Tuesday, May 22, 2018

HARVEY MILK, SAINT OF ANTINOUS



ON May 22nd the world honors Harvey Milk ... his birthday (22 May 1930) is commemorated as Harvey Milk Day around the world. 

Champion of the early gay rights movement, in 1977 Harvey Milk became the first openly Gay person to be elected to the Board of Supervisors in San Francisco.

He advocated the liberation of homosexuality for the benefit of society in general, and jokingly claimed to be a gay recruiter. He was instrumental in passing the Gay Civil Rights Bill in San Francisco, which was to be his undoing.

On November 27, of 1978, Milk was murdered City Hall along with Mayor George Moscone by former City Supervisor Danny White who had resigned his office after the enactment of the bill. Dan White was acquitted of murder but sentenced to only seven years on manslaughter charges.

Following his acquittal on May 21st, 1979, riots broke during a demonstration in front of City Hall, and later, 100,000 people marched on Washington in support of Gay Rights chanting "Harvey Milk Lives!" He became the first gay saint and martyr following the movement that began at the Stonewall.

In a tape recording made one year before his assassination, as if in prophecy, Harvey Milk said, "If a bullet should enter my brain, let that bullet destroy every closet door."


For his actions, for his life, for the changes that he effected, and for the love that continues to burn for him in the memory of his gay, lesbian and transgender children, we priests of Antinous recognize and sanctify Harvey Milk as a Heroic Saint and Martyr.

Monday, May 21, 2018

THE BIRTH OF PLATO
SAINT OF ANTINOUS



ON May 21st the Religion of Antinous honors Plato, Saint of Antinous, because May 21st is Plato's birthday, and no worshipper of Antinous could possibly forget HIS birthday.

The greatest of all western mystics and philosophers was born on this day in the year 427 BC. He was originally named Aristocles, but was called Plato by one of his teachers because of the breadth of his shoulders and of his speech, and we might also say because of the magnitude of his legacy of wisdom.

He was a follower of Socrates and the majority of his works are written as Dialogues of Socrates, wherein Plato elaborates his vision of the Universe, the inner workings of mankind, the complexities of human relationships, and the virtues of civilization.

All we know about Socrates is in reality only what Plato has told us of his teacher. Out of loyalty, Plato gave all personal credit to the wisdom of his divine teacher.

Plato founded the Academy in Athens that was dedicated to the love of wisdom and to the perfection of the minds and souls of young men. The image above is a mosaic from Pompeii showing Plato and his academy assembled under his famous olive tree.

Plato studied Pythagoreanism in Italy and made further speculation into the mathematical mysticism of the first philosopher thereby creating the model upon which western monotheism is based. The Platonic system was essentially a unification of the social inquiry of Socrates with the cosmic ramifications of the teachings of Pythagoras.

Here is how Flamen Antinoalis Antonius Subia explain's the significance of Saint Plato:


"In the vision of Love that Plato expounded, Venus Urania, Celestial Love, is glorified as highest form of human affection, above the earthly requirements of procreation. The love between two men, what is innocently called Platonic Love, was considered by Plato to be the most divine form of relationship.

"Hadrian, in all ways the most Platonic of all Emperors, the veritable manifestation of the Philosopher King as glorified by Plato in The Republic, was demonstrating the meaning of Venus Urania, for all the world to see, in his passion for Antinous.

"For the beautiful light in which Plato illuminated the inner nature of homosexual love, he is venerated as a divine Saint of the Religion of Antinous."

CASTOR AND POLLUX
TWIN GODS OF HOMOSEXUALITY



TODAY the Sun enters the Sign of Gemini — the sign of the Twins Castor and Pollux, Gods of Homosexuality.  This is the zodiac sign which ushers in a special sacred time in the Religion of Antinous, for this is the time of year when the STAR OF ANTINOUS rises, after having been hidden below the horizon since the Death of Antinous at the end of October.

We honor the Dioscuri who were born as triplets with the beautiful Helen as their sister. The mother of the three was Leda who was seduced by Zeus who came to her in the form of a swan. Leda gave birth to an egg from which emerged Castor, Pollux and Helen.


The photo above shows the Prado's Ildefonso Group, twin statue of Castor and Pollux, with a marble head of Antinous "restored" to the left figure.

The identical brothers were inseparable, and had a deep affection for one another, for which reason they were often worshipped as gods of homosexuality. Helen was constantly being abducted and in need of rescue, which the brothers were usually successful in accomplishing, however, her beauty was eventually to lead to the Trojan War.


Castor was a skilled horseman, and Pollux was an unconquerable boxer. They took part in the voyage of the Argonauts, and with Orpheus they calmed a storm, for which reason they were worshipped as the protectors of sailors.

Later in the voyage, Castor was killed. Pollux was so overwhelmed that he begged Zeus to accept his life in exchange for his brother's. 


Out of compassion, Zeus immortalized Castor and proclaimed that Pollux would spend half the year in the underworld and half the year in heaven with his brother. 

Together they were placed in the sky as the sign of Gemini.

The Divine Twins miraculously appeared in Rome to announce the victory of the Republic over the allies of the last king by watering their horses in the Fountain of Juturna in the Forum.

Flamen Antonius has this further insight into Castor and Pollux:

"The sacredness of the Twin Gods, with their third twin sister Helen is found in Norse Mythology as the Alcis and as the twins Frey and Skirnir with their third twin sister Freya.

"The symbolism of brotherly love, and of sacrificing one's life for the immortality of a brother is at the heart of the Religion of Antinous, and is an example of the sacrifice that Antinous is said to have committed for the prolongation of the life of Hadrian. The Dioscuri are Antinous and his "rival" Aelius Caesar, and they are also seen in the two brothers of Hadrian's court, Macedo and Statianus Caesernius, who were servants, protectors, confidants, lovers, friends, witnesses and first priests of Antinous.

"The Sacred Star of Antinous rises during the sign of the brothers Castor and Pollux."

