Monday, October 6, 2014
LOOK INTO THE EYES OF A GAY PERSON
AND YOU SEE ANTINOUS LOOKING BACK
AND YOU SEE ANTINOUS LOOKING BACK
OUR Flamen Antonius Subia likes to say that when you look into the eyes of a gay person, you see Antinous looking back at you.
And that means Antinous is the one who looks out of my eyes and out of your eyes and out of everyone's eyes ... that Antinous is the beholder and the beheld ... Antinous is the same center.
You know that when you look at another human being, and you look straight into their eyes, it feels uncomfortable. There's something embarrassing about looking into someone's eyes too closely.
It's as though you might find out who that person really is. And what do you suppose that would be?
Do you suppose that another person who looks deeply into your eyes will read all the things you're ashamed of, all your faults, all the things you are guilty of? Or is there some deeper secret than that?
The eyes are our most sensitive organ, and when you look and look into another gay person's eyes you are looking at the most beautiful jewels in the universe.
And if you look down beyond that surface beauty, it's the most beautiful jewel in the universe for the simple reason that it is Antinous the Gay God looking at you.
We are the eyes of Antinous. So in a way, when you look deeply into somebody's eyes, you're looking deep into yourself, and the other person is looking deeply into the same self ... Antinous the Gay God.
Sunday, October 5, 2014
THIS ANCIENT ROMAN TEXT
COULD CHANGE YOUR LIFE
COULD CHANGE YOUR LIFE
THE ENCHIRIDION ("The Manual") by Epictetus is a short read on stoic advice for living. Epictetus' practical precepts might change your life.
What's in our control and what's not:
Some things are in our control and others not. Things in our control are opinion, pursuit, desire, aversion, and, in a word, whatever are our own actions. Things not in our control are body, property, reputation, command, and, in one word, whatever are not our own actions.Work, therefore to be able to say to every harsh appearance, "You are but an appearance, and not absolutely the thing you appear to be." And then examine it by those rules which you have, and first, and chiefly, by this: whether it concerns the things which are in our own control, or those which are not; and, if it concerns anything not in our control, be prepared to say that it is nothing to you.What disturbs us:
Men are disturbed, not by things, but by the principles and notions which they form concerning things. … When therefore we are hindered, or disturbed, or grieved, let us never attribute it to others, but to ourselves; that is, to our own principles. An uninstructed person will lay the fault of his own bad condition upon others.How to be happy:Don't demand that things happen as you wish, but wish that they happen as they do happen, and you will go on well.When you become familiar with something…Like an ape, you mimic all you see, and one thing after another is sure to please you, but is out of favour as soon as it becomes familiar. For you have never entered upon anything considerately, nor after having viewed the whole matter on all sides, or made any scrutiny into it, but rashly, and with a cold inclination.Silence is golden:
Be for the most part silent, or speak merely what is necessary, and in few words.When you hear of someone speaking ill of you:If anyone tells you that such a person speaks ill of you, don't make excuses about what is said of you, but answer: "He does not know my other faults, else he would not have mentioned only these."On decision making:
Deliberate much before saying or doing anything, for you will not have the power of recalling what has been said or done.On speaking:
Attempt on every occasion to provide for nothing so much as that which is safe: for silence is safer than speaking. And omit speaking whatever is without sense and reason.How to live free from sorrow:
If you wish to live a life free from sorrow, think of what is going to happen as if it had already happened.
Saturday, October 4, 2014
AND NOW THE ACROPOLIS IS CRUMBLING
AS BED ROCK GIVES WAY
AS BED ROCK GIVES WAY
JUST when Greece thought it had come through the worst of the crisis, it has been hit by a new blow—the Acropolis is crumbling.
Engineers have discovered that part of the huge flat-topped rock on which the ancient Parthenon sits in the centre of Athens is starting to give way, the Greek news agency ANA said.
Teams from the Central Archaeological Council found "instability over quite a wide area" after investigating a rockfall in January in which a boulder of "considerable size" tumbled from the most visited site in the Greek capital.
