SKIN ART MAKES ANTINOUS AN INDELIBLE PART OF YOUR LIFE

ANTINOUS skin art is popular among many modern-day worshipers of the Most Great and God God.

Thousands of people want a relationship with Antinous which ... literally ... goes under the skin.

The most famous celebrity with an Antinous tattoo is ADAM LAMBERT, who has called on all of his fans to learn all they can about Antinous. 

The tattoo, which reaches from nipple to hips down the left flank of his torso, features a bust similar to ones he saw on a trip to Greece.

Adam Lambert says he is "obsessed" with Antinous.

He told an interviewer recently: "I have a tattoo of Antinous, Emperor Hadrian’s lover, on my ribs. It was a very public relationship and they travelled around together until Antinous died. They were like the early gay power couple!"

The tattoo at the top of this page is on the arm of PRIEST MICHAELUS, who says he wanted to have Antinous a permanent part of him. Michaelus explains: 

"I had my first tattoo when I turned 50. It was a wolf with claw marks. I thought, since I loved werewolves, this was very fitting. That was 2006. 

"In 2007 I had been a follower of Antinous for some time and I know my next tattoo, or several, would be devoted to him. 

And what better way to show my faith ... especially living in the bible belt. 

"I went to my tattoo artist, whom I knew is Native American Inuit. She had several tattoos showing symbols of her people. I told her I wanted Antinous' name first and whatever way she thought it would look best. 

"I knew she was a spiritual person and that what she designed would be just right. She free-handed it on my arm and it looked amazing. 

"My next tattoos was an Antinous design by ANTONIUS SUBIA which showed Antinous riding a lion. It is on my right shoulder (above right).

"I then wanted to have Antinous name in hieroglyphics which says 'Antinous the Beautiful God.' This is on my right forearm and right beside that on my wrist is a red lotus again free-handed by my artist. 

"Lastly on the top of my right hand is my symbol or sigil for my Antinous Priestly name which is Michaelus (Latinize of Michael) Lucian (meaning light), Marius (Mars), Aquila (after the first Priest of Antinous).

"I have had many people ask about the name tattooed on my right arm which is Antinous. This has given me a wonderful opportunity to tell others about my God Antinous."

Below are several more skin art designs proudly worn by adherents of Antinous:

ANNOUNCING THE LARGEST GALLERY OF ANTINOUS IMAGES IN THE WORLD

WE are proud to announce the most extensive collection of Antinous images in the world!

Flamen Antonius Subia spent nearly two years assembling the GALLERY OF ANTINOUS ICONS. 

What initially was supposed to be one page of images became a massive library.

He says it turned out to entail "months of painful, agonizing, finger-crippling, endless catalogueing, and intricate photoshop enhancing and resizing of countless... countless. ..Antinous images!"

The endeavour proved to be not only a technical challenge but also something of a spiritual initiation.

Antonyus says, "I now feel that I am an expert in Antinous Iconography...as over the process, I have become deeply familiar with each and everyone of Antinous's wonderful, beautiful statues and busts and other images.

"I have to tell you that in the end...it has been the most meaningful, and intimate experience of getting to know Antinous on a level that I have never before felt.

"He is so astonishingly beautiful... I found myself treating each and every one of his images with particular, loving care and devotion.

"It's amazing...when you handle his beautiful image again and again...when you gaze upon him, and study him, and see example after example, they all seem to blur together until you are left with this cumulative impression of what he really must have looked like...like the sum total...as though I had layered translucent leaves of his face and body one over the other, each showing through to the next, cancelling out errors, cracks, chips, peculiarities, the hand of the artist, modern enhancements, slight differences...my own impression of what I always thought he looked like...all blurring together into a ghostly form of his true image...I see him now.

"But I am also deeply familiar with all the different variations...I know them all by name, location, origin, and bits of their history...I know the image of Antinous as I had never known it before."

Antonyus adds that the gallery is not complete and he has issued a call for readers to submit more images.