Sunday, May 20, 2018

EPISTLE OF THE SACRED BULL HUNT 2018
By Flamen Antinoalis Antonius Subia



IN celebration of the end of Taurus, tonight the Hollywood Temple of Antinous celebrated (along with followers in other nations via Skype) a new Sacred Hunt of Antinous.

We inaugurated May 20th as The Sacred Bull Hunt of Antinous.

May 20th is of course the end of Taurus, the death of the Bull of Heaven...and the coming of Gemini, the Divine Twins...or shall we say The Lovers...Hadrian and Antinous.

The Cycle of the Sacred Hunts are of course a recognition that Antinous was a God of the Hunt, that in his life-time, he is recorded in verse to have participated in a Lion Hunt, and in stone relief, his image has been identified as one of the participants, along with Hadrian in the hunt of the Bear and the Boar, and also the Lion on the tondos of the Arch of Constantine.

We might call this cycle "Hunt Spirituality," an awareness of the active element of Antinous.  

From his images we are given to understand him as a melancholy, day-dreaming, slightly self-involved, yet gentle and radiantly peaceful boy...but this is only part of the beautiful story.

Another part, which is in the ancient record and therefore can be regarded as biographical, is that he was a hunter...on horseback...and perhaps on foot...able to chase down wild animals, and kill them with a spear.

The Sacred Hunts commemorate the nature of the animals which then become part of who Antinous is, and by extension, who we may become, or find ourselves to be.

Whether we see ourselves as the Hunter Antinous, or the Hunted Animal...or a mingling of the two...the significance is always through our own personal essence...animalistic...the Sacred Hunts, therefore are one of the significant forms that Animalism has taken up in the New Religion of Antinous.

Antinous was never historically said to have hunted a Bull...so for historical accuracy, this is not a Sacred Hunt with historical precedence...this would be my own invention....but I will try to explain the essence of what I feel it means, and perhaps will you understand and even add your own meaning..or detract from it, or have no opinion at all.

But as I feel now...the Bull Hunt is probably one of the more meaningful and powerful understandings of Antinous that I have discovered.

There is an ancient connection between Antinous and the Bull that has remained unexplained, or unobserved because the meaning is unclear.

If there is no historical precedent to prove that Antinous participated in the bullfights, there is evidence to show that the bull was sacred to Antinous.

There are a number of coins from Asia Minor, that portray Antinous standing by the side of a bull, or have a Bull on the reverse. A coin from Antinous's home town Bithynium-Claudiopolis is among this type.

The majority are of the type that read "Fatherland of Antinous the God"...they were minted in cities where the Religion of Antinous was strongest and most heart-felt, where he was openly proclaimed to be a God of the Country...and so from the coins, we can know that the bull, among other animals, was considered to be a sacred symbol of Antinous.

The Bull, therefore, is an ancient, stone-age and early Bronze age symbol for a King, and it is from this connection that the notion of the Bull of Heaven is derived.

The Egyptians believed that the Ka of Osiris would take the form of a perfect young Bullock...when one of these perfect bulls was discovered, it was treated with deep reverance, and allowed to live in splendor like a living god...because it was a living god...it was Osiris.

When the bull reached the age of 28, the age when Osiris was murdered, the bull was sacrificed.

Certain parts were eaten by the Pharaoh, while the body of the bull was mummified and given a tomb at Saqqara.

Plutarch said "The Apis should ever to be regarded by us, as a fair and beautiful image of the soul of Osiris."

The Apis Bull was the Spirit of Osiris in living form...eternal and ever-present. Antinous was of course first compared to Osiris because he drowned in the Nile.  In ancient antiquity when a King died, his Ka and his Ba...soul and spirit, were said to join and take form as Osiris in the underworld, so as to circle the cosmos in the Boat of Millions of Years.

In later history, any person who could afford to have the elaborate ceremonies associated with mummification and the recitation of the Book of the Dead could also join Osiris.

It would seem to be highly probable to suppose that Antinous may have undergone the most elaborate Egyptian burial that Hadrian could arrange....that Antinous was very likely mummified and entombed in or near his temple in Antinoopolis...if he was not bought home and entombed at Hadrian's Villa.

Mummification seems very likely, though there is no proof or evidence that it occurred...but that he was first and very closely identified with Osiris seems to hint that perhaps his association with Osiris would have been elaborated, and not merely allegorical.

Antinous and Osiris were united in one being...known as Osarantinous.

Our sacred Obelisk Text repeatedly mentions him as "The God, Osiris-Antinous the Justified"...because among several other gods, one of the most important elements of the divinity of Antinous was his connection to Osiris.

The living symbol of Osiris was the Apis Bull...therefore, as the Coins of Bithynia seem to suggest...the Bull was likewise, the living symbol of Antinous...the Ka of Antinous...the Spirit of Antinous in living form.

The Bull can therefore be viewed as a symbol of our spiritual connection to Antinous...the living spirit of Antinous, the consumption of which, like the flesh of the sacred Apis Bull is in essence the consumption of the Spirit of Antinous.

There is a strong likelihood that Antinous and Hadrian may have hunted Bulls.

We must therefore wonder what the Bull Hunt means to us, in what of so many contexts we may choose to view the brutal combat between a man and a bull...which is in a sense, a parable of man against nature...against the world (earthquakes for example)...the ferocious forces that are greater and able to destroy us, over which we can only triumph with excessive courage, at the risk of our very existence.

The Bull Hunt, therefore, is a sacred observance of how with intensities of inner strength, we can overcome all those forces that would destroy us.

And so it is, in the Name of Antinous, that I offer you the Sacred Bull Hunt, in observance of which I recommend that you take a moment to think upon the obstacles of your life, those which seem overwhelming, or on the verge of destroying you, or breaking you down, those from which you seek to flee...that you may find the courage to face them, even at the cost of everything that you count as dear and of value.

It is these wild forces that we must face, if we are ever to regard ourselves as Men.

In Commemoration of the End of Taurus,

May Antinous, the Spirit of Osiris give you strength.

~ANTONIUS SUBIA

ROSE PETALS CASCADE THROUGH OCULUS
OF HADRIAN'S PANTHEON IN ROME



ON Sunday, 20 May 2018, red rose petals will cascade through the oculus of Hadrian's Pantheon in Rome.

