WE honor Willem Arondeus (22 August 1894 – 1 July 1943) as a saint of Antinous for his courage in standing up against hatred, intolerance and bigotry.
He was a Dutch gay non-Jewish artist and writer who led a group in bombing the Amsterdam Public Records Office in order to hinder the Nazi round-up of Jews, was executed with 12 others by firing squad.
He had started life as an illustrator, designer of posters and tapestries and a painter. In 1923 he was commissioned to paint a large mural for Rotterdam City Hall. During that same period, he illustrated poems by J. H. Leopold, Pieter Cornelis Boutens and Martinus Nijhoff. He admired the older Dutch designer Richard Roland Holst, as can be seen in his work. He did not attain much fame and lived in impoverished circumstances.
Around 1935, he gave up visual arts and became an author. The poems and stories he had written in the 1920s went unpublished, but in the year 1938 he published two novels, Het Uilenhuis ('The Owls House') and In de bloeiende Ramenas ('In the Blossoming Winter Radish'), both illustrated with designs by Arondeus himself.
The year 1939 saw the publication of his best work, Matthijs Maris: de tragiek van den droom ('The Tragedy of the Dream'), a biography of the painter Matthijs Maris, who was a brother of the Dutch artists Jacob and Willem Maris.
Two years later, Figuren en problemen der monumentale schilderkunst in Nederland ('Figures and Problems of Monumental Painting in the Netherlands') was published, again with designs by the author.
At that time in 1941, however, Arondeus was already involved with the Dutch resistance movement.
In the spring of 1941, Arondeus started an underground periodical in which he tried to incite his fellow artists to resist the Nazi occupation of the Netherlands. Earlier than others, Arondeus realized that the demand by the Nazi occupiers that all Jews register with the local authorities was not, as the Nazis claimed, for their own safety, but rather so they could be deported to the Westerbork concentration camp and from there to the death camps in occupied Poland.
In the spring of 1942, Arondeus founded Brandarisbrief, an illegal periodical in which he expressed the artist’s opposition to the edicts imposed by the Reichskulturkammer (Reich Chamber of Culture); the Nazis' cultural committee.
In 1943, Brandarisbrief merged with De Vrije Kunstenaar ("The Free Artist"), where sculptor Gerrit van der Veen was one of the editors. Together with composer Jan van Gilse; openly lesbian publisher and writer Tine van Klooster and her partner, publisher Koos Schregardus; sculptor Frits van Hall and his sister, dancer Suzy van Hall; and a number of other artists and intellectuals, the group called for mass resistance against the German occupation.
A concerted operation was underway to hide Jews among the local population, with various underground organizations preparing forged documents for Jews.
Arondeus was a member of one such group, Raad van Verzet (Resistance Council), which also included openly lesbian cellist and conductor Frieda Belinfante and typographer Willem Sandberg, who was then curator at Amsterdam's Stedelijk Museum.
Within a short while, the Nazis began to expose the false documents by comparing the names with those in the local population registry.
To hinder the Nazis, on 27 March 1943, Arondeus led a group in bombing the Amsterdam Public Records Office. Thousands of files were destroyed, and the attempt to compare forged documents with the registry was hindered.
Within a week, Arondeus and the other members of the group were arrested. Twelve, including Arondeus, were executed that July by firing squad.
In his last message before his execution, Arondeus, who had lived openly as a gay man before the war, told his lawyer these words, traditionally translated thusly: "Let it be known that homosexuals are not cowards!"
The Dutch original quote is "Zeg de mensen dat homoseksuelen niet per definitie zwakkelingen zijn!" ... literally: "Show people that homosexuals are not by definition wimps!"
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