Monday, December 18, 2017

MORE PORT FACILITIES FOUND
AT CORINTH WHERE THERE WAS
A TEMPLE TO ANTINOUS




AN elaborate network of wharves and quays has been unearthed at what was once the busy port for the Greek city of Corinth … where a Temple to Antinous was once located.

Experts have revealed and recorded at the location of the Ancient Lechaion harbor on the Gulf of Corinth in the Peloponnese.

Danish and Greek archaeologists from the University of Copenhagen and Ephorate of Underwater Antiquities have been working on the Lechaion Harbour Project since 2013, and a have a five-year permit to explore the area, but this year has been notable for its breakthrough historic finds.

“During the 2017 excavations, the first Roman-period harbor structures at Lechaion have come to light,” said project co-director Bjørn Lovén, from the University of Copenhagen, in a statement.

Dividing the harbor into Inner and Outer segments, they have been systematically studying the structures they’ve found, taking samples, logging, and dating what they find.

“The mysterious island monument in the middle of Harbour Basin 3 ... an area of the Inner Harbour ... was dated to the early 1st century AD. It was likely built as part of a Roman building program designed to help restore Corinth…” Lovén continued.


He said they also found a much larger basin, dating to the sixth century, in the Outer Harbour, whilst the Inner Harbour has also thrown up more proof of mid-first century harbor engineering, and even the possible foundations of a lighthouse.

The port facility served the hilltop city of Corinth ... seen in the splendid image at the top of this page by famed gay British illustrator Roger Payne.

The now-submerged port originally covered a sprawling total area of 2,750 square meters. 

It stretched for 911 meters (3/4 mile) along the coast.

The entrance channel to the port lay on the harbor's eastern side, opening onto a dredged channel 30 feet (9 meters) wide … large enough for two vessels to pass safely, albeit snugly by one another.

The port played a pivotal role in Corinthian history, as it was located about 3 km west of Ancient Corinth and faced the West with its busy sea routes. The role of Corinth has been very important throughout antiquity.

It was a city fabled for its sorcerers and seers. To this day, tour guides like to warn visitors (in a jocular fashion) about the "curse" that lies over the ruins.

We know that a Temple to Antinous was located there because there is a documented record listing a man called Hostilius Marcellus as high priest of Antinous at Corinth.

Sunday, December 17, 2017

MARGUERITE YOURCENAR
IS A SAINT OF ANTINOUS



THIRTY years ago today in 1987, Marguerite Yourcenar died.

She wrote the landmark Mémoires d'Hadrien (Hadrian's Memoirs), which is considered by many to be the finest historical novel of the last century.

It is through her literary genius that millions of people around the world have been drawn to the modern-day Religion of Antinous.

She truly is a saint of Antinous

JALALUDDIN RUMI
SAINT OF ANTINOUS


ON December 17th the Religion of Antinous celebrates the life of the Sufi mystic Jalaluddin Rumi who dedicated his life to the illumination he received through the love of another man.

The mystic lover and poet Jalaluddin Rumi, better known simply as Rumi, was united with his beloved on this day. 

Born in Afghanistan in 1207 CE, his family moved to Turkey while he was still young. 

In the city of Konya, not far from the Bithynian birthplace of Antinous, Jalaluddin Rumi established himself as a traditional Islamic teacher.

But then one day he met Shams-e-Tabriz, a wandering Sufi mystic. 

Shams set Jalaluddin free from worldly concern and revealed the inward love of god as expressed through music, poetry and the whirling dance that simultaneously confuses and centers the soul of one who spins.

When Shams mysteriously disappeared, Jalaluddin went in search of him, only to discover that Shams was within his own heart.

From that day forward, Jalaluddin Rumi became a profound teacher of mystic eloquence whose poetry refers to god as the Lover within. 

The homoerotic character of Jalaluddin Rumi's spirituality, referring both to his love for Shams and his love for god, has ingratiated him to gay men because of the depth and sensitivity and sacred intimacy that his words exude.

Jalaluddin Rumi and his Mevlevi Order are the last remnants of the Bithynian-Phrygian ecstasy cults of Dionysus and Attis, and they are distantly connected to the Religion of Antinous, through the mystical charge of homoerotic spirituality.

Jalaluddin Rumi expressed total love, proclaiming that all religions were one. And on the day of his funeral, his bier was followed by a procession made up of representatives from five different faiths.


 We sanctify Jalaluddin Rumi as a Saint in the Religion of Antinous. He died on December 17th, 1234.

Saturday, December 16, 2017

A TRUE SAINT OF ANTINOUS:
GAY MAN GAVE LIFE TO SAVE OTHERS



A gay man's courage in the face of imminent death helped most hostages at his café in the heart of Sydney to escape ... though he paid for his bravery with his life.

Worshipers of Antinous in Australia and New Zealand have canonized Tori Johnson as a Saint of Antinous ... the first Saint of Antinous from Australia ... for wrestling a gunman to the ground ... giving a chance for others to flee to safety.

Tori, an openly gay man who had been with his partner Thomas Zinn for 14 years, was the manager of Lindt Chocolat Café in busy Martin Square in the heart of the financial district of Sydney on 16 December 2014. 

He was on duty when an Islamic radical held the staff and customers as hostages for 11 hours ... before Tori rushed him in order to permit the other hostages to flee to safety ... resulting in Tori's death.

Tori, 34, who was one of two persons killed during the Sydney siege, soon became a national symbol of heroism. Candlelight vigils along with statues and memorials have commemorated his selfless heroism for trying to snatch the weapon from the gunman to allow the other hostages to escape. 

