ANTINOUS THE GAY GOD IS NOW ANTINOUS THE FEATURE FILM

FILMING will begin this year on the long-awaited feature film "Antinous" by artist Stuart Sandford, according to filmmaker Gus Van Sant.

In an interview with VARIETY, Van Sant, who is best known for Oscar winners "Good Will Hunting" and "Milk," says he is backing the screen thriller "Antinous," a modern-day drama inspired by the life and death of Antinous. He says visual artist Sandford wrote and will direct the film, which will be his feature film debut.

"Antinous" tells the story of a present-day young actor, who becomes convinced he is the reincarnation of Antinous, sparking a psychosexual drama that bridges the grandeur of ancient Rome with Hollywood's obsession with youth, beauty and immortality.

Van Sant told Variety: "I'm excited to see Stuart Sandford, an amazing photographer and sculptor, create a beautiful film inspired by the historical relationship between Hadrian and Antinous."

"Antinous has been on my mind for more than a decade, and his story is one that few people know about," Sandford said. "As an artist, my work brings together ideas from classical antiquity into a contemporary context. This film takes that concept and expands it greatly. It’s a reflection of enduring struggles with identity, desire, sexuality, obsession, fame, power and societal expectations ... themes just as relevant today as they were in antiquity. Antinous’ story takes on profound significance. His life reminds us of the fear and vulnerability that comes with living authentically under oppressive systems."

The project is produced by Dreamtown's Ben Charles Edwards ("Quant," "The Wheels of Heaven"), and Kirsty Bell ("A Bird Flew In," "Don't Forget Me"), and is executive produced by Phil McKenzie ("Ronnies").

Filming is scheduled to begin in the second quarter of this year, with locations spanning London, Los Angeles and Greece, in co-production with the production company and film financier Goldfinch Entertainment.

"This is a story that has remained in the shadows for far too long—a young man whose life and death have rippled through history in art, literature and legend, yet remains largely unknown,” Edwards said. “Antinous’ story is not just history, it’s a reflection of enduring struggles with identity, desire and societal expectations—themes as relevant today as they were in antiquity."

THE JUTURNALIA THE ROMAN FOUNTAINS FESTIVAL

ON January 11th Romans celebrated the Ancient Juturnalia Festival.

Flamen Antonius Subia says:

"Juturna, Goddess of fountains, lakes and rivers cleanses Antinous of his mortal remnants and prepares him for his journey of millions of years in one moment. 

"In the ancient history of Rome, it is said that the divine twins Castor and Pollux, miraculously appeared in the Forum, watering their horses in the fountain of Juturna, announcing that the Romans were Victorious at the battle of Lake Regillus. Castor and Pollux, came to the side of Juturna and proclaimed the Freedom of the Romans from the tyranny of their Kings. 

"We observe the coming of the twins as announcing of the Victory of Antinous over the 72 Archons of the high celestial sphere. His victory is our victory. We observe his ascent and departure from our reality by bathing in our own 'fountains of Juturna' in preparation for the elevation of Antinous to the eternal Black Star."

We like to think of the Juturnalia as representing the intersex Nile Inundation Deity Hapi (who had embraced Antinous when he plunged into the Nile) now rinsing and cleansing ANTINOUS THE GAY GOD of all vestiges of his earthly mortal life so that he is free to ascend to godhood.

THE BURNING OF THE SODOMITES

ON January 10th we solemnly remember the gays who were burned at the stake in the Middle Ages..

The Heretics of the Middle Ages were the last defenders of the Gnosis, against the authority of the Catholic Church. Like the Gnostic Fathers before them, they advocated homosexuality as a sacred form of love.

When the Order of Knights Templar was disbanded in 1310, the inquisitors discovered (under torture) that Heresy, Homosexuality and Devil Worship were interrelated. They represented a united Satanic assault on the power of the Church and the stability of Christian Civilization.

