Friday, August 26, 2016

IRAN EXECUTES YET ANOTHER GAY TEEN
THE LATEST OF COUNTLESS MARTYRS



IRAN has executed yet another gay teen, reminding the world that it still regularly kills minors no matter what international law says.

Amnesty International has decried the hanging of gay Iranian teenager, Hassan Afshar, as proof of the country's "sickening enthusiasm for putting juveniles to death that knows no bounds."


Eleven years ago ... 19 July 2005 ... Iran publicly executed two teenage boys for being gay. Their names were MAHMOUD ASGARI and AYAZ MARHONI, 16 and 18 years old. 

Since then many more LGBT people have been tortured, imprisoned and publicly executed in Iran ... no one knows how many. 

For their suffering, the Religion of Antinous proclaims Mahmoud Asgari and Ayaz Marhoni and all of the named and unnamed gay victims of Iranian persecution, Saints and Innocent Martyrs of the Religion of Antinous.

Putting to death any juvenile violates United Nations covenants. Still, Iran hasn't shied from the most extreme penalty when prosecuting even the youngest men for gay sex and other crimes under Islamic law.

An Amnesty International report in January found that four people were killed last year despite being juveniles at the time of their crime. And between 2005 and 2015, 73 were executed.

In this latest case, Afshar was charged at age 17 with raping another boy. His family said it was consensual, which is sometimes a moot point. If the other boy hadn't called it "rape" instead of consensual sex, he too could have faced the death penalty.

Amnesty International reports that Afshar was hanged in Arak's Prison in Markazi Province on July 18.

Another teen, Alireza Tajiki, is next in line for execution, accused of raping and murdering a friend.

Amnesty International notes that Iran’s Supreme Court had said there's no evidence Tajiki committed the crime, and it says a confession is invalid because it was provoked by torture.

International outrage over Afshar’s death has so far managed to put the next killing on hold.

A rare photo of one of these executions (seen above) outraged the world in 2005, when a blindfolded Mahmoud Asgari, 16, and Ayaz Marhoni, 18, were publicly hanged in Mashhad, Iran, on charges of raping boys. The photos might have stopped, but the killings haven't.

A United Nations report in 2014 reported that 160 young men are on death row in Iran having been convicted of a myriad of crimes. Another United Nations investigation this year found that the death penalty reached a 20-year high in 2015, with 966 people killed.

Under Islamic law, these offenses — called hodud — can include "insulting the Prophet of Islam," extra-marital heterosexual sex, and consensual gay sex. Under hodud, death is one of four possible punishments, which could also include crucifixion, banishment, and amputating the right arm and left leg.

Thursday, August 25, 2016

CHAVELA VARGAS
SAINT OF ANTINOUS



CHAVELA VARGAS, the forceful lesbian songstress who was born in Costa Rica and rose to fame in Mexico, and influenced generations on both sides of the Atlantic, has been proclaimed a Saint of Antinous.

When she died in 2012 at age 93, she was especially known for her rendition of Mexican rancheras, but she is also recognized for her contribution to other genres of popular Latin American music.

Never one to hide her lesbianism, she has been an influential interpreter in America and Europe, muse to figures such as Pedro Almodóvar, hailed for her haunting performances, and called "la voz áspera de la ternura," the rough voice of tenderness.

FLAMEN ANTONIUS SUBIA speaks for millions of gays in the Spanish-speaking world when he says her passing is a saddening loss. He grew up with her music.

ANTONIUS RECALLS:

My parents had always played her music it...among many other singers...she was the only one who made an impact on me.  She was the only one who stood out...mostly because I could tell that she was crazy...she wasn't trying to sound pretty or traditional...but more like someone having an attack of too much feelings.

It wasn't until I was in my late teens that a friend pointed out that all her love songs are sung about women, I hadn't even noticed, I had just taken them at face value, you broke my heart songs, without really thinking about the context...that was when I really started to like Chavela Vargas...when it suddenly dawned on me that this dramatic, bellowing woman, who was such a favorite of my parents, was A LESBIAN!!!