His parents and his lover became the focus of a nation's grief and gratitude.

"We are so proud of our beautiful boy Tori, gone from this earth but forever in our memories as the most amazing life partner, son and brother we could ever wish for," the family said in a statement.

Friends of Tori described him as "a loving, placid and very gentle soul ... a true gentleman".

Co-workers said they were not the least bit surprised at his bravery.

"He was an amazing man," said Peter Manettas, who worked with Tori for nearly seven years. 

"He was a selfless person who always put staff above everyone," Manettas said. "He always put himself second."

Others spoke of his loving compassion for everyone, even strangers.

When Tori heard of a 6-year-old boy (photo at left) who had never eaten a candy Easter egg because of a rare food-allergy disorder, Tori invited the boy and his family to the café. 

He created a giant Easter egg made entirely of pure chocolate … one of the few foods that the boy could eat safely.

"My son still talks about it all the time," said the boy's mother, Mercedez Hinchcliff. "It taught him that some people do go out of their way for other people."

Tori Johnson is a true Saint of Antinous!

Friday, December 15, 2017

BIRTH OF THE DIVINE LUCIUS VERUS


ON December 15th the Religion of Antinous celebrates the birth of the Divine Lucius Verus, who was born 48 days after the death of ANTINOUS in the year 130 AD (Year 19 of Antinous). As an 8-year-old boy he was hand-picked by Hadrian to become future co-emperor with Marcus Aurelius.

And Hadrian's wisdom in choosing him was realized when Lucius Verus proved to be a wise and diligent leader who combined efficiency in government along with a sense of charisma and high-drama style.


A handsome young man with naturally sandy-blond hair, he instructed his team of imperial stylists to sprinkle gold dust in his carefully coiffed hair and beard to highlight the natural blond sheen. 

Verus led a high-stepping lifestyle and kept a coterie of glitterati, actors and favourites with him. He had a replica tavern built in his house -- a sort of in-house Studio 54 -- where he staged lavish parties with his friends until dawn. 

He also enjoyed roaming around the city among the population, without acknowledging his identity. The games of the circus were another passion in his life, especially chariot racing.

Lucius Ceionius Aelius Aurelius Commodus Antoninus was the son of Lucius Aelius Caesar, His mother's name was Avidia. After the unexpected death of young Lucius's father, Lucius Aelius Caesar, Hadrian then adopted Antoninus Pius to be his successor, and ordered that Antoninus adopt Marcus Aurelius, Hadrian's 17-year-old nephew, and the 8-year-old Lucius who took the name Lucius Verus.

As a boy Lucius Verus was educated by the foremost Roman scholars including the historian Marcus Cornelius Fronto. He was watched over by a devoted freedman of his father named Nicomedes, a name with Bithynian connotations and of almost homosexual allusion.

Originally Hadrian desired that Lucius should marry Faustina the Younger, daughter of Antoninus, but then Antoninus canceled this arrangement and Faustina married Marcus Aurelius instead. Lucius married Lucilla, the daughter of Marcus Aurelius, in 161 a year after becoming Emperor in 161.


War broke out with the Parthians and Marcus Aurelius sent Lucius Verus to head the Campaign, but he is said to have spent his time drinking and banqueting, leaving the war in the capable hands of his  generals. It was a wise decision. For this victory, he was awarded a triumph.


In general, the duties of running the government were left in the hands of Marcus Aurelius, while Lucius Verus spent his time with actors and musicians, and at the chariot races. 

He is said to have excelled his eccentric father Lucius Aelius in ostentatiously exhibiting his pleasures on an Imperial scale, much to the disapproval of the stoic Marcus Aurelius. The two co-emperors, however, always maintained cordial relations.

Lucius Verus was born in the year 130, only 48 days after the Death of Antinous. This is of course very important to consider, and certainly must have left a life-long impression of Lucius Verus. Considerations of reincarnation are open for contemplation.

His death in the year 169 was sudden and unexpected, occurring during a military inspection, likely due to dysentery or possibly smallpox, as he died during a widespread epidemic known as the "Antonine Plague". 

Despite the minor differences between them, Marcus Aurelius  grieved the loss of his adoptive brother. He accompanied the body to Rome, where he offered games to honour his memory. After the funeral, the senate declared Verus divine to be worshipped as Divus Verus.

Many people (even modern-day pagans) balk at believing in the divinity of the emperors, preferring instead the Classical deities of the Roman Republic.


Pagans find it extremely difficult to worship human beings as legitimate gods, because they have no believable supernatural powers, it's too obvious. There are other reasons of course, but this is one.


Why not Worship Lucius Verus and Hadrian and Marcus Aurelius and all the Antonines, why not call out to them, why not praise them and declare our loyalty to them and hope for whatever benefit we might gain? 

The odds seem as favorable with them as with anything else that people call Gods.

For this reason, among others...we turn to ANTINOUS...because he IS a human being...and he WAS deified...ANTINOUS is in every way Both God and Man...we can believe whatever we want about him...but only so long as we do not delude ourselves into thinking that we can placate ANTINOUS, that by worshiping HIM, that we will somehow purchase his good favor...that we will be rewarded for our good faith.

We don't see any harm in asking ANTINOUS to give us the Moon and the Stars and the Beautiful Things of the Land and the Sea...and we are proud to ask ANTINOUS to watch over His People, all the Homosexuals of the World, to protect them and Guide into the Future.

This may seem to be a violation of our personal creed of not asking for fulfillment of our selfish whims...but it is not a violation of that creed...perhaps because it is not for ourselves...and also because we  do not expect ANTINOUS to respond in any way or form...it is not so much a response from ANTINOUS Himself that we are seeking, but a Response from the Antinous within Our Hearts and from the Antinous within All of Our Hearts.