Heresy infected the soul by undermining faith, Witchcraft bred hatred in the form of hexing, but Homosexuality was the vilest of the three because it infected Love, turning a man from his natural affection for a wife, and causing him to waste his seed in lecherous desire.

The homosexual was a danger because he was a threat to the perpetuation of the family and of the human race. He fostered chaos, and weakened the already tenuous position of a society hemmed in by Islam, infected with Plague, and torn apart by War. The Bible warned that any city guilty of the crime of Sodomy would be destroyed by the fire of heaven, so the solution of the Church, in order to avert god's wrath, was to burn the Sodomites.

The Gay Burning Times lasted six hundred years, seven hundred including the Nazis Holocaust (which was based on the same principles) a period of torture, murder and all out war against our kind, lasting much longer than Heresy and Witchcraft combined, which even continues to this day.

The most intense period of burning was the 1600's through late 1700's in France and England, hundreds of thousands were burned at the stake.

The word "Faggot" which means fire-log is said to have derived from the practice of piling the Sodomites upon the pyre, at the feet of the Heretics, because a Sodomite was not worthy to burn standing up.

Flamen Antonius Subia says:

We who believe in Antinous, and in the sanctity of Homosexuality, solemnly remember the cruel death of the Sodomites who burned for us. Antinous was with them, he burned by their side.

On this last day, Antinous the God redeems the souls of all those who were burned, tortured, strangled, beheaded, or otherwise executed and condemned to Hell by the Church.

That we may never forget the human sacrifice that was inflicted on our brothers and sisters, we consecrate the overthrow of the last Archon to the memory of the Heroic Sodomites who knowing that our form of Love was punishable by death, Loved as Homosexuals nevertheless, and almost willingly gave themselves to be Burned at the Stake. We pray that they will bless us with their fire in our own struggle for liberation.

DAVID BOWIE SAINT OF ANTINOUS

WE honour David Bowie as a SAINT OF ANTINOUS.

He was born 8th January 1947 and died of cancer 10th January 2016 ... having revolutionized Western popular culture.

When homosexuality was still considered a shameful secret to many, Bowie told the world he was gay, and music ... and the lives of many of his fans and followers ... would never be the same.

"I'm gay," declared David Bowie, "and always have been, even when I was David Jones."

When he uttered these now-immortal words in the Jan. 22, 1972, issue of England's Melody Maker, the fledgling starman had just released December 1971's Hunky Dory and already was giving his interviewer a taste of his glam-rock milestone, June 1972's The Rise and Fall of Ziggy Stardust and The Spiders From Mars. 

The British Parliament had only decriminalized homosexuality in 1967 ... post-­Stonewall U.S. gay life was not yet three years old.

He wasn't the first British pop singer to come out (that was Dusty Springfield in 1970); he did it while newly married to Angie Bowie, months after fathering future film ­director Duncan Jones.

But Bowie led the way in contextualizing pop through LGBT identity. The Hunky Dory song "Queen Bitch" is sung in gay vernacular ("She's so swishy in her satin and tat!") from the perspective of a participant in gay life and set to buzzing guitar chords clearly cribbed from The Velvet Underground, which earlier chronicled this gender-mutable world through its ties to Andy Warhol, who had a Hunky Dory tune written about him too.

That same year, Bowie scored a U.K. hit with "John, I'm Only Dancing," a wham-bam of pansexual knowingness considered too outre for U.S. release until hisChangesOneBowie collection in 1976.

That was when Cameron Crowe prodded Bowie to tell Playboy, "It's true ... I am a bisexual. But I can't deny that I've used that fact very well."

By then, Bowie's glam had transformed Elton John from stern balladeer to Technicolor rocker; gave ex-Velvets leader Lou Reed his first smash (the Bowie-produced account of Warhol's stupendously queer Factory, "Walk on the Wild Side"); shook U.K. pop out of its post-Beatles doldrums through glam-rockers Sweet, Slade, T. Rex and so many others; and shaped Elektra Records founder Jac Holzman's final signings before handing the reins to David Geffen: Those were Jobriath, an even more whimsical dandy, and Queen.