Work to shore up the southern slope of the hill on which the 2,500-year-old temple complex sits will be necessary, the agency reported, blaming rainwater pipes from the old Acropolis museum.
Despite sharp cuts elsewhere, the restoration work on the site that has been going on since the 1970s has remained sacrosanct, a symbol of the country's glorious past.
In the not so glorious present Greece has had to endure six years of brutal recession, with unemployment soaring to 27 percent. However, for the first time since 2008 it is expected to see modest growth of 0.4 percent this year.
Friday, October 3, 2014
TAITA THE GENDER-BENDING EGYPTIAN
RETURNS IN NEW WILBUR SMITH BOOK
RETURNS IN NEW WILBUR SMITH BOOK
TAITA, the gender-bending Ancient Egyptian wizard, scientist, physician, artist, philosopher and warrior is back after a hiatus of 10 years ... with publication of DESERT GOD by best-selling author Wilbur Smith.
This is fifth book in the series which started 20 years ago with RIVER GOD, which introduced readers to a young eunuch slave whose devotion to Pharaoh's daughter propels him to almost god-like feats.
In his determination to save his beloved child princess, Taita saves the entire Egyptian civilization from destruction by Hyksos hordes from the north ... and sets the stage for the rise of the New Kingdom dynasties under Hatshepsut, Thutmosis and Rameses.
Taita instantly won the hearts of LGBTIU readers, who helped make that first book an instant best-seller.
Taita is the "favorite character ever" of millions, including AridBlue who created this portrait of Taita.
In the course of three more sequels, Taita grew in stature and magical power ... and even found the secret of eternal youth at the source of the Nile by the end of book four.
Now Taita is back in the fifth book of the series.
And this time he is leading a campaign for the final annihilation of the hated Hyksos oppressors by skirting eastward across the Sinai desert to the magical city of Babylon, and then across the open seas back to Crete.
Historians may quibble with Smith's take on the turbulent period about 1,600 years BC ... but this was the Second Intermediate Period of Ancient Egyptian history ... a time from which few records have survived and many questions remain unanswered as to how Egyptian kings-in-exile returned from the reaches of the Upper Nile to expel the Hyksos from Northern Egypt.
Best known for his adventure stories involving southern Africa, 81-year-old Smith says he has nonetheless always been interested in Ancient Egypt.
He says his mother had infected him with "Egyptomania" as a small boy after the discovery of King Tutankhamun's tomb. When his first book became a success 50 years ago, he used the money to travel from South Africa to Egypt to see the Land of the Nile for himself.
"And then one day I was in the Temple of Karnak and all the other tourists had gone and I was just looking up at the Great Hypostyle Hall columns," he told a South African TV interviewer.
"And I heard a little voice speaking to me. And it said: 'My name is Taita. Write my story'." (Image above: "Taita" by hedonistbyheart)
After pausing for effect, Smith laughed and added, "That's how it should have happened. But it didn't. At any rate, I decided to write 'River God' and that was 20 years ago," he said.
"And now this is the fifth book in the series. And it has given me a tremendous amount of pleasure doing the series. And I think, judging from the letters and the feedback I've got from my readers, the readers liked it too."
Thursday, October 2, 2014
POMPEII'S HOUSE OF THE CYTHARA PLAYER
FEATURED IN FABULOUS SHOW IN HAMBURG
FEATURED IN FABULOUS SHOW IN HAMBURG
FOR the very first time one of the large villas of Pompeii is being shown in an exhibition in its entirety ... the CASA DEL CITARISTA ... with reconstructed rooms alongside genuine art treasures from the house.
The POMPEII: GODS, MYTHS, MAN exhibition at the Bucerius Kunst Forum in Hamburg Germany is based on the architectural design of the house, displaying the magnificent décor in its original context.
The unusually large frescoes, bronze figures, reliefs and portraits are among the most beautiful works of art found in the city at the foot of Mount Vesuvius.
Life in ancient Pompeii and the role of art in daily life can be experienced through more than 80 outstanding loans from the National Archeological Museum of Naples.
Citizens of ancient Pompeii decorated their living spaces with scenes of mythical lovers, floating gods and goddesses and gardens. These murals are among the best examples of Roman painting to have survived.