It is We who must watch over ourselves and the whole world...through the Power of Antinous Love within us all.
 

Lucius Verus IS a god and he represents the Power of the Antinous Love which resides within us all.

Thursday, December 14, 2017

GREEK AND ROMAN STATUES
WORE TECHNICOLOR DREAMCOATS



GLEAMING white marble and limestone sculptures dominate our image of the Mediterranean world in classical antiquity.

However, it is not generally known that ancient architecture and sculptures were once painted in vivid colours.

But now, thanks to technology, experts are delving into the "archaeo-polychromy" of ancient reliefs and sculptures. They use digital scanners to detect faint smidgens of pigment. And then they do computer projections of what the original must have looked like.

For 10 years now, the traveling exhibit GODS IN COLOR (original title in German: Bunte Götter – Die Farbigkeit antiker Skulptur) shows statues such as "Paris the Trojan Archer" (above), from the west pediment of the Aphaia Temple in Aegina, the way that scientists believe the Ancient Greeks intended them to look.


The exhibition opened in San Francisco on 28 October 2017 at the LEGION OF HONOR and runs through 7 January 2018.

The traveling exhibition has been seen in major cities on every continent and is still heading to new cities. Watch for it at a museum near you ....

The experts stress that these mock-ups are only "best guess scenarios" of what the originals must have looked like. And there are many, many possible variations. The result is very flat and uniform.


After all, the experts are going by only minute flakes of pigment on a chin or cheek to project the color of the entire face.

No doubt the Ancient artists used varying hues, so that this bust of Caligula (left) would look much, much more lifelike than it does here in this modern mock-up.

The experts claim that even bronze statuary was often gilded and painted. We think of bronze being beautiful when it has acquired a patina of greenish age. But the Ancients thought that was dreadful. 


They went to great pains to keep their bronze statues polished so that they gleamed in the sun. They put gemstones in the eyes and they gilded the lips and the brows and eyelashes.

Be sure to watch for this traveling exhibition at a museum near you!

Wednesday, December 13, 2017

GEMINIDS METEOR SHOWER
PEAKS ON 13-14 DECEMBER



AMAZING meteor shower this week! Go outside about 20:00 hours (8 p.m.) and look up to see the GEMINIDS ... meteors shooting out of Gemini. The Geminid meteor shower appears every year about this time and is our best shooting star display, with more than 100 meteors appearing each hour. Sadly, if you live in the Northern Hemisphere the winter weather makes viewing bad. But if you are lucky enough to live in the Southern Hemisphere, you have a perfect view on a clear summer night!

Meteoro chuveiro incrível esta semana! Vá para fora cerca de 20:00 horas ( 8 pm ) e olhar para cima para ver os Geminidas ... meteoros que disparam fora de Gêmeos. A chuva de meteoros Geminid aparece todos os anos sobre este tempo e é a nossa melhor exibição estrela cadente , com mais de 100 meteoros aparecem de hora em hora . Infelizmente, se você vive no Hemisfério Norte o inverno torna a visualização ruim. Mas se você tiver sorte o suficiente para viver no Hemisfério Sul , você tem uma vista perfeita em uma noite de verão, claro !

Increíble lluvia de meteoros de esta semana! Salir a la calle a unos 20:00 horas ( 8 pm) y mirar hacia arriba para ver las Gemínidas ... meteoros tiro de Géminis. La lluvia de meteoros Gemínidas aparece cada año en esta época y es nuestra mejor visualización de estrella fugaz , con más de 100 meteoros que aparecen cada hora . Lamentablemente, si usted vive en el hemisferio norte el clima de invierno hace que la visualización malo. Pero si tienes la suerte de vivir en el hemisferio sur , se tiene una vista perfecta en una clara noche de verano !

Tuesday, December 12, 2017

ANTINOUS GUADALUPE
AND THE MIRACLE OF THE PINK LOTUSES


THE Day of the Virgin of Guadalupe (Día de la Virgen de Guadalupe) is a Catholic feast that celebrates the belief that a man encountered the Virgin Mary, Mexico's patron saint, in Mexico City on December 9 and 12, 1531.

It was said that she was the reincarnation of the Aztec goddess Tonantzin.

Born on the banks of the Rio Grande between the US and Mexico, Antonius Subia was inspired to paint this portrait of Antinous as Guadalupe. 

Antonius says:

I told them I had seen Antinous on the hilltop but they didn't believe me, something about drugs and alcohol and that I am a Mexican, and must be delusional.

So I let my poncho unfold and pink lotus flowers fell to the floor and behold there was a miraculous image of ANTINOUS on my poncho, by no means painted by human hands!

"Rebuild my Temple, Antonyus," he said to me in Nahuatl.

~ANTONYUS SUBIA

Monday, December 11, 2017

CARDINAL ALESSANDRO ALBANI
SAINT OF ANTINOUS


ON December 11th the Religion of Antinous honors SAINT ALESSANDRO ALBANI, who was an Italian aristocrat and cardinal, and a collector and patron of the arts. 

It is largely thanks to Cardinal Albani that Antinous experienced a resurgence of interest in the 18th Century which continues to this day.

It is also believed that Albani secretly worshiped the Beauteous Boy as a gay god.

Albani became a trend-setter and an arbiter of taste. Albani, whose sexuality was ambivalent, and the openly gay Winkelmann more or less single-handedly launched a craze throughout the European aristocracy for Classical art.

When he was 29, by special dispensation from his uncle Pope Clement XI, Alessandro Albani was made a Cardinal, although he had never been a priest or member of a lower order. 