The event commemorates the ancient Roman spring festival as well as Christian Pentecost.

Rome firefighters scaled the 43-meter-high dome to pour the rose petals through the 9-meter-wide oculus "eye opening" at the top of the historic building.

The ceremony, suspended for many years, was revived in 1995. It dates back to the earliest days of Christianity when the falling rose petals symbolized flames of Pentecostal enlightenment showering down on the faithful.

Saturday, May 19, 2018

PETER WILDEBLOOD
SAINT OF ANTINOUS


ON May 19th, the Religion of Antinous honors our Saint Peter Wildeblood, a British journalist, novelist, playwright and gay-rights campaigner, who was born on this day in 1923.

He became one of the first men in Britain to declare publicly that he was gay, when he was arrested and put on trial in a headline-making case in 1954. 

He was sent to prison on a conviction of "conspiring to incite acts of gross indecency and buggery." 

His case created such an uproar that it helped to lead to the 1960s reform of anti-gay laws in the UK.

In the uptight post-war years of the early '50s, Wildeblood had made something of a name for himself in the theatre and as a roving reporter for a major newspaper, London's Daily Mail, when he happened to meet a 23-year-old RAF corporal named Eddie McNally in Piccadilly Circus.

Although Eddie McNally was not Peter Wildeblood's type, they developed a relationship over time. In the summer of 1952 they arranged to go on holiday together at Edward Montagu's beach hut on the English coast. John Reynolds, who was also an airman and a friend of Eddie McNally, also joined them.

About 18 months later, on Saturday, January 9, 1954, Peter Wildeblood was arrested at his home and his house was searched. He was charged with conspiring with Edward Montagu and Michael Pitt-Rivers to incite Eddie McNally and John Reynolds to commit indecent acts.

The police tipped off the press and the story was headlined in all the Sunday newspapers the next day. Eddie McNally and John Reynolds became witnesses for the prosecution.

The media went on a feeding frenzy and his picture was plastered all over the front pages for weeks. One paper retouched his photos to make it appear that he was wearing lipstick. He was vilified in public. He later described one incident when a woman recognized him being driven past in a vehicle.



"That night, a woman spat at me," Wildeblood wrote later. "She was a respectable looking, middle-aged, tweedy person wearing a sensible felt hat. She was standing on the pavement as the car went by. I saw her suck in her cheeks, and the next moment a big blob of spit was running down the windscreen.  

"This shocked me very much. The woman did not look eccentric or evil; in fact she looked very much like the country gentlewomen with whom my mother used to take coffee when she has finished her shopping on Saturday mornings. She looked thoroughly ordinary, to me. But what did I look like to her? Evidently, I was a monster."

What so troubled the decent people of the day was not that homosexual practices went on — everybody knew they always had and always would — but that anybody would openly declare himself to be "a homosexual." 

He was in the news constantly until his conviction and sentencing to 18 months in prison. Because he was (understandably) depressed, he was considered suicidal and was transferred to a dire hospital for the criminally insane where the squalid conditions affected not only his mental health but also his physical health.

He was released after 12 months and immediately launched a personal crusade to overturn anti-gay sex laws in Britain. He lobbied in Parliament and wrote articles and a book entitled Against the Law which outlined how gay people can be entrapped and harassed in their own homes for consensual activity among adults which does not affect anyone else.



His three main points were: homosexuality between consenting adults in private should not be illegal, that prison only encourages homosexuality, and that prison hospitals were inhumane.

While writing this he bought a small drinking club in Soho which attracted a mixture of types on the fringes of society. This provided material for his fictional autobiography about the club, A Way Of Life.

It was a surprise success and encouraged him to write more novels and plays which were hits on stage in London's West End in the late 1950s. In the '60s he became a well-known TV scriptwriter and producer. In the '70s he was lured by Canadian television with a lucrative contract, and emigrated to Canada, where he adopted Canadian citizenship and was responsible for numerous hit productions over the next 16 years.

When he retired in the 1980s, he went to live in a wooden Edwardian cottage in Victoria on the western coast of Canada which had a stunning view over the Juan de Fuca Straits to the Olympic Mountains above Seattle. He suffered a series of debilitating strokes in the mid-'90s which left him speechless and quadriplegic. He learned to communicate via a computer using movements of his chin. He suffered a final stroke and died November 13, 1999, at the age of 76.

In saluting Saint Peter Wildeblood, the Religion of Antinous honors the beacon of courage and hope which he represented in an age of darkness and despair for gay men everywhere. Everyone advised him to remain quiet, and yet he chose to speak out. He did not choose to be exposed but, placed at the mercy of events, he chose to become their master.

His book was a courageous act of defiance against the kind of injustice which the straight world called justice. 

"Very faintly," he wrote, "as though at the end of a tunnel, I could see what I must do. I would make a statement ... I would simply tell the truth about myself ... I would be the first homosexual to tell what it felt like to be an exile in one's own country. I might destroy myself, but perhaps I could help others."

Friday, May 18, 2018

TODAY IS THE FESTIVAL OF ANTINOUS
IN HIS GUISE AS PAN AND CERNUNNOS



THE 18th of May is the festival of Pan and Cernunnos, Old Horny ... an aspect of Antinous in this art by ANTONIUS SUBIA.

Pan represents the masculine energy in nature, virility and the link between civilization and the wild places. 

He is of two natures: human and animal and reminds us that we are not separate from the animal kingdom. 

He is the god of wild, unstoppable sexuality, not of love. He is the hunter and the hunted, he knows both sides of the pursuit. 

Pan is said to have a nap, just after noon for a couple of hours, and it is best not to disturb him during this time.

This is the time when he can send healing dreams to those who ask his aid.

Thursday, May 17, 2018

ANTINOUS IN JERUSALEM



IT is indeed ironic that Jerusalem is in the headlines again, amidst continuing religious and political strife and bloodshed, for it is in mid-May when the Religion of Antinous commemorates the bitter-sweet arrival of Antinous and Hadrian in Jerusalem in the year 130 AD.

