Friday, August 22, 2014
Thursday, August 21, 2014
"THESE have been the most glorious Games of Antinous since they were held in ancient times," Antonius Subia said today after announcing winners of the III Antinoeiad ... the modern Games which drew submissions from artists from around the world.
"The Ancient Games were held for 300 years, and their main function was to enhance the glory of Antinous," Antonius added.
"And that is what our goal was, and these games have attracted the attention of thousands of people, many of whom had never heard of Antinous the Gay God before."
The winner of this year's games, with a winning video which was seen by 80,000 Facebook followers, is Pietro Adjano from Brazil. Pietro took part via Skype in ceremonies held at the HOLLYWOOD TEMPLE OF ANTINOUS overnight and said: "I want to take this opportunity to say how grateful I am to all the people on Facebook who clicked 'Like' on my entry."
As champion of the 2014 Games of Antinous, Pietro receives a bronze replica Greek incense tripod, a resin Antinous cameo cast by Antonius Subia plus $500 in cash.
Second-Place goes to Frater Aser Nox of Romania for his artwork depiction of Saint Sebastian as an icon for gay oppression (left). He receives a 19 cm (7 in) pewter cruet by Royal Holland, a resin Antinous cameo cast by Antonius Subia, and $250 in cash.
Third-Place honors go Dallan Chantal of Brazil for a prose "Hymn to Pan" which received the third-highest number of Likes at the ANTINOUS THE GAY GOD FACEBOOK page. His prize is a mounted 20 cm (8 in) replica Greek amphora plus a resin Antinous cameo cast by Antonius as well as $100 in cash.
"I am very honored to have taken part in these Games and to have helped spread the love of Antinous," Dallan said during the Skype ceremonies which drew in a dozen people from Hollywood to Christchurch New Zealand and from Brazil to Germany.
Those three prize-winners were among 15 artists who submitted entries. Winners were chosen on the basis of "Likes" clicked by visitors to the Antinous the Gay God Facebook page.
The awards ceremonies were only one part of the Skype proceedings, which also included ritual ceremonies in honor of the Sacred Lion Hunt during which Hadrian and Antinous slew a man-eating lion in August of the year 130 AD in Egypt.
(Photo left-to-right: Priest Hernestus in Hamburg Germany, Pietro Adjano in Curitiba Brazil, Dallan Chantal in Uberlandia Brazil.)
Also, homage was paid to the Rosy Lotus of Antinous ... the fabled pink waterlily which was said to have spring forth spontaneously from the lion's blood which splattered the banks of the Nile.
An additional high point of the evening was when Antonius unveiled the colossal bust of Antinous seen at the top of this page.
It is a plaster copy by a California bronze works atelier which was cast from a mold taken from the famous Townley Antinous in the British Museum.
This plaster bust has in the past been loaned out by the atelier to Hollywood studios for use as props in productions.
Now this exact copy of the Townley Bust has found its permanent home on the Sacred Altar of the Hollywood Temple of Antinous (shown here dwarfing a bust of the Capitoline Antinous).
Click here for Pietro Adjano's bilingual English/Portuguese hymn to Antinous which was viewed by 80,000 Facebook fans:
IT IS THE DAWNING of the 21st of August and the modern-day Priests of Antinous have just concluded a globally shared celebration which included a dozen participants via Skype from Hollywood to Christchurch New Zealand and from Brazil to Germany.
With the Sun in the final degrees of Leo the Lion, we commemorated the Sacred Lion Hunt ... when Hadrian and Antinous slew a man-eating lion in Egypt in August 130 AD.
The Priests also declared winners in the III Antinoeiad (Sacred Games of Antinous) who will be highlighted in a separate blog entry within the hour.
In addition, the Priests and their guests around the world also honored the Sacred Rosy Lotus of Antinous ... the pink waterlily said to have sprung forth spontaneously from the lion's blood as it splattered the banks of the Nile.
Flamen Antonius Subia related in vivid detail the events of the Sacred Lion Hunt:
The place is Egypt, somewhere in the rocky wilderness between the scattered oases southeast of Alexandria. The time is August of the Year 130 AD. The Sun is poised to enter the Sign of Leo. The Constellation of Aquila the Eagle is at its zenith in the nighttime sky — just as it is now.
It is the constellation of the Emperor. And the Emperor and his Beloved are touring Egypt when they hear grisly accounts of a man-eating lion marauding the countryside on the edge of the cultivated land. The "Marousian Lion" it was called.