As it turns out she was a hard-core lesbian, though never public about her sexuality, she never actually hid it...it was pretty much right there for everyone to see.  She drank heavily, carried a gun and wore a big red poncho...how can you not love a lesbian such as that?!  Eventually the drinking became too much and she dropped out of making music for a long, long time...only to return about 10 years ago, at 83 years of age with a new album...and it was during her return that I finally learned that, yes indeed, just as I suspected, she was in fact a Lesbian.  My favorite quote is when she said: 

"I've never even been to bed with a man. Never. That's how pure I am; I have nothing to be ashamed of. My gods made me the way I am." - Chavela Vargas

Chavela Vargas is a blessed Saint of Antinous.

ANTONIUS SUBIA

Wednesday, August 24, 2016

MOSAIC OF NEPTUNE GREETED BATHERS
AT AN ANCIENT BATH HOUSE IN TURKEY



A rare mosaic depicting Poseidon/Neptune, God of the Sea, has been unearthed at at an ancient Roman bath house in seaside Turkey.

The nearly pristine mosaic was discovered in the cold pool of a Roman bath in the ancient port city of Aegae, in Adana Turkey.


A Greek inscription at the bottom of the mosaic says: "Greetings to all of you bathing."

Aegae was an important port during the Roman era, founded in the 2nd Century BC. 


The ancient city had an important strategic position and served as a naval base during the reign of the Roman Empire and was also famous for its health facilities dedicated to Aesculapius, the god of medicine in ancient Greek religion and mythology.

One of the three biggest Asclepius temples in the world is located in the ancient city of Aegae.

Earlier, archaeologists found a mosaic depicting the god of love, Amor/Eros.

Poseidon, also known as Neptune in Roman mythology, who is the god of the sea, earthquake and horses in Greek mythology, is the son of Chronos and Rheia, and the brother of Zeus and Hades.


In this mosaic, he is described as having a rope wrapped over his shoulder.

Apart from Poseidon, the mosaic also features the depictions of dolphins on both sides of Poseidon.

It is a little-known fact that Antinous was associated in a gay context with Neptune/Poseidon, the classical god of the seas.

Coins minted by a priest of Antinous at Corinth named Hostilius Marcellus (from whom our own Uendi Hostilia Marcella takes her priestly name) show Antinous as Neptune/Poseidon.

It is a reference to the myth that Poseidon became enthralled with another marine male deity, Nerites, who was said to be the handsomest of all males on Earth, in the Heavens or in the Seas.


The sexual union of Poseidon and Nerites produced Anteros, god of requited love.

In those days, few people could read or write, but everyone knew these myths. So anyone who held one of these Antinous/Poseidon coins could "read" the gay symbolism.


So any discovery concerning Neptune/Poseidon is of great interest to us, since the dig could ultimately reveal Antinous-related artefacts.



Tuesday, August 23, 2016

STUNNING MOSAIC FLOOR DEPICTS
CHARIOT RACING AT ROME'S HIPPODROME



Archaeologists in Cyprus have uncovered a 10-meter (36-foot) mosaic floor depicting scenes of ancient chariot races in the Roman hippodrome.

Dating back to the 4th Century AD, this magnificent artifact was discovered in the Akaki village outside the capital Nicosia, making it the only one of its kind in Cyprus and one of seven in the world.

Not only is this mosaic incredibly detailed, but it illustrates complete race scenes for four charioteers, each being drawn by a team of four horses.

Experts believe this is a representation of the different factions that competed in ancient Rome.

"The hippodrome was very important in ancient Roman times, it was the place where the emperor appeared to his people and projected his power," said Fryni Hadjichristofi, a Cyprus Antiquities Department archaeologist.

Derived from the Greek words hippos ("horse") and dromos ("course"), the hippodrome was an open-air stadium, used for chariot and horse racing, which was a common Grecian activity during the Hellenistic, Roman and Byzantine eras.

The excavation crew is still working to uncover the entire floor, but the area that is visible measures 36 feet long and 13 feet wide.

The team believes this stunning piece was once part of a villa owned by a wealthy individual or nobleman while Cyprus was under Roman rule.

