Thursday, February 23, 2017

SET YOUR PERSONAL BOUNDARIIES
DURING THE TERMINALIA FESTIVAL



THE 23rd of February is the Terminalia, the feast of the Roman God Terminus, god of boundaries who stops intruders while protecting everyone inside his boundaries. Terminus is associated with Zeus/Jupiter because he deified Jupiter by establishing his position atop Capitoline Hill. Thus, statues of Terminus/Jupiter (like this modern replica) symbolize devotion and steadfastness. Today is an appropriate day to create or renew a magical boundary around your home, to keep out psychic nasties and any negative energies. A simple way to do this is to walk the boundary of your home three times, as you do so imagine magical blue light springing up as you walk. You can also carry with you a bowl containing an offering for Terminus: grain, honey and wine are traditional, you can also include an egg as a "sacrifice." When you have walked three times around, dig a hole at the boundary and put your offering into it, then fill in the hole and put a marker stone on top. Another year you can carry a lit incense stick around the boundary and leave an offering of incense and flowers at your stone.

23 de fevereiro é o Terminalia, a festa do deus romano Terminus, deus dos limites que pára intrusos ao mesmo tempo proteger todos dentro de suas fronteiras. Terminus está associado a Zeus / Jupiter porque ele deificado Jupiter, estabelecendo sua posição no topo de Monte Capitolino. Assim, estátuas de Terminus / Jupiter (como esta réplica moderna) simbolizam devoção e firmeza. Hoje é um dia apropriado para criar ou renovar um limite mágico em torno de sua casa, para impedir a entrada de sujeiras psíquicos e quaisquer energias negativas. Uma maneira simples de fazer isso é andar a fronteira de sua casa três vezes, como você então imagine a luz azul mágico surgindo como você anda. Você também pode carregar com você uma tigela contendo uma oferta para Terminus: grãos, mel e vinho são tradicionais, você também pode incluir um ovo como um "sacrifício". Depois de ter caminhado três vezes ao redor, cavar um buraco na fronteira e colocar a sua oferta para ele, em seguida, preencher o buraco e colocar uma pedra marcador no topo. Mais um ano você pode levar uma vara de incenso aceso em torno do limite e deixar uma oferenda de incenso e flores em sua pedra.

23 de febrero es la Terminalia, la fiesta del dios Terminus romana, dios de los límites que se detiene a los intrusos al tiempo que protege todo el mundo dentro de su límites. Terminus está asociado con Zeus / Júpiter porque deificado Júpiter mediante el establecimiento de su posición al frente Colina Capitolina. Por lo tanto, las estatuas de Terminus / Júpiter (como esta réplica moderna) simbolizan la devoción y constancia. Hoy es un día apropiado para crear o renovar una frontera mágica alrededor de su casa, para mantener fuera desagradables psíquicos y todas las energías negativas. Una forma sencilla de hacerlo es caminar el límite de su casa tres veces, mientras lo hace imaginar la luz azul mágica que salte al caminar. También puede llevar consigo un recipiente que contiene una oferta para Terminus: cereales, miel y vino son tradicionales, también puede incluir un huevo como un "sacrificio". Cuando haya caminado tres veces alrededor, cavar un agujero en el límite y poner su oferta en él, a continuación, rellene el agujero y poner una piedra marcador en la parte superior. Otro año se puede llevar a una varilla de incienso encendida en torno al límite y dejar una ofrenda de incienso y flores a su piedra.


Wednesday, February 22, 2017

BRAZILIAN GAY ICON ELKE MARAVILHA
IS A SAINT OF ANTINOUS


WE honour the Russian-born Brazilian drag artiste extraordinaire  ELKE MARAVILHA as a saint of Antinous.

She was born 22 February 1945 and died 16 August 2016 at age 71.

Our 2014 Antinoeiad chamption PIETRO ADJANO of Brazil nominated Elke to become a SAINT OF ANTINOUS.

Pietro says: "She was an actress, musical artist, TV star, model, and precursor of an innovative, bold and unique style, who opened the possibilities of aesthetic and behavioral path wherever she went and appeared. 

Elke was an artistic personality whose charisma provoked strong popular impact, both the image and the message of joy, intelligence and irreverence. Because of this, she already attained legendary status Carmen Miranda and Arthur Bispo do Rosário.

Merging exoticism, mysticism, joy, madness and deep knowledge of human, her infectious joy inspired hope. Half a century ago she emerged as a firebrand of rebellion and liberation.

