HADRIAN'S VILLA IS REBORN AS A VIRTUAL WORLD YOU CAN INHABIT

NOW you can follow in the footsteps of Antinous and stroll through Hadrian's Villa ... as a digital avatar.

Bernie Frischer, a digital archaeologist at Indiana University and one of the first academics to use 3-D computer modeling to reconstruct cultural heritage sites, spent five years leading the development of the extraordinary 3-D VIRTUAL HADRIAN'S VILLA. 

The virtual simulation interprets the entire 250 acres and the more than 30 buildings of the 2nd-Century site.

The image above shows the digital 3-D virtual recreation of the Piazza D'Oro and adjacent gardens at Hadrian's Villa. The other image shows the ruins which visitors to the site see today.

Using a live 3-D multi-user online learning environment, visitors can interactively explore the entire villa complex.

A RELATED WEBSITE documents the state of the site today and gives the scholarly background needed to understand the virtual simulation. 

The project combines information garnered from scholarly studies of how the villa was used with the virtual world gaming platform Unity 3D.

Frischer and the Virtual World Heritage Laboratory, which he directs at IU's School of Informatics and Computing, worked with the Institute for Digital Intermedia Arts at Ball State University to offer visitors the opportunity to take on the roles of historically accurate avatars.

 That means you can slip into the avatar identity of members of the Imperial Court and Roman senators as well as soldiers and slaves. 

"The website makes it possible to study the state of the ruins today, including many sites on private land or in parts of the archaeological park closed to the public," Frischer said.

"The simulation shows how the site looked during the reign of Hadrian," he added. "It can be freely explored and used to support teaching and research." 

Non-playing characters also populate various places in the virtual villa, carrying out daily activities that would have occurred during the final years of Hadrian’s reign from 117 to 138 A.D. 

A visit to the website might include eavesdropping on an imperial audience, participating in a feast, bathing or worshipping. 

"A user can select from a variety of avatars representing class, gender and ethnicity, including courtiers, senators, scholars, freemen, soldiers and slaves," Frischer said.

"This avatar system was based on scholarly studies of the circulation and flow throughout the villa," he added. "The goal was to make everything evidence-based, from the avatars' costumes to their gestures."

For an example of the avatar experience, join Frischer on an eight-minute YouTube tour of the virtual villa, with Frischer playing the avatar's role of Hadrian:

WE REMEMBER WHAT UNITES US ALL ON INTERNATIONAL FRIENDSHIP DAY

AS our liturgical year draws to a close at the end of July each year, we pause to join hands and remember the bond that unites all of us around the world ... on July 30th ... International Friendship Day.

We the priests of Antinous receive messages every day from worshipers who feel alone and isolated ... stuck in far-flung places ... stuck in jobs they hate ... or stuck in joblessness ... stuck in loveless relationships with hateful family ... stuck in poverty ... not just poverty in terms of money, but poverty in terms of friendship and emotional support.

In earlier days physical isolation meant isolation of the heart. But with the growth of social media, we are learning that geographical distances are no barrier to emotional support and loving friendship.

So on this day it is good to remember that we are never truly alone.

Cynics say that friendships happen by chance, that you happen to stumble upon a person in a coincidental circumstance and that you both open your hearts to each other and then become friends ... all by chance.

But we prefer to believe that friends are in each other all along ... always have been in each other ... always will be in each other.

And we remember that Hadrian loved Antinous so much that, when Antinous died tragically, the Emperor proclaimed him a God ... the last and ultimate Classical deity.

Hadrian could have chosen to grieve alone and to hold the memory of his beloved Antinous in his heart. But instead, Hadrian chose to share Antinous with all of us. 

Hadrian's heart was broken, but he chose to open his heart and to share Antinous with all of us ... for the Emperor knew that one day each of our hearts was waiting to be filled with the friendship that Hadrian's heart had known ... and which he shares freely and lovingly with us.

CENTAUR MOSAIC AT HADRIAN's VILLA OFFERS INSIGHTS INTO EMPEROR's MIND

ON International Tiger Day, July 29th, we remember that the famous Centaur Mosaic from the grand dining pavilion of Hadrian's Villa at Tibur has intrigued art historians for decades. The mosaic is on view at the Altes Museum in Berlin, along with stunning sculptures of Hadrian and Antinous. But few people have had the opportunity to view it up close with commentary by eminent art historians ... until now!

This video (below), with a running narration by Dr. Steven Zucker and Dr. Beth Harris, provides brilliant insights not only into the Roman interpretation of Greek art, but also into the subtle differences in the way that the Romans and the Greeks perceived their place in the cosmos.

One important point which Drs. Zucker and Harris do not make, however, is that Hadrian was called "The Lion Slayer" because the Emperor and Antinous killed a man-eating lion in Egypt in the summer of the year 130 AD — only weeks before the tragic death of Antinous. 

Another detail is that the centaur downed by the tiger is a female, presumably the mate of the centaur holding the boulder. It is unclear whether the downed mate is dead or only stunned and is about to be rescued — just as Hadrian rescued Antinous from the Egyptian lion in real life.