The mosaic displays scenes from a chariot race, with one charioteer standing as he is being pulled by four horses ... in total it shows four different races.
Near each of the four charioteers are inscriptions, which is believed to be their names and the name of one of the horses.

Archaeologists believe this representation is the four factions that would compete in chariot races while ancient Rome reigned.

Three cones can be seen along the circular arena, each topped with egg-shaped objects, and three columns seen in the distance hold up dolphin figures with what appears like water flowing from them.

On another part of the mosaic is one man on horseback and two others that are standing - one is holding a whip and the other a jug of water.

"It is an extremely important finding, because of the technique and because of the theme," the director of the Department of Antiquities Marina Ieronymidou said during a press conference in front of the mosaic this week.

"It is unique in Cyprus since the presence of this mosaic floor in a remote inland area provides important new information on that period in Cyprus and adds to our knowledge of the use of mosaic floors on the island."

The typical hippodrome was carved into a hillside and the material pulled from the ground was packed along the edges to construct an embankment for seats.

Monday, August 22, 2016

THE HISTORY OF THE ROSY LOTUS
OF ANTINOUS THE GAY GOD



When Emperor Hadrian visited Alexandria,
the poet Pancrates presented him
with a beautiful lotus flower.


Awestruck by the magnificent rosy-red petals,
Hadrian agreed to name the flower
after his beloved Antinous.


Drawings by Uendi


Beautiful CG Art by Antonius Subia


Music by Kevin MacLeod


For more info: THE TEMPLE OF ANTINOUS

Sunday, August 21, 2016

THE SACRED LION HUNT



ON the 21st of August, with the Sun in the final degrees of Leo the Lion, we commemorate the Sacred Lion Hunt ... when Hadrian and Antinous slew a man-eating lion in Egypt in August 130 AD.

Minutes ago, the modern-day Priests of Antinous just finished celebrating the event in with ritual ceremonies at the Hollywood Temple of Antinous which also saw worshipers participating via Skype from Mexico, Brazil and Germany.

During the special ceremonies they also honored the Sacred Rosy Lotus of Antinous ... the pink waterlily said to have sprung forth spontaneously from the lion's blood as it splattered the banks of the Nile.

Flamen Antonius Subia relates in vivid detail the events of the Sacred Lion Hunt: The place is Egypt, somewhere in the rocky wilderness between the scattered oases southeast of Alexandria. 

The time is August of the Year 130 AD. The Sun is poised to enter the Sign of Leo. The Constellation of Aquila the Eagle is at its zenith in the nighttime sky — just as it is now.

It is the constellation of the Emperor. And the Emperor and his Beloved are touring Egypt when they hear grisly accounts of a man-eating lion marauding the countryside on the edge of the cultivated land. The "Marousian Lion" it was called.

They lead a hunting expedition out into the wilderness. The whole expedition is rife with symbolism from the start since the Sun is in Leo in the daytime skies and the Eagle is soaring in the nighttime skies and the Ancients believed killing lions was tantamount to defeating death itself. Lion hunting was the sport of kings.

When at last the Imperial party flushes out the man-eater, the huntsmen and archers stand back and leave Hadrian to close in on the beast with his steed. Hadrian has just got off an arrow which wounds the animal when, all of a sudden, out of nowhere, young Antinous rides ahead, his reins in his left hand, an adamantine-tipped lance in his upraised right hand.

As the Imperial retinue looks on in horror, the snarling lion charges toward the boy, causing his panicked horse to whinny and wheel about in terror. But Antinous maintains his balance and, instantly judging distance and angle, sends his lance sailing towards the lion as it quickly closed the gap between them. 

The lance slams into its rear flank, inflicting a serious but not fatal wound. Enraged even more, the lion uses its fangs to pull out the lance and charges anew against the Boy who is fumbling with his quiver to ready a shot with his bow. But an arrow is already in the air from behind Antinous, and it whizzes past his ear and hit its mark in the throat of the lion.

It has been fired by Hadrian, who is approaching at full gallop and who, even while the first arrow was still in the air, had already readied a second arrow, which this time penetrates both lungs.