Elke Maravilha was a work of art in constant metamorphosis and as an artist she pursued the best of artistic paths: She gambled and bet on the possible dream.

Teacher, translator and interpreter of foreign languages, including Latin, she was the youngest French teacher of the French Alliance and the English Cultural Union Brazil - United States.

She said:

'They ask me how I created this style, this look that characterizes me. I say always sought compose this way, of course it was not as now, because today it is all inclusive, with come time finding me more inside and putting what I find out. I often say that I was always like that, only with time I'm getting worse! In fact, always been a bit different train, you know? As a teenager I decided to tear the clothes, disheveled hair, exaggerated makeup on and go out on the street... took me to spit in the face. But it was good because I understood the situation as if they were putting me to the test. Perhaps if my style was not really my inner reality, I would have gone back. But I knew he would never back down. I never wanted to harm anyone! What I want is to play, show me, communicate. "

"I want to live together! Great art is not living, is live together!'

I Pietro Adjano hereby nominate Elke Maravilha to become a saint of Antinous!"

Elke Maravilha - Элке Георгевна Груннупп (1945 - 2016).
...atriz, intérprete musical, apresentadora, modelo. Precursora de um estilo inovador, ousado e único, vem abrindo as possibilidades de caminho estético e comportamental por onde passa e aparece. Elke é uma personalidade artística cujo carisma provoca forte impacto popular, tanto na imagem como na mensagem de alegria, inteligência e irreverência. Devido a isto, já faz parte do imaginário popular brasileiro e pode perfilar com mitos contemporâneos como Carmem Miranda e Artur Bispo do Rosário.
Mesclando exotismo, misticismo, alegria, loucura e profundo conhecimento do humano, sua vibração contagiante a faz mensageira de utopias e portadora de esperanças.
Dra. Nise da Silveira, criadora do Museu de Imagens do Inconsciente, afirmava que Elke é uma Sacerdotisa Dionisíaca, e que, com tal, ilumina caminhos e aquece corações.
Já na década de 60 despontou como símbolo de transgressão e liberação. Visionária como só os que assumem seu delírio, intuiu o movimento holístico e vem exercendo-o tanto em suas relações pessoais como em sua comunicação com o mundo.
Elke Maravilha é uma obra de arte em constante metamorfose e como artista vem trilhando o melhor dos caminhos da arte: Ela apostou e aposta no sonho possível.
Professora, tradutora e intérprete de línguas estrangeiras, incluindo Latim. Foi a mais jovem professora de francês da Aliança Francesa e de inglês na União Cultural Brasil – Estados Unidos;
“Perguntam-me como criei este estilo, este visual que me caracteriza. Digo que sempre busquei compor este jeito, claro que não era assim como agora, pois hoje a coisa é mais abrangente, com o tempo venho me descobrindo muito mais por dentro e colocando o que descubro para fora. Costumo dizer que sempre fui assim, só que com o tempo estou piorando! Na realidade, sempre fui um trem meio diferente, sabe? Ainda adolescente resolvi rasgar a roupa, desgrenhei o cabelo, exagerei na maquiagem e sai na rua... Levei até cuspida na cara. Mas foi bom porque entendi aquela situação como se estivessem colocando-me em teste. Talvez, se meu estilo não fosse verdadeiramente minha realidade interior, eu teria voltado atrás. Mas sabia que nunca iria recuar. Eu nunca quis agredir ninguém! O que eu quero é brincar, me mostrar, me comunicar”.
“Eu quero é conviver! A grande arte não é viver, é conviver"!

Tuesday, February 21, 2017

EPIC MOVIE TO BE FILMED IN EGYPT
WITH AN ALL EGYPTIAN CAST IN APRIL



IN attempt to avoid the typical white-washing backlash, an American film company has announced a collaboration with Egyptian actor Yousef Mansour who will be filming and co-directing 'The Chosen Guard' in Egypt this April with an all-Arab cast.

The film is set to star Yousef Mansour, who aided in writing the script, and will also be co-directing with American award-winning director and choreography, Courtney Miller, who has developed an impressive resume working with superstars Michael Jackson, Beyoncé, and Britney Spears.

According to the production company's press release, the film will be filled with insane car chases, large dance numbers, a big fat Ancient Egypt wedding and plenty of action.

As for the film's synopsis, producers explain that "The Chosen Guard" will be a modern-day story about Sabaa.