So Hadrian's dinner guests could look at the mosaic and interpret the bearded centaur as being a mythic aspect of the emperor himself — protecting the Empire from the beastly forces of chaos. Hadrian could also be equated with Chiron, with Antinous perhaps his tutor.

In Greek mythology, Chiron was one of the Titans, the greatest of the Centaurs. Chiron was the tutor to a great many gods and demigods, including Prometheus, Theseus, Achilles and Hercules, to name but a few.

Astrologically, Chiron represents a person's healing energies and, indeed, the word for "surgery" in many European languages (chirurgie in French and German, cirugya in Spanish, chirugia in Italian and Portuguese) comes directly from the Ancient Greek words for "Chiron Hands" — a healer with the skilled hands of the Titan Chiron.

Astrologically, the asteroid Chiron currently is in a highly fortuitous aspect to Pluto — an aspect of cosmic healing which will last on and off through September. Hadrian, who was obsessed with astrology himself, could hardly have looked at this mosaic without pondering cosmic implications.

Zucker and Harris, founders of Smarthistory, aptly point out that this mosaic ... only a tiny fraction of the dining pavilion's mosaic ... must have been a profound source of dinner conversation.

HADRIAN'S ENORMOUS TEMPLE IN TURKEY WAS ONCE THE 8th WONDER OF THE WORLD

ANTINOUS and Hadrian, during their triumphal tour of Asia Minor in 129 AD, strode through the portals of a colossal temple which the Ancient Romans considered "The Eighth Wonder of the World."

Sadly, the temple, which is called the Kyzikos Hadrian Temple, is now only ruins. Archaeologists are now trying to determine just exactly how extraordinarily large it was.

"Our goals are to be able to establish the true measure of the temple and the remains of the superstructure, and to reveal the origin of the temple without excavating its higher parts. So far, we have partly learned this,"  Nurettin Kochan, head of Ataturk University’s archeology team, told Turkey's Andalou news agency.

The longest side of the temple, measuring some 161 meters, was unearthed in 2010, recalled Kochan.

The enormous temple was subject to major destruction over time, as the marble works of the temple were burned up in lime wells and cube-shaped dry cereal stores were placed around the temple. The area was used as a cemetery during the Middle Ages.

During the previous 10 excavation campaigns at the site, teams have unearthed lion-headed marble gutters, 105x85-cm full-size marble roof tiles, 2.25-meter columns, cube-shaped food stores known as Pithos, Kyzikos coins, a king's head, and a tomb in which 10 people were buried with gifts, inscriptive stones providing information about the tomb.

Most spectacularly, the archaeologists unearthed the largest Roman era capital measuring some 1.9 meters in diameter, 2.5 meters in height and 20 tons in weight.

"This is the largest and most exquisite Corinthian capital built within the territory of the Roman Empire," Kochan said.

In architectural terminology, the term "capital" derived from Latin caput, or "head," which forms the topmost member of a column. It also mediates between the column and the load thrusting down upon it.

Calling the Temple of Hadrian the eighth wonder of the world, Kochan said "There’s no other capital of this size in the Corinthian order."

He added: "Kyzikos Hadrian Temple outshines even the Baalbek Temple of Jupiter in Lebanon, considered the largest and most spectacular Corinthian temple in the world."

The Corinthian order is chronologically the latest of three recognized ancient Roman architectural styles.

The Hadrian temple is one of the largest temples in Anatolia, according to Kochan's assistant, Korkmaz Meral, who added that frequent large earthquakes had caused great damage in the area around the temple.

WORLD'S OLDEST TEMPLE ALIGNED WITH THE DOG STAR

THESE are the "Dog Days" when the Dog Star Sirius rises above the horizon ... and now an expert has determined that the world's oldest temple, Göbekli Tepe in southern Turkey, may have been built to worship Sirius.

The 11,000-year-old site consists of a series of at least 20 circular enclosures, although only a few have been uncovered since excavations began in the mid-1990s.

Each one is surrounded by a ring of huge, T-shaped stone pillars, some of which are decorated with carvings of fierce animals. Two more megaliths stand parallel to each other at the centre of each ring.

Giulio Magli, an archaeo-astronomer at the Polytechnic University of Milan in Italy, looked to the night sky for clues. After all, the arrangement of the pillars at Stonehenge in the UK suggests it could have been built as an astronomical observatory, maybe even to worship the moon.

Magli simulated what the sky would have looked like from Turkey when Göbekli Tepe was built. Over millennia, the positions of the stars change due to Earth wobbling as it spins on its axis. Stars that are near the horizon will rise and set at different points, and they can even disappear completely, only to reappear thousands of years later.

Today, Sirius can be seen almost worldwide as the brightest star in the sky – excluding the sun – and the fourth brightest night-sky object after the moon, Venus and Jupiter. Sirius is so noticeable that its rising and setting was used as the basis for the ancient Egyptian calendar, says Magli.

At the latitude of Göbekli Tepe, Sirius would have been below the horizon until around 9300 BC, when it would have suddenly popped into view.

"I propose that the temple was built to follow the 'birth' of this star," says Magli. "You can imagine that the appearance of a new object in the sky could even have triggered a new religion."

Magli used existing maps of Göbekli Tepe and satellite images of the region.