They lead a hunting expedition out into the wilderness. The whole expedition is rife with symbolism from the start since the Sun is in Leo in the daytime skies and the Eagle is soaring in the nighttime skies and the Ancients believed killing lions was tantamount to defeating death itself. Lion hunting was the sport of kings.
When at last the Imperial party flushes out the man-eater, the huntsmen and archers stand back and leave Hadrian to close in on the beast with his steed. Hadrian has just got off an arrow which wounds the animal when, all of a sudden, out of nowhere, young Antinous rides ahead, his reins in his left hand, an adamantine-tipped lance in his upraised right hand.
As the Imperial retinue looks on in horror, the snarling lion charges toward the boy, causing his panicked horse to whinny and wheel about in terror. But Antinous maintains his balance and, instantly judging distance and angle, sends his lance sailing towards the lion as it quickly closed the gap between them.
The lance slams into its rear flank, inflicting a serious but not fatal wound. Enraged even more, the lion uses its fangs to pull out the lance and charges anew against the Boy who is fumbling with his quiver to ready a shot with his bow. But an arrow is already in the air from behind Antinous, and it whizzes past his ear and hit its mark in the throat of the lion.
It has been fired by Hadrian, who is approaching at full gallop and who, even while the first arrow was still in the air, had already readied a second arrow, which this time penetrates both lungs.
The lion spins about and collapses writhing in the dust, rage in its eyes, blood and saliva guttering from its fanged mouth, gasping for breath as it struggles to get to its feet — because Antinous has dismounted and is sprinting toward it with a drawn dagger.
Hadrian draws his steed to a halt and dismounts with an agility and lightness befitting a man half his age, fueled by adrenalin and alarm for his Beloved Boy, who faces imminent peril from the mortally wounded lion, still capable of severing an artery with one swipe of its mighty paw.
Hadrian draws his hunting axe from his belt and holds it high as he lunges onto the lion's back and dispatches the beast with one powerful blow which splits its skull in two with a frightening crack and a spurt of bright red blood which bathes both the older man, now panting and perspiring heavily, and the younger man who still shows no visible expression of concern, just a wild-eyed look of excitement in his eyes, as if he never realized the danger he had been in — as if he thinks he is immortal.
A cheer goes up from the coterie of onlookers when they realize the lion is dead, killed seemingly by a single blow from the Emperor's hand. Courtiers whose eyes are unskilled in the ways of hunting will later claim Hadrian had struck the lion dead with a club.
As soldiers and nervous bodyguards rush forward to make sure everything is all right, the emperor, his adrenalin-strength ebbing as quickly as it came, shakily wraps a blood-spattered arm around Antinous and plants his gilded, spike-soled sandal on the dead animal's neck and nods to Antinous to do the same.
There they stand, bathed in blood and bathed in the adulation of the Imperial coterie, each with one foot on the vanquished man-eater as the animal's blood spreads out and covers the surrounding rocks and sand and a few scrubby wildflowers growing from a crevice in a rock.
Even the flowers are splattered with blood. And these red blossoms will be plucked by members of the entourage to take back as souvenirs to show to envious courtiers who had not been invited along.
THE SACRED LION HUNT was immortalized in poetry and in stone, with Hadrian adding medallions to the Arch of Constantine showing him and Antinous with feet on the lion's neck and also making sacrifice to the great lion-killer Hercules.
Soon legend would have it that scarlet-red lotus blossoms had sprung forth from the pool of the lion's blood, the lion which had been brought down by Antinous and which had been dealt its death blow by Hadrian — the SACRED RED LOTUS.
Under the Sign of Leo. And under the Constellation of the Eagle.
Within a few short weeks, Antinous himself would be dead. The Sacred Lion Hunt is the last recorded event in His short life.
And some time afterward, grieving Hadrian would look up into the nighttime skies with tear-filled eyes and his court astronomers would point out a New Star which had appeared in the southern part of the Constellation of Aquila the Eagle.
The New Star would be interpreted as a celestial sign that Antinous had been raised to the firmament, that the Constellation of the Imperial Eagle had been joined by the CONSTELLATION OF ANTINOUS. It was a sign that Antinous was now a God.
If you go outside tonight and peer out into the darkness with all its deep and hidden dangers, remember Antinousand how he peered out into the barren wilderness with all its deep and hidden dangers.
He charged forth, his bridle-reins in his left hand and an adamantine-tipped lance in his right, and he faced death unafraid.
For Antinous knew he was immortal.