"My intent is to have the most complete collection of Antinous images in the world," he explains. "We are after all The Temple of Antinous, his modern religion. It is only right that we take his image into our possession and display his form for all to see....with reverance and piety...not as an object of art, or history, but as an object of worship."

THE MYSTERY TORSO OF THE MET COULD THIS BE ANTINOUS?

MORE statues of Antinous were made than any other mortal in Ancient Rome, even more than of Augustus Caesar ... and countless bits and pieces indicate that there were even more Antinous statues.

This torso at New York's Metropolitan Museum of Art has intrigued art historians for years ... could it be Antinous?

To the unskilled eye, it looks like any other torso of a young man in exceedingly good physical condition. But to the trained eye of an Antinoologist ... there are several salient features which practically scream out: "I am a statue of Antinous!"

First of all, experts generally agree that this is a Roman copy of a Greek-style statue ... the type of statue which the Greeks would have sculpted in the 5th Century BC ... and which Emperor Hadrian admired so greatly and brought in Greek sculptors to replicate in the 2nd Century AD.

The Greeks would have called it an "ephebe" or innocent youth. And yet, there is a certain glamorous attitude about this statue which shouts out "Roman."

The neck is inclined, indicating that the head originally was tilted forward in a reflective and melancholy pose very typical of Antinous.

And the torso itself looks almost identical to the Antinous Farnese statue in Naples (right). The Farnese has a languid, dreamy-decadent melancholy about it, owing to the sad face and inclined head.

But the decadent melancholy of a "waking  dreamer"  persists even in  the body alone, as  demonstrated by the  New York  torso ... the Mystery Torso of the Met ....

ANTINOUS IN JERUSALEM

IT is indeed ironic that Jerusalem is in the headlines again, amidst continuing religious and political strife and bloodshed, for it is in mid-July when the Religion of Antinous commemorates the bitter-sweet arrival of Antinous and Hadrian in Jerusalem in the year 130 AD.

In hindsight, Hadrian must have viewed Jerusalem as a bad omen enroute to what would tragically turn out be a fateful date with destiny in Egypt following a triumphal tour of Asia Minor. This day in the year 130 AD signaled a turning point in history.

The glorious tour of the Eastern Provinces turned sour when Hadrian reached religious strife-torn Jerusalem.

In a few years, he would raze the city to the ground in rage at the Jewish rebellion, earning him the enmity of Jews forever more. In a few weeks, the entourage would enter drought-stricken Egypt, where Hadrian would be confronted by despair and discontent.

And only six months hence, his beloved Antinous would be dead. The wise and cautious emperor would turn bitter and cruel without sweet Antinous at his side. The history of Western Civilization was about to change ....

But on this day in the spring of 130 AD, Hadrian basked in the golden glow of adulation, sensing perhaps only vaguely that this glow was in fact the sunset of his reign.

Hadrian and Antinous crossed the Jordan river and entered Jerusalem on this day in 130. There they remained for much of summer of 130, while Hadrian immersed himself in the Jewish faith and attempted to convince Jewish leaders to compromise on religious matters. He soon realized that compromise was impossible.

Hadrian had two facets to his personality. One was the compassionate and wise seeker of knowledge who was open to new ideas, particularly when they pertained to spiritual matters. But the other facet was the uncompromising warrior who could not allow an affront to Roman dignity and socio-economic order to go unpunished.

It was during this visit to Jerusalem that Hadrian realized the Jews would never be subsumed into Roman society. He began issuing controversial decrees, such as outlawing circumcision.

It may have been during this visit that Hadrian began drawing up plans to rebuild Jerusalem after the fashion of the Greeks, with major temples to Jupiter and Venus.

He may even have begun work on the reconstruction of the Temple Mount, dedicating the new Temple to Jupiter Capitolinus, with a statue of Hadrian in front.

His actions and disregard for the Jewish religion led to the rebellion of Bar Kochba, and the protracted and very bloody Jewish war. The result of this war was that Jerusalem was renamed Aelia Capitolina, and all Jewish and Christian Churches were replaced with Temples to Venus and Adonis.