Indeed, he would have preferred to pursue a military career. But chronic eye problems, which eventually resulted in total blindness in old age, convinced him to take up his uncle's generous offer.

He is said to have been a continuing cause of great concern to his uncle, due to his worldly and irreligious obsessions, first among these his passion for art.

Cardinal Albani used his vast wealth to collect Classical art, and to patronize artists of his day, such as Anton Raphael Mengs, and the "Father of Archaeology" Johann Joachim Winckelmann, who was an open homosexual.

The art collection of Cardinal Albani contained an extraordinary number of statues of Antinous, and these were studied by Winckelmann, who had taken up residence in the sprawling and very lavish Villa Albani outside of Rome (pictured at left).

And Antinous was the pre-eminent example of male beauty in Classical art. Every aristocrat in Europe wanted a statue or Antinous. And monarchs such as Frederick the Great of Prussia (who never married and favored intimate friendships with males) sent out experts to find statues of Antinous.

Thus, the science of archaeology was born largely through a desire by aristocrats to furnish their palaces with the sort of Antinous-style Classical art which Albani had made fashionable.

By the time he died on December 11th in the year 1779, it was rumored that Cardinal Albani, along with his intimate friends Winckelmann and neo-classicist painter Anton Mengs, had been secret worshippers of Antinous and Priapus.

It was asserted that they reinstated the religion of the Beloved Boy as a kind of underground cult along with other, unnamed persons.

For this reason, though based largely on rumor, Cardinal Alessandro Albani is sanctified as a Saint of the Religion of Antinous.

Although he was a Cardinal of the Catholic Faith, he may in fact have been the first High Priest of Antinous since the extermination of the ancient religion 1,300 years before.

Albani's secret cult ... assuming it truly existed ... is the only known predecessor since ancient times to the current Religion of Antinous.

Saturday, December 9, 2017

EGYPTIAN TOMBS RAISE HOPES
OF FINDING TOMB OF ANTINOUS



EGYPT on Saturday announced the discovery of two small ancient tombs in the southern city Luxor dating back some 3,500 years and hoped it will help the country’s efforts to revive its ailing tourism sector.

The discoveries prove once again that the sands of Egypt still have many mysteries ... and they raise hopes of one day finding the Lost Tomb of Antinous, if not in Egypt then elsewhere.

The tombs, located on the west bank of the river Nile in a cemetery for noblemen and top officials, are the latest discovery in the city famed for its temples and tombs spanning different dynasties of ancient Egyptian history.

"It's truly an exceptional day," Antiquities Minister Khaled al-Anani said. "The 18th dynasty private tombs were already known. But it’s the first time to enter inside the two tombs."

The ministry said one tomb has a courtyard lined with mud-brick and stone walls and contains a six-meter (yard) burial shaft leading to four side chambers. The artifacts found inside were mostly fragments of wooden coffins.

Wall inscriptions and paintings suggest it belongs to era between the reigns King Amenhotep II and King Thutmose IV, both pharaohs of the 18th dynasty.

The other tomb has five entrances leading to a rectangular hall and contains two burial shafts located in the northern and southern sides of the tomb.

Among the artifacts found inside are funerary cones, painted wooden funerary masks, clay vessels, a collection of some 450 statues and a mummy wrapped in linen who was likely of a top official.

A cartouche carved on the ceiling bears the name of King Thutmose I of the early 18th dynasty.

The Antiquities Ministry has made a string of discoveries since the beginning of 2017 in several provinces across Egypt ... including the tomb of a royal goldsmith in the same area and belonging to the same dynasty, whose work was dedicated to the ancient Egyptian god Amun.

JOHANN JOACHIM WINCKELMANN
SAINT OF ANTINOUS


TODAY is the 300th anniversary of the birth of the flamboyantly gay man who is the father of modern archaeology, our own Saint Johann Joachim Winckelmann.

Born in Stendal, Germany, on December 9, 1717, he is called the father of modern archaeology because of his scientific studies of the excavations of Pompeii and Herculaneum in Italy.

He was a student of classical art and his many writings, including the famous History of Ancient Art, are a testament to his adoration of the male form as manifested in Greek and Roman sculpture. He wrote openly about his homosexual relationships as early as 1763, and eventually found employment with Cardinal Allesandro Albani, whose art collection he catalogued.

Winckelmann is among the first to conduct a serious study of the art of Antinous, and to have written openly about the significance of the relationship between Hadrian and Antinous. 


He is also believed to have been part of the first revival of the Religion of Antinous, and Priapus, led in secret by Cardinal Albani.

Winckelmann was murdered in his hotel room in Trieste by a young man with whom he was having a casual love affair, on the 8th of June 1768.


He was stabbed multiple times including repeated wounds to the groin, evidently out of sexual violence.

For his work as a student of the art of Antinous, and as an early believer the Religion of Antinous, and for the violence of his death, Johann Joachim Winckelmann is revered as an Innocent Martyr of the Religion of Antinous, perhaps the most specifically Antinonine of all those who died as a consequence of their desire for beautiful men.

Notice the painting above by Anton Von Maron. Winckelmann sits in a magnificent costume, gazing on an engraving of Antinous and writing his thoughts, as though the painter has distracted him from his meditation ... but we can be be sure that Winckelmann wanted us to know that Antinous was at the forefront of his thoughts.

'THE LOVE GOD' BY MARTIN CAMPBELL
IS A BRILLIANT NOVEL ABOUT ANTINOUS


THE most brilliant novel about Antinous to appear in over half a century ... THE LOVE GOD ... is authored by our own MARTINUS CAMPBELL, priest of Antinous.