The Constellation of Antinous, still under the wing of the Imperial Eagle, will be right directly over your head tonight — shining proof that Antinous is a God and that he is indeed immortal.
Don't look out into the darkness around you and be afraid. Instead, look up and remember the Beloved Boy, who was a fearless hunter, who stalked death itself, and who emerged victorious over it.
Wednesday, August 20, 2014
AUG. 20 the Religion of Antinous commemorates the Sacred Band of Thebes, the Army of Gay Lovers whose courage and valour have echoed down through the ages as an inspiration that Gay Love is a magical means of Conquering Fear and Doubt.
The Sacred Band of Thebes, also called The Theban Band, was a battalion composed entirely of homosexual friends and lovers. This military unit, consisting of 150 male couples, was based on the belief that men fighting alongside their lovers would die rather than shame one another.
According to Aristotle, the Army of Lovers were sworn into military service at the Tomb of Iolaus, one of the many male lovers of Hercules. Iolaus had helped the god in the Twelve Herculean Tasks.
He often acted as Hercules' charioteer and companion, and the closeness of their relationship was such that he was known as Heracles' symbomos (altar-sharer), since the two could be honored at one and the same altar — a very rare occurrence in ancient Greece, where each divinity would have his or her own altar.
Iolaus was called the eromenos (beloved boy) of Hercules, and was thus a Sacred Hero of same-sex love in Thebes. Hercules, Iolaus and Eros were often depicted together.
That is probably why the army of gay lovers was called the Sacred Band, since they took their oath of allegiance at the Sacred Tomb of Iolaus, which was at the same time a shared sacred altar to Hercules. In effect, the warriors were swearing that they would fight alongside their comrades the same way Iolaus and Hercules fought together — armed with the arrows of Eros.
You can see the parallels to Hadrian and his beloved boy Antinous, and later this week the parallels become even clearer when we commemorate the SACRED LION HUNT.
After that hunt in the Libyan desert in the summer of the year 130 AD, Hadrian and Antinous made sacrifice to the Great Lion Slayer Hercules — thus cementing the identification between Hadrian/Hercules and Antinous/Iolaus — and their affiliation with the Sacred Band of Thebes.
The great Theban general and tactician Epaminondas is generally credited with establishing The Sacred Band, although some sources claim it was his "beloved friend" Pelopidas who was responsible for recruiting them. No matter — they both fought side-by-side at the head of The Sacred Band.
This corps d'elite first took to the battlefield against Sparta, which had dominated Greece since the fall of Athens in 404 BC. The Spartans were confident of victory, as they had never suffered a defeat on the battlefield — never ever.
Deploying the Sacred Band on his front left wing, "Epaminondas made his left wing fifty deep and flung it forward in the attack."
The "extra weight" of this wing and the "fanatical bravery of the Sacred Band" broke the Sparta right wing, which contained their best warriors. In the ensuing hand-to-hand combat, the Spartan king was killed and their right gave way.
Witnessing this, the rest of the Spartan forces, who had not yet been engaged, fell back in disarray, running for their lives. Thus, Sparta suffered their first recorded defeat in more than 400 years — at the hands of an Army of Gay Lovers.
But the end came in 338 BC at the battle of Chaeronea when King Phillip II of Macedonia and his son Alexander (later called Alexander the Great) defeated the combined forces of Athens and Thebes-Boetia. Alexander confronted The Sacred Band of Thebes, the elite corps of 300 homosexual lovers who were by that time the most respected soldiers in the world.
But alas! They were no match for the Macedonians under Phillip and Alexander. It was a rout. The Athenian and Theban armies gave way and began retreating from the advancing Macedonians. Only The Sacred Band stood their ground — and died. Only a few were subdued and captured. Of those who died, it was found that not one had been wounded in the back — a sign that they had not turned away from the fight.
Alexander was so moved by their nobility and courage that he asked his father to bury them with honour and raise a monument in the form of a Sacred Lion over their mass grave. In 1881, the shattered fragments of this Lion Tomb were discovered, surrounded by the bones of 254 pairs of men with their weapons, arranged in a phalanx of seven rows, the battle formation of the Sacred Band.
In 1902 the fragments of the Sacred Lion were reconstructed and placed again over the tomb of The Sacred Band (depicted left) by the secret homosexual society known as the Order of Chaeronea, founded by gay-rights pioneer George Cecil Ives.
It reminds us once again of the Sacred Lion Hunt which we celebrate later this week.
So, what has all of this got to do with us in our daily lives? We're not soldiers. We're not brave and courageous. Like Dorothy Gale, we're meek and mild. Timid. We know that if we were on a battlefield, we would turn and run. We would hide and "play dead" and hope nobody found us.