The lion spins about and collapses writhing in the dust, rage in its eyes, blood and saliva guttering from its fanged mouth, gasping for breath as it struggles to get to its feet — because Antinous has dismounted and is sprinting toward it with a drawn dagger.

Hadrian draws his steed to a halt and dismounts with an agility and  lightness befitting a man half his age, fueled by adrenalin and alarm for his Beloved Boy, who faces imminent peril from the mortally wounded lion, still capable of severing an artery with one swipe of its mighty paw.

Hadrian draws his hunting axe from his belt and holds it high as he  lunges onto the lion's back and dispatches the beast with one powerful blow which splits its skull in two with a frightening crack and a spurt of bright red blood which bathes both the older man, now panting and perspiring heavily, and the younger man who still shows no visible expression of concern, just a wild-eyed look of excitement in his eyes, as if he never realized the danger he had been in — as if he thinks he is immortal.

A cheer goes up from the coterie of onlookers when they realize the lion is dead, killed seemingly by a single blow from the Emperor's hand. Courtiers whose eyes are unskilled in the ways of hunting will later claim Hadrian had struck the lion dead with a club.

As soldiers and nervous bodyguards rush forward to make sure everything is all right, the emperor, his adrenalin-strength ebbing as quickly as it came, shakily wraps a blood-spattered arm around Antinous and plants his gilded, spike-soled sandal on the dead animal's neck and nods to Antinous to do the same.

There they stand, bathed in blood and bathed in the adulation of the Imperial coterie, each with one foot on the vanquished man-eater as the animal's blood spreads out and covers the surrounding rocks and sand and a few scrubby wildflowers growing from a crevice in a rock.

Even the flowers are splattered with blood. And these red blossoms  will be plucked by members of the entourage to take back as souvenirs to show to envious courtiers who had not been invited along.

THE SACRED LION HUNT was immortalized in poetry and in stone, with Hadrian adding medallions to the Arch of Constantine showing him and Antinous with feet on the lion's neck and also making sacrifice to the great lion-killer Hercules.


Soon legend would have it that scarlet-red lotus blossoms had sprung forth from the pool of the lion's blood, the lion which had been brought down by Antinous and which had been dealt its death blow by Hadrian — the SACRED RED LOTUS.

Under the Sign of Leo. And under the Constellation of the Eagle. 

Within a few short weeks, Antinous himself would be dead. The Sacred Lion Hunt is the last recorded event in His short life.

And some time afterward, grieving Hadrian would look up into the  nighttime skies with tear-filled eyes and his court astronomers would point out a New Star which had appeared in the southern part of the Constellation of Aquila the Eagle.

The New Star would be interpreted as a celestial sign that Antinous had been raised to the firmament, that the Constellation of the Imperial Eagle had been joined by the CONSTELLATION OF ANTINOUS. It was a sign that Antinous was now a God.

If you go outside tonight and peer out into the darkness with all its deep and hidden dangers, remember Antinous and how he peered out into the barren wilderness with all its deep and hidden dangers. 

He charged forth, his bridle-reins in his left hand and an adamantine-tipped lance in his right, and he faced death unafraid.

For Antinous knew he was immortal.

The Constellation of Antinous, still under the wing of the Imperial Eagle, will be right directly over your head tonight — shining proof that Antinous is a God and that he is indeed immortal.

Don't look out into the darkness around you and be afraid. Instead, look up and remember the Beloved Boy, who was a fearless hunter, who stalked death itself, and who emerged victorious over it.

Saturday, August 20, 2016

THE SACRED BAND OF THEBES
THE ARMY OF LOVERS


AUG. 20 the Religion of Antinous commemorates the Sacred Band of Thebes, the Army of Gay Lovers whose courage and valour have echoed down through the ages as an inspiration that Gay Love is a magical means of Conquering Fear and  Doubt.

The Sacred Band of Thebes, also called The Theban Band, was a battalion composed entirely of homosexual friends and lovers. This military unit, consisting of 150 male couples, was based on the belief that men fighting alongside their lovers would die rather than shame one another.