The exhibition Pompeii. Gods, Myths, Man at the Bucerius Kunst Forum reveals the development of Pompeiian imagery from its beginnings to the destruction of the city in the wake of the eruption of Mount Vesuvius in 79 A.D.
The oldest frescoes imitate colored marble; perspective views of sacred sites, landscapes with villas, still-lifes and scenes from mythology became popular at a later date.
The show focuses on the House of the Cythara Player or Lyre Player, presenting its large paintings and magnificent furnishings for the first time together in an exhibition.
The Casa del Citarista tells the story of the Popidius family, one of the richest and most respected families of Pompeii, who continually extended their villa over generations following its erection around 300 B.C.
A life-sized statue of Apollo playing the lyre gave this complex its name. Three large gardens surrounded by open colonnades formed the center of this nearly 3,000 square meter building.
Sculptures and reliefs made of bronze and marble decorated the gardens, valuable bronze fountain sculptures served as water jets.
Two to three meter high murals depict portraits of poets and philosophers, elaborate villas, and mythological scenes such as the Discovery of Ariadne and the erotic encounter between Mars and Venus.
Statues, figurines and altars that attest to the household gods have all been preserved along with the remains of furniture and the homeowner’s jewelry which were left behind during the eruption of Vesuvius.
The show gives an impression of the condition of the house shortly before the volcanic eruption. A digital reconstruction of the Casa del Citarista, which was created in cooperation with the Museo Archeologico Virtuale in Herculaneum, supplements this exhibition.
Wednesday, October 1, 2014
OCTOBER 1: ANTINOUS ARRIVES IN MEMPHIS
AND IS RECEIVED IN THE HOUSE OF PTAH
By Hephaistion Aleksandras
AND IS RECEIVED IN THE HOUSE OF PTAH
By Hephaistion Aleksandras
ANTINOUS had thus far beheld the wonders of various sanctuaries and monuments ... colossal statues hewn from blood-red stone that were the equal of any in Roma, the sprawling urban centers choked with imports from every corner of the earth, a harvest of gold and goldsmiths, whose crafts became the ornaments of the affluent from Roma to far more distant, barbaric lands- yet he had seen nothing that made him gasp in astonishment as did "the noblest of cities", Memphis, and its very ancient grandeur.
Hadrian's ship had landed at the water steps of the great southern portal of one of the several imposing palaces that fronted the Nile, scintillating in the fierce heat of the sun that seemed to shatter over everything and everyone in this most hallowed of cities. As their craft had entered the famous port of Memphis, his local guides had enticed Antinous with stories of the renowned shipyards of the God Ptah, the workshops of the goldsmith's guilds whose handicrafts were well known in Roma, and the elephantine, fortress-like walls of the Temple of Ptah. Here were obelisks piercing the liquid azure of the afternoon sky, with their pyramidions sheathed in glowing electrum. Beyond them rose mountainous pylons, gates and royal statues that seemed to dwarf all else for miles around. It was all very enthralling. And yet Antinous had come to receive the counsel of the High Priest of Ptah, the God for whom all of these marvels had been consecrated.
What perfection was to be seen in the craft of man's hand...enormous and yet sensual alabaster colossi, sphinxes, divine images, and every other splendid and costly thing the mind could fathom.
Yet it was the ancient Mysteries of Memphis that had caused mighty Hadrian to make inquiries on behalf of Antinous, whose thirst for high learning knew no bounds.
A retinue stood waiting for Antinous beneath the blessed shelter of the palace portico. Antinous approached, bowing his head, not knowing which of these distinguished foreigners was the High Priest of the God Ptah. A tall, shaven headed and linen draped man came forward, and raised his hands in the gesture of reverence.
"Welcome and blessing to you, Antinous, heart-friend of our Lord Hadrianus Caesar, who is the Lord of Crowns and ruler of the Two Lands! I am Neferkaptah, and I am the Chief of Priests of the God Ptah in the Soul-Mansion of Ptah. Is the noblest city in Egypt fulfilling your expectations and satisfying your heart?"
