WE JOYOUSLY CELEBRATE INTERNATIONAL TRANSGENDER DAY OF VISIBILITY

MARCH 31st is Transgender Day of Visibility ... the time for education, empowerment, and action! Join the celebration! Start a protest! Host a movie night! Organize a rally! Make the world a better place for transgender people.

Transgender Day of Visibility (TDOV) is a day to show your support for the trans community!

Every March 31st, it aims to bring attention to the accomplishments of trans people everywhere while fighting cissexism and transphobia by spreading understanding of trans people. 

Unlike Transgender Day of Remembrance on November 20th, this is not a day for mourning: this is a day to be empowered and give the recognition trans people deserve

Visibility is not about being seen as an individual: it’s working together to transform society. Learn more about TDOV here.

HYPATIA OF ALEXANDRIA SAINT OF ANTINOUS

ON March 31st the Religion of Antinous solemnly commemorates the glorious life and cruel death of Saint Hypatia of Alexandria.

Hypatia is one of the most important female philosophers who ever lived, and her tragic murder at the hands of fanatical Christians on the steps of the Great Library of Alexandria is symbolic of the barbaric forces which brought down the worship of Antinous and other Classical deities.

The brutal stoning-flaying-immolation death of Hypatia in about the year 400 AD is regarded by many historians as the beginning of the Dark Ages.

St. Hypatia was a philosopher and mathematician who lived in Alexandria during a time of turmoil and conflict between Christians and the last pagan philosophers of the Great Library.

Her father was the Philosopher Theon, and Hypatia studied among the Neoplatonists. She was the author of several highly reputed works and commentaries, none of which has survived. She held a reputation of excellence that exceeded her contemporaries.


Hypatia taught among the male philosophers and attracted a large following even among Christians. Her beauty was highly desired by numerous men, but she remained chaste (or at least unmarried) all her life, which leads some to suspect lesbianism.

The proud life of Hypatia came to an end at the end of March during the season of Lent when she was attacked by a Christian mob, led by a fanatic Deacon named Peter, who dragged her through the streets to a church called Caesareum. 

There she was stripped naked and killed by the mob with their bare hands. It was said that they stoned her with ceramic roof tiles, then flayed her flesh with razor-sharp shards of oyster shells, tore her limb from limb and burned her.

"Saint" Cyril, Bishop of Alexandria, who encouraged her assasination, was then praised for eradicating the city of "idolatry and witchchraft". 

The Martyrdom of St. Hypatia of Alexandria is one of the most profound examples of Christian violence against paganism, women, and philosophy. And she is noted as one of the last reasoning pagans murdered by the irrational religion which has dominated Western Civilization ever since.

Her death is among the heinous crimes of the Christian Church, whose attrocities continue to this day. The image at right, by Charles William Mitchell, portrays Hypatia just before her death, naked at the altar, imploring her attackers to take heed of their own faith?which they continue to ignore.

For these reasons and in memory of the unnamed Ancient Priests of Antinous who suffered similar fates, the Religion of Antinous has proclaimed Hypatia of Alexandria a Saint and Venerable Exemplar and honors her with a Feast Day on March 31. As Sacred Synchronicity would have it, her Antinoian Feast Day in 2009 coincided with the release of major motion picture based on her life.

Openly gay Chilean-Spanish filmmaker Alejandro Amenábar's $75-million production AGORA stars Oscar-winning actress Rachel Weisz and was the biggest box-office hit in Spain for the year 2009.

In the film set in Roman Egypt in the final days of the 4th Century A.D., Weisz plays the astrologer-philosopher Hypatia of Alexandria, who fights to save the collected wisdom of the ancient world. Her slave Davus (Max Minghella) is torn between his love for his mistress and the possibility of gaining his freedom by joining the rising tide of Christianity.

ANTINOUS KNEW THE GHOST DOGS OF THE BATTLEFIELDS OF ASIA MINOR

MARCH 30th is sacred to the Goddess Bau or Baba (Akadian) known in Babylonia as Nintinuggu, "The Lady who Restores to Life", goddess of healing. 

She was originally a goddess of dogs and depicted with a dog's head. Possibly because dogs were believed to be able to cure sores and wounds if they licked them, she became the goddess of healing.

Antinous probably loved dogs. 

The only portrait which shows Antinous alongside an animal is by the artist Antonianus of Aphrodisias found at Lanuvium showing Antinous harvesting grapes ... with a small dog looking up at him adoringingly.

Antinous no doubt was familiar with the Haralez, the beneficent canine spirits of the remote mountains of his native Bithynia and Armenia. 

While the mountain mythology of that region possesses many heroes, monsters and spirits, the Haralez have always been the most beloved. 

The Haralez assume canine form and guide and protect humans in peril. 

Few people in modern-day Turkey know of the Harelez, and indeed, these Celtic myths were fading by the time Antinous was born in the 2nd Century AD. 

But he might have heard old-timers speak of how, when a valiant man falls in battle, the Haralez comes to his rescue and, by licking his wounds, restores him to life. 

The popularity of the Haralez never died out completely. Even today, Armenian folk tales mention the "perpetual lickers" who restore life to the dead.

PHOTOS FROM ANTINOUS PLAY PREMIERE IN NEW YORK CITY

ANTINOUS is front stage and center when the curtain goes up tonight on a new play at Columbia University School of the Arts in New York City.

The play, HADRIAN & ANTINOUS, updates the ancient love story between a provincial young man and the most powerful man in the world.