Magli drew an imaginary line running between and parallel to the two megaliths inside each enclosure. Three of the excavated rings seem to be aligned with the points on the horizon where Sirius would have risen in 9100 BC, 8750 BC and 8300 BC, respectively (arxiv.org/abs/1307.8397).

The results are preliminary, Magli stresses. More accurate calculations will need a full survey using instruments such as a theodolite, a device for measuring horizontal and vertical angles.

Also, the sequence in which the structures were built is unclear, so it is hard to say if rings were built to follow Sirius as it rose at different points along the horizon.

WAS THE STAR OF ANTINOUS A COMET? By Flamen Antinoalis Antonius Subia

AS there is a COMET in the sky, which comes at the most opportune time, when the world seems to be falling apart all on its own without the need for ominous portents of worse to come, I thought I would share two new texts I have found which concern the STAR OF ANTINOUS and are also about comets. 

The discussion for many years has been whether the original Star of Antinous was a Super Nova or a Comet. The ancients did not know what a comet really was so they sometimes referred to them as New Stars. 

Aristotle distinguished between two types “bearded” new stars and “combed” new stars, the first had a tail, the second had a halo, but both of these moved across the sky from constellation to constellation..whereas a third type, simply called Stella Nova, did not move and did not have either a tail nor a head of hair...we might call these Shaven New Stars! 

The Ancient texts do not say much about the Star of Antinous, Dio Cassius says that it was all a fiction made up by Hadrian's associates:

“Finally, he declared that he had seen a star which he took to be that of Antinous, and gladly lent an ear to the fictitious tales woven by his associates to the effect that the star had really come into being from the spirit of Antinous and had then appeared for the first time. On this account, then, he became the object of some ridicule.”

By his associates, we assume the Greek scholars who Hadrian always kept around. Dio Cassius says that they were trying to impress Hadrian, who went along with the story. 

Hadrian was nobody's fool, he was well studied in astronomy and would have known if there was really a new star in the sky, or if they were just flattering him. That is all the ancient sources say about the star, no description and no location given. 

The astronomer Ptolemy, who was 10 years older than Antinous and would have been in his prime years at the Museion of Alexandria when Hadrian and Antinous visited, and would have been well aware of the New Star and how it had been attributed to Antinous, some years later in his book the Almagest placed the Constellation Antinous next to Aquila, the Eagle. 

This is how we know where the Star of Antinous took place and the comparison to Ganymede and Jupiter with Antinous and Hadrian, justified the name change (modern astronomers have since erased Antinous from the sky.) 

The Star of Antinous appeared in a fixed place, within the boundaries of the 6 or 7 stars assigned by Ptolemy, there is no mention of a comet. 

The Star of Antinous appears on a few of his coins, shown as a star above his shoulder, but there is no tail, beard or hair. The Star of Bar Kochba the leader of the Jewish revolt, whose name means, Son of the Star, appears on Jewish coins in the year 133, it is also shown as a star without a tail. 

Chinese records appear to record that a comet was seen in the early morning sky just before sunrise in late January in a year corresponding to 133. The Chinese did not differentiate between Supernova Stars and Comets.

The first person to assert that it was what we now understand to be a SuperNova Star visible with the naked eye was Alexandre Guy Pingre in 1783, who while describing major comets of the past makes an entry for the year 132. 

He relates the story as told by Dio Cassius and substantiates why he believes there really was a star and that it was not just “court flattery” and that the change of name from Ganymede to Antinous is proof not only that something really happened, but also that it wasn't a comet. 

He says another astronomer named Nicholas Struyck said that the comet of 132 was the same comet as the one observed in 1652, which seems to have passed through the Constellation Antinous. 

I still have not yet found a drawing of the path of this comet, but I'll keep trying, also I need to find Struyck's text because it is one of the first modern references to Antinous. 

Pingre says that the comet of 1652 cannot have been the same comet as in 132 because it did not "Appear" in the Constellation of Antinous, like Dio Cassius says...and we can continue...it did not stay in Aquila, but like all comet's it moved across the sky. 

And so what Pingre is concluding is that the Star of Antinous was a New Star, what we call a Nova and understand to be a previously unknown star that suddenly flares up so incredibly that it goes from completely invisible to visible with a telescope, which happens surprisingly often. 

And then there are the wonderful occasions called Supernovas which can be seen with the naked eye, they are very rare, but happen from time to time. 

There was a SUPER NOVA IN 1999 in the constellation Aquila, and the brightest supernova ever recorded also occurred in Aquila in 1918. There have been about 11 lesser Novae in Aquila from 1993-2015, so the possibility that there was a dramatic Supernova in 132 that Hadrian and his Greek Astronomers witnessed is very probable.

The second text I found is the observations made by Thaddeus Hagecius of the 1577 comet. As the comet progresses across the sky he plots its course and the length of its tail by measuring how far it is from the stars of the constellations it passes through. When it enters Antinous, he takes a moment to explain that Antinous was the boy who Hadrian deliciously "had." 

One important thing about the comet of 1577 is that another astronomer named Tycho Brahe was able to determine that the comet was further away from Earth than the moon by comparing the observations of Hagecius and calculating the difference from where he observed it from his own location. So in a sense, Antinous played a part in this discovery.