In hindsight, Hadrian must have viewed Jerusalem as a bad omen enroute to what would tragically turn out be a fateful date with destiny in Egypt following a triumphal tour of Asia Minor. This day in the year 130 AD signaled a turning point in history.

The glorious tour of the Eastern Provinces turned sour when Hadrian reached religious strife-torn Jerusalem.


In a few years, he would raze the city to the ground in rage at the Jewish rebellion, earning him the enmity of Jews forever more. In a few weeks, the entourage would enter drought-stricken Egypt, where Hadrian would be confronted by despair and discontent.

And only six months hence, his beloved Antinous would be dead. The wise and cautious emperor would turn bitter and cruel without sweet Antinous at his side. The history of Western Civilization was about to change ....

But on this day in the spring of 130 AD, Hadrian basked in the golden glow of adulation, sensing perhaps only vaguely that this glow was in fact the sunset of his reign.

Hadrian and Antinous crossed the Jordan river and entered Jerusalem on this day in 130. There they remained for much of summer of 130, while Hadrian immersed himself in the Jewish faith and attempted to convince Jewish leaders to compromise on religious matters. He soon realized that compromise was impossible.

Hadrian had two facets to his personality. One was the compassionate and wise seeker of knowledge who was open to new ideas, particularly when they pertained to spiritual matters. But the other facet was the uncompromising warrior who could not allow an affront to Roman dignity and socio-economic order to go unpunished.


It was during this visit to Jerusalem that Hadrian realized the Jews would never be subsumed into Roman society. He began issuing controversial decrees, such as outlawing circumcision.

It may have been during this visit that Hadrian began drawing up plans to rebuild Jerusalem after the fashion of the Greeks, with major temples to Jupiter and Venus.

He may even have begun work on the reconstruction of the Temple Mount, dedicating the new Temple to Jupiter Capitolinus, with a statue of Hadrian in front.

His actions and disregard for the Jewish religion led to the rebellion of Bar Kochba, and the protracted and very bloody Jewish war. The result of this war was that Jerusalem was renamed Aelia Capitolina, and all Jewish and Christian Churches were replaced with Temples to Venus and Adonis.

Israel was renamed Palestine, and the Jews were forbidden to enter Jerusalem except once a year on Passover.

This was the beginning of the Diaspora. It was the beginning of 18 centuries of rancour and strife over the issue of Judea/Israel/Palestine, and of who should live there. To this day, Hadrian's name is accursed among Jews.

This is where the glorious tour of the Eastern Provinces turned sour. But it is also where the glorious reign of Hadrian turned sour. Until the year 130, Hadrian had surprised his critics with his even-handedness and his cautious wisdom and his patience in seeking peace and avoiding armed conflict wherever possible. His goal was to create a Hellenistic society based on tolerance and mutual benefit.

But the second half of the year 130 changed everything. By the end of the year Antinous would be dead and Hadrian would return to Rome a broken and embittered man. The man who loved to travel and spent half of his reign abroad would never leave the environs of Rome and his villa at Tivoli again. The remaining eight years of his life would be marked by capricious cruelty, vindictiveness, chronic pain and sickness. Above all, he would be remembered for a devastating war against the Jews — a war which left a sore which continues to fester 1,800 years later.

TODAY IS INTERNATIONAL DAY AGAINST
HOMOPHOBIA, TRANSPHOBIA AND BIPHOBIA


THE International Day Against Homophobia, Transphobia and Biphobia is observed on May 17 and aims to coordinate international events that raise awareness of LGBT rights violations and stimulate interest in LGBT rights work worldwide. 

Commemorations are taking place in almost 120 countries, in all world regions.

The day is particularly strong in Europe and Latin America, where it is commemorated with public events in almost all countries.

May 17 is also marked in multiple countries in all world regions including, 32 of the 76 countries in the world where same-sex relationships are criminalized.

Common actions include large-scale street marches, parades and festivals. In Cuba, for example, Mariela Castro has led out a huge street parade in honor of May 17 for the past several years. 

In Chile in 2013, 50,000 people took to the streets to mark May 17, and the VIII Santiago Equality march.

The main purpose of the May 17 mobilisations is to raise awareness of violence, discrimination, and repression of LGBT communities worldwide, which in turn provides an opportunity to take action and engage in dialogue with the media, policymakers, public opinion, and wider civil society.

One of the stated goals of May 17 is to create an event that can be visible at a global level without needing to conform to a specific type of action.

Wednesday, May 16, 2018

HIEROGLYPHS SUGGEST HOW ANTINOUS
PRONOUNCED HIS OWN NAME



YOU soon may be able to text the hieroglyphic Egyptian spelling of the name of Antinous ... in genuine hieroglyphs!

Over 2,000 hieroglyphs may soon be available for use on phones, computers and other digital devices. 

The Unicode Consortium recently released a revised draft of standards for encoding Egyptian Hieroglyphs. 

If approved, the available hieroglyphs will provide greater access and global uniformity for Egyptologists, covering a much longer period of hieroglyphic usage than ever before.

The proposal is part of a larger effort between the Unicode Consortium, ancient linguists, font designers, and the federal government to attempt to study, preserve, and then digitally represent ancient and endangered languages through the use of computer code.

Although Egyptian Hieroglyphs have been defined within Unicode since version 5.2, released in 2009, the glyphs were highly limited in number and did not stretch into the Greco-Roman period ... which was when Antinous lived.

There is only one other hieroglyphic inscription of his name ... in the glyphs on the atop the Pincio Hill in Rome.


Here is a transliteration of his name, which is spelled with these glyphs:

A-N-D-I-I-NU-S

The Egyptians spelled it with a forearm ("A"), a wave of water ("N"), a hand ("D"), two reeds ("I") another "N", a water pot ("NU") and a bolt of folded cloth ("S"). The little triangles on either side of the "NU" pot are not standard glyphs and possibly only serve to balance the composition.

Also: an unvoiced "determinative" in the form of a human eye with highlighted upper lid. The most intriguing glyph is the eye with highlighted upper lid. It represents no spoken sound. It is a "determinative," which is to say it modifies or enhances the meaning of the name. 