We assume that the Army of Gay Lovers were all fearless. We think they were unafraid. We don't think of them as being saredy-cats like us. We think they didn't mind the prospect of agonizing death. We think they were somehow above such mortal fears and doubts.
That's nonsense, of course. They were scared out of their wits. We can scarcely imagine how afraid they were. As they stood there alone against the mightiest army in the Ancient World, their emotions shifted beyond the mere terror of possibly being killed, to the actual horror of inescapable agony and death. It is one thing to be terrified — we all know the fears generated by terrorists who fly airliners into buildings.
But the emotions experienced by those trapped in the planes or inside the burning buildings go far beyond mere terror to the actual horror of inescapable agony and death. That is the Mystery of Terror as opposed to the Mystery of Horror. We tend to forget the distinction!
The Army of Gay Lovers were not without fear. On the contrary, they were staring into the horror of impending pain and death. But they did not allow their fear to overwhelm them.
Instead, they turned their fear "inside-out" and used it as a magical shield. The barbs of fear were no longer poking inward to themselves, but instead were pointing outward towards their foes.
And that is the Mystery Teaching of the Army of Gay Lovers. It was no doubt part of the initiation which the recruits underwent at the Tomb of Iolaus. They were schooled in magico-religious methods for handling fear. It's about learning to harness Mars energy. Mars is all about the double-edge sword of fear/bravery and how you can learn to wield that Sword of Mars.
It's not about being fearless. It's about being able to transform your fear into a mighty force which wins the battle of life. Mars Warrior Energy is not about death. It is about LIFE. It is about harnessing fear and doubt and turning them into useful energies in your daily life.
Life — from the time you are born until the time you die — life is just one constant battle. And if you give in, then you are lost. And if you give in to the fear and doubt that constantly confront you each and ever day, then you are lost. It's about using selfless love and transcendant awareness to transform fear and doubt into constructive energies which empower you to stand up and wade into the fray of daily life.
The Band of Thebes were initiated into Mystery Teachings which showed them how to transform fear and doubt into a magical force which made them invincible — capable of asserting their will and making their dreams become reality.
And the catalyst was male-male love and devotion.
This is one of the deepest and most profound Mystery Teachings of the Religion of Antinous.
We are talking about the Mysteries of Antinous-Mars. This is why Flamen Antinoalis Antonius Subia has painted Antinous in the guise of the War God (above).
Antinous is not just about gay male beauty. He is about gay male warrior energy.
Mars is a very important constituent aspect of Antinous. In Fixed Star Astrology, the STAR OF ANTINOUS is characterized by a mixture of Jupiter/Mars energy along with Venus energy — unique among Fixed Stars. To overlook Mars is to overlook a major component of what Antinous is all about.
Mars and his Alchemical Intelligence Graphiel and Daimon Barzabel (Deimos and Phobos) is much misunderstood by philosophers and occultists.
The fiery Graphiel/Barzabel energies of the red planet ("terror" Deimos and "horror" Phobos) are often seen as frightful and horrific and destructive and warlike with no other qualities. This is a shallow analysis and one that should be discarded. Understanding your Martial nature — the Antinous-Mars warrior inside you — is essential to your survival and growth as a gay man. Terror and horror accompany us all our lives.
We are all afraid every day. We are all riddled with doubts every day. Look around you — most people are consumed with fear and doubt. Fear fuels their lives! But each of us can learn to turn our fears and doubts "inside-out" so that their barbs no longer point inward towards us, but instead so that these barbs of fear and doubt form a protective shield around us.
It girds us with a constructive energy which helps us to advance through the Herculean travails which we face in our daily lives. Instead of being "fearfully" timid, we become "fearsomely" determined not to let life get us down.
Tomorrow, this transformational ability to turn fear "inside-out" will help us to understand how Antinous was able to charge the man-eater during the SACRED LION HUNT.
He must have been terrified. He was young and inexperienced and alone on his steed and armed only with an adamantine-tipped lance.
But through his loving bond with Hadrian/Hercules, Antinous/Iolaus was also magically armed with the "fearsomely strong" energies of the Sacred Band of Thebes.
Flamen Antinoalis Antonius affirms: "We consecrate and honor their memory and call upon their strength and courage in our own hearts, that we may become the New Sacred Band."
Tuesday, August 19, 2014
ON AUGUST 19th, the Religion of Antinous honors St. Federico García Lorca, who was openly gay and who is one of the greatest poets of the Spanish language.