And through his R&B radio ­success with "Young Americans" and "Fame," Bowie bolstered disco's early link between clandestine gay dance halls and ­defiantly upscale soul. 

He used his outsider stance not simply to be breathtaking; he also built bridges. You can bet his sartorial influence on the cross-dressing New York Dolls and sponsorship of both Mott the Hoople (he wrote and produced "All the Young Dudes") and Iggy Pop similarly paved a path for what became punk.

And when he went electronic in the late '70s, he begat Gary Numan, The Human League and the New Romantic club scene of Culture Club and Duran Duran.

Suddenly, England's New Wave was awash with baby Bowies both male (Spandau Ballet) and female (Eurythmics' Annie Lennox) that filled the first playlists of MTV.

Even disco's Grace Jones fully ­actualized her ­freakiness when she covered the Bowie/Pop tune "Nightclubbing," which set a stage for today's art-pop transgressions of Lady Gaga and Janelle Monáe.

"I loved how he challenged people about how gender was represented," says Adam Lambert of Bowie's beyond-music contributions.

Married to Iman, a Somali-American, since 1992, Bowie let unconventionally matched and gendered ­heteros know their nonconformity would be cool too. They could all be heroes, each and every day.

ANTINOUS THE GAY GOD

OURS is not a rigid religion of rules and dictates of how you should live your life and of how you should conduct yourself towards Antinious. 

We encourage YOU to define your relationship with the god, to find his contribution & what his role in your life is to be. 

He can be a friend and a companion, a confidant, a healer, a comfort, sharing your life, and he can help you manifest your truth and your ambitions, help you realize your ambitions and dreams.

He understands the plight and experiences of LGBTQ people and assists in overcoming related problems and empowers LGBTQ people and endorses your right to defend yourself and endorses our fight for our place and our rights. Perhaps Antinous' primary role is to be a helper to humanity.

You can offer your problems and lay it at Antinous' feet. Start by having a conversation with Antinous, it would count as a prayer, but you can simply speak, speak to Antinous.

WE TOAST ANTINOUS THE GAY GOD DURING THE MINOR BACCHANALIA

ON January 6th we celebrate the Minor Bacchanalia.

The lesser Festival of Dionysus is celebrated when the wine has reached fermentation. Traditionally a secret ceremony limited to women, but opened to men during Roman times.

It is the season in which Dionysus rules at Delphi and at Eleusis, though the full ceremonies of the Minor Bacchanalia were only performed once every two years.

Mythologically this is the occasion when the Titans lure and capture the child Dionysus, charming him with a mirror and toys. The Titans murder him, rend his limbs from his body and eat his flesh.

This is the first Wine festival and triumphal procession of the entourage of Dionysus whose arrival signals the Victory of Antinous over the forces of life and death as represented by the Archons.

ANTINOUS PRAYER FOR PROTECTION By Our Flamen Antinoalis Antonius Subia

WE call out to you, Antinous Nekydaemon

Rise up within us in our moment of darkness

Countless enemies are arrayed against us

Barbarians full of hatred seek our destruction

Forces of adversity closing in around us

We call out to you, Antinous Nekydaemon,

The name of the terrible and fearsome

The name at whose sound the earth opens up

The name at whose sound the demons tremble in fear

The name at whose sound rivers and rocks burst asunder

Protect us from violence, and destruction

Protect us from illness, and suffering

Protect us from injustice, and misfortune

Protect us from Titans beyond our control

Let us be an impenetrable fortress in our hearts

Let no fear, nor despair nor uncertainty enter

For we are sovereign and invincible through your power

May the light of the Star of Antinous illuminate our path 

And drive away all forces of malevolence (manu fica)

Ave Antinous the Lion Slayer 

Ave Antinous the Invincible

~ANTONIUS SUBIA