Antinous relaxed and smiled, noticing the kindness and curiosity evident in the faces of the other priests. "Satisfy?...why no, much more than satisfy! I am stunned by all I have seen of this city of marvels. Our guides today pointed out the endless outdoor market as we approached, which I am told is the largest in Egypt...perhaps in the whole world! There are the giant sphinxes that look like marble, but I am told they are alabaster...and the high walls of the city itself, which our guide told us are the oldest and tallest in the entire land. Alexandria is a wonder of the mind, it is true, butthis, Memphis, is a wonder of the eyes!"
The High Priest smiled knowingly, waving Antinous to follow him beneath the bulk of the portico and through an imposing gate in the high wall. Everywhere he looked were to be seen sculpted and painted reliefs of the highest quality, delicately carved statues of glittering stone, columns and tiles that shined a glossy sky blue. Everything around him seemed to focus one's attention upon the crafts of the hands...that of stone masons, goldsmiths, jewelers. Antinous was taken aback almost to the point of speechlessness, however, he was here to receive the initiations of Ptah, and to take back with him a portion of their wisdom.
"I have seen at a distance the Pyramid that our guides told us was built by Imhotep-"
"Oh, but of course, you want to hear about Imhotep!"
Antinous blushed, but Neferkaptah smiled enthusiastically. "The Holy Pyramid was constructed by an army of the finest craftsmen in Egypt in the service of King Netjerykhet, but it was Imhotep the Son of Ptah who imagined how it could be accomplished, and it was his genius that made what you have seen possible.
"Homage to You Imhotep, Son of Ptah, the Good Physician, the Kindhearted God!
"Imhotep was born to a woman named Khreduankh, whose beauty caught the eye of the God Ptah Himself, and it was from His seed that Imhotep came forth, having even at his birth the powers of a Seer together with all the knowledge of a priest of Ra. He knew the stars in their courses, and the measurements of creation, and he had the knowledge and blessedness to heal the sick and cure the diseases of the flesh. Did they point out to you the temple where the God Imhotep, as the Son of Ptah, reveals cures to the sick as they dream? Well, then perhaps you know already the fame of Imhotep throughout the known world, for not only do the people of this city and Egypt come to be healed in His shrine, but also people from across the Great Green Sea...."
"I know that the Hellenes associate Imhotep with Asklepius", Antinous said, "and that they believe He cures barrenness and impotence, and even fatal conditions. Aren't there miracles attributed to Imhotep during His life?"
Neferkaptah nodded. "And you saw it!...the Holy Pyramid, from which King Netjerykhet was sent aloft to the Imperishable Stars, to be the divine leader and guide of Egypt for all eternity. My son, Imhotep was an innovator, not merely an architect who followed in the footsteps of others. Memphis, Alexandria and Egypt entire is filled with scholars and architects...so many trained monkeys who mimic what they read and see in the genius of others. What Imhotep did was excell beyond the great works of his predecessors, taking the original design for the tombs of hallowed persons, and shaping it into something truly sublime. His is a miracle of the mind, the imagination, which is one of the greatest testaments to his divinity.
"Your own Hadrianus Caesar is said to be such an architect and visionary...one who takes what he has inherited and pushes it beyond what others thought possible. To exceed the limitations imposed by the lower mind, the mundane intellect...that is the course of one who has received the direct blessing of the Gods. It is that way in your Roma, and so it is that way here in my Egypt, which is the House of the God Ptah, Architect of the World!"
Antinous recalled some of the things his tutors had told him about the origins of Egypt and the Great God Ptah. "Speaking of the House of Ptah, is it not true that the Hellenes gave Egypt its name, or rather, that the name Egypt is taken from the language of the Hellenes, when they beheld the wonders of the Temple of Ptah at Memphis and recognized its universal importance?"
"That is so, my son. The Hellenes knew that the most ancient city of Memphis ... which was hailed as Men-Nefer by the Ancients ... was the first capital of the Egyptian state, and that it was here, in our very own Temple of Ptah, where every king that has sat upon the throne of Egypt has received the Double Crown.