Israel was renamed Palestine, and the Jews were forbidden to enter Jerusalem except once a year on Passover.

This was the beginning of the Diaspora. It was the beginning of 18 centuries of rancour and strife over the issue of Judea/Israel/Palestine, and of who should live there. To this day, Hadrian's name is accursed among Jews.

This is where the glorious tour of the Eastern Provinces turned sour. But it is also where the glorious reign of Hadrian turned sour. Until the year 130, Hadrian had surprised his critics with his even-handedness and his cautious wisdom and his patience in seeking peace and avoiding armed conflict wherever possible. His goal was to create a Hellenistic society based on tolerance and mutual benefit.

But the second half of the year 130 changed everything. By the end of the year Antinous would be dead and Hadrian would return to Rome a broken and embittered man. The man who loved to travel and spent half of his reign abroad would never leave the environs of Rome and his villa at Tivoli again. The remaining eight years of his life would be marked by capricious cruelty, vindictiveness, chronic pain and sickness. Above all, he would be remembered for a devastating war against the Jews — a war which left a sore which continues to fester 1,800 years later.

HOW DID ANTINOUS DIE? READ THIS BOOK TO FIND OUT

HERE's a riveting book you must be sure to read … the mystery of the death of Antinous.  George Gardiner's THE HADRIAN ENIGMA: A FORBIDDEN HISTORY masterfully recreates that fateful tour up the Nile and the tragic death which changed the course of history. Gardiner's novel is written in the form of a whodunnit with possibly the most original investigator imaginable ... the Roman historian Suetonius, who is traveling with the entourage.  Author of such juicy tomes as "De vita Caesarum" (commonly known as "The Twelve Caesars") and "Lives of Famous Whores" and other tell-all books, Suetonius has the investigative skill and the jaundiced eye to peer behind the veil of Roman dignity to see the sordidness underneath. Suetonius and two other Patricians, with Strabo as their forensic stenographer, uncover a tale of sex, intrigue and treason which sends such powerful shock waves through the Imperial coterie that Hadrian is compelled to order a cover-up ... hence, the subtitle "A Forbidden History".  Thus, the official line is Hadrian's pronouncement that "he fell into the Nile" while only Suetonius's secret manuscript reveals the true story ... a manuscript "found" by Gardiner. The reader sees the case through Suetonius's eyes as he investigates the death, looking for clues. Gardiner superbly describes the elaborate Imperial compound along the banks of the Nile ... basically a tent city on a fabulously grand scale, a palace made of fabrics with the entire Imperial court transferred from Rome to this remote stretch of the Nile. Antinous had shared his quarters with a couple of other "ephebes", though he had a private sleeping area ... where only Hadrian had ever been. Suetonius and his Patrician assistants (with Strabo as their scribe), sift through his belongings and interrogate everybody, half of whom are either disconsolate with grief or else they have shifty eyes and their own motives ... there are lots of "red herrings" in this book, people who possibly could have done Him in. Hadrian refuses to allow Suetonius to touch the body, which was found at dawn by fishermen who were trying to net ibises in the reeds for sale during the Festival of Osiris and Isis.  They plucked a "silver body" out of the water ... Antinous was clad in his Lion Hunt garb which was silver and ivory breast plate and a solid silver mask, and his ornate bow and adamantine-tipped lance .... the fishermen knew He was a God, especially since He drowned on the day of Osiris' Death! Suetonius wonders why in Hades Antinous was wearing all this ceremonial garb (otherwise worn only during Parades) and also wonders about a cut on the left wrist of Antinous and strange red marks around his throat.  But Hadrian refuses to let him touch the body or perform an autopsy, saying His beauty will be preserved by the priests of Egypt through mummification.  Indeed, Priest Pachrates is standing in the shadows, with kohl-rimmed eyes, and dripping with amulets and talismans, giving Suetonius the creeps. Then Hadrian tells Suetonius to get out and find out what happened in 48 hours ... or else!  