FEDERICO GARCÍA LORCA SAINT OF ANTINOUS

ON AUGUST 19th, the Religion of Antinous honors St. Federico García Lorca, who was openly gay and who is one of the greatest poets of the Spanish language. 
He was executed by the Fascists on this day, August 19th, during the Spanish Civil War in 1936.

García Lorca's central themes are love, pride, passion and violent death, which also marked his own life.

The Spanish Civil was just getting underway in August 1936 and García Lorca was seen by the right-wing forces as an enemy. The author hid from the soldiers but he was eventually found.

An eyewitness has told that he was taken out of a Civil Government building by guards and Falangists belonging to the "Black Squad". García Lorca was shot in Granada without trial. The circumstances of his death are still shrouded in mystery. He was buried in a grave that he had been forced top dig for himself. 

According to some sources, he had to be finished off by a coup de grâce. One of his assassins later boasted, that he shot "two bullets into his arse for being a queer".

It was the end of a brilliant career as a poet and dramatist who was also remembered as a painter, pianist and composer.

In the 1920s he was close friends with Luis Buñuel and Salvador Dalí, among many others who later became influential artists in Spain. Despite the accolades from artists and critics, he suffered from bouts of depression brought on largely by his inner conflict about his homosexuality.

He was tortured by the demands of being a celebrity in a homophobic society and the yearnings of his gay soul.

During his lifetime only a handful of close friends were allowed to read the collection of gay poems which would be published many years later as his Sonnets of Dark Love. Here is one of them, entitled Love Sleeps in the Poet's Heart:

You'll never understand my love for you,
because you dream inside me, fast asleep.
I hide you, persecuted though you weep,
from the penetrating steel voice of truth.
Normalcy stirs both flesh and blinding star,
and pierces even my despairing heart.
Confusing reasoning has eaten out
the wings on which your spirit fiercely soared:
onlookers who gather on the garden lawn
await your body and my bitter grief,
their jumping horses made of light, green manes.
But go on sleeping now, my life, my dear.
Hear my smashed blood rebuke their violins!
See how they still must spy on us, so near!

With the Catalan painter Salvador Dalí and the film director Louis Buñuel he worked in different productions.

Dalí and Lorca had met in 1923. From the beginning, Lorca was fascinated by the young Catalan's personality and looks. Also Dalí had admitted that Lorca impressed him deeply.

When Buñuel and Dalí made their famous surrealist short film Un Chien Andalou (1928), García Lorca was offended: he thought that the film was about him.

Lorca's friendship with Dalí inspired a poem, a defense of modern art and at the same time an expression of homosexual love. Dalí dedicated his painting of Saint Sebastian to his friend, who often compared himself to the tortured homoerotic martyr.

"Let us agree," Lorca wrote to Dalí, "that one of man's most beautiful postures is that of St. Sebastian."

"In my 'Saint Sebastian' I remember you," Salvador Dalí replied, ". . . and sometimes I think he IS you. Let's see whether Saint Sebastian turns out to be you."

García Lorca was capable only of a "tragic, passionate relationship," Dalí once wrote — a friendship pierced by the arrows of Saint Sebastian.

The Religion of Antinous honors this great artist who lived and loved tragically and passionately and who died tragically for being gay.