While that sounds like biased praise, we Antinomaniacs are hard to please and would not hesitate to pick apart a poorly researched book or one that denigrated Antinous, even if it were written by one of our best friends ... perhaps especially if it were. 

At the same time, a sycophantic book that presented Antinous as being cloyingly sweet and angelic would be unbearable and not believable.

So we are gratified (and greatly relieved) to report that this book truly is a remarkable work of historical fiction right up there with Marguerite Yourcenar's landmark MEMOIRS OF HADRIAN 60 years ago.

Martin traces the life of Antinous from the moment his tousle-haired head emerges from his mother's womb under auspicious stars in Asia Minor to the moment his head sinks beneath the swirling waters of the Nile on a starry evening in Egypt.

Antinous comes to life as a young man of breath-taking beauty who is filled with conflicting passions and loyalties. He is a young man who at times is naive, yet at other times worldly wise with an ability to see the world as it is ... and to describe it with at times brutal honesty to the most powerful man in the world.

Above all, this is a gentle love story between Antinous and Emperor Hadrian, himself a man of contradictory passions and priorities.

Martin himself is a man shares these passions. He has rebounded from a series of debilitating strokes to resume a daunting array of political activism for LGBTIU health and rights issues ... while working on this novel.

Based in a hilltop home overlooking the sea in Brighton England, he spent the best part of a decade researching this novel, retracing the footsteps of Antinous across Greece and Italy, as far north as Hadrian's Wall and as far south as the Nile in Upper Egypt.

Historical facts are excruciatingly accurate ... even the positions of the stars and planets at the moment of the birth of Antinous have been calculated to precision.

An academic scholar can read this book with satisfaction, noting obscure and arcane references which only the experts in the field of Antinology fully appreciate.

At the same time, however, this is a fun book to read even for those who have never heard of Antinous in their lives and who have no firm grasp of Roman civilization in the 2nd Century AD.

There is intrigue, skulduggery, near-death by lightning, getting lost in a subterranean labyrinth, a storm at sea, earthquakes ... and some fairly hot man sex as well, albeit tastefully brought to the page.

The narrator is the Classical Love God himself: Eros. He shoots his amorous arrows and ensures that Antinous and Hadrian fulfill the destiny which the Fates have in store for them ... despite efforts by certain people in the Imperial Court to thwart the Fates.


But the genius of this book is that there are no black-and-white villains or heroes. Antinous is a young man with all the problems and drives of late adolescence. Hadrian is a man with a mid-life crisis of doubt and regret.

Others such as Empress Sabina and her constant companion Julia Balbilla and their coterie of fawning courtiers and freedmen are not really hateful towards Antinous so much as they are simply perplexed by him. 

They view him the way some members of the Royal Household might look at the favorite Corgi of the Queen, unable to comprehend her affection for it, her grief when it dies.


They whisper amongst themselves: What hold does Antinous have over Hadrian? 

Just who does he think he is? And is he a threat to them? 

What is so different about Antinous that Hadrian doesn't grow weary of him ... as he always has with previous toy boys? 

Because they cannot understand how he fits in the scheme of Imperial court life, some really rather wish he would just disappear ... voluntarily or otherwise. 

And through it all is the boyhood friend of Antinous who has accompanied him on this long journey with mixed feelings and with growing envy and jealousy. 

The boiling emotions all stem from Eros, who winks knowingly at the reader as he shoots one arrow after another with unerring accuracy to ensure that Antinous fulfills his destiny ... to take his place alongside Eros as a God of Love.

The result is a richly entertaining and beautifully written novel which appeals to those seeking authoritative scholarly accuracy as well as readers who just want a riveting and memorable adventure yarn.

The Love God is available as Kindle and as a paperback ... CLICK HERE to order.

Friday, December 8, 2017

THIS STUNNING VIDEO RECREATES
LOCATIONS IN HADRIAN'S LIFE


A stunning video by the ALTAIR4 team of 3-D archaeological recreations portrays locations in Emperor Hadrian's life.

The video shows portions of Hadrian's Villa, Nero's Golden House, the Acropolis in Athens, the Temple of Isis at Philae and Karnak in ancient Thebes....


Click HERE for more 3-D archaeological recreations.

Thursday, December 7, 2017

A VOYAGE TO PARADISE WITH ANTINOUS
ABOARD HIS CELESTIAL BARQUE



ALL those who believe in Antinous the Gay God hold a ticket for the Barque of Millions of Years. We will all be together, making our way towards the unseen Dark Star. This is a journey to paradise with Antinous...he will circle the Sun until the last one of us has boarded..and then we will set forth away into interstellar space until we reach his unseen star...which is a gateway to other worlds beyond.

Todos aqueles que acreditam em Antinous, o Deus Gay, têm um bilhete para o Barque de Milhões de Anos. Estaremos todos juntos, fazendo o nosso caminho rumo à Estrela Negra invisível. Esta é uma viagem ao paraíso com Antinous ... ele circundará o Sol até que o último de nós tenha embarcado ... e então iremos para o espaço interestelar até chegar à sua estrela invisível ... que é uma porta de entrada para Outros mundos além.

Todos los que creen en Antinous el Dios Gay tienen un boleto para la Barca de Millones de Años. Estaremos todos juntos, haciendo nuestro camino hacia la Estrella Oscura invisible. Esto es un viaje al paraíso con Antinous ... él circundará el Sol hasta que el último de nosotros ha abordado ... y entonces partiremos lejos en el espacio interestelar hasta que alcancemos su estrella invisible ... que es una entrada a Otros mundos más allá.