The pictures on this entry are of the comet of 1680 which is said to be one of the most important because it was the first comet discovered with a telescope and was observed by the most famous astronomers of the time including Newton. This comet also passed through Antinous.

Antinous gets a lot of celestial action it seems. So as we enjoy the disturbing omen in the sky of more fun times as yet to come for our world on this eve of destruction, please enjoy these references about Comets and Antinous given in French and Latin with my translation.

May Antinous of the Heavens shine his starlight upon us

~Antonius Subia
Flamen Antinoalis

ALEXANDRE GUY PINGRE
Cometographie, 1783

132. Adrien ecoutoit avec satisfaction ceux qui disoient que l'ame d'Antinojus avoit ete changee en une nouvelle etoile, que l'on voyoit depius peu de jours. Cette flatterie de cour prove-t-elle bien decisivement la realite de cette nouvelle etoile? Adrien, dit Dion, pretendoit voir l'etoile d'Antinous: cela suffisoit pour faire voir a des courtisans ce qu'ils ne voyoient peut-etre pas reellement. On voyoit sans doute, ou l'on croyoit voir cette etoile dans la constellation de Ganimedes enleve par l'Aigle, et s'est apparemment ce qui a donne occasion de changer le nom de Ganimedes en celui d'Antinous. En admettant la realite de l'etoile, il resteroit a decider si cette etoile etoit une comete. Struyck le croit; il juge meme que cette comete est celle de 1652 ; si cela est, cette nouvelle etoile n'a pu paroitre dan la constellation d'Antinous.

The Year:
132. Hadrian listened with satisfaction to those who said that the soul of Antinous had changed into a new star, which had been seen for a few days. Does this flattery of court prove decisively the reality of this new star? Hadrian, said Dio Cassius, pretended to see the star of Antinous: that was enough to make the courtiers see what perhaps they did not really see. Without a doubt they saw, or thought they saw this star in the constellation of Ganymede elevated by the Eagle, and apparently this is what occasioned the change of name of Ganymede to that of Antinous. We admit the reality of the star, it remains however to decide whether the star was a comet. Struyck believed it; he even judges that this comet is that of 1652; but if that is the case, the new star could not have appeared in the constellation of Antinous.

THADDEUS HAGECIUS
The Comet of 1577, observation notes

16th November
17 partib. 52 scrap. A secunda stella ex informibus eius Aquilae, que Antinoi illius pueri, ab Hadriani Imperatore in deliciis habiti, esse quidam fabulantur, 13 partib & totidem scrupulis primus

17 degrees 52 minutes from the second star of Aquila,
Of Antinous, that boy of Emperor Hadrian who was deliciously taken, so the story goes;
13 degrees and as many minutes (13) from the first.

THE INUNDATION OF THE NILE WAS SEEN AS THE FIRST MIRACLE OF ANTINOUS THE GOD

ON JULY 25 the Religion of Antinous joyfully commemorates the First Miracle of Antinous — the Bountiful Inundation of the Nile which ended a drought which had caused food shortages throughout the Empire.

The famine had overshadowed the tour of Egypt by the Imperial entourage in the year 130. The half-starved Egyptians looked to Hadrian, whom they worshipped as pharaoh, to perform a miracle which would end their misery.

But as Hadrian and Antinous traveled up the Nile during the summer and autumn of 130, the Nile once again failed to rise sufficiently to water the fields of Egypt — Rome's "Bread Basket" and chief source of grain and other staple foodstuffs.

It was a humiliating disappointment for the Emperor following the jubilant welcome by peoples during the earlier part of his tour through the Eastern Empire. In Ephesus and other cities he had been welcomed as a living god.

But the Egyptians had given him and his coterie what little they had in the way of food and wine — and he had failed to convince the Inundation Deity Hapi to bless them with bounty. Hapi is one of the most extraordinary deities in the history of religion.

Hapi is special to us especially because Hapi is hermaphroditic. With many other such deities, the gender division is down the middle of the body (like some Hindu deities) or the top half is one gender and the bottom half is the other.

But Hapi is very complex and the genders are mixed throughout his/her body. Male deities invariably have reddish-orange skin in Egyptian Art and female deities have yellowish skin. Hapi has bluish-green skin. Hapi has long hair like a female deity but has a square jaw and a beard. Hapi has broad shoulders yet has pendulous breasts like a nursing mother. Hapi has narrow hips and masculine thighs, but has a pregnant belly. Nobody knows what sort of genitals Hapi has, since they are covered by a strange garment reminiscent of a sumo wrestler's belt.

Hapi is both father and mother to the Egyptians. Hapi provides them with everything necessary for life. As Herodotus wrote, "Egypt is the gift of the Nile". Hapi wears a fabulous headdress of towering water plants and she/he carries enormous offering trays laden with foodstuffs.

The Ancient Egyptians had no problem worshipping a mixed-gender deity. I think it is very important to draw the connection between Hapi and Antinous, especially since the First Miracle that Antinous performed as a god involved Hapi. The Egyptians accepted Antinous into their own belief system immediately and were among the most ardent followers of Antinous.