Scroll down for photos from the premiere performance!

Hadrian & Antinous is written by Mark Barford (Directing Candidate 2019) and Anna Jastrzembski (Playwriting Candidate 2019) and will run for a strictly limited engagement at The Lenfest Center for the Arts at 615 W. 129th St. Performances are March 27-30 at 8pm, with a 2pm matinee Saturday, March 29.

Writer/director Mark Barford describes his play this way:

"Beneath an endless sky, young Antinous searches the heavens for a sign of what his future will hold. His next test - an uncertain journey to a distant shore - will prove to be his greatest yet. For when this insignificant page from Greece meets Rome's most powerful man, their love will turn the world.

"Hadrian & Antinous unearths an ancient story, adds a modern voice and speaks to what it is to love, to mourn, and to remember those who have been forgotten."

Mark Barford is an Australian stage director, writer and teacher based in New York City. He specializes in the development of new work and the reimagining of classics. Most recently he worked with director Barrie Kosky on La Boheme at the Komische Oper in Berlin and with Ivo van Hove on Network at the Belasco on Broadway.

His recent directing credits include the award-winning production of F*cking Men at The Vaults London, Edinburgh Fringe Festival (Assembly Festival), International Dublin Gay Theatre Festival, and The King's Head Theatre London (multiple sold-out seasons).

As resident director for The Music Theatre Company of W.A/ ICW productions, he directed large-scale productions of The Phantom of the Opera, The Sound of Music, The Mikado, CATS, and Company.

Other directing/writing highlights include: antidote (Croatian National Theatre), Hadrian & Antinous, King Richard II, The Cherry Orchard, Freddie, Dark Meat, The Only Living Boys in South Jersey, Hillary & Monica, The Cat in the Box, and Never Mind the Monsters.

He is a graduate of the Acting Shakespeare program at The Royal Academy of Dramatic Art and holds a Bachelor of Arts (Film & Theatre) and Graduate Diploma of Education (Secondary Teaching) from Murdoch University. Mark is currently completing an MFA in Theatre Directing at Columbia University under the tutelage of Anne Bogart and Brian Kulick. www.markbarford.com.

FEATURING

Jack Becker, Sarah Chapin*, Drew Gardner, Seth Hatch, Ezra Li, Kohler McKenzie*, Uma Paranjpe, Andres Robledo*, Joey Santia, Tricia Sorresso, Kelly Strandemo*, and Kiana Wu.

* Appearing courtesy of Actors' Equity Association

PRODUCTION TEAM

Producer Sami Pyne, Dramaturg James Monaghan, Production Stage Manager Alison R. Simone*, Assistant Stage Managers Robbie Armstrong and Emily Todt, Lighting Designer Jenn Burkhardt, Scenic Designer Sarah Nietfeld, Costume Designer Summer Lee Jack, Sound Designer Matt Coggins, Composer Theo Teris, Projection Designer Ted Boyce-Smith, Choreographer Daxx Jayroe Wieser, Company Manager Yuchen Xia, and Graphic Designer Annie Jin Wang.

Tickets: $15 General Admission/ $5 Seniors/ FREE with any Student ID (enter code: "BLOOMS").

Ticketing Info: TICKETS

DATES:

Wednesday, March 27, 2019, 8:00PM

Thursday, March 28, 2019, 8:00PM

Friday, March 29, 2019, 8:00PM

Saturday, March 30, 2019, 2:00PM

Saturday, March 30, 2019, 8:00PM

VENUE:

Flexible Performance Space

Lenfest Center for the Arts

615 W. 129 St.

New York, NY 10027

Photos from the 27th March 2019 premiere:

PLAY ABOUT HADRIAN AND ANTINOUS PREMIERES IN NEW YORK CITY

ANTINOUS is front stage and center when the curtain goes up tonight on a new play at Columbia University School of the Arts in New York City.

The play, HADRIAN & ANTINOUS, updates the ancient love story between a provincial young man and the most powerful man in the world.

Hadrian & Antinous is written by Mark Barford (Directing Candidate 2019) and Anna Jastrzembski (Playwriting Candidate 2019) and will run for a strictly limited engagement at The Lenfest Center for the Arts at 615 W. 129th St. Performances are March 27-30 at 8pm, with a 2pm matinee Saturday, March 29.

Writer/director Mark Barford describes his play this way:

"Beneath an endless sky, young Antinous searches the heavens for a sign of what his future will hold. His next test - an uncertain journey to a distant shore - will prove to be his greatest yet. For when this insignificant page from Greece meets Rome's most powerful man, their love will turn the world.

"Hadrian & Antinous unearths an ancient story, adds a modern voice and speaks to what it is to love, to mourn, and to remember those who have been forgotten."

Mark Barford is an Australian stage director, writer and teacher based in New York City. He specializes in the development of new work and the reimagining of classics. Most recently he worked with director Barrie Kosky on La Boheme at the Komische Oper in Berlin and with Ivo van Hove on Network at the Belasco on Broadway.

His recent directing credits include the award-winning production of F*cking Men at The Vaults London, Edinburgh Fringe Festival (Assembly Festival), International Dublin Gay Theatre Festival, and The King's Head Theatre London (multiple sold-out seasons).

As resident director for The Music Theatre Company of W.A/ ICW productions, he directed large-scale productions of The Phantom of the Opera, The Sound of Music, The Mikado, CATS, and Company.