He is a man who is chosen by the ancient Pharaohs to defend the Golden Temple, the last unopened relic in Egyptian antiquity.  

The project is incredibly pivotal to Egypt and its success could not only attract future tourists captivated by Ancient Egypt but also create new jobs and prove that filming in Egypt is an attractive authentic alternative to shooting in Morocco or in Hollywood against a green-screen backdrop.

In the golden age of Hollywood peplum epics, directors such as Cecil B. DeMille and Howard Hawks filmed on location in Egypt.

Movies like "The Ten Commandments" and "Land of the Pharaohs" (photos here) employed thousands of Egyptians as extras for crowd scenes.

But the advent of CGI imaging enabled directors to create the Nile valley and its inhabitants on computers and insert them into films.

If you live in Egypt and are looking for more information or updates on audition call contact Producer Tracy Sabeti by emailing her attracysabeti@gmail.com

Monday, February 20, 2017

COLOSSAL COLUMN TO RISE ANEW
AT THE SACRED CITY OF ANTINOOPOLIS


team of archaeologists at ANTINOOPOLIS in Egypt plan to re-erect an enormous, red-granite column to revive tourism at the city founded by Hadrian on the spot where Antinous died.

Remarkably, this column is nearly as tall as the granite columns quarried in Egypt and shipped to Rome for Hadrian's Pantheon.

Unlike many other columns, these columns were not made of segments piled on top of each other ... but rather, were one single column hewn from stone.

"The column in question is only slightly smaller than the columns forming the pediment (front façade) of the Pantheon in Rome," says James B. Heidel, president of the Antinoupolis Foundation.

"And we have the red granite base, sitting upright, plus the three sections of the shaft, also in red granite, lying in a rough line, presumably where they fell, to the north," he adds.

"Our director, Professor Rosario Pintaudi, has already put in an application to the permanent committee of the SCA (the Egyptian antiquities authority) for permission to proceed with re-erecting the column," Heidel says in his newsletter.

"And he has also, together with our archaeologist Fathy Awad, begun discussions with an engineer who would do the work.

"This symbolic raising of the largest column known in the ancient city would be a draw for tourism at the site as well as inaugurate a much-needed program of re-erection and restoration of the Roman urban fabric," Heidel points out.

The column and its relation to the Pantheon indicate an overriding plan by the Emperor for the design of the sacred city to honour his beloved Antinous.

Hadrian's ancient engineers created a FLOOD-CONTROL SYSTEM for Antinoopolis so perfect that modern engineers have decided to use it with only minimal upgrades for a 21st Century project to avert flash-flood damage for modern villagers at the site.

As you can see in the 18th Century geological survey map above, a wide dry-river wadi (arroyo, gully or ravine) flows from high cliffs east of the city (top of map) down through the site, emptying into the Nile (at bottom of map).

When rains occur, this arroyo drains an enormous amount of water from nearby desert through the center of the ancient city. 

Why did Antinous decide to build the city on a flash-flood drainage site? First of all, this was the site where Antinous tragically died in the Nile.

But there was another reason: Hadrian recognized that the gap in the cliffs each of the city represented the ancient Egyptian hieroglyph for "horizon" ... which is two hills separated by a canyon.

In Abydos and other Egyptian cities, it is believed the souls of the dead traverse this canyon to reach the next world.

"This is an interesting feature of Hadrian’s design and suggests he intended Antinoupolis to be a classical version of the sacred landscape at Abydos where the sacred wadi believed to contain the tomb of Osiris also has a close relationship to the city," says James B. Heidel, president of the Antinoupolis Foundation.

"Of course, Hadrian’s engineers incorporated an unstable, sometimes filled with flash flood water, wadi into the city with a specific hardscape design including a massive stone canalization and multiple bridges to connect the two halves of the city," he writes in his latest newsletter.

Professor Marcello Spanu has been studying these remains. 

We know about the canal walls and the bridges through a series of torrential flash floods and also illegal sand mining with bulldozers that have happened over the last six years or so, the project leader adds.

So, when Egyptian Irrigation Ministry engineers proposed digging a flash-flood control ditch, the Egyptologists showed them the stone works that Hadrian's engineers had put in place 1,900 years ago.

The Egyptian ministry engineers agreed that the ancient flood-control ditch could not be improved upon.

"After many hours of discussion with the quite affable engineer," Heidel says, "he came to understand that Hadrian's designers had already built a major flood control canal in the wadi, and through our urging he promised to simply dig out the ancient canal rather than build a new stone-lined ditch over the top of it."