According to Aristotle, the Army of Lovers were sworn into military service at the Tomb of Iolaus, one of the many male lovers of Hercules. Iolaus had helped the god in the Twelve Herculean Tasks. 

He often acted as Hercules' charioteer and companion, and the closeness of their relationship was such that he was known as Heracles' symbomos (altar-sharer), since the two could be honored at one and the same altar — a very rare occurrence in ancient Greece, where each divinity would have his or her own altar.

Iolaus was called the eromenos (beloved boy) of Hercules, and was thus a Sacred Hero of same-sex love in Thebes. Hercules, Iolaus and Eros were often depicted together.

That is probably why the army of gay lovers was called the Sacred Band, since they took their oath of allegiance at the Sacred Tomb of Iolaus, which was at the same time a shared sacred altar to Hercules. In effect, the warriors were swearing that they would fight alongside their comrades the same way Iolaus and Hercules fought together — armed with the arrows of Eros.


You can see the parallels to Hadrian and his beloved boy Antinous, and later this week the parallels become even clearer when we commemorate the SACRED LION HUNT.

After that hunt in the Libyan desert in the summer of the year 130 AD, Hadrian and Antinous made sacrifice to thGreat Lion Slayer Hercules — thus cementing the identification between Hadrian/Hercules and Antinous/Iolaus — and their affiliation with the Sacred Band of Thebes.

The great Theban gener
al and tactician Epaminondas is generally credited with establishing The Sacred Band, although some sources claim it was his "beloved friend" Pelopidas who was responsible for recruiting them. No matter — they both fought side-by-side at the head of The Sacred Band.

This corps d'elite first took to the battlefield against Sparta, which had dominated Greece since the fall of Athens in 404 BC. The Spartans were confident of victory, as they had never suffered a defeat on the battlefield — never ever.

Deploying the Sacred Band on his front left wing, "Epaminondas made his left wing fifty deep and flung it forward in the attack." 

The "extra weight" of this wing and the "fanatical bravery of the Sacred Band" broke the Sparta right wing, which contained their best warriors. In the ensuing hand-to-hand combat, the Spartan king was killed and their right gave way.

Witnessing this, the rest of the Spartan forces, who had not yet been engaged, fell back in disarray, running for their lives. Thus, Sparta suffered their first recorded defeat in more than 400 years — at the hands of an Army of Gay Lovers.

But the end came in 338 BC at the battle of Chaeronea when King Phillip II of Macedonia and his son Alexander (later called Alexander the Great) defeated the combined forces of Athens and Thebes-Boetia. Alexander confronted The Sacred Band of Thebes, the elite corps of 300 homosexual lovers who were by that time the most respected soldiers in the world.

But alas! They were no match for the Macedonians under Phillip and Alexander. It was a rout. The Athenian and Theban armies gave way and began retreating from the advancing Macedonians. Only The Sacred Band stood their ground — and died. Only a few were subdued and captured. Of those who died, it was found that not one had been wounded in the back — a sign that they had not turned away from the fight.

Alexander was so moved by their nobility and courage that he asked his father to bury them with honour and raise a monument in the form of a Sacred Lion over their mass grave. In 1881, the shattered fragments of this Lion Tomb were discovered, surrounded by the bones of 254 pairs of men with their weapons, arranged in a phalanx of seven rows, the battle formation of the Sacred Band.

In 1902 the fragments of the Sacred Lion were reconstructed and placed again over the tomb of The Sacred Band (depicted left) by the secret homosexual society known as the Order of Chaeronea, founded by gay-rights pioneer George Cecil Ives.

It reminds us once again of the Sacred Lion Hunt which we celebrate later this week.

So, what has all of this got to do with us in our daily lives? We're not soldiers. We're not brave and courageous. Like Dorothy Gale, we're meek and mild. Timid. We know that if we were on a battlefield, we would turn and run. We would hide and "play dead" and hope nobody found us.

We assume that the Army of Gay Lovers were all fearless. We think they were unafraid. We don't think of them as being scaredy-cats like us. We think they didn't mind the prospect of agonizing death. We think they were somehow above such mortal fears and doubts.