Though experts are unclear about this glyph, it is usually interpreted as meaning "eye make-up," "eyelashes," "looking" or "good-looking." 

Incidentally, no royal cartouche is used in his name. Only the names of pharaohs and caesars are written inside a cartouche. The names of gods stand alone ... so Hadrian (a pharaoh) must be spelled with a cartouche, while Antinous (as a god) stands alone.

The name can also be spelled in a vertical format using another "S" glyph (the horizontal "door bolt"), depending on the scribe or artist's graphic art constraints.

Aside from the mysterious, unvoiced eyelid glyph, the most distinctive part of the name is the "NU" which is a biliteral glyph, which means it is two sounds "N" and "U" combined in one glyph.

It's the only biliteral in the name. Biliterals always denote something special. The Egyptians usually didn't bother to try to show vowel sounds in names unless the vowel was particularly important. 

That is an indication that this particular "NU" sound was very important in pronouncing the name Antinous. The Egyptians heard a distinct "NU" sound in his name and felt it needed to be graphically represented.

It is important to remember that this Egyptian spelling represents a phonetic rendering of the name Antinous. As we know from modern languages, other people hear other sounds in a name. It was the same in Ancient times. 

Our transliteration from the ancient Greek is Antinoös, with an umlaut (two dots) over the second "o" to stress that there were four syllables (as far as certain Greeks were concerned). 

In other languages, Antinous is spelled "Antinoo" or "Antinoos".

We know from other inscriptions that the Egyptians were quite accurate in rendering "A-D-R-I-A-N-S" (Hadrianus) and the names of the other Caesars.

So these glyphs give us a tantalizing clue as to how his name may actually have been pronounced.

Did they really call him something that would sound like "Andi-NU-us" to our modern-day ears? That's what the Egyptian hieroglyphic inscription implies.

Each glyph was carefully chosen by the Priests of Antinous. On the Earthly Level, they wanted a phonetic match, of course. But on the Sacred Level they wanted a mystical match.

As Above, So Below.

CLICK HERE for a more esoteric discussion of the mystical meaning of his name.

Tuesday, May 15, 2018

IN PRAISE OF MERCURY


WE lift up our hearts to the great wing-footed God Mercury on this day in mid-May when Mercury traditionally leaves stodgy Taurus and wings his way into Gemini, his astrological home.

The Ancient Romans celebrated this cosmic event on May 15th each year with the Mercuralia festival.

Father of Antinous, son of Zeus and Maia, Mercury is the god of speed, the Lord of commerce, communication, and cunning. 


He is forever young and beautiful, the patron of skilled athletes, especially runners, and yet he possesses the infinite wisdom of extreme old age.

When Mercury was one day old, he charmed Apollo by stealing the sun god's prized cattle and crafting an ingenious story to cover his tracks.

Apollo fell in love with Mercury and from that day forward became his godfather and protector, presenting him to Olympus. Zeus was so taken by his son Mercury that he made him the messenger of the gods, and placed in his hand the sacred Caduceus, the serpent-entwined rod.

Hermes (as he was called by the Greeks) was charged with escorting the souls of the dead to the underworld, and to relay messages between heaven and hell. Thus he acquired his mystic powers, which were the inspiration of the Hermits, and of their religion known as Hermeticism.

He was known to them as Hermes Tristmegistus, the "thrice-great", and was said to have taught the secret knowledge of salvation to mankind.

As Hermes of the crossroads, he was a Phallic god, whose image was a herme, or column with a bearded head and a large penis that was placed at forks in the road to protect travelers.

Mercury made love to Venus and was father of Pan, Priapus, Hermaphroditus, and of Fortuna. He was the craftiest inventor, who created the lyre, which he gave to Apollo. And he invented written language, weights and measurement.

Mercury was the god of good business, but also of dishonesty and absolute capitalism. He invented dice and was the lord of gambling and all games of chance.

Antinous was often compared to Mercury in the statues and in the artefact fragments (bust above). His powers of youth, virility and physical fitness were central parts of the Religion of Antinous. But the hermetic sages, from whom so much of the salvation of Antinous extends, deepened this fascade. He is, along with Dionysus, Apollo and Osiris, a major facet of the Spirituality of Antinous.


We acknowledge and extol Mercury, the wing-footed god, and pray to him as Antinous to run by our side and give us good fortune throughout our travels and in our communication with the divine.

Monday, May 14, 2018

THE SEMEN OF THE FIRST GOD
TRULY IS IN ANTINOUS


MAY 14th is the Egyptian feast of  the "coming forth" of Shu and Tefnut when the creator Atum ejaculated into his own mouth and uttered the magical "seminal" words to create the cosmos at the Egyptian equivalent of the "Big Bang" which they called "Sep Tepy" (Moment of Origins).

The hieroglyphs on the Obelisk of Antinous clearly state that Antinous can assume any form his heart desires because "the semen of the first god TRULY is in his body."

The point of all Egyptian magic is for the magician-priest to return to the moment of Sep Tepy ... the source of all creative magic ... and to ingest the "Heka" (Egyptian word for "magical") semen of Atum ... just as Antinous "inhaled" the magical Nile "Heka" when his head slipped beneath the waters of the Nile.

Learning to "breathe" Heka in the rarified atmosphere of the Duat (Underworld) was a vital lesson mentioned in various versions of the Book of the Dead.

Antinous took the semen of the first god into his nostrils and mouth at the moment of his mortal death.

Drowning in the Nile was instant deification in the eyes of Egyptians. Magical spells, for example, sometimes called for a scarab or other creature to be "deified" which is to say drowned in Nile water as part of the spell.

The Obelisk glyphs state that "the semen of the first god TRULY is in his body," which empowers Antinous to perform any and all miracles and to assume "any form his heart desires" to do so. By implication, the process of Homotheosis (for it is a process, not a method) means that by becoming one with Antinous, the semen of the first god is also in our bodies.