Other directing/writing highlights include: antidote (Croatian National Theatre), Hadrian & Antinous, King Richard II, The Cherry Orchard, Freddie, Dark Meat, The Only Living Boys in South Jersey, Hillary & Monica, The Cat in the Box, and Never Mind the Monsters.

He is a graduate of the Acting Shakespeare program at The Royal Academy of Dramatic Art and holds a Bachelor of Arts (Film & Theatre) and Graduate Diploma of Education (Secondary Teaching) from Murdoch University. Mark is currently completing an MFA in Theatre Directing at Columbia University under the tutelage of Anne Bogart and Brian Kulick. www.markbarford.com.

FEATURING

Jack Becker, Sarah Chapin*, Drew Gardner, Seth Hatch, Ezra Li, Kohler McKenzie*, Uma Paranjpe, Andres Robledo*, Joey Santia, Tricia Sorresso, Kelly Strandemo*, and Kiana Wu.

* Appearing courtesy of Actors' Equity Association

PRODUCTION TEAM

Producer Sami Pyne, Dramaturg James Monaghan, Production Stage Manager Alison R. Simone*, Assistant Stage Managers Robbie Armstrong and Emily Todt, Lighting Designer Jenn Burkhardt, Scenic Designer Sarah Nietfeld, Costume Designer Summer Lee Jack, Sound Designer Matt Coggins, Composer Theo Teris, Projection Designer Ted Boyce-Smith, Choreographer Daxx Jayroe Wieser, Company Manager Yuchen Xia, and Graphic Designer Annie Jin Wang.

Tickets: $15 General Admission/ $5 Seniors/ FREE with any Student ID (enter code: "BLOOMS").

Ticketing Info: TICKETS

DATES:

Wednesday, March 27, 2019, 8:00PM

Thursday, March 28, 2019, 8:00PM

Friday, March 29, 2019, 8:00PM

Saturday, March 30, 2019, 2:00PM

Saturday, March 30, 2019, 8:00PM

VENUE:

Flexible Performance Space

Lenfest Center for the Arts

615 W. 129 St.

New York, NY 10027

WALT WHITMAN SAINT OF ANTINOUS

ON March 26th the Religion of Antinous takes a moment to celebrate the life of one of our most popular Antinoian prophets ... Saint Walt Whitman.

Walt Whitman was born on May 31, 1819, on the West Hills of Long Island, New York. He was lavished with love by his mother, but treated with stern discipline by his carpenter father.

After only a few years of school, Whitman was pulled out to help with the family earnings. He educated himself, reading all that he could, worked in a printing house, and eventually became a schoolteacher who taught with refreshing openness and excitement, allowing his students to call him by his first name. After years of teaching, he went into journalism, and in time was the editor of several publications.

However, Walt Whitman is said to have experienced a life-transforming epiphany. He left New York, and returned to live for a period with his family, then returned from isolation with Leaves of Grass, one of the most powerful collections of poems in American literature and the first to allude heavily to homosexual love.
It is often said that, during his time in isolation, a religious sense of purpose entered his heart, which he revealed in the Calamus poems.

The aromatic, psychotropic calamus plant with its phallic spadix flower pods was his symbol for homosexuality. The calamus has special meaning for us because Kalamos of Greek myth fell in love with the beautiful youth Karpos. 

Like Antinous, Karpos died by drowning. Grief-stricken Kalamos wept among the reeds at the waterside until he was himself transformed into a reed, whose rustling in the wind is his sigh of woe.

When the American civil war broke out, Walt Whitman was 42 years old and served as a hospital nurse, falling in love with all the soldiers, especially those who died in his arms.

Open expressions of love between men were accepted without issue during the war, and it was when the visionary enlightenment of Walt Whitman became clear to him. He saw that the origin of this love, brotherly, or friendly perhaps, if not more, was the salvation of the human race, and certainly able to heal the divide between North and South.

His final years were spent communicating his message to the new torchbearers, such as John Addington Symonds and Edward Carpenter. After his death, and as Gay Liberation took strength, he was called a Prophet, particularly by the George Cecil Ives and the Order of Chaeronea.

We, adherents of the ancient/modern Religion of Antinous, proclaim him to be St. Walt Whitman the Prophet of Homoeros, and we elevate him to his own stratosphere in our devotion.

He died March 26th, 1892 of tuberculosis compounded by pneumonia. Over 1,000 mourners paid their respects. St. Walt told us how he wanted us to remember him, not as a great poet, but as "the tenderest lover":

You bards of ages hence! when you refer to me, mind not so much my poems,
Nor speak of me that I prophesied of The States, and led them the way of their Glories;
But come, I will take you down underneath this impassive exterior ... I will tell you what to say of me:
Publish my name and hang up my picture as that of the tenderest lover,
The friend, the lover's portrait, of whom his friend, his lover, was fondest,
Who was not proud of his songs, but of measureless ocean of love within him ... and freely poured it forth,
Who often walked lonesome walks, thinking of his dear friends, his lovers,
Who pensive, away from one he loved, often lay sleepless and dissatisfied at night,
Who knew too well the sick, sick dread lest the one he loved might secretly be indifferent to him,
Whose happiest days were far away, through fields, in woods, on hills, he and another, wandering hand in hand, they twain, apart from other men,
Who oft as he sauntered the streets, curved with his arm the shoulder of his friend  while the arm of his friend rested upon him also.

APOLLO IS REUNITED WITH ANTINOUS AT THE HOLLYWOOD TEMPLEBy Flamen Antonius Subia

THE Rites of Spring have come with a fabulous new addition to my altar statuary. 