That's nonsense, of course. They were scared out of their wits. We can scarcely imagine how afraid they were. As they stood there alone against the mightiest army in the Ancient World, their emotions shifted beyond the mere terror of possibly being killed, to the actual horror of inescapable agony and death. It is one thing to be terrified — we all know the fears generated by terrorists who fly airliners into buildings. 

But the emotions experienced by those trapped in the planes or inside the burning buildings go far beyond mere terror to the actual horror of inescapable agony and death. That is the Mystery of Terror as opposed to the Mystery of Horror. We tend to forget the distinction!

The Army of Gay Lovers were not without fear. On the contrary, they were staring into the horror of impending pain and death. But they did not allow their fear to overwhelm them. 

Instead, they turned their fear "inside-out" and used it as a magical shield. The barbs of fear were no longer poking inward to themselves, but instead were pointing outward towards their foes.

And that is the Mystery Teaching of the Army of Gay Lovers. It was no doubt part of the initiation which the recruits underwent at the Tomb of Iolaus. They were schooled in magico-religious methods for handling fear. It's about learning to harness Mars energy. Mars is all about the double-edge sword of fear/bravery and how you can learn to wield that Sword of Mars.

It's not about being fearless. It's about being able to transform your fear into a mighty force which wins the battle of life. Mars Warrior Energy is not about death. It is about LIFE. It is about harnessing fear and doubt and turning them into useful energies in your daily life.

Life — from the time you are born until the time you die — life is just one constant battle. And if you give in, then you are lost. And if you give in to the fear and doubt that constantly confront you each and ever day, then you are lost. It's about using selfless love and transcendant awareness to transform fear and doubt into constructive energies which empower you to stand up and wade into the fray of daily life.


The Band of Thebes were initiated into Mystery Teachings which showed them how to transform fear and doubt into a magical force which made them invincible — capable of asserting their will and making their dreams become reality. 

And the catalyst was male-male love and devotion.

This is one of the deepest and most profound Mystery Teachings of the Religion of Antinous

We are talking about the Mysteries of Antinous-Mars. This is why Flamen Antinoalis Antonius Subia has painted Antinous in the guise of the War God (above). 

Antinous is not just about gay male beauty. He is about gay male warrior energy.

Mars is a very important constituent aspect of Antinous. In Fixed Star Astrology, the STAR OF ANTINOUS is characterized by a mixture of Jupiter/Mars energy along with Venus energy — unique among Fixed Stars. To overlook Mars is to overlook a major component of what Antinous is all about.

Mars and his Alchemical Intelligence Graphiel and Daimon Barzabel (Deimos and Phobos) is much misunderstood by philosophers and occultists. 

The fiery Graphiel/Barzabel energies of the red planet ("terror" Deimos and "horror" Phobos) are often seen as frightful and horrific and destructive and warlike with no other qualities. This is a shallow analysis and one that should be discarded. Understanding your Martial nature — the Antinous-Mars warrior inside you — is essential to your survival and growth as a gay man. Terror and horror accompany us all our lives.

We are all afraid every day. We are all riddled with doubts every day. Look around you — most people are consumed with fear and doubt. Fear fuels their lives! But each of us can learn to turn our fears and doubts "inside-out" so that their barbs no longer point inward towards us, but instead so that these barbs of fear and doubt form a protective shield around us. 

It girds us with a constructive energy which helps us to advance through the Herculean travails which we face in our daily lives. Instead of being "fearfully" timid, we become "fearsomely" determined not to let life get us down.

Tomorrow, this transformational ability to turn fear "inside-out" will help us to understand how Antinous was able to charge the man-eater during the SACRED LION HUNT.

He must have been terrified. He was young and inexperienced and alone on his steed and armed only with an adamantine-tipped lance.

But through his loving bond with Hadrian/Hercules, Antinous/Iolaus was also magically armed with the "fearsomely strong" energies of the Sacred Band of Thebes.

Flamen Antinoalis Antonius affirms: "We consecrate and honor their memory and call upon their strength and courage in our own hearts, that we may become the New Sacred Band."