Whereupon Hadrian throws himself over the body of his Beloved, kissing his cold lips and his hollow eyes (the fish have already eaten the eyeballs) and cradling his naked body — all the ceremonial garb is strewn on the floor of the tent.  A Nubian slave languidly fans the air through mosquito netting which is continually sprayed with water in a vain attempt to slow down the process of decay. The author knows his Antinous History and so the reading is deliciously slow-going for any true fan of historical crime novels. The author peppers the text with Greek and Latin terms and names and expressions which cause the reader to go to the book shelf to dust off reference works. The historical details are a delight. And the characters are outlined in a vivid way which is like meeting old friends. The description of Hadrian is perfect and the author also brings to life flamboyant heir-apparent Lucius, the Empress Sabina, her confidante Julia Balbilla, the Egyptian magician/priest Pachrates and indeed the entire Imperial coterie. Even the Oracle of Siwa Oasis makes a cameo appearance, uttering seemingly incoherent clues which ultimately lead to the unravelling of the mystery. Gardiner's Antinous is blonde with blue-grey eyes and pale skin. He is left-handed we learn as Suetonius wonders if He had inflicted the slash to his left wrist in an attempt to commit suicide and someone says, but sire, the Boy was left-handed, so it is unlikely he would have held his ceremonial dagger in his right hand to do such a deed.  And where is the lapis-lazuli talismanic ring (a magical gift from Hadrian) which Antinous always wore on his finger? The ring was supposed to ensure immortality. What was it that caused such passions among all those who encountered Antinous? Suetonius learns the answer to that question from one person who loved Antinous whole-heartedly. What is it, Suetonius demands, which inspires such ardor among the admirers of Antinous? He is told: "It is beauty, my lord. A beauty of character, a beauty of spirit, a beauty of humanity. Beauty, too, of form and shape, but this was not the primary beauty. It would pass soon into time. Antinous was a beguiling personality whose openness communicated sincerity, security, and wholeheartedness. His spirit was alive to life and love .... Antinous was Apollo incarnate, he was Apollo alive in this world, here, now, with us to see and touch today. He was not distant, out of reach, silent. Old philosophers tell us Greeks how human beauty is a reflection of the divine among us. Yet unlike remote Apollo ... Antinous possessed an emotional warmth no god displays to devotees. For Antinous, LOVE must be tangible and active. In him, it was, generously." In the end, Suetonius discovers precisely how and why Antinous died. And the discovery is such a devastating blow to the Emperor that he suppresses the investigation findings and forbids any mention of the case under penalty of exile. And that is The Hadrian Enigma ... A Forbidden Story.

SEEK THE LOST TOMB OF ANTINOUS WITH BEN PASTOR'S 'THE WATER THIEF'

IT's summer vacation time in the Northern Hemisphere and anyone who is interested in historical fiction in general and Antinous in particular should read this book by Ben Pastor, the award-winning Italian-American historian and author. 

She knows more about Hadrian and Antinous than almost any other living expert. 

Her historical novel THE WATER THIEF is an example of fine scholarly research, as are indeed all of her books.

This novel traces the efforts of Aelius Spartianus to discover the fabled LOST TOMB OF ANTINOUS. 

Aelius Spartianus is a true-life figure who did in fact write a biography of Hadrian nearly 200 years after the death of Antinous.

Set in the year 304 AD, it tells of this very literate Roman army officer who is commissioned by Emperor Diocletian to do research on his predecessor the Divine Hadrian, who had died nearly two centuries earlier. 

It is while delving into the mystery of the death of Antinous and while trying to learn the whereabouts of the Boy's tomb that the officer stumbles onto evidence of a letter penned by Hadrian uncovering a covert conspiracy to bring down the Empire ... a conspiracy that is still very much at work in 4th Century Rome. 