Meanwhile, the mystery surrounding an INTENTIONALLY BURIED STONE STRUCTURE at Antinoopolis deepened with the discovery of not just one ... but three ... human skeletons interred in sand directly on top of the structure.

With the discovery of the first body last week, archaeologists reluctantly speculated about "human sacrifice" ... but now they believe humans were buried separately but along with sacrificial animals.

The team of archaeologists working at Antinoopolis say the subterranean "stone structure," which they believe may be an underground mortuary temple, is covered by two meters of soil strewn with sacrificial pottery sherds, bones of livestock and a crocodile ... and the skeleton of at least three human beings.

None of the animals was mummified ... nor were the humans,
says James B. Heidel, president of the Antinoupolis Foundation.

Some of the animals ... livestock ... were ritually butchered as normal for a Roman-era sacrifice. But a crocodile was buried intact, without being mummified.

But the human bodies were interred intact, also without being mummified. One of the bodies was accompanied by pottery vessels and ushabti figurines ... small clay dolls representing spirits who tend the deceased in the afterlife. 

The experts are certain that the pottery vessels and the bodies date to the earliest days of the city which Hadrian founded at the site where Antinous died in the Nile.

None of the pottery is later than the 2nd or 3rd Century AD, the experts said ... meaning the sacrificial offerings were made at the time when the city was founded and under construction.

The archaeologists are also certain that the site is intact and has not been disturbed by looters over succeeding centuries.

They found bones of large livestock, which appear to have been butchered prior to burial. An intact crocodile skeleton is seen as proof that the site was used as a religious sacrificial offering venue ... since crocodiles were sacred to Ancient Egyptians and not a source of food.

But the human skeleton is a total mystery. In Roman times, human sacrifice was taboo, but the archaeologists say the human bones mixed in amongst the bones of sacrificial animals and pottery suggest a gruesome possibility.

"The human burial is sealed in the same clean sand layer as all the other offerings, and the not unreasonable, but somewhat uncomfortable, hypothesis must now be that at least one human was sacrificed and offered with the animals," says James B. Heidel, president of the Antinoupolis Foundation.

The pottery and bones are in soil which covers the mystery-shrouded "intentionally buried stone structure" which Heidel's team found in January 2017 in the heart of the city founded by Hadrian at the spot where Antinous died in the Nile.

Using ground-penetrating radar, the experts discovered the rectangular stone structure ... 12 by 22 meters in size ... which consists of three successive chambers. 

The archaeologists suggest it could be an OSIREION ... symbolic Tomb of Osiris ... raising hopes that this could be the Lost Tomb of Antinous.

The structure was detected with ground-penetrating radar.

It is located near the waterfront peristyle discovered last season.

It is within what possibly was the Great Temple of Antinous and is a rectangular chamber which is subdivided into three sub-chambers ... apparently an antechamber, a middle chamber and an inner sanctum.




Sunday, February 19, 2017

MODERN ENGINEERS CAN'T IMPROVE
ON ANCIENT ANTINOOPOLIS FLOOD PLAN



HADRIAN's ancient engineers created a flood-control system for Antinoopolis so perfect that modern engineers have decided to use it with only minimal upgrades for a 21st Century project to avert flash-flood damage for modern villagers at the site.

As you can see in the 18th Century geological survey map above, a wide dry-river wadi (arroyo, gully or ravine) flows from high cliffs east of the city (top of map) down through the site, emptying into the Nile (at bottom of map).

When rains occur, this arroyo drains an enormous amount of water from nearby desert through the center of the ancient city. 

Why did Antinous decide to build the city on a flash-flood drainage site? First of all, this was the site where Antinous tragically died in the Nile.


But there was another reason: Hadrian recognized that the gap in the cliffs each of the city represented the ancient Egyptian hieroglyph for "horizon" ... which is two hills separated by a canyon.

In Abydos and other Egyptian cities, it is believed the souls of the dead traverse this canyon to reach the next world.

"This is an interesting feature of Hadrian’s design and suggests he intended Antinoupolis to be a classical version of the sacred landscape at Abydos where the sacred wadi believed to contain the tomb of Osiris also has a close relationship to the city," says James B. Heidel, president of the Antinoupolis Foundation.