~ANTONIUS SUBIA

Wednesday, December 6, 2017

HOW'S THIS FOR VINTAGE WINE?
1,900-YEAR-OLD CRETAN WINE IN POMPEII



TALK about vintage wine … archaeologists at Pompeii today revealed 15 amphorae of the finest wine in the ancient Mediterranean world which had been stored in a wine cellar at the doomed city's gladiators school the day Vesuvius erupted.

The amphorae of Cretan wine were stacked lovingly in the wine cellar of the Schola Armaturarum (gladiators school) and still mostly intact.

They are the first major archaeological finds to be announced in 20 years at the site.

Ironically, the discovery of the amphorae is due to the fact that part of the Schola Armaturarum collapsed on 6 November 2010 due to neglect. In response to the collapse, a major project was begun to restore the gladiators school and search for more artifacts.

The amphorae contained the finest wine from Crete, says Massimo Osanna, the director of the Archaeological Park of Pompeii.

He and archaeologists Arianna Spinosa and Alberta Mastellone recognized among the vases discovered precisely those produced in Crete and noted that Cretan wine was regarded as the finest in the ancient Mediterranean.

Who could afford such quality wine? And was the wine intended for gladiators or the owner of the gladiator school?

More research is needed to answer those questions, says Massino Osanna.

The type of amphorae unearthed, in addition to wine, were used for the transport of oil and a fish sauce produced in Spain, different from garum that was also produced in Pompeii. 

NEFERTITI SURVIVED THE FALL OF EGYPT
AND EVEN THE FALL OF THE 3RD REICH


AN alluring mystery has surrounded this famous bust of Nefertiti since its discovery on December 6, 1912, incredibly intact and sporting vibrant colours, after lying in forgotten in the sands since the tumultuous days at the close of the reign of Pharaoh Akhenaton, one of the most enigmatic rulers of all time.

It was found by a German archaeologist in the ruins of a sculptor's house at Tell el-Amarna ... 20 km south of ANTINOOPOLIS.

In 1913, the Ottoman Empire agreed to allow its finders, part-time German-Jewish archaeologist and full-time entrepreneur James Simon and his Prussian colleague Ludwig Borchardt, to retain possession of the bust.

The simmering controversy between Egypt and Germany boiled over anew when a German news magazine printed excerpts from documents which allegedly indicated Borchardt deliberately used subterfuge to "smuggle" the bust out of Egypt. 

The documents are not new to scholars, however, who say Borchardt and Simon did not need to be devious. 

Instead, the Ottoman Empire officials simply failed to appreciate the artistic value of the artefact.

Despite persistent rumors that Borchardt and Simon smuggled out the bust under a coating of mud, the plain truth of the matter is that Ottoman authorities failed to recognize the bust as a masterpiece. In those days, the stark style of the Amarna Period was not viewed to be as valuable as more traditional styles of other periods.

Borchardt and Simon, however, immediately recognized the bust's appeal to European tastes for Art Nouveau and other post-Victorian styles. They did indeed breathe a sigh of relief when the Ottoman authorities blindly gave their stamp of approval to their request for removal from Egypt.

Borchardt and Simon carted it off to Europe where Simon displayed Nefertiti prominently in his home in Berlin before later lending it to the Berlin museum and finally donating it in 1920 to the Berlin collection.
The discovery of Tutankhamun's tomb in 1922 spawned an Egypto-mania craze as well as the Art Deco style.

King Tut's treasures flaunted the "decadent" style of the late 18th Dynasty, and Nefertiti suddenly was a fashion trend-setter.

Crowds flocked to the Berlin museum in to see Nefertiti and shame-faced Egyptian authorities realized they had made a ghastly mistake a decade earlier.

"They suddenly realized that this bust, which had been dismissed as 'un-Egyptian' in 1913, was in fact one of the most exquisite examples of Egyptian art," the Berliner Zeitung newspaper quoted one expert as saying.

In 1933 the Egyptian government demanded Nefertiti's return - the first of many such demands over the decades to come. One of the many titles Hermann Goering held was premier of Prussia (which included Berlin) and, acting in that capacity, Goering suggested to King Fouad I of Egypt that Nefertiti would soon be back in Cairo.

But Hitler had other plans. Through the ambassador to Egypt, Eberhard von Stohrer, Hitler informed the Egyptian government that he was an ardent fan of Nefertiti:

"I know this famous bust," the fuehrer wrote. "I have viewed it and marvelled at it many times. Nefertiti continually delights me. The bust is a unique masterpiece, an ornament, a true treasure!"

Hitler said Nefertiti had a place in his dreams of rebuilding Berlin and renaming it Germania.

"Do you know what Im going to do one day? I'm going to build a new Egyptian museum in Berlin," Hitler went on.

"I dream of it. Inside I will build a chamber, crowned by a large dome. In the middle, this wonder, Nefertiti, will be enthroned. 

"I will never relinquish the head of the Queen," Hitler vowed. 

(Cartoon by ALLYSTERIO)

While he did not mention it at the time, Hitler envisioned more for the museum. There was to be an even larger hall of honour, with a bust of Hitler.

It was rumoured immediately after World War II that Hitler had commissioned a copy of the bust for possible handover to the Egyptians after a Nazi victory. 

American Allied art experts claimed they found two wooden crates in a salt mine south of Berlin where the German capital's museum art treasures had been placed by the Germans for safekeeping during bombing raids. The two crates allegedly contained identical Nefertiti busts.

But in post-war confusion, one of the crates got lost. The whereabouts of the "other Nefertiti" are unknown - assuming it ever existed to start with. 