They had no problem worshipping a gay deity who had united himself with a hermaphroditic deity. It must have seemed very logical and credible to them.

It made sense to them and enriched their belief system, made it more personal since they could identify more easily with a handsome young man than with a hermaphrodite wearing a sumo belt (Hapi forgive me!).

Herodotus also said he once asked a very learned religious man in Egypt what the true source of the Nile was.

The learned man (speaking through an interpreter, since most Greeks never bothered to learn Egyptian) paused and finally told him the true source of the Nile is the thigh of Osiris.

We think of it as a strange answer. We think of the Nile as an "it" and the source as a "geographical location". But the Egyptians thought of the Nile as "us" and its true source as "heka" — the magical semen of the creator.

So, a learned Egyptian would have assumed that a learned Greek would understand what was meant: That Hapi is the equivalent of Dionysus, who was "incubated" in the inner thigh of Zeus after his pregnant mortal mother Semele perished when she could not bear the searing sight of her lover Zeus in all his divine panoply.

It's a very poetic way (a very Egyptian way) of saying that the "true  source" of the Nile, which is to say Egypt itself, is the magical heka/semen from the loins of the original creator.

We will never know what happened during that journey up the Nile along the drought-parched fields with anxious Egyptian farmers looking to Hadrian for a miracle. All we know is that Antinous "plunged into the Nile" and into the arms of Hapi in late October of the year 130.

And then the following summer, Hapi the Inundation Deity provided a bountiful Nile flood which replenished the food stocks of Egypt — and the Roman Empire.

Our own Flamen Antinoalis Antonius Subia explains the more esoteric aspects of this special Religious Holy Day:

"The Dog Star Sirius appears, and the sacred Star of Antinous begins to approach its zenith in the night sky of the northern hemisphere. The appearance of the Dog Star once announced the rise of the Inundation of the Nile, though it no longer does due to the precession of the Equinox, which is the slight alteration of the position of the stars.

"After the Death and Deification of Antinous, the Nile responded by rising miraculously after two successive years of severe drought. It was on this day, July 25th, in the year 131 that the ancient Egyptians recognized that Antinous was a god, nine months after his death, following their custom of deifying those who drowned in the Nile, whose sacrifice insured the life-giving flood.

"Sirius is the brightest star in the sky, it is part of the constellation Canis Major, or the big dog, which is the hunting dog of Orion. Mystically, Sirius and the constellation Canis Major is Antinous Master of Hounds and Orion is Hadrian the Hunter.

"The position of Orion, along the banks of the Milky Way, our galaxy in relation to Sirius is a mirror image of Pyramids along the bank of the Nile, which is the same relationship as Antinoopolis to the Nile, with the Via Hadriani, the road which Hadrian built across the desert to the East, linking the Nile with the Red Sea — Rome to India.

"We consecrate the beginning of the Dog Days of Summer to the advent of the Egyptian deification of Antinous and the miracle of the Inundation of the Nile."

The First Miracle of Antinous the Gay God is enshrined in the hieroglyphic inscription on the OBELISK OF ANTINOUS which stands in Rome.

The East Face of the Obelisk, which is aligned to the rising sun Ra-Herakhte, speaks of the joy that fills the heart of Antinous since having been summoned to meet his heavenly father Ra-Herakhte and to become a god himself.

Then the inscription tells how Antinous intercedes with Ra-Herakhte to shower blessings upon Hadrian and the Empress Sabina Augusta.

And Antinous immediately calls upon Hapi ...

Hapi, progenitor of the gods,
On behalf of Hadrian and Sabina,
Arrange the inundation in fortuitous time
To make fertile and bountiful, the fields
Of Both Upper and Lower Egypt!

We joyfully celebrate this, the First Miracle of Antinous!

WE CELEBRATE THE FIESTA OF XOCHIPILLI GAYEST OF ALL THE AZTEC GODS

JULY 24th is the festival of Xochipilli, the Aztec god of pleasure. His name means "Flower Prince" or even "Flower Child". He is a deity of creativity, the arts, music, dance, celebration and pleasure. His main aim is to help us relax, chill out and step back from taking life too seriously. 

Xochipili is also the protector and patron of homosexuals and male prostitutes.

His statues were carved with psychoactive flowers and plants. His offerings are flowers and his symbol is a teardrop shaped pendant crafted from Mother of Pearl.

24 de julho é a festa de Xochipilli , deus asteca do prazer. Seu nome significa " flor Príncipe " ou mesmo " Criança de flor " . Ele é uma divindade da criatividade , das artes , música, dança , celebração e prazer. O seu principal objectivo é o de nos ajudar a relaxar , relaxar e voltar de tirar a vida muito a sério. Xochipilli também é o protetor e padroeiro dos homossexuais e prostitutas do sexo masculino e suas estátuas foram esculpidas com flores e plantas psicoativas. Suas ofertas são flores e seu símbolo é um pingente em forma de lágrima trabalhada a partir de madrepérola.