"Of course, Hadrian’s engineers incorporated an unstable, sometimes filled with flash flood water, wadi into the city with a specific hardscape design including a massive stone canalization and multiple bridges to connect the two halves of the city," he writes in his latest newsletter.


Professor Marcello Spanu has been studying these remains. 

We know about the canal walls and the bridges through a series of torrential flash floods and also illegal sand mining with bulldozers that have happened over the last six years or so, the project leader adds.

So, when Egyptian Irrigation Ministry engineers proposed digging a flash-flood control ditch, the Egyptologists showed them the stone works that Hadrian's engineers had put in place 1,900 years ago.

The Egyptian ministry engineers agreed that the ancient flood-control ditch could not be improved upon.

"After many hours of discussion with the quite affable engineer," Heidel says, "he came to understand that Hadrian's designers had already built a major flood control canal in the wadi, and through our urging he promised to simply dig out the ancient canal rather than build a new stone-lined ditch over the top of it."

This news comes only days after the mystery surrounding an INTENTIONALLY BURIED STONE STRUCTURE at Antinoopolis deepened with the discovery of not just one ... but three ... human skeletons interred in sand directly on top of the structure.

With the discovery of the first body last week, archaeologists reluctantly speculated about "human sacrifice" ... but now they believe humans were buried separately but along with sacrificial animals.

The team of archaeologists working at ANTINOOPOLIS in Egypt say the subterranean "stone structure," which they believe may be an underground mortuary temple, is covered by two meters of soil strewn with sacrificial pottery sherds, bones of livestock and a crocodile ... and the skeleton of at least three human beings.

None of the animals was mummified ... nor were the humans,
says James B. Heidel, president of the Antinoupolis Foundation.

Some of the animals ... livestock ... were ritually butchered as normal for a Roman-era sacrifice. But a crocodile was buried intact, without being mummified.

But the human bodies were interred intact, also without being mummified. One of the bodies was accompanied by pottery vessels and ushabti figurines ... small clay dolls representing spirits who tend the deceased in the afterlife. 
The experts are certain that the pottery vessels and the bodies date to the earliest days of the city which Hadrian founded at the site where Antinous died in the Nile.

None of the pottery is later than the 2nd or 3rd Century AD, the experts said ... meaning the sacrificial offerings were made at the time when the city was founded and under construction.

The archaeologists are also certain that the site is intact and has not been disturbed by looters over succeeding centuries.

They found bones of large livestock, which appear to have been butchered prior to burial. An intact crocodile skeleton is seen as proof that the site was used as a religious sacrificial offering venue ... since crocodiles were sacred to Ancient Egyptians and not a source of food.


But the human skeleton is a total mystery. In Roman times, human sacrifice was taboo, but the archaeologists say the human bones mixed in amongst the bones of sacrificial animals and pottery suggest a gruesome possibility.

"The human burial is sealed in the same clean sand layer as all the other offerings, and the not unreasonable, but somewhat uncomfortable, hypothesis must now be that at least one human was sacrificed and offered with the animals," says James B. Heidel, president of the Antinoupolis Foundation.

The pottery and bones are in soil which covers the mystery-shrouded "intentionally buried stone structure" which Heidel's team found in January 2017 in the heart of the city founded by Hadrian at the spot where Antinous died in the Nile.

Using ground-penetrating radar, the experts discovered the rectangular stone structure ... 12 by 22 meters in size ... which consists of three successive chambers. 

The archaeologists suggest it could be an OSIREION ... symbolic Tomb of Osiris ... raising hopes that this could be the Lost Tomb of Antinous.

The structure was detected with ground-penetrating radar.

It is located near the waterfront peristyle discovered last season.

It is within what possibly was the Great Temple of Antinous and is a rectangular chamber which is subdivided into three sub-chambers ... apparently an antechamber, a middle chamber and an inner sanctum.



Saturday, February 18, 2017

WE HONOR MICHELANGELO
AS A SAINT OF ANTINOUS


FEBRUARY 18th is the day when the Religion of Antinous honors Michelangelo, who died on this date.

Saint Michelangelo was the ultimate Renaissance Man, a painter/sculptor/architect/engineer, a man of art and science. A man torn between his passions and his religion. 


In the Renaissance, his voluptuous depictions of the male form were accepted as expressions of the Divine in art. 

It was the Victorians who went into denial over any hint that he may have been gay, despite the fact that he never married.

His male art is done with a passion for detail and obvious love of the male form. The only females he sculpted were maternal figures.