As Spartianus comes ever closer to finding the answer to the death of Antinous, the conspirators' efforts to thwart him become ever more violent, resulting in numerous brutal murders and attempts on the officer's life.

Pastor's descriptions of Rome in the year 304 AD are superb. You get a real feel for the teeming city in mid-summer, with all the odors and noise, colors and steamy heat that that implies. 

Best of all, for those of us who love and worship Antinous, are the chapters in which Spartianus ensconces himself in Hadrian's derelict villa outside Rome. 

It is there, as he stares up into the stars at night, that he makes a startling connection between the layout of the villa and the eight visible constellations in the nighttime sky in late October when Antinous died ... indicating that Hadrian's obsession with horoscopes and astrology led him to create an earthly universe where time stood still at the death of Antinous.

Did Hadrian's belief in astrological fate compel him to have Antinous killed? Or did Antinous take his own life in a bid to fulfill his astrological fate? 

Or was it more mundane? Did he and Hadrian have a lovers' tiff that ended tragically? Was he done in by young male rivals intent on gaining Hadrian's affections for themselves? 

Or was something even more sinister at work? And why is someone desperate to preventing the officer from finding out what happened to Antinous all those years ago?

For those of us who love Antinous, this book is a joy to read. Pastor works in many small and obscure details which are well known to his modern-day followers. 

To give just one example, the Roman officer expends a great deal of effort trying to locate and decipher the OBELISK OF ANTINOUS which today stands in a park in Rome and is the focus of much current research in the 21st Century.

The obelisk's key inscription, which is the focus of modern experts seeking his tomb, says that Antinous "rests within the garden bounds of the great lord of Rome". 

Just as today's researchers have puzzled over the meaning of that phrase, Ben Pastor's protagonist must also make sense of it ... and he arrives at a startling answer that almost costs him his life and jeopardizes future of the Empire.

The novel's characters are well drawn and the reader identifies with Spartianus as he attempts to unravel this Gordian Knot while at the same time pulling together the strands of his own personal life.

There are numerous gay characters and they emerge as well-rounded and believable characters, especially the flamboyant Egyptian gays who find themselves unwittingly the target of unscrupulous killers in their very midst.

The tales of Antinous and Hadrian which unfold as the investigation progresses are a true pleasure to read, if only because they are all so contradictory and often far-fetched ... precisely as they are to today's researchers. 

Spartianus must work his way through this thicket of tall tales and outright lies and defamations in order to determine precisely what sort of persons Hadrian and Antinous were ... in order to save the Empire two centuries after their deaths.

One of the more outlandish tall tales is told to Aelius by a Roman transgender hustler named Cleopatra Minor who claims to have frequented a notorious whorehouse which specializes in boys for aristocratic customers whose villas line the Bay of Naples. 

Cleo claims it is "well-known there" that Antinous was a boy prostitute who had just arrived from Bythinia and "had barely become accustomed to his little bed" when Hadrian stopped by the whorehouse and took a fancy to him.

There are lots of other, equally intriguing characters in this book. But the most intriguing character of all, of course, is the one character who cannot take active part in the plot but whose presence is felt at every turn of the plot:

Antinous himself.

Though the 4th Century murders take center stage in the story, this book actually is more concerned with telling the story of Antinous and Hadrian and their abiding love affair which spans the gulf of the centuries.

As you read the novel, you get a growing awareness of Antinous as the living, breathing, three-dimensional human being that he must have been in life. 

The more Spartianus looks into the life of Antinous, the more he becomes obsessed with the Blessed Boy. He simply has to find that tomb, even if it means his death and the downfall of Rome.

We won't give away the thrilling ending, except to say that, when Spartianus finally "exchanges glances" with Antinous (in a manner of speaking), Spartianus is overcome with emotion ... and the reader finds it hard to hold back the tears. 

CLICK HERE to order, but don't wait too long ... or the Water Thief will catch up with you.