MAGNUS HIRSCHFELD
SAINT OF ANTINOUS


ON May 14th, the Religion of Antinous honors the life of the Father of Gay Liberation, Doctor Magnus Hirschfeld, who died on this day in 1935 (which was his 67th birthday) while in exile form his native Germany in Nice, France. He died a broken and embittered man.

A life that had started out with such lofty ambitions ended in disillusionment. He was of Jewish ancestry and began his career as a medical doctor but very soon devoted his life to the study of homosexuality.

In 1897 he founded the Scientific Humanitarian Committee, which was an organization whose publication, called The Yearbook of Intermediate Sexual Types, was devoted to the repeal of "Paragraph 175", a law passed by the Reichstag in 1869.

The work of the committee included ongoing lobbying supported by the scientific studies of Dr. Hirschfeld into human sexuality. This study culminated in the formation of the Institute for Sexual Science in 1919.

Dr. Hirschfeld spent the majority of his career writing and lecturing around the world on the nature of homosexuality and other "intermediate" sexual types, including cross dressers. The word "transsexual" was coined by Dr. Hirschfeld to describe the phenomenon that he argued was a natural extension of human sexuality.


His philosophy centered on the contention that there was a third sex, called the Uranian, which was neither male nor female, but a combination of both that was manifested in homosexuality, which was not to be considered an impure deviation, or even as an illness, but as a natural and phenomenal component of human nature.

For his work, the Nazis targeted Dr. Hirschfeld as an example of decadent Bolshevistic/Jewish influence infecting the purity of the German people, luring the Aryan race into impure and destructive perversity. He was ultimately driven into exile and burned in effigy as an emblem of evil. His institute was ransacked May 6th and his books were publicly burned in a bonfire on May 10th, 1933.


The slogan with which he began his speeches, "Uranians of the World, Unite!" was not to be realized until our own time. For his courage and his career of some thirty years, all of which was spent in tireless devotion to the cause of Gay Liberation, we venerate Saint Magnus Hirschfeld.

Sunday, May 13, 2018

ON MOTHER'S DAY LIGHT A CANDLE
FOR THE MOTHER OF ANTINOUS


Happy Mother's Day! We honour the mother of Antinous, who gave birth to him in Bithynia Asia Minor (art by Priest Uendi). 

Little is known of the origins of Antinous except that he was from the Bithynian city of Claudiopolis modern-day Bolu, Turkey.
It has been speculated that he was a slave ... or even a provincial prince. 

The OBELISK OF ANTINOUS, which now stands atop the Pincian Hill in Rome, is covered in Egyptian hieroglyphs which tell us much about Antinous the Gay God. But sadly, there are huge gaps where the text has been worn away.

There is, for example, an intriguing reference to the mother of Antinous which is incomplete. Did a missing portion of the text talk about his biological family back in Bithynia? We'll never know.

We wonder how many brothers and sisters Antinous had? He must have had cousins and other "ephebe" male relatives. How on earth could the mother of Antinous ever have parted from him?

For that matter, no one knows what happened to the earthly remains of Antinous after his tragic death in the Nile in October 130 AD. Were they returned to his family in Bithynia? Did his mother weep over them? Were they interred in a family crypt ... and were the ashes of his mother interred beside his after she died?

This Mother's Day prayer was written by our beloved WARREN WILLIAMSON before his untimely death a couple of years ago. We join Warren in praising the Mother of Antinous the Gay God:


O most glorious Mother of Antinous our God, accept our prayers and present them to thy son our God, that He may, for thy sake, enlighten and bring our souls unto the most holy city of Antinoopolis where we shall dwell with thee and the Imperator God Hadrian forever and ever.  Be it so now and forever. 

RUFUS WAINWRIGHT'S OPERA FETE
ABOUT HADRIAN AND ANTINOUS



ANY story about a Roman emperor turning his star-counting lover into a god deserves a next level party. 

So the Canadian Opera Company is charting a constellation of fashion, art, and opera for Operanation 2018, a mega-bash inspired by the upcoming world premiere of Rufus Wainwright's "Hadrian" Opera

Now in its 14th year, Operanation will transform the Toronto opera house on May 17 into an ancient Roman celebration, with pitchers of wine (there'll be cocktails at the open bar), flowing lute music (Toronto's coolest DJs), and the bountiful riches of the harvest (midnight snacks deluxe). 

So don’t rest on those laurels: shake your stardust, love like Cupid, and party like Bacchus on May 17!

Saturday, May 12, 2018

ROMANS PAINTED SCARY RED WARNINGS
ON ANTONINE WALL ACROSS SCOTLAND



ANCIENT Romans used blood red, bright yellow and stunning white paints to illustrate dire warnings on the wall that separated them from the rebellious tribes-people of Scotland, a new study shows.

The painted warnings — including Roman eagles with blood-stained beaks, and the slain and decapitated bodies of the defeated victims of the victorious Roman legions — were shown alongside Latin inscriptions on carved stone slabs placed along a Roman rampart in Scotland.

Archaeologist Louisa Campbell from the University of Glasgow says the carved and painted stone slabs would have served as "Roman propaganda" to local tribes-people north of the Antonine Wall, a fortified wall built across Scotland by the Roman legions during the reign of the emperor Antoninus Pius in the second Century AD.

Although the stone slabs are plain gray today, Campbell’s research shows that they were once brightly colored with naturally made paints, including red and yellow ochre, a red mineral called realgar, a red plant dye known as madder, a bright yellow mineral called orpiment and white lead.

The reds, in particular, were used to paint details, such as the cloaks of Roman soldiers, and to signify the bloody end in store for enemies of the Roman Empire. "The scenes depicted by the iconography demonstrate the power and might of Rome in a highly graphic manner," Campbell told Live Science in an email.

The stone slabs, placed at intervals along the Antonine Wall, would have promoted the idea of Roman control of the region, both to the Roman armies and visitors from the empire, as well as to the indigenous peoples who lived around and north of the wall, she noted.

The stones were "a very visible message to the indigenous peoples of those regions that Rome is a powerful empire that will not tolerate any challenge to her authority," Campbell said.