Aleksandras, whom they call Great, the Son of Zeus-Ammon, was crowned as Pharaoh of Egypt in the Temple of Ptah, as was your beloved Hadrianus Caesar, Lord of the Two Lands.
For Ptah is the King-Maker, the Establisher of Laws, who founded the first temple in the first city of Egypt, and that city, this city, was known as Ibebu-hedj, the 'White Walls', where at its heart rose Hawt-ka-Ptah, 'The Soul-Mansion of Ptah'.
"The Hellenes pronounced the name of Ptah's holiest temple Aigyptos, and it was from their speech that the name of our Egypt came forth. And Ptah is the King of the Gods in His temple here, because it is recognized in Memphis that Ptah is the Genius from Whom speech, intellect and thought came into being. Without Him, the Hellenes, Romans, the Egyptians, and indeed the peoples of all the world would not have intellect or speech or even existence itself, for Ptah is the Great God Who gave birth to the Cosmos and all the things dwelling in it!"
Antinous and his hosts had finally arrived at the Great Temple of Ptah, which was just south of the primary enclosure of the ancient capital of Egypt. Its great white walls (from which the oldest district of 'White Walls' received its name) were crenellated like some military fortress, and Antinous recognized that its massive corners gave way to high watch towers that were likewise crenellated. Tall flagstaffs sheathed in gold stood proudly before soaring pylons into which were carved, in exquisite relief, images of the God Ptah receiving abundant offerings. The heady fragrance of myrrh incense rose in a palpable cloud above the entourage, and then the sound of chanting, which echoed off lofty stone ceilings.
"Hail to Ptah Who is South of His Wall, who created in the beginning in His loneliness, when there was no one beside Him. Who came into existence by Himself and fashioned in the beginning, in that neither father nor mother had made His body. The truly lone one. He who made the gods and who created, but who indeed was not created".
Antinous braved a remark as they approached the entrance proper, the hallowed Soul-Mansion of the God Ptah. "The Hellenes know Ptah as Hephaestus, I have been told by my tutors, while my people know Him as Vulcan, and we see Him as the Wielder of the blacksmith's hammer and fire. We know Vulcan as the creator of the blacksmith's arts".
"It is certainly true that the God Ptah is the divine patron of all handicrafts", Neferkaptah answered, "...which include the arts of the forgers, goldsmiths, metal-smiths and jewelers. All of these are the products of the heart and tongue of Ptah, Who spoke them into existence, but so too are all the labors of the hands...stone masonry, sculpting, painting, architecture, mining and ship building."
The Priest added, "You have seen the famous ship yards of Memphis, which equal any in the known world, including Alexandria. Here too are the ateliers of the Temple, whose divine images in gold, precious stones and electrum are found in every temple in Egypt, and in the Royal Court," he said.
"It is known that the Servants of Ptah, that is to say His craftsmen, are among the finest in the world. They certainly have no equal in all of Egypt; for the God Ptah is not solely the patron of artisanship or craftsmanship, but rather the Progenitor of the finest quality work of which men are capable. It is excellence itself...this quality of having perfected a thing to the point where it cannot be improved upon...that is the hallmark of the God Ptah throughout creation. The very activity or attitude of striving for excellence in one's work is the very nature of the God Ptah, Who has selected the perfect forms of all creatures and plants, given them birth through the speech of His tongue, and bestowed upon them the breath of life".
Just then the entourage entered the sanctified outer courtyard of the Temple of Ptah, where grandiose and more humble stone images of the God Ptah stood in the presence of flaming braziers and tables choked with delicious offerings. Priests and acolytes moved to and fro with diligence, trimming wicks and lighting lamps, and dropping pellets of myrrh over the hot coals of the braziers. A presence of devotion and solitude pervaded the atmosphere, which spoke to the heart of Antinous of the first-fruits of the human heart.
"Is love part of the creation offered by the Great Ptah to His servants upon the earth?", Antinous queried, his heart fluttering with admiration for the beauty and harmony of the images surrounding him.