THE WELL OF CASTALIA — HOW DELPHIC ANTINOUS CAN TEACH YOU TO TAME PEGASUS

ON JULY 11th each year, the Religion of Antinous takes a moment to ponder the esoteric reflections in the Well of Castalia at Delphi — where Antinous took a sacred bath, and where he was initiated into the Delphi Mystery Teachings.

It is also where one of the most mysterious and inspiring statues of Antinous was found.

The Well of Castalia is a fresh-water spring that flows from Mount Parnassus at Dephi, the sanctuary of Apollo. 

The Castalian Spring is located about 500 yards/meters from the Apollo Sanctuary itself. Busloads of tourists are whisked through the ruins of Delphi, but few ever stray away from their groups to wander off over to the spring site, which makes it an even more secluded and magical and mysterious place. 

It really is like stepping into the scene pictured here — Tarot Trump XVII "The Star" — the trump card which was inspired by the Well of Castalia. 

The spring was created when Pegasus, the winged horse, struck his hoof against a rock at the base of Mount Parnassus and water gushed forth, creating a wellspring of divine inspiration for the gods of Olympus. 

The name Castalia is derived from a Nymph named Castalia, a daughter of the river Achelous, who, when pursued by Apollo, threw herself in the spring that took her name. It was the most holy spring at Delphi and was said to be the place where Apollo and the Muses bathed. 

Pilgrims washed in the sacred water before visiting the Pythoness at the Delphic Oracle. According to Euripides, washing one's hair was sufficient for the average visitor, but persons who had transgressed more seriously against the Gods (he mentions habitual murderers as an example) had to strip off and wash themselves completely in the purifying waters.

The ancients believed the name Pegasus came from an even more ancient word meaning "wellspring of magical inspiration" and it was said that Pegasus was drinking from the Castalian Pool when Bellerophontes (or in later versions Perseus) sneaked up on him to harness Pegasus to do battle against fearful monsters.

In the Delphic Mystery Teachings,  the initiates were called upon to harness the magical inspiration of Pegasus for their own quest against the inner-demons of darkness towards spiritual enlightenment.


It was also said that the water of Castalia possessed the gift of prophecy, and any man who drank there would derive prophetic vision. Castalia is also a metaphor for the Well of Knowledge, and was said to be the fountain from which wisdom and learning poured from the heart of Apollo.

We know that Hadrian and Antinous visited this spot and it seems certain that Antinous purified himself in these waters — or at least washed his luxuriant hair.

An exquisite statue of Antinous was discovered at Delphi. The forearms had been broken off, but the ancient priests had lovingly buried the statue standing upright — which was the way it was found in the 19th Century, incredibly intact except for the missing forearms.

Alas, Antinous would drown in the similarly magical waters of the River Nile only a few scant months after visiting Delphi, during what we call the imperial "Three-Year Peregrination" — the wondrous and fateful final three-year Eastern Empire travels of Hadrian and Antinous. 

Flamen Antinoalis Antonius Subia explains why this special day, July 11th, is venerated by us Antinoians:

"We venerate the wisdom-gushing Well of Castalia on this day, half a year distant from the Well of Juturna, and bathe in preparation for the transition of the Peregrination year. We pray to Castalia to sweeten our tongue, as Antinous once bathed there, exposing the pure beauty of his flesh to the cold, fresh-gushing pool that imparts inspiration of the mind. In reverence of the wisdom and poetic elegance  of Antinous, we bathe in our own Fountains of Castalia."

The imagery of this purifying plunge into the magically inspiring waters of the Castalian Well has been used throughout history — even adorning the walls of early Christian churches, as seen in the mosaic (above) found in Libya. 

The imagery lives vibrantly in the XVIIth Greater Trump in the Tarot as The Star.

Open your Mind and your Heart to the Mystery Teachings of Delphi. Permit yourself to be carried aloft upon the magical wings of Pegasus, whose name means "wellspring of magical inspiration". Become one with Antinous through the wonder of HOMOTHEOSIS and allow yourself to conquer your demons and to soar to glory amongst the stars.