24 de julio es la fiesta de Xochipilli , dios azteca de placer. Su nombre significa " Príncipe de la flor" o incluso " Niño de flor " . Él es una deidad de la creatividad , las artes , la música , la danza , la celebración y el placer. Su objetivo principal es ayudar a relajarse , descansar y un paso atrás de tomar la vida demasiado en serio . Xochipili es también el protector y patrono de los homosexuales y prostitutas masculinas y sus estatuas fueron talladas con flores y plantas psicoactivas . Sus ofertas son las flores y su símbolo es un colgante en forma de lágrima elaborado a partir de Nácar .

WE CELEBRATE THE NEPTUNALIA AND HONOR ANTINOUS LINKS TO NEPTUNE

THE 23rd of July is the ancient Roman Neptunalia festival, when Romans honored Neptune with feasting and frivolity.

Although identified with the Greek Poseidon, god of the sea, the Roman Neptune was originally god of fresh water and prayed to at this time of year to prevent drought.

Coins minted by a priest of Antinous in Corinth show Antinous with Neptune/Poseidon. 

More clues to the link between Antinous and Neptune come from the Black Sea coast.

Experts working at a dig on the Black Sea coast in Bulgaria say they have found a well-preserved altar to Poseidon/Neptune which suggests the surrounding ruins were once a major temple to the god of the seas.

Archaeologists found the building in front of the medieval fortified wall of the seaside town of Sozopol, according to Bozhidar Dimitrov, director of Bulgaria’s National History Museum.

It is a little-known fact that Antinous was associated in a gay context with the classical god of the seas, called Poseidon by the Greeks and Neptune by the Romans.

Coins minted by a priest of Antinous at Corinth named HOSTILIUS MARCELLUS (from whom our own Julien Hostilius Marcellus takes his priestly name) show Antinous as Neptune/Poseidon.

It is a reference to the myth that Poseidon became enthralled with another marine male deity, Nerites, who was said to be the handsomest of all males on Earth, in the Heavens or in the Seas.

The sexual union of Poseidon and Nerites produced Anteros, god of requited love.

In those days, few people could read or write, but everyone knew these myths. So anyone who held one of these Antinous/Poseidon coins could "read" the gay symbolism.

So any discovery concerning Neptune/Poseidon is of great interest to us, since the dig could ultimately reveal Antinous-related artefacts.

At the Sozopol site, Dimitrov said that the numerous pieces of marble found during excavations indicate that the temple was destroyed after the declaration of Christianity as the official religion of the Roman empire in 330 AD.

The structure was partially pulled down and partially reconfigured as a Christian house of worship dedicated to a Christian saint, whose iconography was similar to that of the ancient god Neptune.

Dimitrov said that in Sozopol, there was a simiar example of how a temple to the Thracian horseman in the centre of the old town was converted into a church dedicated to Saint George, riding a horse to slay a demon dragon.

He said, according to a report by local news agency Focus, that in the case of the temple to Neptune – the god of the sea – the time of its destruction saw the building of a Christian church a very short distance away, dedicated to Saint Nicholas, the patron saint of fishermen and sailors.

THE HELIACAL RISING OF THE DOG STAR

THE "Dog Days" are here! In Ancient Egypt, the "Heliacal Rising of Sirius" occurred in mid-July ... but over the course of many centuries it now occurs in late July or early August (in the Northern Hemisphere). 

But depending on where you live on our planet, you may see Sirius/Sothis rising just before dawn any day now ... as nighttime turns to daytime.

During the daytime, look to the sun and you see Antinous conjoined with Ra-Herakhte, Apollo, Invictus, Horus, Mithras, Belenus, Balder, Huitzilopochtli and countless other solar deities. ANTONIUS SUBIA offers this prayer: 

Arise in Me…Sothis,

Let me be cleansed

Let me be renewed

Let the Inundation flood

Across the heart

Dog Star Returns

A New Antinous coming forth

To set the soul in order

To purify with clear water

That we may be whole again

~FLAMEN ANTONIUS SUBIA

HADRIAN ALIGNED TEMPLE OF ANTINOUS TO CATCH DAWN RAYS ON THIS DATE

HADRIAN designed the Antinous Mortuary Temple at his Villa outside Rome so that the rays of the rising sun would illuminate the inner sanctum on the Egyptian festival of the Nile Inundation, according to a US research team.

The new findings come on the heels of studies by other researchers showing that Emperor Hadrian, a skilled architect and astronomer/astrologer in his own right, aligned the Pantheon and the observatory at his Villa to the Solstices.

The new findings are the first indicating a celestial configuration for the Mortuary Temple of Antinous at Hadrian's Villa.

Archaeo-astronomers at Ball State University in the United States say the mystery-shrouded temple, called the ANTINOEION, was aligned so that the first rays of the rising sun would illuminate the East Face of the OBELISK OF ANTINOUS, which would then cast a shadow across a monolithic statue of Antinous-Osiris deep in the inner sanctum of the temple.

Using "solar tracking" technology and highly sophisticated 3-D computer imaging, the Ball State experts say that this sunrise configuration only occurs on July 20th each year.

July 20th was when the Egyptians, at that point in their long history, celebrated the annual Inundation of the Nile, the flood waters which brought nutrient-rich sediment down the river to Egypt to ensure bountiful crops for the coming year.