I now have a life size exact copy in paster of the Belvedere Apollo from the Vatican Museum ... and not just any plaster copy ... but the very one which some years ago shared the top of the refrigerator in the employee break room at ART BRONZE INC. foundry.

That was where ... five years ago ... I bought my copy of the TOWNLEY ANTINOUS BUST, also an exact copy of the original which is in the British Museum.

These were used to create the molds which they now sell in bronze ... and were no longer needed.

When we visited five years ago, they were just taking up space and were holding court on top of the refrigerator next to a loaf of bread for making sandwiches. 

Recently, when Antinous worshiper Rick Thompson informed me that the foundry was "getting rid of" the Apollo bust, he asked if I wanted to buy the bust. 

I hesitated because I'm running out of room and I knew how huge he was.

But then I remembered that image of them together and felt like there was no way I could not give this mightyApollo a home.

And I was only just recently saying that I need to get closer to this brilliant god.

So now here he is ... the two friends are reunited! 

Apollo has made his grand entrance into my life on the night we celebrate the Equinox! 

This is a sign, my friends ... it's going to be a very good year!

Ave Antinous!

~Antonius Nicias Subia

Flamen Antinoalis

ANTINOUS WORSHIPERS IN GLOBAL RITES TO CELEBRATE THE SACRED BOAR HUNT

TONIGHT, in observance of the Ancient Roman Vernal Equinox on March 24th-25th, modern-day priests of Antinous around the world conferred via Skype to carry out rituals commemorating the Sacred Boar Hunt.

The priests from North and South America and Europe joyously celebrated the Sacred Boar Hunt of Antinous which was one of the few recorded events in the actual life of Antinous.

This wonderful, mysterious hunt represents the pinnacle of his life ... Antinous at the highest point of his brief mortal existence, full of youth, beauty and vitality ... mounted on horseback in the forest with his lover Hadrian, hunting a boar. 

That night there was sure to have been a big party, Roman style, with delicious boar meat, drinking, music, wild sex, and all the good things in life.

This is what our festival means ... to enjoy life ... to take it all in right now and be glad that we are alive and well.

Take all your pain and disappointment of the past, unfulfilled wishes, regrets, embarrassment, mistakes ... Hopes and dreams that never came true ... Take a moment to set yourself free of their burden, they are of no use to you anymore. 

Instead, look to good things that you have now, the pleasures and beauties that surround you, the friends you hold close, the accomplishments you have earned, enjoy what the gods have given you ... eat, drink, fall in love, indulge in sexual desire ... in all the splendors of being alive, right now at this moment.

For as just like Antinous as he rode, strong, young, beautiful and free, we never know what fate has in store. One year after the Boar Hunting ... Antinous was dead.

I offer my Blessing to All the people who love and believe in Antinous everywhere in the world on this occasion of the Sacred Boar Hunt. 

I ask Antinous to bless us as we begin the transition into this new phase of development. May the Companions of Antinous gather together in great numbers from all over the globe!

May the Meat of the Sacred Boar 

Feed the spirit of Homotheosis

In all our hearts!

Ave Antinous!

~Antonius Nicias Subia

Flamen Antinoalis

WE HONOR THE EMPRESS SABINA

THE Empress Sabina Augusta ... Vibia Sabina ... Hadrian's Wife ... died sometime in the year 136, and was deified in the year 138.

The date of her elevation to godliness is not known, but because she was so often compared to the Mother Goddess Ceres-Demeter, we declare her Apotheosis to coincide with the return of spring in Rome, and dedicate our celebration of the Equinox to our mother and Empress, Nova Dea Ceres, Sabina Augusta.

This relief sculpture of her deification, in which she is shown rising up from the cremation flames on the wings of a female Aeon, shows Hadrian enthroned, behind him is a figure that resembles Antoninus Pius.

And reclining on the floor is one who could possibly be Antinous, the resemblance to the youth on the Apotheosis of Antoninus is remarkable.

ANTINOUS-ATTIS DIES AND IS REBORN DURING THE CYCLE OF THE EQUINOX

THE cycle of the March Equinox is Sacred to the Great Mother of the Gods, and to her divine lover-son Attis, who dies and is reborn at this time of year.

Persephone returns from the underworld, and the verdure returns to the face of the Earth.

The death of Attis is symbolic of the fruit flowers that appear at this  season and then fall away, making room for the ripening fruit.

It was celebrated in Rome with the introduction of a great pine tree that was carried into the Temple of Magna Mater.

An image of the dead Attis was carried on a bier and hung from the tree which was decorated with purple ribbons and violet flowers.

On the Day of Blood, the priests performed austerities including the  self-castration of new priests, and the bloodletting of the old priests  to the accompaniment of drum and cymbal music.

After the Day of Blood, when Attis was said to have risen again, the festival turned to joy and elation and was known as the Hilaria.

The final part of the sacred days was the day of cleansing, when the image of the Great Mother, a black stone encased in silver, was taken to the river Arno and washed by the priests.

Flamen Antonius Subia says:

"The five-day cycle of the Equinox ... the Mithraic Mysteries and all the other remembrances ... are all contained in the Death and Resurrection of Attis, the beautiful boy, who severed his own testicles and died giving his blood to the bosom of the earth ... but did not die."

WE MOURN THE DEATH OF ANTINOUS-ADONIS

ADONIS was the most beautiful boy that ever lived, so beautiful that Venus fell totally in love with him and forsook all her love-joys in order to follow him on his hunt through the forests of Mt. Lebanon.