In 1532, he met a handsome young nobleman called Tommaso de Cavalieri. Michelangelo was struck by a romantic feeling that simply would not go away. He wrote sonnet after sonnet for the man as well as producing some rather "personal" sketches for his eyes only.

Michelangelo executed a number of exquisite ink sketches of Jove's Abduction of the beautiful youth Ganymede.

Michelangelo most certainly knew that Jove and Ganymede were synonymous with Hadrian and Antinous. As a man of art and science, all he had to do was look at the nighttime sky and see the Constellation of Antinous (formerly the Constellation of Ganymede).


An older man enthralled with a handsome youth. Our modern concept of "gayness" did not exist. But did he really have to spell it out to Tommaso any more clearly than that?

For thirty-odd years, the two were constant companions, but Michelangelo? s passions did not end there. During his relationship with Cavalieri, he also wrote about some deep feelings for other men in his life, including the 16-year-old Cecchino dei Bracci, for whom he wrote 48 funeral epigrams after his untimely death.

Here is an extract from one of his same-sex love sonnets:

"The love I speak of aspires to the heights; woman is too dissimilar, and it ill becomes a wise and manly heart to burn for her."

For his gentle genius and for his love of male beauty and for representing the best strivings of humanity, we proclaim Michelangelo di Lodovico Buonarroti Simoni one of our Blessed Prophets of Homoeros.

Michelangelo reminds us that male beauty IS divine.

Friday, February 17, 2017

ANTINOOPOLIS TOMB MYSTERY DEEPENS
AS MORE BODIES FOUND IN PIT


THE mystery surrounding an INTENTIONALLY BURIED STONE STRUCTURE at Antinoopolis has deepened with the discovery of not just one ... but three ... human skeletons interred in sand directly on top of the structure.

With the discovery of the first body last week, archaeologists reluctantly speculated about "human sacrifice" ... but now they believe humans were buried separately but along with sacrificial animals.

The team of archaeologists working at ANTINOOPOLIS in Egypt say the subterranean "stone structure," which they believe may be an underground mortuary temple, is covered by two meters of soil strewn with sacrificial pottery sherds, bones of livestock and a crocodile ... and the skeleton of at least three human beings.

None of the animals was mummified ... nor were the humans,
says James B. Heidel, president of the Antinoupolis Foundation.

Some of the animals ... livestock ... were ritually butchered as normal for a Roman-era sacrifice. But a crocodile was buried intact, without being mummified.

But the human bodies were interred intact, also without being mummified. One of the bodies was accompanied by pottery vessels and ushabti figurines ... small clay dolls representing spirits who tend the deceased in the afterlife. 
The experts are certain that the pottery vessels and the bodies date to the earliest days of the city which Hadrian founded at the site where Antinous died in the Nile.

None of the pottery is later than the 2nd or 3rd Century AD, the experts said ... meaning the sacrificial offerings were made at the time when the city was founded and under construction.

The archaeologists are also certain that the site is intact and has not been disturbed by looters over succeeding centuries.

They found bones of large livestock, which appear to have been butchered prior to burial. An intact crocodile skeleton is seen as proof that the site was used as a religious sacrificial offering venue ... since crocodiles were sacred to Ancient Egyptians and not a source of food.


But the human skeleton is a total mystery. In Roman times, human sacrifice was taboo, but the archaeologists say the human bones mixed in amongst the bones of sacrificial animals and pottery suggest a gruesome possibility.

"The human burial is sealed in the same clean sand layer as all the other offerings, and the not unreasonable, but somewhat uncomfortable, hypothesis must now be that at least one human was sacrificed and offered with the animals," says James B. Heidel, president of the Antinoupolis Foundation.

The pottery and bones are in soil which covers the mystery-shrouded "intentionally buried stone structure" which Heidel's team found in January 2017 in the heart of the city founded by Hadrian at the spot where Antinous died in the Nile.

Using ground-penetrating radar, the experts discovered the rectangular stone structure ... 12 by 22 meters in size ... which consists of three successive chambers. 

The archaeologists suggest it could be an OSIREION ... symbolic Tomb of Osiris ... raising hopes that this could be the Lost Tomb of Antinous.

The structure was detected with ground-penetrating radar.

It is located near the waterfront peristyle discovered last season.

It is within what possibly was the Great Temple of Antinous and is a rectangular chamber which is subdivided into three sub-chambers ... apparently an antechamber, a middle chamber and an inner sanctum.