He was executed by the Fascists on this day, August 19th, during the Spanish Civil War in 1936.
García Lorca's central themes are love, pride, passion and violent death, which also marked his own life.
The Spanish Civil was just getting underway in August 1936 and García Lorca was seen by the right-wing forces as an enemy. The author hid from the soldiers but he was eventually found.
An eyewitness has told that he was taken out of a Civil Government building by guards and Falangists belonging to the "Black Squad". García Lorca was shot in Granada without trial. The circumstances of his death are still shrouded in mystery. He was buried in a grave that he had been forced top dig for himself.
According to some sources, he had to be finished off by a coup de grâce. One of his assassins later boasted, that he shot "two bullets into his arse for being a queer".
It was the end of a brilliant career as a poet and dramatist who was also remembered as a painter, pianist and composer.
In the 1920s he was close friends with Luis Buñuel and Salvador Dalí, among many others who later became influential artists in Spain. Despite the accolades from artists and critics, he suffered from bouts of depression brought on largely by his inner conflict about his homosexuality.
He was tortured by the demands of being a celebrity in a homophobic society and the yearnings of his gay soul.
During his lifetime only a handful of close friends were allowed to read the collection of gay poems which would be published many years later as his Sonnets of Dark Love. Here is one of them, entitled Love Sleeps in the Poet's Heart:
You'll never understand my love for you,
because you dream inside me, fast asleep.
I hide you, persecuted though you weep,
from the penetrating steel voice of truth.
Normalcy stirs both flesh and blinding star,
and pierces even my despairing heart.
Confusing reasoning has eaten out
the wings on which your spirit fiercely soared:
onlookers who gather on the garden lawn
await your body and my bitter grief,
their jumping horses made of light, green manes.
But go on sleeping now, my life, my dear.
Hear my smashed blood rebuke their violins!
See how they still must spy on us, so near!
With the Catalan painter Salvador Dalí and the film director Louis Buñuel he worked in different productions.
Dalí and Lorca had met in 1923. From the beginning, Lorca was fascinated by the young Catalan's personality and looks. Also Dalí had admitted that Lorca impressed him deeply.
When Buñuel and Dalí made their famous surrealist short film Un Chien Andalou (1928), García Lorca was offended: he thought that the film was about him.
Lorca's friendship with Dalí inspired a poem, a defense of modern art and at the same time an expression of homosexual love. Dalí dedicated his painting of Saint Sebastian to his friend, who often compared himself to the tortured homoerotic martyr.
"Let us agree," Lorca wrote to Dalí, "that one of man's most beautiful postures is that of St. Sebastian."
"In my 'Saint Sebastian' I remember you," Salvador Dalí replied, ". . . and sometimes I think he IS you. Let's see whether Saint Sebastian turns out to be you."
García Lorca was capable only of a "tragic, passionate relationship," Dalí once wrote — a friendship pierced by the arrows of Saint Sebastian.
The Religion of Antinous honors this great artist who lived and loved tragically and passionately and who died tragically for being gay.
Monday, August 18, 2014
ROME commemorates the 2,000th anniversary on August 19 of the death of Augustus, the first emperor of Rome, with a full calendar of special events throughout the Eternal City.
On the Palatine Hill, the route available for public viewing in the House of Augustus will be doubled, and there will be new Augustus-themed routes through the Palatine Museum, according to Minister of Cultural Heritage Dario Francheschini and Special Superintendent for the Archaeological Heritage of Rome Mariarosaria Barbera.
Other special events to mark the anniversary will be held at the House of Livia (Augustus's third wife) plus events at the Mausoleum of Cecilia Metella, which was built during Augustus's reign.
Other events are planned as well as at the Diocletian Baths, the Antiquarium at the Villa of Livia, the Crypta Balbi Museum, and finally Palazzo Massimo, the National Roman Museum.
This year has seen a major exhibition dedicated to Augustus at the Scuderie del Quirinale which brought together various pieces of cultural heritage related to the emperor from many museums both locally in Rome and abroad.
For that exhibition, the Louvre in France lent the statue Marcellus as Hermes Logios, a sculpture of Augustus's nephew that was brought there from Rome by Napoleon Bonaparte in 1802.
And the British Museum in London lent the Blacas cameo, a profile portrait of Augustus carved in onyx, which most likely dates to shortly after his death in 14 AD.
Augustus was Julius Caesar's adopted son and became Rome's leader after defeating Mark Antony and Cleopatra.