But Adonis was unmoved and completely rejected her advances. She became infatuated and abandoned herself to the boy who only cared to hunt.

Mars was jealous of his rival, and outraged to see Venus subjected to desperation and lust, so he contrived to lure Venus away by having Mercury recall her to her neglected duties, because without her influence to temper the raging schemes of her Erotic son, there was no love in the world.

While she was away, Mars transformed himself into a wild boar and let Adonis pursue him through the woods.

The God of War suddenly charged the young God of Beauty and disarmed him, and with a deadly kiss, gored Adonis in the groin sinking his razor tusk between his perfect white legs.

When she returned, Venus found her beloved boy dead and cut her hair in mourning, she immortalized his soul as a flower, and made the river that bears his name flow red.

The love between Venus and Adonis was unfulfilled, her adoration for him was unreturned because Adonis had no care for women, and he preferred his hunting dogs to her gentle caresses.

Only the War God Mars had his way with Adonis, though motivated by jealousy and rage, it was a violent sexual attack, for which all the world must mourn, because in the savagery of the Lust of Mars, the world was forever robbed of the beauty of Adonis.

Flamen Antonius Subia says:

"We venerate Adonis and seek his shadow in the gardens of human beauty. Antinous is the 'Adonis of the Underworld' ... our perfect desire who flees from our embrace ... but we, like Venus, never abandon him to his endless hunt, and caress his cheek even though our hands can never touch him."

WE HONOR ANTINOUS/MARS

WHEN the Sun enters the Sign of Aries at the March Equinox, we honor Antinous in his special guise as Antinous/Mars.

Mars, God of War, son of Jupiter and Juno, father of Romulus and Remus, founders of Rome, was the divine spirit of the Roman Army whose legions subjugated the world.

His power ran like molten steel in the blood of Romans who he made them invincible.

The ram was sacred to him, and thus the sign of Aries was devoted to him, as it was in the early spring, after the fields were sown and before the harvest that the men went to war.

Originally Mars was an agricultural deity, whose duty was to protect the fields from marauders. But he soon became an aggressive conqueror, whose sacred spears were ritually shaken by the Flamen Martialis when the legions were preparing for war.

He had twin sons who accompanied him and went before the armies in battle, their names were Phobos and Deimos, fear and panic.

He was the illicit lover of Venus, and it is said that they were the co-creators of Rome who through war brought love and peace to the whole world. It was in this spirit that Hadrian worshipped the pair.

Mars is the great spirit of masculinity, the violent, courageous power of the male sex, the penetrator and subjugator.

His emblem, an iron spear, is a symbol for the phallus, and so it is that Mars is the great potent Phallus of Man, the impregnator.

In this sense he is venerated as the warrior within all men, and as our most extreme, animalistic, carnal, aggressive nature.

He is the conqueror of winter, the dominator of spring, the protector of life, and the bringer of death.

He is war and fury, selflessly courageous, for the protection of the weak and for the defeat of the strong.

Mars never surrenders, and this is why Venus is so mad with lust for him, and why we adore him as our protector.

THE SACRED BOAR HUNT

AT the March Equinox the Religion of Antinous commemorates the Sacred Boar Hunt.

In our Liturgical Calendar, it is the day when Hadrian and Antinous arrive at the sacred city of Bithynium/Claudiopolis, the home of Antinous, in the spring of the year 129 AD.

Imagine the jubilant welcome they must have received as the city's populace turned out en masse (including all of the extended family and acquaintances of Antinous) to see the imperial entourage with Hadrian and Antinous at the forefront.

The region is teeming with bountiful wildlife and so Hadrian and Antinous went on hunting forays while in Bithynium.

The Boar Hunt had deeply mystical symbolic meaning for Hadrian, as exemplified that it was elevated to mythic proportions for use in public monuments.

The image above shows Hadrian and Antinous (looking backwards) during the Sacred Boar Hunt, immortalized on the Arch of Constantine in Rome.

Flamen Antonius Subia explains the mythic symbolism this way:

In ancient times, boys would enter the forest armed only With a spear to test their courage as young men 
So it was that Antinous went with Hadrian
To hunt the wild boar of Phrygia, to test his manhood
The boar symbolizes strength, courage, honor, & truth
And was an emblem of warriors and of fearlessness
The Boar is sacred to the beautiful hunter god Adonis
Whom Venus so loved that she chased after him through Briars and thorns, and when he was killed by the Boar, Which was her jealous lover Mars in disguise
She compelled the world to mourn his death
Her love for Adonis was so strong that she brought him 
Back from the underworld again for half the year.
The Boar is the emblem of the fertility god Freyr
Whose mighty phallus purifies and protects the fields
The Boar is sacred to the sun god Belenus
Of the Cisalpine Gauls, of whom there is an inscription From Hadrian’s Villa that reads:
“Antinous and Belenus are equal in age and beauty
For this reason Antinous is also be worshipped like Belenus appropriately, by Quintus the Sicilian”
We praise the god Belenus, whose bonfires protect us
From the malevolent spirits of darkness and chaos
The beautiful Sun God Belenus is Antinous of the North
We praise Antinous as Mercurius, the son of Maia
Maia is the Bona Dea, leader of the Pleaides
She is the bringer of goodness and plenty of summer
We praise Diana the Huntress and ask her blessing
On this night of the Sacred Boar Hunt
May the Strength of the Boar be with us
May the Power of the Boar be with us
May the Courage of the Boar be with us
In celebration of Antinous the Hunter
We now consume the meat of the Sacred Boar
So we may be blessed
Ave Antinous – Adonis
Ave Antinous – Freyr
Ave Antinous – Belenus
Ave Antinous – Mercurius
May flesh of the Sacred Boar give us his blessing
Ave Antinous Venator!