From time to time over the years, there have been reports suggesting that the fake bust survived and that the genuine bust is lost. A recent documentary on Germany's ZDF television network revived that theory.

But a series of new CT scans come to the rescue. 

They prove once and for all that the bust on view in Berlin is indeed genuine. 

Whether there ever was a duplicate is now a moot point.

The exquisite limestone bust of Queen Nefertiti forms the focal point of the Berlin collection, which ranks among the top two or three collections in the world outside Egypt itself.


The British Museum, the Louvre in Paris and the Metropolitan in New York are the only chief rivals to Berlin's collection, which spans all eras from the pre-Dynastic period all the way through to Roman times.

Hitler's dreams of a monolithic new Egyptian museum never materialized. Hitler and his mad dreams are long dead. But Nefertiti continues to smile serenely. As she has for 3,300 years. As if to say, this too shall pass. And I shall endure.

Tuesday, December 5, 2017

MEET SANTA'S HELPERS
KRAMPUS AND ANTINOUS/APOLLO



EVER wonder about the origin of Santa's reindeer? They echo Pan, satyrs and fauns who had their own festival in December.

December 5th and 6th is the ancient Roman feast of the Faunalia ... which ironically is still celebrated in Europe and Latin America by millions of children ... who get a visit from Santa and his horned helpers.

Millions of kiddies know that you put your shoe outside the door on the evening of December 5th and that St. Nicholas will fill it goodies on December 6th ... the Feast Day of St. Nicholas.

Children who have been good receive sweets and toys ... but children who have been naughty are punished by St. Nick's furry helpers.

What few people realize is that old St. Nick is related to Antinous/Apollo ... and his helpers are Pan and his hordes of satyrs and fauns.

The pagan history shows that St. Nicholas is a vastly more complex being than most Christians could imagine, stemming from the Temples of Apollo and Artemis in Asia Minor (the birth country of Antinous) which would later be the birthplace of the mythical Nicholas.

The truth is that when you see a department store Santa, you are seeing only a composite being whose multitudinous composite aspects (many of them very dark and spooky) trace their origins back to the beginnings of mankind.

If you look very, very carefully, you will see the face of Antinous/Apollo shining through the centuries of folk customs under a variety of names including Santa, Sinter Klaas, das Christkind and Kriss Kringle.

In some parts of Central  Europe, St. Nick goes from house to house on December 6th accompanied by a coterie that includes figures resembling Pan, Apollo and Artemis (Austrian Alps photo right).

 The legend of St. Nicholas begins in the Turkish town of Patara in Asia Minor which was also the birth land of Antinous. Patara was also the birth place of Apollo and a famous oracle was located there.

Apollo's sister Artemis also had a cult center in nearby Myra, where Nicholas grew up and allegedly became a "bishop." Myra's main cult was dedicated to Artemis Eleuthera, a distinctive form of Cybele, the ancient mother-goddess of Anatolia. She had a magnificent temple in Myra.

Unfortunately, St. Nicholas was zealous in his duties as bishop and took strong measures against paganism. The temple of Artemis and the Apollo oracle were among many other temples in the region that he destroyed. It is said that the very foundations were uprooted from the ground, so complete was its destruction, "and the evil spirits fled howling before him".

St. Nicholas was never officially canonized by the Church. He simply usurped the popularity of Artemis and Apollo and promoted his own reputation for being a protector and a giver of good things.

Antinous/Apollo more or less morphed into Old St. Nick, aka Santa Claus, Father Christmas, Sinter Klaas, das Christkind and Kriss Kringle.

And in a lot of places, Santa has several dark and scary sidekicks — all related to Pan, who also originated in Asia Minor.

In the Alps, Santa's helpers take the form of a demonized Pan who chases and abducts children who have been naughty. He is called Krampus and, thanks to the Internet, Krampus is becoming widely known in English-speaking countries.

In the Nordic and English version, of course, all that is left of Krampus with his horns and hooves and fur is the reindeer which accompany Santa's sleigh. 

In Holland, St. Nick is accompanied on December 5th/6th by a Moorish youth wearing a turban and fur-trimmed costume called Svarte Piet, who delights in teasing naughty children.

In English-speaking countries, prudish Victorians stripped Santa of all his impish devilry. Santa is nice to all and punishes no one. 

In Europe, Santa's Dark Side still prowls — marches defiantly, in fact. In a way, the Anglo-American Santa Claus was lobotomized by the Victorians so that he is only docile and sweet-humoured.

But to understand the REAL Santa Claus, you have to understand his Darker Side. You have to understand where Santa is coming from, literally....

He is composite spirit being who in English-speaking countries is called St. Nicholas, Santa Claus or Father Christmas.

But the deeper you go back into the forests of Europe, the more differentiated this ancient being becomes so that you see his various component parts — including Antinous-Apollo — all competing against each other — sometimes morphing into each other.

Monday, December 4, 2017

FABULOUS CACHE OF SEKHMET STATUES
UNEARTHED IN WESTERN THEBES



INCREDIBLY, during the course of 2017, the German archaeological mission operating at the King Amenhotep III Temple area in Luxor has discovered 100 statues of the ancient Egyptian lioness goddess Sekhmet, according to the semi-official AL AHRAM newspaper.

The discoveries are part of an enormous CACHE OF SEKHMET STATUES found in recent months during a restoration project for the Colossi of Memnon, two massive stone statues of King Amenhotep III and his temple.


Early in the year, 66 statues were found. That already would have been a record. But then in December 2017, nearly 30 more statues were found.

The project began in 1998 with the goal of preserving the remnants of the temple and rebuilding it anew, said head of the Egyptian Antiquities Sector at the ministry, Mahmoud Afify.