Friday, May 11, 2018

MYSTERY TEMPLE DISCOVERED IN EGYPT
AT OASIS LIKELY VISITED BY ANTINOUS



A temple dating to the time just after Antinous was deified has been discovered in the famous Siwa Oasis in Egypt.

The temple was built during the reign of Antoninus Pius, who succeeded Emperor Hadrian, and who fulfilled Hadrian's wishes to build temples to Antinous throughout the empire.

Hadrian and Antinous slew a man-eating lion in Egypt and it is possible the SACRED LION HUNT occurred in the Siwa Oasis, which was the location of an Oracle consulted by Alexander the Great.

Dr. Aiman Ashmawi, head of the Egyptian Antiquities department, said, "The discovered temple of huge limestone foundations in rectangular shape measured 40 meters from north to south and 8.5 meters from east to west.

"The entrance is in the northern side with small two rooms on each side," he added.

"The entrance leads to a courtyard of 25 meters in length then another room leads to the sanctuary. The temple surrounded by enclosure wall measures 71 meters by 56 meters," he said.

Abd El-Aziz Demiry, General Director of Matrouh and Siwa Antiquities, said "One of the most important discovered parts is a limestone block with inscriptions in Greek topped with a ledge shows the sun disc surrounded with cobras."

The inscriptions helped in defining the name of the emperor. The block measures 5 meters by 1 meter and found in 3 parts.”

Mr. Demiry also added that the block is in good condition and it was transferred to the storeroom in Siwa to conduct the necessary preservation needed.

Thursday, May 10, 2018

THE TWO LOVERS OF ANTINOOPOLIS



ON MAY 10th the Religion of Antinous honors two men we call the Two Lovers of Antinoopolis who lived in the Sacred City of Antinoopolis and who worshiped the Beauteous Boy and whose joint portrait is one of the great mysteries of Egyptology.

This round portrait, called a "tondo" because of its circular format, was used as a face plate on a mummy. The vicinity of Antinoopolis and the Fayoum Oasis region is famous for hundreds of such mummy portraits which give us a priceless look at how the residents of the Sacred City actually looked. It is believed these were portraits which had hung in people's homes and which were interred with the deceased, as a reminder to their Ka about who they were in mortal life.

The tondo is unique, though, because it shows two faces. Archaeologists have no explanation as to why anyone would want the face plate on a mummy to show two men's faces. The conventional explanation is that they were perhaps brothers and when one of them died, his surviving brother insisted on burying him with their joint portrait to show his fraternal love.

But one glance at the portrait shows that the two men bear little resemblance to each other.


Even more striking is the difference in skin coloring. Throughout Egyptian art, males were portrayed as having typically ruddy-brown skin and girls and women as having creamy colored skin — that was the iconic rule in Ancient Egyptian art. The skin colors do not represent the ACTUAL skin tones of the people, just as the idealized features of pharaohs don't reflect how they actually looked.
In Ancient Egyptian art, even if two individuals appear to be identically dressed with wigs and flowing robes, you can distinguish gender roles by skin color. Ruddy skin means male. Creamy skin means female.

That makes it all the more interesting to look at the Tondo of the Two Lovers, because one man has dark "male type" skin coloring and the other man has very light "female type" skin coloring. Such contrasting skin coloring traditionally was used only for married male-female couples in Ancient Egyptian art.


Even when the hairstyles and clothing are barely indistinguishable in Egyptian art, the difference in skin tones is a gender-role clue. Any Egyptian would instantly register the visual "pun" and would think it no accident.
The artist who painted the Tondo of the Two Lovers appears to have been giving us a clue as to the relationship between the two men.


The Tondo has been dated between 130-150 AD which would place them as nearly contemporaries of Antinous, living in His Sacred City in the first bloom of the Religion of Antinous. French architectural historian Jean-Claude Golvin painted this stunning rendering of Antinoopolis at its height.

But of even more significance are the small images of Greco-Egyptian gods placed above their shoulders. The darker man is guarded by a figure which some experts identify as Hermanubis, a god of the underworld adored in the nearby city of Hermopolis. His name is variously interpreted as "Hermes/Anubis" or "Horus-as-Anubis", depending on whether you read the Latin or the Egyptian spellings.

The cult of Hermanubis was on the rise in Rome at this time and he was interpreted as a solar deity who (like Hermes/Mercury and Horus) led the dead through the darkness to everlasting sunlight. A crack runs through the figure, however, making its identity somewhat unsure. At one point Hermanubis had a large cult following in Rome itself and his face graced Imperial coins. But his cult was suppressed almost as quickly as it rose, for moralistic reasons which are hard to reconstruct.

The lighter skinned and more beautifully dressed boy is watched over by Antinous, the patron god of Antinoopolis, who grasps a Dionysiac scepter and who wears the SWTY (Two Feathers) crown of divinity symbolic of his many-faceted Sacred Powers. It is ironic that the Christians later suppressed the cult of Antinous for moralistic reasons, just as the cult of Hermanubis had been suppressed by the Romans. Was there a sexual/moral connection between the two cults?

At any rate, this makes the Tondo of the Two Lovers the only portrait painting of Antinous to have survived, and the only image of two probable followers of HIS religion.

The faint inscription beneath the image of Antinous reads 15 Pachon, which is a date in the Greek calendar that corresponds to the 10th of May. No one knows what the significance of this date might be. An anniversary, perhaps.

The younger figure is wearing a splendid red wrap held in place by an impressive amethyst brooch in a gold setting — a family heirloom perhaps. The artist has gone to pains to render it perfectly. The embroidery on his white tunic is very fine. An oriental swastika good-luck charm is stitched into his right sleeve.

Perhaps the portrait was commissioned for the day (May 10th) when he donned his manly robes for the first time on his 16th birthday, as was the Roman custom. The peach-fuzz on his face gives him the appearance of an adolescent.

The older man (who could 30-something) stands behind him, as if symbolically showing his love and support of his young companion. He could be an older brother or uncle. He could even be the youth's father — life expectancies were shorter then, and people married early in those days and were grandparents by their mid-30s.