~ ANTONIUS SUBIA

ROBERT MAPPLETHORPE SAINT OF ANTINOUS

ON March 19 the Religion of Antinous honors Robert Mapplethorpe, Saint of Antinous.

In 1990, the Cincinnati Contemporary Arts Center and its director were charged with "Pandering Obscenity" after an exhibition of Mapplethorpe?s photographs. 

They were eventually acquitted but the event fueled a national debate over federal funding of the arts in the United States. 

The debate, which has affected American art ever since, focuses on whether tax dollars should be spent on projects which political conservatives deem objectionable. Specifically, the debate is over whether gay-theme art should be funded.

Robert Mapplethorpe died from AIDS in March 1989, at age 42, one year before his art spawned the controversy, so he was only able to speak through his photographs.

His subject matter portrayed homosexually charged images of nude men.

The controversy that Robert Mapplethorpe sparked exposed the double standard by which homosexual art is judged against heterosexual art. He revealed that nudity is most "obscene" to non-gays when it involves males.

We proclaim his sainthood to be heroic and dedicated to Antinous, because Robert Mapplethrope beautifully photographed a plaster statue of Antinous (shown at left), indicating that he must have known our God and in some way loved him.

HERODOTUS' FABLED SHIP FOUND AT EGYPTIAN SEAPORT ANTINOUS VISITED

A unique shipwreck of the sort described by the Greek historian Herodotus, but which was thought to be a myth, now has been found at an Egyptian seaport visited by Antinous.

The ancient wreck was discovered near the sunken city of Thonis-Heracleion at the mouth of the Nile River.

Heracleion and its adjacent resort of Canopus in Egypt was the last place where Hadrian and Antinous were happy ... before Antinous died!

The vessel was constructed in a manner described by the 5th Century BC Greek historian, who visited Egypt and observed the construction of an unusual trading vessel. 

Damian Robinson of Oxford University said the hull is the first such ship to be found, proving that Herodotus was writing the truth.

Known as a "baris," the ship had a crescent-shaped hull made from thick planks connected with tenon-ribs fastened with pegs, rather than mortice-and-tenon joints. 

The archaeological evidence has helped scholars to understand the ancient text.

"Herodotus describes the boats as having long internal ribs," Robinson said. 

"Nobody really knew what that meant…. That structure's never been seen archaeologically before. Then we discovered this form of construction on this particular boat and it absolutely is what Herodotus has been saying."

In 450 BC Herodotus witnessed the construction of a baris. He noted how the builders "cut planks two cubits long [around 100cm] and arrange them like bricks."

He added: "On the strong and long tenons [pieces of wood] they insert two-cubit planks. When they have built their ship in this way, they stretch beams over them… They obturate the seams from within with papyrus. There is one rudder, passing through a hole in the keel. The mast is of acacia and the sails of papyrus...."

Robinson said that previous scholars had "made some mistakes" in struggling to interpret the text without archaeological evidence.

"It's one of those enigmatic pieces. Scholars have argued exactly what it means for as long as we've been thinking of boats in this scholarly way," he said.

But the excavation of what has been called Ship 17 has revealed a vast crescent-shaped hull and a previously undocumented type of construction involving thick planks assembled with tenons ... just as Herodotus observed, in describing a slightly smaller vessel.

Originally measuring up to 28 meters long, it is one of the first large-scale ancient Egyptian trading boats ever to have been discovered.

About 70 per cent of the hull has survived, well-preserved in the Nile silts. 

Acacia planks were held together with long tenon-ribs – some almost two meters long ... and fastened with pegs, creating lines of "internal ribs" within the hull. 

It was steered using an axial rudder with two circular openings for the steering oar and a step for a mast towards the center of the vessel.

Robinson said: "Where planks are joined together to form the hull, they are usually joined by mortice and tenon joints which fasten one plank to the next. Here we have a completely unique form of construction, which is not seen anywhere else."

Alexander Belov, whose book on the wreck, "Ship 17: a Baris from Thonis-Heracleion," is published this month, suggests that the wreck's nautical architecture is so close to Herodotus's description, it could have been made in the very shipyard that he visited. 

Word-by-word analysis of his text demonstrates that almost every detail corresponds "exactly to the evidence."

Heracleion and its adjacent resort of Canopus in Egypt vanished in an earthquake and tsunami in ancient times, submerging colossal statues, temples ... ships.

This was the last place where Hadrian and Antinous were happy ... before Antinous died!

Hadrian recreated Canopus at his Villa near Rome. 

Historian Royston Lambert writes: "Hadrian and his circle in late August removed themselves from the Alexandria along the canal to the elegant and relaxed pleasure resort of Canopus with its elegant villas, its vine-threaded arches straddling the water to shade its revellers and its splendid Serapeam." 

In Marguerite Yourcenar's novel "Hadrian's Memoirs," it is at Canopus that Hadrian and Antinous consult a "heka" (Egyptian magic) mistress. She says Hadrian's lifespan could be extended ... through human sacrifice. Hadrian rejects the idea. So Hadrian and Antinous return to Alexandria and Hadrian considers the matter closed. Only later does he learn that Antinous secretly goes back to Canopus. "He paid another visit to the sorceress," Hadrian writes in his memoirs .