The discoveries were made during excavations by the German mission in the area between the courtyard and the hall of columns in the temple. The excavation was originally made to search for the remains of the wall separating the two sites.

Some of the discovered statues represent goddess Sekhmet in a seated position, others depict her while standing and holding in her hand the symbol of life and a scepter of the papyrus flower, said mission head Professor Horig Suruzaan.


She pointed out that all the discovered statues are made of Diorite rock.

The statues are in good condition and well-preserved; they have an important archaeological value as they should provide a full image of the temple, especially after its collapse in a devastating earthquake in the pharaonic era, Suruzaan added. 

The statues are undergoing restoration before being replaced in their original locations at the temple, she mentioned.

King Amenhotep III installed a large number of statues of the goddess Sekhmet to protect the temple from dangers and the king from diseases.


Sekhmet, who is depicted as a lioness, was a warrior goddess and the goddess of healing, known to ancient Egyptians as the "powerful goddess."

Sunday, December 3, 2017

YOUR ONLINE ANTINOUS SHOP



LOOKING for that perfect holiday season gift? One-stop shopping is just one click away at the online TEMPLE OF ANTINOUS SHOP

This shop features official Antinous articles selected and designed by FLAMEN ANTONIUS SUBIA personally.

If you admire the artwork of Antonyus, then order your own posters of his hand-picked favorite paintings and photographs.

A wide range of T-shirts is available, including classic "T", fitted "T", ringer "T", sleeveless, long-sleeve and baseball jersey — in up to nine colors, depending on the style and design you prefer.

The handy Antinous Tote Bag is a must-have as is a wide array of Antinous lapel buttons and refrigerator magnets in various sizes and designs.

Naturally, there are coffee mugs — and even an official Antinous beer stein appropriately adorned with the well-known Subian portrait of Antinous/Dionysus.

One of our favorites is the Antinous Keepsake Box, available in red-mahogany or black, with a tile cover portrait of the Louvre's breath-taking Ecouen Antinous. This roomy box is perfect for any home shrine or altar and is the perfect jewelry box.

And of course the ever-popular Antinous bumper sticker (at the top of this entry) provides the Beauteous Boy's blessings on any vehicle.

All items are ordered with safety and guaranteed efficiency through cafepress, which has a sound reputation for speedy delivery around the world, with secure payment in all major currencies.

Saturday, December 2, 2017

MARQUIS de SADE
SAINT OF ANTINOUS


ON December 2nd, the Religion of Antinous honors the Marquis de Sade for being the first person since ancient times to proclaim publicly his adoration of the beauty of Antinous.

The Marquis de Sade was himself probably what we would nowadays call ambi-sexual. At any rate, homosexual activity is an important item in his program of revolutionary sexual libertinism.

The Comte Donatien-Alphonse-François de Sade, more often called the Marquis de Sade, lent his name to the complex psycho-sexual phenomenon of "sadism" ... that is, the derivation of pleasure from cruelty through inflicting physical pain, mental suffering, or both.

To this day, "sadism" (which was named for him) is a provocative term which turns off conventional-minded people ... and turns on those other people who are into Fetish, BDSM and the many other related fields of sexual endeavour.

Yet there is more to Sade's writings than sadism -- the term coined by Krafft-Ebing in his "Psychopathia Sexualis" (1876). For running  throughout the Sadean oeuvre of plays, stories, essays, novellas, and letters ... and often overlapping with the most calculated outrages of his obscene novels ... is a philosophical discourse on freedom, power, evil and desire.


Donatien Alphonse Francois de Sade was born June 2, 1740, in Paris, France. The Marquis grew up in the decadent excesses of pre-revolution France's aristocracy.

Sade's father, for instance, was arrested while "cruising" the Tuileries Gardens for male hustlers. Throughout most of his life, the Marquis pursued bizarre forms of sexual gratification, he was arrested for his excesses numerous times and spent several periods of time imprisoned.

In 1772, he was sentenced to death as a "sodomite." Though the sentence was lifted in 1776, he was imprisoned for many years. Early in July 1789, as mobs rallied for the revolution, he screamed to the masses from his cell window in the Bastille, telling them that the prisoners were being slaughtered by the guards on orders of the aristocracy. 

The mob subsequently freed him, but the cloud of immorality never lifted and he died broken in mind and body.

And yet it was his imprisonment which resulted in his literary legacy. While serving that sentence in the Bastille, he began to turn his extreme imagination towards writing books and plays, which are a summit of erotic poetry.


It is from these works that the word Sadism is derived because the philosophy of sexual violence and domination was delineated and demonstrated for the first time by the Marquis in his numerous and detailed catalogues of perversions.

One of these works, entitled "The 120 Days of Sodom" was written  while in the Bastille. When the prison was stormed during the French Revolution, many of the works of the Marquis de Sade were lost, including this work. It was miraculously rediscovered in 1904, rolled up in the frame of a bed, and subsequently published.

We consecrate the memory of the Marquis de Sade because he was a sexual revolutionary, who spoke quite openly about homosexuality, and who freely acknowledged that his valet Latour was his personal sodomizer.

And he was among the first to take up the name of Antinous for beauty and homoerotic purposes, naming one of the characters in "The 120 Days of Sodom" after Antinous, describing him in this way:

"Antinous: so named because, like Hadrian's favorite, he had, together with the world's loveliest prick, its most voluptuous ass, and that is exceedingly rare. Antinous wielded a device measuring eight inches in circumference and twelve in length. He was thirty and had a face worthy of his other features."

The Marquis de Sade died December 2, 1814, in Charenton Insane Asylum.