconciliation with the gay community when he was in his 90s.

It is fitting that most people know Saint Quentin only through these two films. As might be expected, the best recommendation for the films comes from Quentin Crisp himself, who once famously said: "Any film, even the worst, is better than real life."

KLAUS WITZELING A "BLESSED" OF ANTINOUS

ON November 20th we honor a modern-day mortal whose loving support has been instrumental in establishing the Religion of Antinous in the 21st Century.

Klaus Witzeling, born on this day in 1944, spearheaded the effort to expand our religion from North America back to its roots in Europe.

Born in Graz, Austria, he was trained as an actor at the famed Max Reinhardt Institute in Vienna before moving to Hamburg, Germany, where he become a well-known drama and dance critic.

His open gayness and his tireless efforts to promote new talent were instrumental in the resurgence of modern dance and independent theatrical groups in the German-speaking world over the past 30 years.

He was known for his fair and unbiased critiques. And he was especially noted for promoting obscure dance troupes and unknown actors. His insistent emphasis on furthering new talent helped to make stars out of actors and dancers who otherwise might never have become well known.

Modest to the point of introversion, he wanted no funeral services or wake. But following his death on September 29th, 2013, scores of theatrical directors, actors, dancers, agents and fellow journalists spontaneously organized a gala evening at a theatre in Hamburg in his honor.

As a Blessed of Antinous, Klaus intercedes on behalf of those in the performing arts who know the angst of standing in the wings ... waiting for their cue to go out on stage. We offer this prayer to Antinous for Klaus to intercede on their behalf:

May Klaus Witzeling have the gift of unlimited 

Antinous heka magic ...

May he have the gift of unlimited Semen of the First God ...

That he intercedes for those who dedicate their lives 

To the performing arts

That they stride onto the stage of life

With confidence and audacity

That they generously open their hearts

To the Homotheosis of Antinous

Living it in the midst of the challenges

And demands of their calling

As a spotlight on the dark stage of mortal existence

Shining as a beacon for those sitting in the darkness

That they might also fulfill their gay spiritual potential

Through Antinous the Gay God

FLUSHED WITH PRIDE, WE OFFER THE LATEST UPDATES ON WORLD TOILET DAY

TODAY November 19 is WORLD TOILET DAY and we are flushed with pride to have kept you on the edge of your seats for two years with headlines on what's new in ancient toilets.

We were the first to report the discovery by Philippe Charlier, a Parisian forensic expert, that Ancient Greek ceramic discs which hitherto had been thought to be gaming pieces may actually have been used as a form of ANCIENT TOILET PAPER.

Charlier (pictured here) presented among other things, a Greek proverb stating, "Three stones are enough to wipe one's arse," as evidence that such stones were used to clean up after going to the bathroom.

This blog also was among the first to report on the discovery of the world's oldest WOODEN TOILET SEAT (top of entry) in September 2014 at Vindolanda Roman Fort near Hadrian's Wall in northern England.

The Vindolanda experts also unearthed a WRITING TABLET (shown here) believed to be from 105-120 AD. The tablet was found just 12 inches (30 cm) from the wooden toilet seat. 

The tablet is one of 12 found at Vindolanda this year and one of seven found from the same building level.

Andrew Birley, head of the dig, stated he was "looking forward" to reading the tablet's text.

The site, near Hexham, has earlier revealed gold and silver coins and other artefacts of the Roman army.

Dr Birley stated : "If we are really lucky the person using the seat will have had verbal diarrhoea and we will be able to get their personal thoughts regarding life 1,900 years ago."

The Romans used wooden tablets covered with a layer of wax for writing. They would scratch words into the wax using a stylus.