CHARLOTTE VON MAHLSDORF SAINT OF ANTINOUS

SAINT Charlotte von Mahlsdorf, who was born on this day in 1928, was a Berlin trans/gay who survived the Nazis and East German communists and about whose life a Pulitzer Prize winning play, "I Am My Own Woman", has been staged at theatres around the world.

The title is misleading since the original German is "Ich bin meine eigene Frau" and the word "Frau" can mean either "Woman" or "Wife". 

The phrase was Charlotte's answer to her mother's question: "Don't you think it's time you got a wife?"

Charlotte was her own man and her own woman and her own husband/wife. In a long life amidst dictatorship, war and oppression of human-rights, Charlotte learned to create her own identity. We honor Charlotte as a Saint of the Religion of Antinous.

St. Charlotte, who liked to wear frumpy house dresses with a clunky handbag and a strand of pearls and matronly shoes, somehow managed to survive the Gestapo, the East German Stasi secret police and assaults by neo-Nazis. In doing so, Charlotte made serious ethical compromises along the way in order to stay alive. 

Charlotte amassed a huge collection of Victorian antiques which some said came from the homes of Jewish Holocaust victims and (later) from homes of people fleeing East Germany.


But Charlotte DID stay alive in dangerous times during which others perished. Charlotte's life forces you to ask yourself what YOU would have done in similar circumstances.

After German unification, Charlotte became something of a reluctant gay icon in Germany in the 1990s. Charlotte never had any pretensions of being intellectual or a political activist. 

Charlotte never quite fit in with post-Stonewall activists, who were a bit puzzled by her dowdy grand-motherliness and her passion for 19th Century Renaissance Revival style antiques. Like Quentin Crisp (also a Saint of Antinous), Charlotte belonged to another era.

But unlike Quentin Crisp, Charlotte wasn't especially witty or campy (despite her appearance) and was not an artist of the arch one-liner the way Quentin was. In appearances on talk shows, she would sit there, smiling politely, with not a great deal to say unless it was about collecting and restoring 19th Century antiques. But what she did say was eloquent in its simplicity: 

People should be kind to each other and let each other get on with their lives the way they want to.

Above all, she didn't much like being a celebrity. Too many people  expected things of her. She became a target for neo-Nazis, mostly drunken, youthful vandals in the 1990s. Not surprisingly perhaps, considering all she had lived through, she became somewhat paranoid towards the end of her life. In the end, she fled to Sweden where she spent her final years in virtual isolation before dying in 2002.

We honor St. Charlotte von Mahlsdorf for being someone who was not afraid to be openly trans/gay in the face of totalitarian dictatorships and police states. Someone who survived the Nazis and the Stasi secret police ... wearing a dress, a strand of pearls and a handbag.

THIS IS THE DAY THE WISEST MAN DIED AND ROME BEGAN TO FALL

MARCH 17th is the anniversary of the death of Marcus Aurelius and we in the Religion of Antinous set aside this day each year to remember the last of the great philosopher-emperors, and a man who knew both Hadrian and Antinous.

What follows, is adapted from writings over the years by Flamen Antinoalis Antonius.

As a young boy Marcus Aurelius had caught the eye of the Emperor Hadrian. He was appointed by the Emperor to priesthood in the year 129 (just a year before the death of Antinous), and Hadrian also supervised his education, which was entrusted to the best professors of literature, rhetoric and philosophy of the time.

Marcus Aurelius discovered Stoicism by the time he was 11 and from his early twenties he deserted his other studies for philosophy. The Emperor Antoninus Pius, who succeeded Hadrian, adopted Marcus Aurelius as his son in 138.

Antoninus Pius treated Aurelius as a confidant and helper throughout his reign; Marcus Aurelius also married his daughter, Faustina, in 139. He was admitted to the Senate, and then twice the consulship. In 147 he shared tribunician power with Antoninus. During this time he began composition of his Meditations, which he wrote in Greek in army camps.

At the age of 40, in 161 Marcus Aurelius ascended the throne and shared his imperial power with his adopted brother Lucius Aurelius Verus. Useless and lazy, Verus was regarded as a kind of junior emperor; he died in 169. After Verus's death he ruled alone.

Most of his reign was spent fighting and negotiating with the Germanic barbarians who were steadily crowding around the borders of the Empire. Marcus was able to hold them back with a succession of victories and peace treaties. In 177 he made his son, Commodus, joint-Emperor, though Commodus had no interest in the responsibility, caring more for the gladiatorial sports, but Marcus, the philosopher- king, took no notice of his son's blood-lust, which was to later cost the Empire dearly.

For much of his reign, Marcus Aurelius had suffered from severe illness, but his calm devotion to stoic virtue gave him the strength to continue without rest and without his poor health interfering with his duties. While with the legions on the German frontier, Marcus Aurelius suddenly died on March 17th in the year 180AD.

His ashes were conveyed to Rome and placed in Hadrian's Mausoleum. Commodus assumed power and began the chain of tragic events that are said to have brought the decline and fall of the Roman Empire.

For his wisdom, and strength, and because he was the last instrument of Hadrian's plan that brought so much glory, and prosperity to Rome, we venerate the deified Marcus Aurelius as a god of the Religion of Antinous.
An important feature of the philosophy was that everything will recur: the whole universe becomes fire and then repeats itself.