But just perhaps the composition and skin-tone nuances are subtle clues by the artist that these two men shared an older-man, younger-man relationship — a Classical Greek-style erastes/eromenos relationship — similar to that of Hadrian and Antinous. After all, this city was founded on Hadrian's love for Antinous.


The Religion of Antinous honors these two men on May 10th — the day which was so special to them, for reasons known only to them and to the gods they worshiped — Hermanubis and Antinous! 

Wednesday, May 9, 2018

MANUEL ACOSTA
SAINT OF ANTINOUS


WE honor Manuel Acosta (May 9, 1921-October 25, 1989) as a blessed Saint of Antinous for being a Texican artist from El Paso who lived and died for his art.

Sadly, he is only known in the English-speaking world for having painted the iconic portrait of César Chávez for a 1969 Time magazine cover.

He was brutally murdered by a 20-year-old boy who was living with him, who had been his model...and more.

Flamen Antonius says of Acosta:

He is a very meaningful Saint of Antinous because he opened whole new world of art for me when I was very young.  I always thought of art as something people did far away in Paris or somewhere.  In my neighborhood they painted the Virgin Mary and low-riders and Aztec warriors...but that wasn't art...right there next to the gang graffiti and a crudely drawn penis squirting sperm on some breasts.  Art was something that people in Europe painted on canvases.  Manuel Acosta changed my perspective...because he lived about a quarter mile away.
Right when he was murdered, they released prints of his work, and my mother bought the full set for me,
it was my first real introduction to art...my walls were covered with Manuel Acosta paintings,
I had no idea that it would mean so much to me later.

Manuel Acosta always used to wear a paper-bag hat. Father Arturo Banuelas, who led the prayers at Manuel’s funeral said, "Today his paper hat is a crown of glory."


He was buried with what he called his Mexican-Italian-Pajama shirt, wearing his trademark paper hat, with a can of Budweiser beer in his hand (his nephew placed it there).

Tuesday, May 8, 2018

YOUR ONLINE ANTINOUS SHOP



ANTINOPHILES who have despaired of finding Antinous-related items for their homes, cars and work places can breathe a sigh of relief. 

One-stop shopping is just one click away at the online TEMPLE OF ANTINOUS SHOP

This shop features official Antinous articles selected and designed by FLAMEN ANTONIUS SUBIA personally.

If you admire the artwork of Antonyus, then order your own posters of his hand-picked favorite paintings and photographs.

A wide range of T-shirts is available, including classic "T", fitted "T", ringer "T", sleeveless, long-sleeve and baseball jersey — in up to nine colors, depending on the style and design you prefer.

The handy Antinous Tote Bag is a must-have as is a wide array of Antinous lapel buttons and refrigerator magnets in various sizes and designs.

Naturally, there are coffee mugs — and even an official Antinous beer stein appropriately adorned with the well-known Subian portrait of Antinous/Dionysus.

One of our favorites is the Antinous Keepsake Box, available in red-mahogany or black, with a tile cover portrait of the Louvre's breath-taking Ecouen Antinous. This roomy box is perfect for any home shrine or altar and is the perfect jewelry box.

And of course the ever-popular Antinous bumper sticker (at the top of this entry) provides the Beauteous Boy's blessings on any vehicle.

All items are ordered with safety and guaranteed efficiency through cafepress, which has a sound reputation for speedy delivery around the world, with secure payment in all major currencies.

Sunday, May 6, 2018

TUT'S TOMB HAS NO HIDDEN CHAMBERS
ACCORDING TO FINAL RADAR SCANS



A third round of ground penetrating radar (GPR) scanning shows conclusively that there are NO hidden chambers in the tomb of King Tutankhamun, Egypt's Ministry of Antiquities announced today.

A team from the Polytechnic University of Turin scanned the tomb and its surroundings with advanced radar technology. The search sought to determine if Queen Nefertiti might have been buried in the tomb.


Francesco Porcelli of the Polytechnic University of Turin announced details of the ground penetrating radar (GPR) studies during a speech to the ongoing Fourth Tutankhamun International Conference.

Porcelli asserted that the main findings are as follows: no marked discontinuities due to the passage from natural rock to man-made blocking walls are evidenced by the GPR radargrams, nor there is any evidence of the jambs or the lintel of a doorway.

Similarly, the radargrams do not show any indication of plane reflectors, which could be interpreted as chamber walls or void areas behind the paintings of the funerary chamber.

"It is concluded, with a very high degree of confidence, that the hypothesis concerning the existence of hidden chambers or corridors adjacent to Tutankhamun's tomb is not supported by the GPR data," Porcelli said in the report.

This was the third GPR survey to be conducted inside the tomb in recent years. 

It was designed to stop the controversy aroused after the contradictory results of two previous radar surveys to inspect the accuracy of a theory launched in 2015 by British Egyptologist Nicholas Reeves, who suggested that NEFERTITI could be buried in secret chambers behind the north and west wall paintings of Tutankhamun's burial chamber.

The theory was supported by former the Minister of Antiquities, Dr. Mamdouh El-Damaty, who ordered a second series of radar scans of Tutankhamun's Burial Chamber which he said revealed there is A LARGE VOID behind what we now know is a false wall in Tutankhamun's Burial Chamber.

The second radar survey was carried out with another high-tech GPR device by an American scientific team from National Geographic, who rejected the previous Japanese results and asserted that nothing existed behind the west and north wall of Tutankhamun's burial chamber.

The investigation of King Tut's tomb is part of a wider long-term project to conduct a complete geophysical mapping of the Valley of the Kings, the main burial site of Egypt's pharaohs, which is also being led by the group from the Polytechnic University of Turin.

Not only was Nefertiti famous for her beauty, which remains evident through her world-renowned 3,300-year-old painted limestone bust housed at the Egyptian Museum in Berlin, but she was also the Great Royal Wife of the Pharaoh Akhenaten and his chief consort.

Nefertiti's burial site has long been a mystery as archaeologists have so far failed to find the queen’s tomb.

King Tutankhamun's tomb was found in 1922 under the supervision of another British archaeologist and Egyptologist, Howard Carter.