At other points in Egyptian history, that "Egyptian New Year" festival was celebrated on other dates, owing to vagaries of ancient calendars. But according to Roman writer Censorinus, the Egyptian New Year's Day fell on July 20th in the Julian Calendar in 139 AD, which was a heliacal rising of Sirius in Egypt.

The Ball State University findings are all the more interesting because the First Miracle of Antinous, the July after his death in October 130 AD, was the NILE INUNDATION MIRACLEwhich  ended a years-long drought which had threatened the entire empire with famine since Egypt was Rome's "breadbasket" for grain and produce.


The Obelisk is now located atop the Pincian Hill in Rome, but it almost certainly originally stood at the Antinoeion within the Hadrian's Villa compound. The plinth for the obelisk is still visible.

The Obelisk is covered in Egyptian hieroglyphs which constitute a prayer of praise for Antinous the God, describing his blessings.

The Egyptian hieroglyphs on the East Face of the Obelisk quote Antinous the God as asking Ra-Herakhte the sun god for blessings on Hadrian, and also asking Hapy, the Nile Inundation deity, to bring about a bountiful inundation on his behalf.

In effect, the rays (or "hands") of the sun god "activate" the Egyptian hieroglyphs, bringing this divine prayer to religio-magical life, as the shadow of the Obelisk covers the statue of Antinous-Osiris, master of death and transfiguration.

The Ball State University findings have yet to be verified independently, and the researchers said further studies are underway.

It is possible, of course, that the date July 20th had another significance of a more personal nature involving Hadrian and Antinous. 

On the final leg of a three-year tour of the Eastern Empire, Hadrian and his Imperial entourage arrived in Egypt in the summer of the year 130 AD. 

It is known that Hadrian and Antinous spent time in Alexandria, as well as in the coastal resort of Canopus. And they also slew a man-eating lion in Egypt in the summer of 130 AD.

So July 20th could refer to one of those events. It could, of course, also refer to something of a more intimate nature between the two men which transpired on that date.

Perhaps Hadrian and Antinous took part in celebrations for the Nile Inundation on July 20th of 130 AD in Egypt at which drought-weary Egyptians looked to Emperor Hadrian, as their pharaoh, to provide a miracle. 

Ancient writers speculated that Antinous may have been eager to find a religio-magical way to help his beloved Hadrian, possibly sacrificing his life in return for blessings on the Emperor.

Whatever the date may signify, we know that, barely three months later, Antinous drowned in the Nile, and that grief-stricken Hadrian proclaimed him a God, the last Classical Deity before the Fall of Rome.

He died under mysterious circumstances, with Hadrian saying only that he "fell into the Nile." The Inundation Deity Hapy ensured that the Nile overflowed its banks generously the following July 20th.

A walk-through of the Ball State University computer model of the Antinoeion and explanation of the July 20th solar alignment is provided in this YouTube video:

HART CRANE SAINT OF ANTINOUS

ON JULY 21 the Religion of Antinous honors St. Hart Crane (July 21, 1899 — April 27, 1932) a great and openly gay American poet whose poetry was considered "beyond comprehension" by straight readers but which is easily understood by gays.

He was one of the most influential poets of his generation, but — like so many gay men — was plagued by doubts and low self-esteem and feelings of failure.

Crane was gay and he considered his sexuality to be an integral part of his life's mission as a poet. Raised in the Christian Science tradition of his mother, he was never able to shake off the feeling that he was an outcast and a sinner.

However, as poems such as "Repose of Rivers" make clear, he felt that this sense of alienation was necessary in order for him to attain the visionary insight that formed the basis for his poetic work.

Throughout the early 1920s, small but well-respected literary magazines published some of Crane's lyrics, gaining him, among the avant-garde, a respect that White Buildings (1926), his first volume, ratified and strengthened. White Buildings contains many of Crane's best lyrics, including "For the Marriage of Faustus and Helen", and a powerful sequence of erotic poems called "Voyages", written while he was falling in love with Emil Opffer, a Danish merchant marineman.

He wanted to write the great American epic poem. This ambition would finally issue in The Bridge (1930), where the Brooklyn Bridge is both the poem's central symbol and its poetic starting point.

The Bridge got mostly bad reviews, but much worse than that was Crane's sense that he had not succeeded in his goal. It was during the late '20s, while he was finishing The Bridge, that his heavy drinking got notably heavier. The partial failure of the poem perhaps had something to do with his increasing escape into booze.

While on a Guggenheim Fellowship in Mexico in 1931-32, his drinking continued while he suffered from bouts of alternating depression and elation. His only heterosexual affair, with Peggy Cowley, the wife of his friend Malcolm Cowley, was one of the few bright spots. And "The Broken Tower", his last great lyric poem (maybe his greatest lyric poem), emerges from that affair. But in his own eyes, he was still a failure.

Crane was returning to New York by steamship when, on the morning of April 26, 1932, he made advances to a male crewmember and was beaten up. Just before noon he jumped overboard into the Gulf of Mexico. His body was never found.