"The heart and the tongue are the two instruments by which Ptah the very Great God brought out His vision for the created world, thus making it a reality. It is the heart that is the mind of all creatures in the world, for the heart speaks and the limbs obey. And when the tongue repeats what the heart has engendered, then life proceeds...activity shapes progress, and events unfold. This is the handiwork of Ptah, Who gave form to the heart that it might direct the limbs and the passions.
"But know too that Ptah is called the King of the Gods not merely because of His creative power, which makes kings in the world of men, but because He created the Gods. It was the desire, the passion...the love of Ptah that made the Souls of all the Gods, and determined that they should come to rest in their statues of stone and wood and metal, and it was Ptah Who ordained the cults of all the Gods, Their temples and worship, so that the Gods could receive the first-fruits of the earth from humankind. But also, it was through the love of Ptah that the Gods should receive the offerings of humankind, and intervene on their behalf, for men and women, together with all the creeping creatures of the earth, are the handiwork of Ptah's heart and tongue. We, Antinous...you and I and revered Hadrianus Caesar, are the thoughts of Ptah's passion, and the desires of His heart, and the fruit of His tongue...and so it shall always be!"
Antinous was filled with awe and humility in the presence of such a teaching, which inspired within his own heart the desire to receive the Mysteries of Ptah more fully and deeply. And so Antinous followed Neferkaptah into the dim inner court of the Temple of Ptah, and there received an answer from the very Great God Ptah.
IN MENNEFER, ANTINOUS LEARNS MYSTERIES
OF PTAH, SEKHMET AND NEFERTUM
OF PTAH, SEKHMET AND NEFERTUM
AT the beginning of October 130 AD, Hadrian and Antinous arrived in splendor at Memphis (Mennefer) the ancient capital of Egypt for many centuries, long before Alexandria was founded.
The Memphite cosmology holds that the god Ptah is the creator of the universe, that out of fire he creates Atum and the Ennead of nearby Heliopolis.
Ptah creates the Atum from his burning heart and speech, and then the Atum creates the world with his hands and semen.
In later days in Egypt, Ptah becomes a ruler of the underworld, or more specifically, of what lies beyond this world ... he is the root of the root.
He is accompanied two deities. First is his consort Sekhmet "the Mighty One" who represents war, destruction and yet also cathartic healing and invincible protection.
Ptah is also accompanied by their son Nefertum, whose name means "beautiful accomplisher of Atum" and who represents rebirth, preservation and regenerative healing.
Nefertum is depicted as a beautiful young man with a lotus blossom emerging from his head and striving sunward.
Antinous was also told of IMHOTEP, the only other non-royal mortal ever to be deified by the Egyptians.
He was an architect, physician, artist and scientist who lived 3,000 years before Antinous was born.
Imhotep had stood out from all others for his knowledge and wisdom ... and he had became a god, always depicted as a scholar sitting with books on his lap and sometimes as the Egyptian Aesculapius, god of medicine.
The deification of Imhotep set a precedent in Egypt for the deification of non-royal mortals ... which is why Egyptians would be the first to accept Antinous as a new god.
Nefertum is depicted as a beautiful young man with a lotus blossom emerging from his head and striving sunward.
Antinous was also told of IMHOTEP, the only other non-royal mortal ever to be deified by the Egyptians. He was an architect, physician, artist and scientist who lived 3,000 years before Antinous was born.
Imhotep had stood out from all others for his knowledge and wisdom ... and he had became a god, always depicted as a scholar sitting with books on his lap and sometimes as the Egyptian Aesculapius, god of medicine.
The deification of Imhotep set a precedent in Egypt for the deification of non-royal mortals ... which is why Egyptians would be the first to accept Antinous as a new god.
Antinous was exposed to these mysteries which brought him deeper into the unfolding of the nature of the universe and the identity of the first principle of creation ... of how one mortal man can change the course of the world.
He was initiated into the double nature of creation, through Sekhmet and Nefertum. He gained insights into the divine nature of mortal humans through Imhotep.
Pictured at top is the Memphite triad with a very white-skinned king who resembles Antinous.
Subscribe to:
Posts (Atom)