Constantly regard the universe as one living being, having one substance and one soul; and observe how all things have reference to one perception, the perception of this one living being; and how all things act with one movement; and how all things are the cooperating causes of all things which exist; observe too the continuous spinning of the thread and the contexture of the web. (from The Meditations)

THE FEAST OF HORUS AND THE SEVEN SCORPIONS

MARCH 17th is the feast of Horus and the Seven Scorpions. Horus is the son of Isis and Osiris. 

When Seth murdered Osiris, grief-strickent Isis searched for his corpse. Isis entrusted baby Horus to Selket/Serqet the scorpion goddess. 

The Egyptians knew that scorpions are very good mothers. A mother scorpion carries her babies on her back ... and she attacks anyone who dares to approach too close! 

For added protection, Selket became seven scorpions, thus providing seven-fold protection to Horus. 

Selket is the guardian of Horus and ... by extension ... she is the guardian of Antinous. When you REALLY need protection: call upon Selket!

16 de março é a festa de Horus e os Sete Escorpiões. Horus é filho de Isis e Osíris. Quando Seth assassinou Osíris, a Isis, que sofreu um sofrimento, procurou seu cadáver. Isis confiou o bebê Horus a Selket / Serqet a deusa do escorpião. Os egípcios sabiam que os escorpiões são mães muito boas. Uma mãe escorpião carrega seus bebês em suas costas ... e ela ataca qualquer um que se atreva a aproximar-se muito perto! Para maior proteção, Selket se tornou sete escorpiões, proporcionando assim sete vezes proteção a Horus. Se você realmente precisa de proteção: chamar Selket!

El 16 de marzo es la fiesta de Horus y los Siete Escorpiones. Horus es el hijo de Isis y Osiris. Cuando Seth asesinó a Osiris, Isis buscó su cadáver. Isis le confió a Horus a Selket / Serqet la diosa del escorpión. Los egipcios sabían que los escorpiones son muy buenas madres. Una madre escorpión lleva a sus bebés sobre su espalda ... y ella ataca a cualquiera que se atreva a acercarse demasiado cerca! Para mayor protección, Selket se convirtió en siete escorpiones, proporcionando así siete veces protección a Horus. Si realmente necesita protección: ¡llame a Selket!

ANTINOUS WORKS MIRACLES FOR YOU WHILE YOU DAYDREAM AT WORK

NEXT time you have a difficult problem to solve, and concentrating on it just isn't getting you anywhere, consider this: Maybe you're thinking too hard.

"Walk over to a window and think about the people or cars going by for a few minutes, until you get bored," suggests Josh Davis, research director at the New York Neuro-Leadership Institute. 

"Let your mind wander."

How will that help? "Always being 'on' blocks the brain processes that occur when we daydream," says Davis. 

His new book, TWO AWESOME HOURS Science-Based Strategies to Harness Your Best Time and Get Your Most Important Work Done, draws on new discoveries in brain science.

The idea is certainly not new. The Ancient Priests of Antinous knew that zoning out for a few minutes allows your brain to tackle tasks it can't handle when you're busy. 

They called it the medium for Antinous to work miracles in your life.

In ancient times, Antinous was known as a miracle worker. His worshipers prayed to him for miracles, oracles, visions and answers to problems in their daily lives.

The Egyptian hieroglyphs on the OBELISK OF ANTINOUS state clearly that Antinous answers the prayers of all who call upon him through dreams and visions, for example.

The hieroglyphs also make cryptic references to his ability to work magic through his heart. This is a reference to the Ancient Egyptian concept of the "Intelligence of the Heart."

The Egyptians knew that the brain is the center of motor activity and sensory perception. 

But they believed the heart is the center of a form of intelligence which has baffled most mainstream Egyptologists ... who assume the Egyptians believed the heart was where cognitive thinking occurs.

But the Egyptians had a very different view of the universe from our rational, scientific view of the universe. 

We dissect facts and analyze them. But while the Egyptians were very good at analyzing facts, they also retained the Zen-like ability to see the whole ... which leads to contemplation ... not analysis.

The Egyptians understood that if you want to find an intelligent solution to a problem, your brain can do the work. You have all the necessary intelligence inside the bone in your skull.

However, most people use their brains the same way they use their muscles. You can strain your head just as if it were a muscle, and work very hard trying to arrive at an answer, but it doesn't really work that way.

When you really want to find an answer to something, what you need to do is contemplate the problem. Visualize your question as well as you can, and then simply wait.

If you don't, and if you instead try to find the solution through brute mental strength, you may be disappointed, because any solution that comes in that way is likely to be wrong.

But when you have waited for a while, the solution will come of itself. That is what the Egyptians called the Intelligence of the Heart ... using your heart instead of your head.

It will work for you in the same way your stomach will digest your food for you without your having to supervise it consciously. Our attempts to supervise everything consciously have all led to consequences that aren't too good for our stomach, and the reason for that is quite simple.

Conscious attention, which employs words, cannot think of very much. We are forced, therefore, to ignore almost everything while we are thinking. We think along a single track, but the world doesn't proceed along a single track.

The world is everything happening altogether everywhere, and you just can't take all that into consideration because there isn't time.

However, the Intelligence of the Heart can take it all into consideration because it is capable of handling innumerable variables at once, even though your conscious attention cannot...

The hieroglyphs on the Obelisk of Antinous promise that Antinous the Gay God enables us to discover the Intelligence of the Heart ... the Intelligence of HIM ... he opens his heart to you ....