 Here is a poem which straight people found inscrutable and obscure, but which gay readers understood was about anonymous gay sex:

INTERIOR
It sheds a shy solemnity,
This lamp in our poor room.
O grey and gold amenity, --
Silence and gentle gloom!
Wide from the world, a stolen hour
We claim, and none may know
How love blooms like a tardy flower
Here in the day's after-glow.
And even should the world break in
With jealous threat and guile,
The world, at last, must bow and win
Our pity and a smile.

WE REMEMBER HEROSTRATUS THE ULTIMATE NOTORIETY SEEKER

ON 21 July we remember Herostratus, whose name is synonymous with all persons who commit heinous crimes for the sole purpose of making their names notorious ... the eternally aggrieved ego ... the call for damnatio memoriae ... destroyer of beauty, youth and success perceived as insults to the entitled outsider.

Herostratus was a 4th Century BC Greek arsonist who sought notoriety by destroying one of the Seven Wonders of the Ancient World, prompting a law forbidding anyone to mention his name.

His name has become a metonym for someone who commits a criminal act in order to become famous.

On 21 July 356 BC, seeking notoriety, he burned down the Temple of Artemis at Ephesus in Asia Minor (now Turkey).

Antinous and Hadrian visited TEMPLE OF ARTEMIS in June of 129 AD.

The temple honoured a local goddess, called Artemis by the Greeks, their version of Diana goddess of the hunt, the wild, and childbirth. 

The temple was constructed of marble and was built by King Croesus of Lydia to replace an older site destroyed during a flood. Measuring 130 meters long (425 feet) and supported by columns 18 meters high (60 feet), it was one of the Seven Wonders of the Ancient World.

Far from attempting to evade responsibility for his act of arson, Herostratus proudly claimed credit in an attempt to immortalise his name. 

To dissuade those of a similar mind, the Ephesian authorities not only executed him, but attempted to condemn him to a legacy of obscurity by forbidding mention of his name under penalty of death. However, this did not stop Herostratus from achieving his goal because the ancient historian Theopompus recorded the event and its perpetrator in his Hellenics.

Herostratus' name lived on in classical literature and has passed into modern languages as a term for someone who commits a criminal act in order to bask in the resultant notoriety.

ALEXANDRIA ALIGNED TO SUN ON ALEXANDER THE GREAT'S BIRTHDAY

ALEXANDRIA, home to one of the seven wonders of the ancient world, may have been built to align with the rising sun on the day of Alexander the Great's birth.

The Macedonian king, who commanded an empire that stretched from Greece to Egypt to the Indus River in what is now India, founded the city of Alexandria in 331 B.C. 

It would later become hugely prosperous, home to Cleopatra, the magnificent Royal Library of Alexandria and the 450-foot-tall (140  meters) Lighthouse of Alexandria, one of the SEVEN WONDERS OF THE ANCIENT WORLD.

Hadrian and Antinous visited Alexandria in the summer and early autumn of 130 AD.

Ancient Alexandria was planned around a main east-west thoroughfare called the Canopic Road, points out Giulio Magli, an archaeo-astronomer at the Politecnico of Milan. 

A study of the ancient route reveals it is not laid out according to topography; for example, it doesn't run quite parallel to the coastline. 

But on July 20th, the birthday of Alexander the Great, the rising sun of the 4th Century BC rose "in almost perfect alignment with the road," Magli was quoted as saying.

July 20th, 356 BC, is the date which has always been accepted as the birthday of Alexander the Great. Whether it was his actual birthday or only the official royal observance of his birth is unknown.

It is said that on the night before the mother of Alexander, Olympias, was to be married to King Phillip of Macedonia, she dreamt that a thunderbolt struck her body and filled it with power.

After the marriage, it is said that Phillip peeked into her chamber, and found her lying with a serpent, and that he afterward dreamt that her womb was sealed and that a lion dwelled within her. 

And on the night that he was born, 20th of July, 356 BC, the great Temple at Ephesus was burned to the ground by a vandal, because the goddess Artemis was away, assisting with the birth of Alexander the Great.

He was considered to be the son of Zeus, and this divine origin was what was given as an explanation for the unprecedented conquests that he accomplished. In his youth Aristotle, a student of Plato, educated him along with his following of young princes, who were later serve as his generals, and the founders of great dynastic monarchies of the Hellenistic world.

Foremost of these was his ever loyal and devoted Hepheistion, whose reciprocated love for Alexander was homosexual in nature.

In one of their first battles, while Phillip was still king, the young Alexander proved himself by defeating the SACRED BAND OF THEBES, the army of homosexual lovers who were the most famous and courageous warriors of their time.

Alexander is said to have wept at their destruction, and buried them with honor, erecting a statue of a Lion over their graves.

He would later go one to conquer the entire Eastern world, Asia Minor, Syria, Judea, Egypt, and all of Persia, as far East as India.

The Empire of Alexander spread Greek culture throughout the world, and made the communication of far-distant ideas possible so that the new Hellenistic culture that he created, was a combination of classical Greece and of the exotic cultures that were imported from every corner.

After the death of Alexander, at only 33 years of age, he was deified by his generals who divided his great Empire among themselves. We praise the glorious warrior Alexander of Macedonia, and elevate him, and worship him as a God, an example of the greatness of homosexuality, and a heroic protector of the Divine Antinous.